A 19th Century brass tripod wine table with dished top, the rim in a petal design raised on a single turned column to tripod base, 41.5 cm wide CONDITION REPORTS Surface scratching and some pitting and small dents to the top and some of the petal design rim are bent through knocks etc. There are several splits to the petals and one has been repaired. The top also appears to be slightly pushed in around the support. The top has been re-attached to the pedestal which has larger knocks, corrosion, patination and verdigris marks on it. There is a screw thread at the base running through to the separate feet although this is worn and there is no nut or finial holding them together. More pitting verdigris, knocks and surface scratches to the base. The pedestal is hollow with a pole running through it and the legs are also hollow. See images for further details. Has general wear and tear conducive with age and use.
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An 18th Century hallmarked silver conical shaped Chocolate Pot hand chased and engraved with flower heads. 'C' scrolls and other stylised foliate ornament etc., the cartouche with inscription To William Benson by his Uncle 1838 (assayed probably London 1826, carved brown wooden handle, 19.5cm (to tip of finial), approx. 677g
A good 19th Century hallmarked silver Inkwell and Stand, the Inkwell modelled as a Roman oil lamp and with the handle terminating in an eagle head finial, the scallop shaped stand having scrolling handle, with etched glass liner, makers mark J.C.F., both pieces assayed London 1860, the stand 23.75cm wide, total combined weight approx. 579g
A late 19th Century Chinese porcelain model of a young boy seated upon the back of a recumbent ox and a 19th Century rectangular Chinese porcelain reticulated Cover (now minus base) the gilded Karashishi finial with brocade ball in typical style surmounting the yellow ground domed lid hand decorated in enamels with various flowers and floral sprigs etc., (2)
A large and heavy late 17th Century style hallmarked silver lidded Tankard produced to mark the occasion of the Coronation of King George VI and Queen Elizabeth 12th May 1937, given with the compliments of the Master, Wardens and Court of Assistance of The Clothworkers' Company, engraved with a coat of arms and the inscription "The Guilt of Francis and Mary Burton, 1684" presentation inscription also to underside and dated 1937, makers mark of Goldsmiths and Silversmiths Company, London, assayed London 1837, approx. 20cm high (to tip of animal finial), approx. 1,125g, together with original card detailing the gift CONDITION REPORT: Apart from tarnishing as a result of the piece languishing in a cupboard for many years it appears to be in good original overall condition with no major problems apparent, comes together with original paperwork.There are no splits, repairs or significant damage to this item.
A stylish eight day Swiss Mantel Clock, the gilded ball finial above further gilded floral sprays set against a mottled green lacquer style ground, the 16cm cream enamel dial with Roman numerals and signed T. Otto Scherer, A Berne, the gilded movement signed "Jex" Zurich, individually numbered 14520 and striking on two bells, the hour glass shaped case terminating in four gilded scrolling feet, 46cm high (with pendulum and key)
A Chinese porcelain two handled tripod Censer and Cover, the finial as a Karashishi with brocade ball, together with one further smaller tripod example decorated with scrolling lotus (on conforming hardwood stand) and two blue and white Tea Bowls each intricately decorated with half lotus and leaves etc., the two Bowls each with six character marks to underside (4)
English hook and spike brass lantern clock, signed George Harris of Frittwell to the foliate engraved dial centre with single iron hand, enclosed by a brass chapter ring, surmounted by pierced dolphin and foliate frets, strapwork bell and finial, 15.5" high (with later oak bracket, two weights, chain and pulleys)
Fine impressive English ebonised triple fusee massive bracket clock, the 11" silvered chapter ring signed J.C. Jennens, London enclosing a matted centre over an arched panel applied in relief with the figure of Father Time seated over a silvered plaque inscribed Tempus Fugit, the substantial movement with pull repeat and playing on a nest of eight bells, with hourly strike on a gong, the stylised foliate engraved back plate also signed J.C. Jennens, London, with locking pendulum and sunburst engraved bob, within an impressive ormolu mounted stepped case with moulded arched square caddy top surmounted by a pineapple finial, 38" high (pendulum, winding and door keys) *This clock is in superb condition after a recent complete professional overhaul. This clock is illustrated in Britten's - Old Clocks & Watches, ninth edition, page 500, where it is listed as 'Jennens, J.C., c1790, London, chiming bracket clock (The Hague)'
Good English ebonised double fusee bracket clock, the pull repeat movement striking on a bell signed James Reynolds, London to the backplate, the 6" silvered arched dial also signed James Reynolds, London within a stepped ebonised case inlaid with brass lines and with pierced fish scale fret side panels, brass carrying handle and surmounted by an architectural stepped top with brass urn finial, 16" high (pendulum and keys)
French brass two train mantel clock garniture, the movement with outside countwheel striking on a bell, the 3.75" ornate chapter ring inscribed Comptoir General, 9 Bd Poissenniere, Paris, Matson H. Riondet on an enamel plaque to the centre, with Roman cartouche enamel numerals, within a stepped case with applied decorative mounts and surmounted by a an ornate foliate finial, 17" high; also with a pair of associated five light candelabra, 21" high (pendulum and key)
French Vernis Martin style painted two train balloon mantel clock, the Vincenti movement striking on a gong, the 5" cream dial within a decorative case painted with a courting couple in a rural landscape and sprays of flowers, with gilt metal mounts and surmounted by an ornate finial, 18" high (pendulum and key)
English mahogany double fusee bracket clock, the pull repeat movement signed John Walker, London, no. 4090 striking on a large bell, the 8" circular dial signed John Walker, 68 Cornhill & 230 Regent Street, London, no. 4090, within a brass inlaid stepped case surmounted by a stepped gadrooned caddy top and brass acorn finial, 20.5" high (pendulum)
Scottish mahogany eight day longcase clock, the 13" cream painted dial signed William Dobbie, Falkirk with subsidiary seconds and calendar dials, the case with medium length door inlaid with boxwood lines over an oval inlaid conch shell, the hood with a rounded arched moulded pediment also inlaid with oval panels depicting birds amidst foliage, surmounted by a stylised foliate carved pedestal finial, 83" high (pendulum, two weights and door key)
Good Scottish burr walnut eight day longcase clock, the 13" circular cream dial signed James Forrest, Glasgow, with subsidiary seconds dial, the tapered stepped case raised upon a bombé base, the rounded arched glazed long door with canted corners and applied foliate carved brackets, also with pierced foliate carved hood surmounted by a turned finial, 87" high (pendulum, weights and door key)
French ormolu and marble two train drumhead mantel clock, the movement with outside countwheel striking on a bell (missing), the 3.75" white chapter ring enclosing a gilded centre and within a drumhead casing supported by twin pillars to the rectangular base, with gilt metal foliate mounts, surmounted by a basket of sunflowers finial, 18.5" high (pendulum)
A Japanese Kutani two handle incense burner and cover late Meiji period signed to inside lid, decorated with two panels of dragon fish amidst waves in rouge de fer and gilt and two panels of pavilions in landscapes in blue, yellow green and aubergine enamels, the handles modelled with hares and the finial as a reclining stag, 24cm high
THREE LARGE FRAMED PRINTS, glazed frames, titled 'After the Storm' 2004 Douglas Bader in Spitfire Pas-De-Calais, signed by ten Battle of Britain Crew 82/300, Spitfire Finial Action last Flights from Malaga - Attack on Kota Tinggi 31/12/1950, together with certificate and signatures, Tangmere Hurricanes 253/1000 with replica Sqdn badges, unit patches etc
A four piece silver tea service, S Blanckensee & Sons Ltd, Chester 1937, each piece of plain polished oval canted form, comprising; a teapot with ebonised handle and finial, 14cm high, a hot water jug with ebonised handle and finial, 16.5cm high, a two handled sugar bowl, 9.5cm high and a cream jug, 9.5cm high, total weight 52oz
An Edwardian three piece silver tea service, James Dixon & Sons Ltd, Sheffield 1908, each piece of tapering navette form with reeded band to the body and engraved monogram, comprising; a hot water jug with ebonised handle and finial, 23.5cm high, a teapot with ebonised handle and finial, 18.5cm high and a two handled sugar bowl, 10.5cm high, each raised on oval foot, total weight 44.8oz (3)
A matched Edwardian four piece silver tea and coffee service, Walker & Hall, Sheffield 1903 & 1904 and Chester 1906, each piece of shaped oval form with reeded band to the body and embossed acanthus corner panel, engraved monogram, comprising; a coffee pot with ebonised handle and finial, 23cm high, a teapot with ebonised handle and finial, 17cm high, a two handled sugar bowl, 12.5cm high and a cream jug, 10.5cm high, each with gadrooned rims and raised on four ball feet, total weight 62oz (4)
A George IV part three piece silver part tea service, W.E., London 1823, each piece with embossed and engraved floral scroll decoration, comprising; a coffee pot with turned wood handle and ivory finial, 22.5cm high, a teapot with tuned wood handle and ivory finial, 16cm high and a cream jug, 9cm high, each raised on lobed spreading foot, and with engraved crest, total weight 64.8oz (3)
A Victorian matched four piece silver tea and coffee service, Walter & John Barnard, London 1892, each piece of circular half reeded form with shell, foliate and gadrooned border, comprising; a coffee pot with turned wood handle and ebonised finial, 18.5cm high, a teapot with ebonised handle and finial, 10cm high, a two handled sugar bowl, 7cm high and a cream jug, 8cm high, each with engraved crest and raised on circular collet foot, total weight 49.5oz (4)
A four piece silver tea service, Harrison Brothers & Howson, Sheffield 1946, each piece of plain polished tapering rectangular form with gadrooned rim, comprising; a teapot with ebonised handle and finial, 12.5cm high, a hot water jug, 19cm high, a two handled sugar bowl, 8cm high and a cream jug, 8cm high, each raised on four stepped feet, total weight 56.3oz, together with a pair of silver plated sugar tongs (5)
A silver pedestal pot pourri bowl, makers mark rubbed, Birmingham 1921, designed as a shallow plain polished bowl with decorative pierced cover mounted with cast bird finial, all raised on figural stem to circular base, 15cm high, together with a pair of Victorian lobed trefoil pin dishes, Sibray, Hall & Co Ltd, London 1894, each raised on three bracket feet, 11.5cm diameter, total weight 10.7oz (3)
A George II Irish silver bowl and cover, by Thomas Walker, Dublin circa 1740, circular form, chased with masks, foliate scroll decoration and trellis decoration, with two crowned ciphers with cherub and scroll supports, the pull-off cover with foliate decoration and a cone finial, on a raised circular foot, height 16.5cm, approx. weight 16.8oz. Provenance: purchased from S.J.Shrubsole, 43 Museum Street, London.
An Elizabeth I West Country silver Seal-top spoon, by John Edes, Exeter, circa 1580-1600, fig-shaped bowl, faceted slight tapering stem with a gilded hexagonal seal-top finial, later crested, length 16.4cm, approx. weight 1.4oz. The crest is that of many families including Brookman, Gatty, Petytand Shore.
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116041 item(s)/page