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Lot 338
A George V silver sugar caster, William Comyns & Sons Ltd, London, 1928, retailed by Tiffany & Co., the baluster body on a spreading stepped foot, the pierced cover with urn finial, fitted with a later sheet to regulate flow, 13cm high, 151.6g; and a cased pair of William IV silver framed spectacles, Joseph Willmore, Birmingham, 1833 (2)
Lot 159
A MIXED LOT: A late Victorian baluster caster, knop finial, by D & J. Welby, London 1899, a late Victorian purse, inscribed & leather lined, a small mug, two small boxes, two small trophy cups, a pair of knife rests & a small pepper caster; the larger caster 5.1" (13 cms) high; 14.9 oz weighable silver (10)
Lot 176
A GEORGE III SCOTTISH MUG with later-embossed decoration, crested, maker's mark "REID", Edinburgh 1762, a small George III later-embossed caster, crested, and another caster on a pedestal foot with ball finial & reeded borders, crested, London 1812; the latter 5.5" (14 cms) high; 11.8 oz (3)
Lot 344
A SCOTTISH SILVERGILT "CELTIC" CUP & COVER with applied strapwork, chased reserves & domed bosses, bird mask & scroll handles & cabochon-set hardstone bosses around the sides, the cover with a mounted amethyst quartz finial, maker's mark "RS", possibly by R.Stewart, Glasgow 1914 (with a small inscription around the interior); 7.7" (19.5 cms) wide overall; 24 oz
Lot 666
W Page, London, a large 19th century walnut and ormolu mounted chiming bracket clock: the eight-day duration, triple-fusee movement striking the hours on a gong and the quarters on a nest of ten bells, with a fully engraved backplate signed within a cartouche with the maker's name W. Page, London, with an engraved pendulum bob, the silvered oval dial engraved with black Roman hour numerals, with floral decoration engraved to the outside and centre, with a repeat of the maker's name, with two levers set to the side for chime/silent and 10 Bells/4 bells, with further engraved decoration to the gilded bezel, with blued steel hands, the substantial walnut veneered case having a pagoda top over a curved plinth, finely engraved gilt-brass mounts, frieze and inset frets to the front, with gilt-brass frets to the sides and back, with four pineapple finials to the top corners and surmounted by a larger pineapple finial to the top, with decorative gilt-brass carrying handles to the sides, with the full fluted gilt pillars to the case having Corinthian capitals and standing on matching decorative gilt-brass feet, height 93cm. * Biography William Page is recorded as working in London circa 1772.
Lot 673
L.F. Corrin, Peel, a mahogany longcase clock: the eight-day duration movement striking the hours on a bell, with the 13½ inch painted break-arch dial having black Roman numerals, subsidiary seconds and date dials to the centre, the four-seasons depicted to the corners, being females in the field, an outdoor tavern scene painted within the arch and decorative brass hands, the mahogany case having a swan-neck pediment with a brass ball-and-spire finial, a shaped moulding above the trunk door, turned trunk pillars, an inset panel below the door, turned pillars to the hood, crossbanding to the base and standing on bracket feet, height 226cm. * Notes A label within the door, handwritten by a previous owner reads: When I bought it, this clock was painted black all over and decorated with gold & yellow daisies. Too late I found out it had come from Titness Park where the Beatles lived & was probably painted by Yoko.
Lot 680
Aiano, London, a mahogany stick barometer: the case with chevron inlay to the sides, canted corners, a round turned cistern cover, visible mercury tube and a glazed front opening door to the brass dial, engraved with the makers name Aiano, London, having a swan-neck pediment with a brass vase finial, height 98cm. * Biography Charles Aiano is recorded as working in London from circa 1790 until at least 1820 when he moved to 91, Northgate, Canterbury in circa 1825.
Lot 102
A George III old Sheffield plated single two-light candelabrum, probably by Winter and Co, circa 1780, tapering circular form, swirl fluted decoration, with a central urn finial, reeded scroll arms each supporting a fluted capital, beaded borders, on a raised circular foot, height 40.5cm. For a similar example see: Crosskey, G., Old Sheffield Plate, Treffry Publishing, 2011, figure 431, page 310
Lot 1110
A Victorian silver muffin dish and cover, by James Garrard, London 1879, circular fluted form, the domed cover with a fluted finial, engraved with a crest, diameter 21.2cm, approx. weight 24.9oz. The crest and coronet are those of Sir Michael Arthur Bass, Bt., created Baron of Rangemore, Staffs. in 1886
Lot 1156
A George II silver mustard pot, by John Delemster, London 1759, rectangular form, incurved corers, engraved foliate decoration, hinged cover with an urn finial, scroll handle, with a clear glass liner, height 9cm, approx. weight 4.4oz. Illustrated in Jackson, C., An Illustrated History of English Plate, The Holland Press, Volume II, 1967 edition, page 845, figure 1099
Lot 30
A George III old Sheffield plated coffee pot, unmarked, circa 1770, baluster form, angular scroll handle, beaded spout and borders, domed hinged cover with an urn and flame finial, on a raised circular beaded foot, engraved with a crest and monogram, height 30.5cm. The crest is that of Manning of Downe, Kent and Diss, Norfolk
Lot 344
A George III silver filigree counter box, possibly by Joseph Taylor, Birmingham circa 1800, circular form, the pull-off cover with scroll filigree decoration, with four numbered mother-of-pearl counters, diameter 2.7cm, plus a filigree box, unmarked, possibly late 17th century, circular form, foliate filigree decoration, with a bud finial, diameter 3.2cm
Lot 382
A Victorian silver-mounted claret jug, by Robert Hennell, London 1863, ovoid form, the mount with cut-card decoration, and a beaded border, with a stylised beaded rope intertwined scroll handle, the hinged cover with beaded finial, the body with engraved ribbon-tied foliate decoration, the interior with a cork stopper with a beaded border, height 21.2cm.
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116061 item(s)/page