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A Charles I East Anglian provincial silver seal top spoon, the tapered rectangular stem with baluster finial, the plain top with indistinct pricked initials, the fig-shaped bowl interior with town mark, probably Beccles circa 1640, length approx 17cm. Note: see pages 92 and 94 of Christopher Hartop`s East Anglian Silver 1550-1750 for illustrations of marks.
A late 19th Century walnut and green veined marble bracket clock with eight day movement striking on a bell, the case with broken arch pediment above a pair of ionic pilasters and inset marble panels on an inverted break front base, height approx 58cm, together with pendulum (lacking finial).
A late 19th Century brass cased mantel click with eight day movement striking on a gong, the circular enamel dial with black Arabic numerals, the rectangular case with pagoda top surmounted by an urn finial, above two scroll handles, on a rectangular base and scroll feet, with a pendulum and key.
A late 19th Century walnut Vienna style wall clock with eight day movement striking on a gong, the gilt dial decorated with a stag in relief to the centre within a cream chapter ring with Arabic numerals, the case with glazed door flanked by a pair of turned pilasters above turned finial, height approx 110cm, together with pendulum.
A Worcester porcelain teapot and cover, circa 1775, of globular shape, the cover with floral finial, painted with a version of the Scarlet Japan pattern with alternate panels of puce flowers and deep orange bands reserved with mon against a gilt diaper ground, puce painted crescent mark to base, height approx 13cm (spout restored), together with a similarly decorated Worcester porcelain coffee cup with grooved handle.
An Art Deco silver circular sugar caster by Sanders & Mackenzie (Ernest Wilfred Sanders & Henry Arthur Mackenzie), Birmingham 1939, with a spire finial to the domed and stepped screw-in cover, the plain ovoid body stepped to the base, on a flared circular foot, 15.5cm (6in) high, 145g (4.6 oz).
By Charles Boyton and Son, a silver powder bowl and cover, London 1932, tapering circular form, spot-hammered decoration, gilded bowl, the pull-off cover with an oval citrine finial, with a beaded border, the underside set with a mirror, on a raised circular foot, diameter 15cm, approx. weighable 9oz.
A George II provincial silver chocolate pot, by John Langland and John Goodrick, Newcastle 1754, tapering circular form, scroll and shell capped spout, later scroll handle, the domed hinged cover with a removable pin and detachable come finial, on a raised circular foot, height 24.2cm, approx. weight 22oz.
A matched pair of Victorian silver mounted brown glass decanters, maker’s mark of Thomas Smily, London 1863, compressed circular bellied form, ring handles, the mounts with pierced grapevine decoration, silver mounted cork stoppers with a bunch of grapes finial, engraved with a monogram, height 22.7cm. (2)
A pair of modern silver two-light candelabra, over-stamped with maker’s mark of R. E. Porter, Birmingham 1977, one branch 1978, knopped baluster stems, on raised square bases with incurved corners, spool shaped capitals, double scroll arms, and plain drip pans, with a central knop finial, height 26cm, approx. weight 58oz. (2)
A pair of modern silver two-light candelabra, over-stamped maker’s mark of R.E. Porter, (of Bournemouth), Birmingham and Sheffield 1977, one branch 1978, knopped baluster stems, on raised square bases with incurved corners, spool shaped capitals, double scroll arms, and plain drip pans, with a central knop finial, height 25.3cm, approx. weight 58oz. (2)
A Victorian silver coffee pot on stand, by Robert Garrard, London 1854 and 1855, baluster form, scroll handle, engraved foliate decoration, domed hinged cover with a flower finial, the stand of circular form, on three scroll legs terminating in pad feet, with a circular burner, height 29cm, approx. weight 42oz. (2)
An .800 standard silver ewer, with cancelled marks and London Assay Office marks for 2011, shaped rectangular baluster form, part fluted decoration, scroll handle, hinged cover with a ball finial, on a raised shaped square foot with bright-cut decoration, engraved with an armorial, height 32cm, approx. weight 24oz. The shield and crest is that of Boyd of Co. Durham.
A pair of Edwardian silver three-light candelabra, by Thomas A Scott, the branches over-struck with maker’s mark of Hawksworth, Eyre and Company, Sheffield 1905, tapering oval form, scroll branches, urn shaped capitals, the centre lights with an urn shaped finial, on oval bases, height 46cm, approx. weight of branches 40oz. (2)
A Continental silver travelling folding fork and spoon, probably late 17th century and later, the fork hinged in the centre, and attached to the spoon behind the bowl, the finial modelled as the Virgin Mary and Jesus, the bowl engraved with foliate decoration and ‘AVCKW’, length 17.8cm, approx. weight 1.7oz.
A French silver trophy vase and cover, urn form, with mask side handles, the pull-off cover with a foliate and grape finial, on a raised circular foot, on a marble plinth inscribed ‘ Concours du Carburant National Coupe Challenge’ and ‘Federation Nationale de l’automobile du cycle de l’aeronautique & des Transports Automobiles’, height 32cm.
A 19th Century pottery sauce tureen and lid, blue transfer decorated with the "Willow" pattern, a 19th Century pottery sauce tureen, blue transfer decorated with the "Wild Roses" border and lion mask finial, a Wedgwood dark blue Jasperware jug and small baluster vase, together with a further jug and a 19th Century pottery chintzware decorated butter dish and cover with fish shaped finial (PART ILLUSTRATED)

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116041 item(s)/page