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A good William IV silver teapotBenjamin Smith, London 1832, inscribed 'B. Smith, Duke St Linn Inn Fields' to base, of squat lobed bombe form, with floral & foliate repoussé decoration, water lily finial, shaped scroll rim, foliate capped scroll handle, shaped lotus foot, 11in. (28cm.) long, 6in. (15.25cm.) high, engraved initials & crest, gross weight 22 tr.oz.
A Victorian silver aesthetic movement coffee pot J. Sherwood & Sons, London 1875, tapered cylindrical form with angular handle & spout, ivory insulators to handle, sitting on central lipped foot, stylised foliate & angular decoration with central vacant cartouche, inverted floral finial, lozenge / patent mark to base, 8¾in. (22cm.) high, gross weight 27 tr.oz.* Condition: In good condition. A few tiny dings to widest part of base of pot. Maker's mark slightly rubbed but clearly legible.
An Art Nouveau Gallia Christofle silver plate and glass claret jug the hinged lid with flower finial on a floral decorated collar with flower stalk handle, fluted ovoid form with central circular foot, 9«in. (24.2cm.) high; together with a silver plated jug with flower stalk handle and foliate decoration by the same maker.* Condition: The claret jug with tiny chip to glass on foot (not noticeable) - it would probably have had a plated mount to footrim originally. Otherwise both in good condition.
An 18th century eight day oak longcase clock by Thomas Fitzthe bell strike movement with four knopped pillars, the painted square Roman dial with Arabic outer minute track, subsidiary seconds at noon and crescent date aperture, within gilt fan spandrels, the base with swan neck pediment and central giltwood finial raised on plain turned pillars, over a trunk with arched door, on a plain base with shaped bracket feet, 84½in. (214.5cm.) high.
An Anglo-Indian Vizagapatam ivory and penwork work box19th century, sarcophagus form, decorated with ebonised bands of scrolling foliage and a central band depicting figures and birds in landscapes, with radially reeded sloping top with tablet finial and white metal foliate mounts and loose ring handles, enclosing a sandalwood-lined and penwork banded ivory fitted interior with removable tray with seven open compartments, five wells with lids, two blue velvet pin-cushions and six other compartments holding a tape measure, thread barrels, thimble and two lidded pots, the lid with hinged well and a drawer to the lower front, on white metal paw feet, 12¼ x 9in. (31 x 23cm.), 7½in. (19cm.) high.
An Anglo-Indian Vizagapatam horn, ivory, penwork and quillwork work box19th century, sarcophagus form, decorated with penwork bands of scrolling flowers and foliage enclosing blonde quillwork panels, with radially reeded sloping horn and ivory top with gadrooned finial, enclosing a sandalwood-lined and penwork banded ivory fitted interior with removable tray with nine open compartments, five wells with lids and well with cotton reel, on gadrooned ivory bun feet, 13½ x 9 7/8in. (34.25 x 25cm.), 7½in. (19cm.) high.
A George V silver three piece tea service Emile Viner (Viners Ltd), Sheffield 1930, comprising teapot, milk jug and sugar bowl, of circular form with twelve panels, raised on single circular stepped foot, the teapot with ebonised handle & finial, the teapot measuring 6in. (15.2cm.) high, gross weight, 21 tr.oz. (3)* Condition: In very good condition overall. The jug with maker's mark slightly rubbed.
A Victorian silver pepper casterJames Dixon & Sons, Sheffield 1894, of baluster form with bell finial, 4 5/8in. (11.7cm.) high; together with a George V pepper caster, Edward Barnard & Sons, London 1918, of octagonal column form, 4¾in. (12cm.) high; a George V silver miniature goblet, London 1922, maker's mark rubbed, 3¾in. (9.5cm.) high; and an Edwardian silver vodka tot, Josef Zweig, Birmingham 1911, combined weight 4.49 tr. oz. (4)
An early 18th century twin handled loving cup and coverprobably Queen Anne period, maker Anthony Nelme, of tapered circular form with single girdle, foliate capped scroll handles, stepped pedestal foot, domed cover with turned finial, engraved initials, 7¼in. (18.5cm.) high, weight 19.55 tr.oz.
A collection of silver smalls comprising a cut glass silver mounted perfume bottle, London 1908, maker's mark rubbed; a Continental silver mounted ribbed glass pepper pot, with flower head finial; a Continental silver dolls brush; a Continental silver sifter spoon with pierced shell bowl; and a Continental silver beaker. (5)* Condition: Lid on perfume bottle stuck, otherwise items good overall with light wear from use.
A collection of five silver letter openersto include one in the form meat skewer by Mappin & Webb; one with a dolphin finial; and three others in varying designs, two with plated blades; together with three plated examples to include one with a key finial and one with a mother of pearl handle. (8)
A Malicorne Faience tureen & cover, by Emile Tessier (France, 1887-1971), coloured in pinks & greens on cream ground, globe artichoke finial, decorated with châteaux, floral sprays and insects; together with a platter of the same design, the tureen, 12½in. (32cm.) long, 9in. (22.8cm.) high. (2)* Original retail label to inner lid of tureen, 'A.Houssais, Porcelaines-Cristaux, 2. R. Motte-Fablet, Rennes'.
Coalport fruit decorated lidded pedestal vase, by F H Chivers, circa 1920-26, shape no. 130, pattern no. V7540, having a pine cone finial on the domed cover, the base of urn shape with rams mask handles, richly decorated with a still life vignette of grapes and peaches, signed, within tooled gilt borders against a rich cobalt blue ground, the reverse also richly gilded, raised on a short waisted stem with canted square foot, printed and painted marks, height 42cm
French white marble and ormolu clock garniture, late 19th Century, painted enamelled dial with Arabic numerals, detailed with floral garlands, indistinctly signed '...., Toulouse', within a brass barrel case, and surmounted with an urn finial, the movement striking on a bell, supported on brass capped marble columns, on a rectangular plinth base with brass feet, height 35cm, with a pair of matching three branch candelabra, 25.5cm Please note our special conditions of sale regarding clocks and watches
French polished slate mantel clock, circa 1880, architectural case with a dome, surmounted with a brass finial, over two gold painted columns flanking a dial with Arabic numerals and retailer's mark 'Brown & Sons, Paris', the movement signed 'L P Japy & Co.' dated 1878, striking on a gong, all raised on a plinth base, height 34.5cm, width 23cmPlease note our special conditions of sale regarding clocks and watches
Walnut centre table, in part late 17th Century, the top quarter veneered and with feather banding over a frieze fitted with two drawers, each with brass drop loop handles, raised on turned and ringed supports united by a shaped cross stretcher centred with a turned finial, raised on bun feet, width 110cm, depth 60cm, height 75cm
Russell of Lancaster mahogany eight day longcase clock, circa 1820-40, swan neck pediment centred with a single brass ball finial over reeded columns flanking a painted 13.5ins dial with subsidiary seconds and date dial, the trunk with an arched flame mahogany door, over a canted box base, with later bracket feet and shaped apron, height 218cmPlease note our special conditions of sale regarding clocks and watches
George III mahogany bureau bookcase, circa 1770, the top with a broken cavetto arched cornice centred with an urn shaped finial over two recessed arched panel doors, opening to pigeonholes and small drawers, raised on a base opening to an interior with a sliding well, stepped drawers and pigeonholes, the front with three upper false drawers, two real short drawers and two long drawers, each with brass swan neck handles, raised on ogee bracket feet, width 102cm, height 224cm, depth 60cm
A BACHELOR'S LATE VICTORIAN SILVER THREE PIECE TEA SERVICE, maker Jackson & Fullerton, London, 1898, (teapot 1910), of rounded oblong baluster form chased with a band of scrolling foliage, comprising teapot and hinged cover with melon fluted ebony finial and earred angular handle, two handled sugar basin and milk jug, teapot 9" wide, 18ozs 7dwts total gross (Est. plus 18% premium inc. VAT)
A LATE VICTORIAN SILVER MUSTARD, maker Nathan & Hayes, Birmingham 1893, of oval form, the double "C" scroll handle with open thumb-piece, the hinged domed cover engraved with a monogram and urn finial, the pierced arcading with foliate engraved swag, 4" wide overall, 3ozs 9dwts, with blue glass liner and EPNS Rat Tail spoon (2) (Est. plus 18% premium inc. VAT)
A PAIR OF ANDIRONS, c.1900, with large copper ball finial on wrythen turned iron upright, raised on crouching lion paw supports, 14 1/2" high, together with a set of three fire irons with baluster turned copper hafts, 27" wide, and a copper Arts & Crafts style coal bucket with iron swing loop handle, 20 1/2" high to tip up handle (3) (Est. plus 18% premium inc. VAT)
A PAIR OF VICTORIAN BRASS ANDIRONS in Renaissance revival style, the square central stem surmounted by a foliate embossed orb with turned finial and flanked by baluster turned uprights with similar finials, on splayed paw supports, 23 1/4" high, together with a set of three brass fire irons with baluster turned hafts, 29 1/2" wide (2) (Est. plus 18% premium inc. VAT)
AN OAK LONGCASE CLOCK signed Robert Low, Castle Douglas, the eight day movement with anchor escapement striking on a bell, arched dial painted with flowers and with Roman and Arabic numerals, secondary dials, the mahogany banded case with scrolled pediment and brass finial on fluted columns, arched door flanked by fluted quarter columns, panel to base with waved apron and bracket feet, 88 1/2" high (Est. plus 18% premium inc. VAT)
An 18th century tulwar hilted Indian sword, very slightly curved broad blade 33”, with narrow back fuller and double edged at point, traces of studded device on one side near forte, solid iron hilt with long langets, stud finials to crossguard, knucklebow with bird’s head finial, flat disc pommel with radial lines to top, rounded pommel with point, in a later dark blue velvet covered scabbard. Basically GC for age (worm overall).
A 10 bore flintlock fowling piece c 1790, 76½” overall, part octagonal barrel 60” with London proofs, flat stepped lock with swan neck cock, the plate engraved Guest & Son, plain walnut halfstock with horn fore end cap, brass mounts including large flat sideplate, engraved butt plate tang, and trigger guard with acorn finial. GWO & generally GC (action weak, slightly pitted and worn overall, some damage to fore end, ramrod and 2 ramrod pipes restored). Plate 10
A French 48 bore flintlock sidelock pocket pistol, c 1770, 7" overall, round tapered barrel 3", the plain rounded lock having swan neck cock, the dark walnut fullstock having carved panels around the lock and mounts and scrolls behind the barrel tang, the steel mounts include long spurred buttcap, flat sideplate and trigger guard with urn shaped finial. GC (slightly worn overall with light pitting to metalwork, the action AF).
An early 19th century 20 bore Turkish flintlock holster pistol, 17½” overall, barrel 11¼” overlaid with silver scrolls, stylised foliage, stars and date (?), the flat lock and cock engraved with stars and crescent and spurious maker’s name, fullstocked with brass mounts also engraved with stars and crescents. Basically GC (some wear overall, butt cap finial battered, top jaw and screw missing, action AF).
AN ARTS & CRAFTS PUGIN INFLUENCED WASHSTAND, the castellated top splashback with carved finial detail and classical print tiles, on a rectangular marble top, twin pedestal cupboards with central drawer base having Gothic tracery, brass pull handles and multi-wood inlays, 112 cms high overall, 112.5 cms wide, 58.5 cms deep

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116061 item(s)/page