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A pair of large Chinese-style red vases and covers,of recent manufacture, each of baluster shape with a Fo dog finial and four projecting masks, raised on a scrolling hardwood stand vases 88cm high, 112cm high with standsCondition report: Extensive restoration and repair. General wear to stands.
A cotton reel tower,with two tiers and ivory finials, 40cm high, together with a sewing chest with six drawers and a hinged top, 37cm wide, a caddy, a faux Tunbridge ware caddy, and two boxes, a lidded pine pail, 24.5cm high, and a tray, 56cm wide (8)Condition report: All with knocks. Tower - knock and loss to top finial. Filled split to the base.Chest - wear and knocks. Boxes - chip to one corner - losses to the inside Tunbridge - cracks and wear.Tray - restored edges.
An English 19th Century Porcelain Part Dinner Service, Possibly Ridgway, Decorated with Hand Painted Floral Sprays and Enriched with Gilt Borders, To Comprise, Rectangular Tray, Oval Shaped Dish, Eight Plates (Plates with no number) and a Lidded Tureen with Butterfly Finial, (Pattern no. 3820) together with Three Two Handled Serving Plates Pattern no. 1059
1st millennium BC. A ceramic rhyton with painted decoration and equine finial; the trumpet-shaped mouth with painted bands of intersecting red and black lines, circumferential solid red bands, segmented hoops and lattice panel with black pellet detailing; horse finial with legs folded beneath the body, painted reins and harness, vent to the chest; possibly Parthian workmanship; mounted on a custom-made stand. 800 grams, 24cm high (1.19 kg total, 31cm including stand) (9 1/2 (12 1/4)"). Private collection of Xavier Guerrand-Hermes. Boisgirard, Arts D’Orient, 17 December 2008, lot 7. Artcurial, Arts D’Orient et de L’Islam, 25 March 2014, lot 8. Accompanied by a copy of a positive thermoluminescence analysis report, sample no.N121q69 from Oxford Authentication. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11062-183993. [A video of this lot is available to view on Timeline Auctions Website.] Fine condition.
1st millennium BC. A solid pale gold C-shaped penannular bracelet with four thick ribs to the external face of the band; each finial a ram's head with coiled horns flanking the cheeks; collector's label to the inner face. 53.07 grams, 64mm wide (2 1/2"). German private collection, formed in the 1970s. UK private collection, acquired 1985. Bonhams, London, 30 November 2016, lot 143. Important North West London collection. Accompanied with copies of the relevant Bonhams catalogue pages. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11037-184625. [A video of this lot is available to view on Timeline Auctions Website.] Very fine condition.
c.3rd millennium BC. A silversmith's hoard comprising a round-section butted silver hoop with twenty-three silver earrings, each a curved ribbed triangular plate tapering to a coiled hook finial. 68 grams, 69mm wide (2 3/4"). London art market.Acquired around 1987.Private collection, New York, USA.Taisei Gallery, Gold & Silver Auction, Part II, Ancient to Renaissance, 5 November 1992, The Conrad Salon, The Waldorf-Astoria, New York, lot 27(part).Christies, London, 24 October 2013, lot 114(part).Important North West London collection.Accompanied by a copy of the relevant Taisei Gallery, Gold & Silver Auction, Part II, Ancient to Renaissance catalogue pages.Accompanied by a copy of the relevant Christie's catalogue pages.This lot has been checked against the Interpol Database of stolen works of art and is accompanied by AIAD certificate number no.11073-184611.[A video of this lot is available to view on Timeline Auctions Website.] Very fine condition.
13th-7th century BC. A bronze whetstone finial formed as a short socket with loop and ribbed panel above the lip, three curved necks ending in animal heads with gaping mouths; mounted on a custom-made stand. 85 grams, 72mm (116 grams total, 90mm including stand) (2 3/4 (3 1/2)"). London art market 1979. Property of a gentleman living in central London. [No Reserve] Fine condition.
13th-14th century AD. A bronze lamp comprising a globular body with lateral flange handles, an openwork hinged and domed lid with knop handle, D-section channelled handle with pierced upper panel and leaf-shaped flange finial. Cf. von Gladiss, A., Glanz und Substanz. Metallarbeitung in der Sammlung des Museums für Islamische Kunst, Berlin, 2012, item 26, for type. 540 grams, 23cm wide (9"). London art market 1979. Property of a gentleman living in central London. [No Reserve] Fair condition.
10th century AD. A matched pair of iron stirrups, each a long lozenge-section arch with rhomboid-shaped finial and side bosses to each end of the dished footplate, attachment panel above with rectangular slot for the leather strap. Cf. Hjardar, K. and Vike, V., Vikings at war, Oxford-Philadelphia, 2016, pl. p.155; Seaby, W.A. & Woodfield P., ‘Viking stirrups from England and their Background’ in Journal of The Society for Medieval Archaeology, 1980, pp.87-122, figs.1,9. 836 grams total, 22cm each (8 1/2"). Property of a London businessman, from his grandfather's collection formed after World War II; thence by descent 1972. The stirrups correspond to the type 2Cii of the Seaby and Woodfield classification, and are very similar to the ones found in the famous warrior grave of Gjermundbu. The side bosses, characteristic of this typology, might be explained either as a rivetted junction where the tread is an integral part of the stirrup, the opposite knob being added for symmetry, or as an interpretation in iron of the projecting ends of a wooden tread inserted in a leather sling. [2, No Reserve] Very fine condition, professionally cleaned, conserved and restored.
Goa, 16th-17th century AD. A brass helmet with upturned pointed rim, with later finial and frontal plume holder, the bowl divided into vertical sections decorated at the base with embossed oriental foliage motifs (fleur-de-lis), the base circled with doomed bosses and two roped bands, brim ornamented by decorative studs. Cf. Presidencia do conselho de Ministros, 'Os Descobrimentos Portugueses e a Europa do renascimento do Renasciemento, A Mao que ao Ocidente o Veu Rasgou' in Armaria XVII Exposicao Europeia de Arte, Ciencia e cultura, Lisboa, 1983, m.80, pp.81-82; Zonneveld, A.G., Van, Traditional weapons of the Indonesian Archipelago, Leiden, 2001. 962 grams, 31cm wide (12 1/4"). UK private collection, 2010. Ex central London gallery. Accompanied by a copy of a detailed academic report. This helmet, which copies the shape of steel and iron Portuguese helmets, was part of a group of arms and armour produced in Goa in 16th-17th centuries, commissioned by the Portuguese governors and offered as gifts to the local kings and chiefs as a symbol of high rank granted by the King of Portugal, and as token of gratitude for their loyalty and service to the Crown. [No Reserve] Fine condition.
8th-10th century AD. A Hiberno-Norse type penannular bronze brooch with oval hoop, widening towards the terminals, inset glass cabochon to each sub-triangular terminal and thick pin with ring finial. See Murray, E., Mccormick, F.M., 'Doonloughan: a seasonal settlement site on the Connemara coast' in Proceedings of the Royal Irish Academy Section C, January, 2012, pp.1-51, fig.3. 14.4 grams, 96mm (3 3/4"). UK gallery, acquired in the 2000s. Property of an English gentleman. Large penannular brooch types originally developed by Vikings residing near the Irish Sea, were soon adopted in Scandinavia and further towards the east. However, this brooch presents affinities with the Pant-y-Saer, Llanfair-Mathafarn-Eithaf brooch from Wales (inv.92.228H of National Wales Museum), and with a 9th-10th century brooch discovered at the Irish site of Doonloughan. The brooch of Doonloughan shows the same type of pin. It is probable that the brooch is of Celtic origin. Very fine condition.
6th-7th century AD. A matched pair of bronze brooches, each a D-shaped headplate with arched detailing, a shallow 'bow' flanked by bosses, short body with further flanking bosses, long piriform finial with facing bearded mask modelled in the half-round; one with remains of radiating knops on the headplate. 56 grams total, 67-71mm (2 1/2"). Family UK collection, 1980s. UK art market. Property of a Surrey gentleman. Fair condition, radiates absent.
Late Period, 525-332 BC or earlier. A bronze figure of Osiris standing in mummiform shroud with nekhakha flail and heka short-handled crook in the crossed hands, Atef crown to the head with solar disc finial; mounted on a custom-made stand. Cf. similar figure in the Metropolitan Museum of Art, New York under accession no.56.16.2. 173 grams total, 16.5cm including stand (6 1/2"). Cambridge, UK, collection, 1980s. Property of a Cambridgeshire gentleman. Fine condition.
18th century English porcelain sucrier of reeded circular form decorated with green floral sprays, domed cover with pinecone finial. 13.5cm high; also a dish of shell form with iron red, green and gilt floral decoration, 23cm long. (2).Condition:Sucrier - Firing cracks to interior and exterior base. Chips to footrim and quite worn and scratched on reeding. Small cracks and discolouration to edge of cover.Dish - Slight wear to gilt and enamels, slight glaze impurities.
Chinese Qing Dynasty porcelain jar of globular form decorated in the Famille Verte palette with figure of a sage, a warrior, statue of a kylin, on plinth base with calligraphic inscriptions and bundle of two crates again with calligraphic inscription, the white ground with further character marks to shoulders with double blue rings to base, 15.5cm high, with replacement hardwood domed finialled cover on carved hardwood stand, 27.5cm high overall.Condition:As images.Worn enamels, scratches and glaze impurities to body. Long very fine vertical scratch, possibly a haircrack but not visible internally, approx. 4" to left side of bench. Small knock to edge of glaze on foot rim. firing cracks to interior base.hardwood cover with loose metal finial. Water staining and slight damage to hardwood stand.
The tapering vase raised on a high circular foot carved to the base with a key-boarder, the body finely carved with taotie masks, each above a lotus bloom, the concave shoulder decorated with pendant plantain lappets beneath three Ruyi-shaped handles each suspending a loop, the later domed cover with a small circular finial, the stone of even celadon tone with minor russet inclusions to the foot9,8 cm high
Oval, the detachable cover with acorn finial, the body with reeded opposing handles, raised on an oval pedestal foot; And An American Silver Sugar Basin And Creamer, John Gorham, Rhode Island, 20th Century, oval, each with reeded rim, tapering body raised on an oval pedestal footthe larger 15cm high, 730g all in(3)
NOT SUITABLE FOR EXPORTComprising: a teapot, hot water pot, milk jug and sugar basin, the teapot, hot water pot and sugar basin with swan-neck spout, hinged cover and tapering faceted finial, gadrooned rim, each body elaborately chased and decorated with seated figures at various pursuits, leaf-capped handles, raised on four leaf and paw feet, distressthe hot water pot 23cm high, 2171g all in(4)
SIX PIECES OF 19TH AND 20TH CENTURY BRITISH CERAMICS, comprising two Masons Ironstone jugs, heights 18.5cm and 13.5cm, an early 19th century navette shaped comport painted with cornflower sprigs, oval length 33.5cm, a jasperware style cheese dome with acorn finial, possibly Dudson, height 23.5cm, a Wedgwood & Co Ltd blue and white printed jardiniere and a Losol Ware Pagoda pattern decagonal jardiniere (6) (Condition report: Masons jugs have losses to the hand painted elements, smaller one has staining, comport has black speck firing inclusions and staining, dome has a few losses to applied decoration, Wedgwood jardiniere is cracked and stained, Losol Ware jardiniere has wear to the gilding)
FOUR BOXES AND LOOSE CERAMICS, to include an oriental figure of a crawling child length approximately 25cm, a Bridgwood transfer printed wash jug and bowl, an oriental four piece, one cup tea set decorated with butterflies, an eleven piece Grindley part dinner service handpainted with green and yellow flowers, a Midwinter Spanish Garden meat plate, an unmarked small tureen with stand, cover and lion shaped finial, two pairs of Staffordshire-style spaniels, an unmarked dessert set painted with fruit (sd), a pair of small oriental bud vases height 10.5cm, a boxed glass Hydro Globe plant waterer, a dome covered artificial flower display, etc (sd) (4 BOXES + LOOSE)
Antique Silver Plate Sardine Dish. A fine quality Walker & Hall of Sheffield silver plate sardine dish/box. Sitting on four ornate feet, the box has engraved decoration to the lid and features a moulded finial handle in the form of a sea shell. Measurements: Height 8cm, length 19cm and width 17cm Condition: The box is structurally sound and in good condition with minimal age-related wear and no plate loss - No glass liner present.
21st century replica longcase clock by “Wood & Son” in a incised light wood case with a swans neck pediment and finial, turned columns flanking a glazed broken arch hood door, trunk with a full length glazed door on a short stepped plinth, visible lyre pendulum with dummy chains and weights, 31 day going barrel movement striking the hours and half hours, brass and silver effect dial with roman numerals and decorative steel hands, faux (non- working) moon dial to the arch.Dimensions: Height: 215cm Length/Width: 56cm
A German musical alarm clock (model 1523/24) made by the Hamburg Amerikanische Uhrenfabrik c1880, in an oak case with an architectural top and finial, two-part dial with a gilt centre, ivorine chapter and steel spade hands, with roman numerals and minute track, case raised on four bun feet, with a thirty-hour balance wheel pin pallet spring driven movement sounding the alarm on a musical movement, key wound and set from the rear. Compete with three different and changeable musical movements in their original box. These clocks would have been sold as here with separate musical movements, it is rare to find them with the original clock.H30 W17 D11 Dimensions: Height: 30cm Length/Width: 17cm Depth/Diameter: 11cm
A contemporary German Aneroid barometer in a mahogany effect case with a broken pediment and finial, silvered register measuring barometric pressure in inches and millibars with weather predictions, indicator hand and adjustable recording hand within a gilt spun bezel and flat glass, circular hygrometer and mercury thermometer recording the temperature in degrees Fahrenheit and Celsius
A mid-19th century oak and mahogany longcase clock with a swans neck pediment, brass paterae and a central ball and eagle finial, stepped break arch hood door and flanking waisted pillars with brass capitals, mahogany veneered trunk with canted corners and a short contrasting oak door with applied carving above on a rectangular oak plinth with a shaped base, painted break arch dial, roman numerals and minute markers, matching brass hands with a semi-circular calendar aperture and date disc behind, depiction of a floral bouquet to the break arch and conforming spandrels, dial pinned directly to a 30-hours chain driven movement with countwheel striking, striking the hour on a cast bell. With pendulum and weightDimensions: Height: 219cm Length/Width: 48cm Depth/Diameter: 23cm

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116061 item(s)/page