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Click here to subscribeAn Art Deco silver tea set, of curvilinear design with incuse corners, raised on four ball feet, Frank Cobb and Co Ltd, Sheffield 1932, comprising teapot with ebony handle and finial, 26.5 by 11.5 by 13cm high, twin handled sugar bowl, 16.5 by 8.5 by 8.5cm high, and milk jug, 14 by 7.5 by 8.5cm high, 33.3toz total gross weight, together with a pair of silver sugar nips, Josiah Williams & Co, London 1931, 9cm long 0.585toz. (4)
Twelve George III and later old English pattern silver dessert forks, five George III Hanoverian pattern forks with engraved initial 'D' to finial, 16.5cm long, Thomas Wallis II, London 1804, another fork without maker's mark, London 1805, three assorted George III forks, two by William Eley & William Fearn, London, 1807, 1821, another by William Sumner I, London 1805, and three George V dessert forks, William Hutton & Sons Ltd. London 1912, 14.8toz overall. (1 bag)
A collection of thirty Georgian and Victorian silver dessert spoons, comprising a George III old English pattern spoon, with monogram 'AS' to its finial, Robert Rutland, London 1819, 17cm, six George IV old English pattern spoons, with rubbed monograms, Thomas Wilkes Barker, London 1823, 17cm, another George IV old English pattern spoon, with monogram 'AS', Richard Poulden, London 1824, 17.5cm, twelve Victorian old English pattern spoons, with initial 'R' engraved to finials, William Bateman & Daniel Ball, London 1840, 17.7cm, six other Victorian spoons, with initial 'R' to terminals, Samuel Hayne & Dudley Cater, London 1843, 17.7cm, and another engraved 'R', possibly William Bateman II, London 1854, 17.5cm, three Victorian fiddle pattern spoons, with monogram 'MS' to finials, 17cm long, the base of a snuff box, a/f, Samuel M Levi, rubbed hallmarks Birmingham possibly 1906, 4.7 by 3,5 by 1.5cm high, 36.7toz combined gross weight. (30)
An Edward VII silver spirit kettle on stand, of London shape with ebonised bow shaped handle, side hinged lid with ebonised finial, the stand with row of ventilation holes, a hinge to front for pouring, and locking pin on chain to back, removable burner with lift out domed lidded wick holder, raised on four cabriole legs terminating in pad feet, William Hutton & Sons Ltd., 25 by 13.5 by 32.5cm high overall, London 1907, 49.50toz total.
A collection of silver plated items, including a large oval galleried silver plated tray with four bun feet, 60.5 by 40.7 by 7cm high, a coffee pot, 24 by 14 by 19.7cm high, with spare finial, four white metal spirit labels two 'Gin', largest with scroll form borders and broken chain, 5 by 3cm, 'Whiskey' of Hexagonal form, 4.5 by 2.8cm, with broken chain, and Brandy, 3 by 1.8cm, a wooden canteen with some ivorine handled flatware inside. (1 box)
Eight George III and later silver fiddle back pattern dessert forks, comprising a pair of George III forks, William Eley & William Fearn, London 1816, 17.2cm long, a pair of George IV forks with crested finial backs, William Collins London 1833, 17cm long, a pair of Victorian forks with lion crests to the finial backs,John & Henry Lias, London 1847, 16.6cm long and two other Victorian dessert forks with 'FMN' monogram, one Robert Wallis London, London 1847, the other Chawner & Co. London 1840, both 17.2cm long, 11.7toz overall. (1 bag)
A group of William IV and later flatware, comprising a spoon,John, Henry & Charles Lias, London 1832, a salt spoon with silver gilt bowl, Samuel Hayne & Dudley Cater, London 1837, a set of seven Victorian teaspoons, Samuel Whitford, London 1878 and a spoon with bowling ball finial T & Co, Birmingham 1933, total weight 18.5toz
Thirteen pieces of George III and later silver flatware, comprising twelve old English pattern teaspoons: five various George III teaspoons, largest Solomon Hougham, London 1811, 12.7cm long, smallest Peter & William Bateman, London 1805, 11.8cm long, a Victorian teaspoon,Charles Boyton (I), London 1840, 13.5cm long, a set of six Victorian teaspoons, with indistinct monogram to each finial, Charles Boyton (II) London 1893, 13cm long, and a small butter knife, 'H' engraved upon its finial, J & R Griffin (Joseph & Richard Griffin), Birmingham 1906, 10cm long, 5.9toz overall. (1 bag)
A Victorian silver teapot, of bullet form with scroll handle and foliate clasped spout, decorated with repousse Rococo style foliate and floral scrolls, reserves to both sides, one engraved with an armorial of a stag with 'Jubilee' banner, ivory finial and insulators, on a raised circular foot, Charles Stuart Harris, London 1882, 25.5 by 14 by 16cm, 21.74toz.
Four pieces of George II and later silver, comprising a George II sauce ladle, its finial engraved with an 'H', heavily rubbed naive marks, 17.5cm long, a pair of George III sugar tongs, rubbed maker's marks, London 1793, 14cm long, two table spoons, both with engraved monograms to their finials, possibly 'JMJ', both approximately 21cm long, 5.8toz overall. (1 bag)
Five George IV and later silver table spoons, comprising a set of three old English fiddle pattern table spoons, with single intial engraved to each finial possibly 'J', John Harris IV, London 1828, and two old English pattern table spoons, William Chawner II, London 1830, all approximately 22cm long, 11.5toz. (1 bag)
Five pieces of Victorian silver flatware, comprising three sauce ladles, one old English pattern, Martin, Hall & Co., London 1882, 15.5cm, one Kings pattern, Mappin & Webb, Sheffield 1975, 18.8cm, the smallest a George VI old English pattern ladle, HT, Sheffield 1936, 12.5cm, a cake slice, fiddle pattern with reeded decoration and an 'SS' monogram to its finial, 19cm, and a Victorian dessert spoon with bearded face to bowl and rubbed scroll decoration to its finial, 14.5cm, 8.8toz combined weight. (1 bag)
A collection Victorian and later silver cruet sets and flatware, comprising a Victorian cruet set, with two hexafoil form salts raised upon three ball feet, Hayes Brothers, Birmingham, 1893 4.4 by 2.5cm high and two salt spoons with ball finials, twisted handles and ball and quatrefoil form bowls, 6cm long, George V cruet set, with cylindrical salt and pepper cellars, 5.5cm high, two single handled mustard pots with blue glass liners, 4.5cm high overall, two oval form salts with blue glass liners, two salt spoons, Barker Brothers Silver Ltd. Birmingham 1929, 7cm long, with associated condiment spoons, James Swann & Son, Birmingham 1923, 6.2cm long, Thomas Turner & Co. Sheffield 1933, 6cm long, a 19th century silver wine toddy spoon, with turned whale bone handle with white metal mounts, and an old English pattern George V serving spoon, with 'WAJ' monogram to its finial, 24cm long, overall 8.7toz weighable silver. (1 bag)
Two Embroidered Chinese Hats for Children, worked in panels both vertically and horizontally, with a band all around in different colours, ear flaps, and a very detailed panel supporting the knotted finial. Both are further decorated with gold and silver metal braid, one has the addition of silver bobbles to the lower edge. One lined in black, the other unlined. Together with A Pair of Silk Lotus Shoes for bound feet, as worn by the women and girls of the Han Community, Qing Dynasty. With a salmon-pink silk upper, embroidered to sides and front, decorated with coloured cords and finished with woven lime green silk (4). The hats are in good order but some of the silver bobbles are missing on the second example. Wear to the salmon silk of the Lotus shoes, otherwise they are in good strong condition.
A Chinese Hand Screen or Fixed Fan (Pien Mein) of blue satin, woven with a design of scrolls and a brush pot containing a closed fan and brushes. Handle of bamboo, with ivory finial and salmon coloured silk tassel. Overall height 15 inches, or 37.5cms and maximum width 10.75 inches, 27cm.. Good.
Two Peas in a Pod, and more! Two ivory needle cases formed as pea pods, undulating to suggest the pea forms inside; a bone case of twisted form, with a cross as finial; a further case formed as an umbrella, the knop a clenched fist, and containing a stanhope with a picture of St. Maria Ander(ch?); and finally a bone and vegetable ivory tape measure of barrel form, unscrewing to hold needles in the middle, the finial again with a Stanhope, with a scene and the words ''reuine auf dem drachenfeld. This is a ruined castle in Germany, between Konigswinter and Bad Honnef. (5). One pea pod lacks the short stalk; one end spoke on the umbrella is chipped.
Five Various Sewing Tools. Comprising a carved ivory needle case, the pointed end no doubt also serving as a stiletto; an ivory needle case formed as a column, with domed ends and a small square left blank for initials; an ivory ???? with a honeycomb top and finial, which unscrew, the lower section also opening at the junction of the bulbous point; a tiny bone pincushion formed as a wheelbarrow with flowers carved each side and moving wheel, cream silk pad within; and a further needle case that unscrews either side of the bulbous central carving.. All appear sound but the final item has dark brown marking as if it has been caught in a flame.
A Meissen 'Ming Dragon' pattern porcelain tea service comprising coffee pot, lidded sugar basin, milk jug, six coffee cans and six saucers.Condition report: The lid of the coffee pot has a tiny chip on the tip of one petal of the rosebud finial. Every other piece in this service is in excellent condition, no chips, cracks or repairs and the gilding is bright and unworn. It seems virtually un-used. Height of coffee pot: 24cm.
A set of Victorian silver plated asparagus servers, pierced and engraved with a songbird and with carved ivory handle, length 29cm, together with a plated teapot, other platedware, two brass candlesticks etc.Condition report: Wear to the plate on the top of finial and very end of spout on teapot. Ivory in good condition on tongs.
A late 18th century Worcester porcelain 'Bat' pattern teapot, tea caddy and cover, and lidded jug, each having pseudo Chinese marks to base (3).Condition report: The teapot, two firing cracks to lid below the finial.Jug with tiny chip to finial and a flake to the edge of the lid.Caddy has a tiny flake on the rim near the lid, just a couple of glazed firing flaws to the foot.
A CHINESE CANTON ENAMEL SMALL JAR AND COVER, QIANLONG PERIOD (1736-95) the globular body rising from a short spreading foot to a flaring narrow neck, enamelled around the exterior with two flower-filled cusped panels reserved on a dense tellow and green floral strapwork ground, the domed cover with a band of radiating lappets and surmounted by a gilt lotus bud finial, wood stand 8cm high Provenance: Private English Collection
A CHINESE ARCHAISTIC JADEITE CENSER AND COVER, 20TH CENTURY the compressed square body rising from four cylindrical legs to a short neck with everted rim set with a pair of loop handles, carved to each face with a taotie mask, the stepped cover surmounted by a censer finial, the stone of pale green colour with darker green inclusions, wood stand, box 14cm high Provenance: Private European Collection, acquired in Milan
â–¡ A SILVERED BRONZE INKWELL, RENAISSANCE STYLE, 19TH / 20TH CENTURY the lobed compressed urn applied with three winged herms terminating in paw feet, with swags and grotesque masks between, the cover cast with further masks and swags rising to an agate ovoid finial, 15.5cm high; together with a gilt-bronze putto, perhaps 18th century, modelled seated (an element from a larger piece), 11cm long (2)
A CHINESE SPINACH JADE ARCHAISTIC CENSER AND COVER, 20TH CENTURY the body with deep rounded sides rising from a short spreading foot to a rolled rim, set with a pair of high relief taotie mask handles, the domed cover carved and pierced with a dragon scroll band, all surmounted by a finial formed of four dragon heads grasping a pearl and each suspending a loose ring, wood stand 17.5cm wide Provenance: Private European Collection, acquired in Milan
A VICTORIAN SILVER BACHELOR'S TEAPOT, HENRY HOLLAND & SON, LONDON, 1860 chased to the shoulder with scroll foliage surrounding one vacant and one crested cartouche, the domed lid with cast flower finial, on four splayed foliate panel feet, silver handle with white composition insulators 21cm long, 383gr (12oz) all in
ËœA VICTORIAN SILVER TEAPOT, SAMUEL SMILEY FOR GOLDSMITHS' ALLIANCE LTD., LONDON, 1872 compressed globular, bright-cut engraved with formal foliate strapwork around a cartouche with two crests and another vacant, with cast gourd and leaf finial, silver handle, underside with retailer's stamp 'GOLDSMITHS ALLIANCE / LIMITED / CORNHILL LONDON' 25cm long, 568gr (18oz) including ivory insulators
AN EDWARDIAN SILVER HOT WATER JUG, WALKER & HALL LTD., SHEFFIELD, 1902 ovoid on short pedestal foot, chased with alternate curved flutes and lobes of which four chased with acorns and oak leaves on a matted ground, everted rim, domed lid with cone finial, underside with Walker & Hall trademarks 19.5cm high, 435gr (13oz 19dwt) including composition handle
CHANNEL ISLANDS INTEREST. A MAHOGANY EIGHT DAY LONGCASE CLOCK, EDWARD CARREL ST. AUBINS JERSEY, THE PAINTED, BREAKARCHED DIAL WITH TWIN SUBSIDIARY DIALS, GILT SHELL SPANDRELS AND LUNAR WORK, CASE WITH SWAN NECK PEDIMENT AND BRASS FINIAL, MOULDED DOOR AND SLIGHTLY BOWED BASE, 214CM H, PENDULUM AND TWO IRON WEIGHTS The case of pleasing dry colour requiring some cosmetic restoration, in particular to base. Dial with wear evident from illustration, but unrestored, the three brass finials damaged
LATE GEORGE III MAHOGANY LONGCASE CLOCK, JAMES MCCABE, LONDON EARLY 19TH CENTURY the white enamel Roman numeral dial with two winding holes and signed James McCabe/ Royal Exchange/ LONDON; in a moulded arch case with brass finial and canted stop-fluted angles with brass insert, above an arched moulded door flanked by stop fluted angles with further brass inserts, on a moulded plinth base with a shaped apron and bracket forefeet; the eight-day twin train movement striking a bell(50cm wide, 232cm high, 26cm deep)
LATE REGENCY GILT AND PATINATED BRONZE INKSTAND AND CANDLESTICKS EARLY 19TH CENTURY the inkstand with a central covered urn with berry finial and candle holder flanked by two square glass inkpots, the tray with a wide floral cast gilt border and loop handles, on scroll feet; the candlesticks with reeded bulbous sconces on tree-form stems with squirrels, on gilt foliate cast square bases and patinated bronze plinths(Inkstand 29cm wide; candlesticks 21cm high)
SCOTTISH MAHOGANY LONGCASE CLOCK, JOHN SMITH, PITTENWEEM EARLY 19TH CENTURY of neat size, the signed painted dial with Arabic chapter, subsidiary calendar and seconds dials and two winding holes, the arch painted with a bird and flowers, in a swan neck case with brass eagle finial above a crossbanded door flanked by quarter columns, on plinth base with bracket feet; the eight day twin train movement striking a bell(42cm wide, 209cm high, 22cm deep)
EXTENSIVE MASON'S 'MANDALAY' PATTERN DINNER SERVICE 20TH CENTURY Comprising 12 small coffee cups and 12 saucers; 12 teacups and 12 saucers; 12 twin handled soup bowls and 12 stands; 2 condiment stands each with a salt, pepper and a lidded mustard pot; 5 ash trays; 2 shaped bon bon dishes; 14cm and 17 cm long; 1 ladle, 19cm long; 1 larger ladle, 27cm long; 2 sugar basins, 10cm diam and 12cm diam; a teapot; 12 small side plates, 17.5c diam; 12 larger side plates, 20 cm diam; 12 dinner plates, 27cm diam; 11 small bowls, 16.5cm diam; 12 deep bowls, 16 cm diam; 2 graduated octagonal jugs, 11cm high and 13.5cm high; 2 graduated sauce boats on stands, sauce boats 22cm long and 13cm long; an oval scalloped edged twin handled dish, 27cm wide; 2 rectangular twin handled dishes with pierced handles, 32.5cm long; a round footed bowl, 26cm diam; a round serving bowl, 24cm diam; 4 round twin handled tureens with domed covers and fruit form finial handles; a low comport of circular form; 2 toothpick holders, 6cm high; a twin handled soup tureen and cover on stand; a smaller tureen and cover on stand, tureen 20cm wide; and an oblong serving dish, 35cm long(Soup tureen 34cm wide)
LOUIS XIV STYLE GILT BRONZE MANTLE CLOCK, BY SUSSE FRERES, PARIS 19TH CENTURY the circular signed white enamel dial with Roman and Arabic chapters and twin winding holes, in an architectural case with lion mask loop handles, acanthus, laurel trails and an urn finial, raised on paw feet on a shaped platform base; the eight day movement striking a bell and stamped 1482(55cm high, 35cm wide, 20cm deep)
LARGE FRENCH GILT AND PATINATED BRONZE MANTEL CLOCK 19TH CENTURY the circular white enamel dial with Roman and Arabic chapters and twin winding holes, in a cylinder case surmounted by an urn with pinecone finial, flanked by seated putti holding flower garlands, on a shaped rectangular base with a shell motif and raised on scroll feet, the eight-day movement striking a bell(56cm wide, 67cm high)
FRENCH ROUGE MARBLE AND GILT METAL CLOCK GARNITURE EARLY 20TH CENTURY the signed cream enamel dial with Arabic numbers and twin winding holes, in a rectangular rouge marble case with urn finial and gilt metal mounts, the eight-day movement striking a bell; together with a pair of five branch candelabra to match(Clock 51.5cm high, 29cm wide; candelabra 52cm high)
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