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Lot 154
A 19th Century French Second Empire Gilt Brass Four Pillar Mantle Clock of Architectural Form Having Bust Finial on Tapering Cornice with Star to Frieze Raised on Four columns with Bone Capitals and Pedestals the Crepidoma with Lion Mount and Supported on Four Ball Feet, The Enamel Face with Roman Numerals and Movement Inscribed For Coulet Fils?, Paris, 20cm High
Lot 350
An Edwardian silver & glass preserve jar & spoon, ball finial, J Sherwood & Sons, Birmingham, 1906, 44.5g (silver only); a silver napkin ring, monogrammed DCH, Martin Hall & Co Ltd, Sheffield, 1919, 21.2g; two others, engraved Gordon & Sheila respectively, John Thompson & Sons, Birmingham, 1953 54.7g
Lot 521
A large 15th century style Thai hollow cast bronze seated Buddha fragment on stand, sat in maravijaya, the hands in bhumisparsha and dhyana mudras, wearing a close-fitting monastic robe draped over his left shoulder, the face with downcast eyes and full lips, the hair arranged in tight snail-shell curls over the ushnisha topped by a flame finial, ebonised plinth base, 82cm high, 50cm wide x 40cm deep
Lot 306
A 20th century tall display cabinet on detachable stand, clear Perspex of cylindrical shape with removable mahogany cover with pointed finial, on circular footed mahogany base with felt on top, possibly for a miniature mannequin or advertising, approx. 58.5cm high, along with a table-top display case with thirty separate compartments inside, case made of mahogany with glass top, hook locks intact, approx. 40.8cm wide x 5.7cm high x 30.4cm deep. (2) Further details: glass intact to both (some scratching to areas), general wear, some loss to wooden areas commensurate to age, generally good and overall stable and usable.
Lot 10
Pin badges; A 1920s Tin Can Fusiliers song sheet music advertising badge, reverse impressed No. 711162 verso, 40mm long, a George VI hallmarked silver and enamel badge, Birmingham 1939, of a sailor with a Union Jack and a French Flag either side of him, 40mm wide, an American World War II gilt metal sweetheart brooch, makers H.H. within a star, a 20th century green and white enamel triangular badge, FIT with a tennis racket, 15mm long and a gilt metal pin badge with aeroplane finial, 58mm long.
Lot 121
A Chinese pale celadon jade rectangular vase and cover, 19th/20th century, with a pair of lotus ring handles, on four curved legs, the domed cover with ring handles to the finial, 14cm wide, wood stand**conditionreport**Typical natural inclusions to the stone, there is a slight bruise to the corner of the cover but no cracks chips or restoration detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 171
Robert Watts of Stamford, an early 18th century brass lantern clock, the Roman dial engraved with the maker's name amongst scrolling foliage, movement with anchor escapement, 16cm wide, 14cm deep, 31cm high**conditionreport**Case looks a little rubbed from polishing over the years, thread for top finial has worn out so bell and finial are no longer attached, movement looks to have had some alterations, steel ribbon broken on the pendulum, comes with a single lead weight, brass faced pendulum and later oak wall bracketPLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 421
A George III engraved silver tea caddy, by Benjamin Mountigue, of serpentine form, with carved ivory pineapple finial and button to open the hinged cover, London, 1784, length 14.2cm, together with a later associated silver caddy spoon, 11oz (a.f.). CITES submission reference:PEP4M192**conditionreport**Large patch repair to the left side of the caddy, near to the base. Repair to the edge of the cover. Engraved crest and initial to the front of the caddy. Hallmarks clear.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 19
A late 18th / early 19th century oil on wooden panel hatchment with coat of arms with wild boar crest and skull finial, 130 x 129cmProvenance- Brede Place, East Sussex, a former residence of the Frewen family from 1712-1936**conditionreport**Oil on three panels which have now separated at the joints but would readily clamp back together, paint a little dirty but otherwise all looks original, housed in the original gold and black painted frame, old iron hanging loop at the top, no labels or inscriptions verso.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 420
A George II silver coffee pot, possibly by William & Robert Peaston, of tapering form, with engraved crest, hinged domed cover and turned finial, London, 1754, height 24cm, gross weight 26.3oz.**conditionreport**Crest a little tired. Lid unmarked. Makers mark rubbed.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 179
A Hönes Black Forest carved wood cuckoo clock with eagle finial, alpine climber and Chamonix figures flanking the dial and deer's head carved pendulum, with dancing figure aperture above the dial, three train movement, model no. 8667/8Tnu, 68cm wide, overall 92cm high**conditionreport**Overall rather dusty, possibly a little faded but essentially it looks complete, movement going but not tested for timekeeping, comes with three metal pine cone weights and three wooden weights.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 131
A Chinese white jade lion-dog seal and a Chinese pale celadon jade group of a lion dog and cub, 19th century, the cylindrical seal with a lion-dog finial, some small russet inclusions to the stone, 6.3cm high, the figure of a lion-dog and its cub 4.7cm wide**conditionreport**The white jade seal has some natural inclusions in the stone and the matrix has been cut off as a slanted angle. The pale celadon jade group has natural inclusions to the stone and is in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 150
A Chinese archaistic bronze hanging vessel, hu, 17th/18th century, cast in relief with scrolls and lappets, the domed cover with lion-dog finial, cast seal script to base, later wood stand, height of vase with handle extended 24cm**conditionreport**Typical casting imperfections, remnants of malachite encrustation, old solder repairs around the inside edge of the cover. The wood stand has been broken at the top and messily reglued, otherwise in reasonable condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 119
A Chinese jadeite archer's thumb ring, wood stand and cover, 19th century, the ice white stone with emerald green inclusions, 2.1cm high excluding wood stand and cover**conditionreport**Typical natural inclusions and fissures in the stone, in good condition. The wood cover is lacking its finial.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
Lot 109
A Victorian silver bullet-shaped teapot in the Georgian manner, with melon finial and octagonal spout, the scroll handle with ivory insulators, Edward, John & William Barnard, London 1846, 19oz gross, 13cm high o/a One large dent and several smaller dents Ivory Submission Reference No 4HEDKA5U
Lot 1291
The ten turned wooden skittles with iron rings to their bases, complete with two iron-studded balls.Each skittle 46cm highQty: 12In used condition, with losses, marks and dents overall, one skittle particularly with losses to the finial and down the side, three skittles lacking their iron rings.
Lot 1143
After a design by E G Punnett, likely made by William Birch, with a broad shaped splat in between finial topped ring turned supports, above a rush seat, and raised on conforming front legs with pad feet.62cm x 105cmSome wear to the oak notable particularly on the arms and signs of historic woodwork particularly on the right hand finial, the rush seating generally appears firm with some strings dangling below, back rail slightly loose.
Lot 1377
With a lead domed top and wirework finial, standing on cabriole legs united by a twisting X-framed stretcher, fitted with a removable tray for cleaning purposes.205cm high x 82cm wide x 86cm deepGenerally good condition with some oxidisation throughout, some minor chipping and scuffing to the paintwork commensurate with age and use.
Lot 74
The super structure with a shaped gallery and turned supports, above two drawers with turned handles and a pair of panelled cupboard doors enclosing a single shelf interior, raised on inswept feet.93.5cm wide x 36.5cm deep x 129cm highQty: 1Generally good condition, repairs to the gallery top, central finial snapped and reattached with a plate to the back, some scratching to the top, ring marks to the super structure, slight warping to the cupboard doors, key not present.
Lot 1221
The cast reconstituted stone squat urn with lion mask decoration and husk swags, mounted on a panelled plinth base.The urn 49cm diameter x 65cm high; plinth 35cm wide x 65.5cm highWeathering and some slight losses particularly at the joint between the urn and its base, also the pinecone finial to the lid reattached.
Lot 137
A 19TH CENTURY CHINESE BRONZE CENSER WITH ROSEWOOD COVER, JADE DUCK FINIAL AND ROSEWOOD STAND, The bronze censer 18cm With cover and stand 26.5cm Condition report: Jade finial requires reattaching to top of cover. Bronze vessel in overall good condition, but perhaps old repair to inside bottom see photos. Rosewood stand overall good, but one leg has old damages and been repaired.
Lot 567
A FRENCH GILT-METAL MOUNTE ROUGE GRIOTTE MARBLE 8-DAY MANTEL CLOCKLate 19th Century With enamel dial, the case with twin drop handles and surmounted by a disc shaped urn finial, enamel dial with Arabic hours and minutes, twin-train movement with countwheel strike on bell, stamped 'S. Marti et Cie', 26cm wide, 39cm high
Lot 138
AN INDIAN WHITE METAL TWO PIECE BACHELOR'S TEA SET, comprising teapot and twin handled sugar bowl, elephant finial to the teapot lid and elephant head spout, figural 'S' scroll handles, wavy rims, the bodies repoussé decorated and chased with deities and foliate motifs, height of teapot 11cm, gross weight 486.9 grams (2) (Condition Report: teapot has two patch repairs to the bottom edge around one side which has erased some of the decoration, split in the rim of the sugar bowl, dints to bases of both)
Lot 392
A DRESDEN PORCELAIN INKWELL AND COVERED BOWL, both bearing SP Dresden printed backstamps, comprising inkwell with integral tray, separate liner and cover, decorated with a blue, gilt and puce pattern, surrounding an oval panel painted with a puce bird, the finial in the form of a rose, together with a covered bowl, decorated with modelled, moulded and painted flowers and foliage, height 10.5cm x width 11cm x depth 10.5cm (2) (Condition Report: generally good condition, some tiny chips to modelled flowers of bowl cover and inkwell finial, part of a leaf missing)
Lot 142
A SILVER MOUNTED GLASS CLARET JUG, cut glass tapering jug with an embossed silver mounted hinged cover featuring Baccus spout and vacant cartouches, vine detailed handle with female figure, hallmarked London 1965, rubbed makers mark JJ, approximate height 30cm including finial (condition report: would benefit from a gentle clean and polish, tarnishing to the silver in places)
Lot 145
A LATE VICTORIAN SILVER THREE PIECE TEA SET OF CIRCULAR FORM WITH WAVY RIMS, ornately cast with foliate scrolls and vacant cartouches, on four cabriole legs with shell knees and pad feet, teapot with ebony finial and ivory insulators, makers Horace Woodward & Co Ltd, London 1899, gross weight 41.98ozt, 1305.7 grams (3) (Condition Report: one foot very slightly lifted on teapot, teapot interior is well used, marks clear, generally good condition) IMPORTANT NOTE, This lot contains elephant ivory material. Please be advised that several countries, including those in the EU and the USA, now prohibit the importation of ivory items unless under specific conditions. Accordingly, prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding. This item has been registered as exempt from the UK Ivory Act 2018, on account of it being made before 1947 with less than 10% Ivory by volume. Ivory declaration submission reference R4HPBCEQ
Lot 548
A THIRTY NINE PIECE NINETEENTH CENTURY 'OPAQUE CHINA' DINNER SERVICE, possibly by John and William Ridgway, pattern number 1092, hand painted with a blue basket of pink and purple flowers, comprising three meat plates (one chipped, one with old repair, largest with meat draining section is missing most of one foot), a large covered soup tureen (chips inside cover), two under plates for tureens (one cracked, the other has a star hairline and a large loss to foot rim), a covered serving dish (cover may not be original, base and cover have losses, cracks and old repair), a serving dish (missing cover, cracked), a spare cover (crack, old repair to finial with some loss), a round serving bowl (extensive crack, old repair to handle), two small soup tureens (one missing cover, existing cover has an old repair), thirteen dinner plates (seven cracked, six chipped, some having both chips and cracks, two or three appear undamaged), five side plates (two with old repairs/losses, two with cracks), five large bowls (two cracked, one with old repair and repainting) and four smaller bowls (two cracked and chipped) (39) (Condition Report: obvious specific damage as stated, wear and damage commensurate with age, some crazing, staining, glaze loss and wear, signs of moderate use, would benefit from a clean)
Lot 2414
A Bow porcelain figure of Fame, c.1760-5 and two Derby figures emblematic of Europe and Autumn, c.1760-70, tallest 21cm (3) Bow figure both arms professionally re-attached; gold horn re-built; minor nicks to pineapple and foliage; with factory aperture for fitting metal candle-support, a Bow characteristic. Europe coronet restored with re-painting; his left arm professionally reattached; firing crack to pink robe; delicate orb cross finial believed to be original although gilding worn; horse’s front right professionally restored; base helmet restored at top; hammer handle chipped. Autumn chip to the edge of robe at back, approx. 7x2mm; one of the two side scrolls at back of plinth chipped and incomplete; minor chips to foliage; also fitted with candle-support aperture at back of plinth.
Lot 427
Churchill centenary commemorative piece. Limited edition, 80 of 200, and commissioned by Francis Sinclair, Doncaster Production. Double-handled urn form with polychrome and gilt highlights. On one side, features Churchill silhouettes and coat of arms surrounded by oak leaves. On the other side features Blenheim Palace. An gilt eagle finial on the lid. Coalport backstamp. Artist: B. HighamIssued: 20th centuryDimensions: 6.75"L x 5.75"W x 12.25"HEdition Number: 80 of 200 Manufacturer: CoalportCountry of Origin: EnglandCondition: Age related wear.
Lot 2103
Four 20th century Dutch Delft blue and white vases, various painted marks, comprising a baluster example with domed cover and parrot finial, painted with a windmill in landscape, another oviform example with domed cover, printed with flower sprays within lappet-shaped borders, a cylindrical vase similarly decorated and a fluted baluster vase and cover painted with oriental style flower sprays (4)
Lot 102
A mixed selection of silver. To include a modern commemorative spoon by Toye, Kenning & Spencer, the finial cast with a hound holding a Tudor enamel shield, Birmingham 1977, length 14cm; a silver cigarette case, a vesta case, a pickle fork, thimble and two mother of pearl handled folding pocket knives with silver blades, weight of solid silver 5.07 oz (7) The estimated in-house shipping to a UK mainland address is available from £20
Lot 142
A silver tea caddy spoon by Gwen Whicker. The finial applied with a flower, London 1961, length 7.5cm, 17.2g. The estimated in-house shipping to a UK mainland address is available from £20From the estate of Esme Beecroft. Esme was a lifelong friend of the Whickers and was painted as a child by Gwen. She was featured in several of her paintings as a young woman. She also supported the Whickers by buying their paintings and was the executor of their estates. Gwen Whicker (1900-1966) was born in Bristol. She studied at the Bristol Municipal School of Art, against her parents wishes. There she met the Australian born artist Frederick Whicker, whom she later married. They jointly exhibited at the Royal West of England Academy from 1923 to circa 1935, but Gwen was never elected an associate member, though she was a founding member of the New Bristol Art Club and was the first President. The Whickers moved from their home in All Saints Road, Clifton, Bristol just after the war to Woodlane in Falmouth, Cornwall. There Gwen and Fred became members of the St Ives Society of Artists, where they became secretary and treasurer respectively. They exhibited until their deaths. Gwen produced etchings, paintings, drawings, sculpture, jewellery and silver wares. Much of her silver has not been traced as it was sent to Fred`s sister in Canada on her death. A retrospective exhibition of their work was held at the Falmouth Art Gallery in 1994, where fourteen pieces of Gwen`s silver were loaned from private collections.
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116061 item(s)/page