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A 19th century mahogany longcase clock, the hood with broken swan neck pediment, central globe finial and rope twist columns above a short trunk door box base and bracket feet, the 30.5 cms dial painted with a ruin to the arch and similar spandrels, with Roman numerals, seconds subsidiary dial and calendar aperture, inscribed, the eight day movement striking on a bell, 225 cms high..
A 19th century oak and mahogany longcase clock, the hood with broken swan neck pediment, urn finial and Ionic columns above a shell inlaid long trunk door and box base, the 30.5 cms dial painted with a swan and flowers to the arch and flowers to the spandrels, the dial with Roman numerals, seconds subsidiary dial and calendar aperture inscribed 'Owen Bon.... Merthyr Tydfil', the eight day movement striking on a bell, 212 cms high.
A George III silver tea urn on stand, with marks for 'IS', London, 1795, the domed lid with turned finial, the urn shaped body with hinged wicker carry handle, spout to the front with ivory handle, below a crest, the base with four hairy hoof supports surrounding a burner urn, on circular base with ball feet 46cm high
A mid 19th century Rockingham style part tea service, the fluted squat baluster teapot with flower head finial and frieze of stiff leaf apple green and gilt panels, painted pattern number 2/3205, comprising: teapot and stand, twin handled sucrier and cover, milk jug, slop bowl, ten teacups, twelve saucers and two bread plates (qty)
WIELAND, WATWORTH A Regency mahogany and brass inlaid bracket clock, the movement striking on a bell, the stepped gadrooned rectangular top with gilt brass pineapple finial, above a glazed circular enamel dial, and brass inlaid apron, lion's head mask handles to the sides, gilt brass ball feet 48cm high
THOMAS HAMPTON, WREXHAM A George III oak eight-day long case clock, later carved overall in low relief, the twin train movement with anchor escapement striking on a bell, the hood with swan neck pediment centred by brass ball and eagle finial, above glazed door enclosing arched brass dial, with subsidiary seconds dial and date aperture, cast spandrels and maker's name to the arch, between fluted columns, the case with trunk door between fluted quarter column angles, on panelled base with bracket feet 234cm high
A GOOD GEORGIAN MAHOGANY EIGHT DAY LONGCASE CLOCK the brass faced dome top movement by ADAM JOHNSTON, DOWN PATRICK with applied pierced mounts, subsidiary seconds dial and date aperture. Set within a swan neck and urn finial pediment hood over column sides, blind fretwork, plain case with fluted column sides, the base with canted corners. 7ft 8ins high.
A garniture of three late 19th century Vienna pottery vases, the central vase having two upswept handles and an ogee cover with finial, ivory and green glazed and enamelled with a bird and flowers, 41cm (16in), the two smaller vases similarly decorated and with flared rims, 22cm (8 3/4in) high
A Swiss Neuchatel style eight-day bracket clock in the Louis XV taste with bracket en suite, 20th century, the bell-striking movement with white Roman numeral enamel dial, with ball finial and gilt mouldings to the floral painted ebonised waisted case with glazed aperture beneath dial, on scroll feet, with ogee wall bracket en suite, 68cm high overall.
An early 20th century silver bun topped sugar caster, 13cm (5 1/4in),with panel moulded glass body, Birmingham date letter rubbed, together with a silver topped sugar caster (loose top) with decorative pierced cover arched to an urn finial, the body with slash cuttings, and a Victorian plain silver beaker, London 1884 by the Goldsmiths' Alliance, 10cm (4in) (3)
Fine Edwardian four piece silver tea service of boat shape, cast floral and scroll borders and engraved sides viz: tea pot with ebonised finial and handle and the matching hot water with lip to the inside for use as a coffee pot with muslin bag, sucrier and creamer, Sheffield 1904, maker John Round, overall total weight 691/2ozs
A Regency copper samovar applied with a silver tablet dated London 1809 with domed cover and Turkish crescent finial above a plain oval basket weave girdled body applied with lion mask ring handles and raised on sphinx headed reeded flat tapering legs and feet supports joined by a concave platform undertier, also applied with a Turkish crescent finial, brass spigot and turned ivory handle on ball feet, 13.5" high
A Victorian mahogany crossbanded longcase clock, circa 1870 the broken scroll pediment centred by a pyramid finial above an arched glazed door flanked by wrythen reeded columns and enclosing 14" white painted arched enamel dial with roman numerals, subsidiary seconds dial and moon phase in the arch, and marked 'E Lashmore, Oswestry', painted with rustic housing and castle ruins to the corners and arch, eight-day movement striking on a bell above a three-quarter length shaped arched top crossbanded trunk door, flanked by wrythen reeded columns over a crossbanded panel, canted border and crossbanded base board and raised on ogee bracket feet, 90" high.
An oak bureau bookcase, early 18th century, the broken arched pediment centred by a later gilt brass pineapple finial above two arched carved panel doors enclosing three shaped shelves, above a geometrically inlaid fall front enclosing a well slide and an arrangement of pigeon holes and stepped short drawers, over two short and two long drawers with later brass handles and raised on a moulded plinth and later bun feet, distressed, 42" wide, 22.5" deep, 87" high
A late 19th century French walnut and ebonised oval table with gilt metal borders, mounts, finial and pieds de biche, the top with an oval of floral marquetry within a parquetry border with scagliola insets, with a frieze drawer and undertier on shaped outswept feet, 72.5cm high, the top 41cm deep x 57cm wide
A late 17th century/early 18th century Spanish walnut vargueno with pierced steel escutcheons, bindings and side handles, the central lock plate with architectural finials, flanked by two handles, the plates pierced with the initials MA and IHS, with remnants of red velvet fabric, the fall with shell hinge covers, enclosing an arrangement of parcel gilt, bone and ebony decorated drawers and doors of architectral design with turned columns and gilt metal handles, the stained base with stop-fluted and spirally reeded columns and an arched and finial stretcher on plinth end supports, 152cm high x 46cm deep x 113cm wide (some worm, the cabinet possibly originally entirely fabric covered, lacking some mounts and metalwork, the base later)

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116061 item(s)/page