A mid 19th century Russian silver three piece tea service by Gustav Magnus ?kerblom (Okerblom), St Petersburg 1852, assay master Alexander Mitin, 84 zolotniks, the tea pot with a flower finial to the wrythen dome centred cover, a tongue-capped loop handle, the compressed lobed body with vacant reserves on matted panels with trailing flowers, on four scroll feet issuing from foliage, engraved with initials KP beneath, 26cm (10 1/4in) long, 2220g (71.4 oz) gross
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A late Victorian silver tea kettle on stand by The Goldsmiths & Silversmiths Co. Ltd. (William Gibson & John Lawrence Langman), London 1898, with a composition handle and lobed finial to the domed cover, the half fluted body with embossed drapery, on an oval stand, the four reeded legs with paw feet, 32cm (12 1/2in) high, 1127g (36.2 oz) gross
A matched silver compressed spherical three piece tea service, the William IV tea pot by Charles Thomas Fox, London 1830, the cream jug and sugar bowl by Atkin Bros, Sheffield 1930, the tea pot with a flower finial to the ogee domed cover, a leaf-capped loop handle, with a shell and scroll outlined apron and scroll and anthemion feet, 27cm (10 1/2in) long, 1305g (41.95 oz) gross
A late George III silver compressed spherical tea pot by Rebecca Emes & Edward Barnard I, London 1816, the seated chinaman finial with a parasol, the cover and body embossed overall with reserves of busts of turkmen, flowers and a vacant cartouche, a composition loop handle, a grotesque mask spout and on four shell feet, 26.5cm (10 1/2in) long, 792g (25.45 oz)
A George III silver serpentine outline straight-sided tea pot and stand by George Burrows I, London 1792, the tea pot with an ivory pineapple finial to the domed cover, a wooden loop handle, bright-cut engraved banding, engraved with an armorial and a crest, 29.5cm (11 1/4in) long; the stand with conforming decoration, on four bracket feet, 17.8cm (7in) long, 628g (20.2 oz) gross. The shield and crest of GEE. These were registered in 1619 for Eustace Gee of Rathley, Leicestershire, seventh in descent from Alexander Gee of the same location, temp. Henry V.
A George III silver commode shape straight-sided tea pot and an associated stand, the tea pot by Charles Chesterman II, London 1785 (incuse duty mark), the stand by Henry Chawner, London 1787, the tea pot with a wooden oval finial to the domed cover, a wooden loop handle, engraved with oval reserves pendent from tied ribbons, flowering foliate swags and bright-cut patera borders, the tea pot engraved with Sacred to Truth & Friendship beneath, the tea pot 28cm (11in) long, the stand 17cm (6 3/4in) long, 511g (16.4 oz) gross
An early George III silver bombe tea caddy by Emick Romer, London 1766, with a seated chinaman finial, the cover embossed with four panels, buildings alternating with flowers, a shaped thumb piece, the front with an engraved stag head crest in an embossed cartouche, the sides with figural chinoiserie scenes, the back with a garden in Chinese style, on open scroll feet issuing from shells, 18cm (6 1/4in) high, 324g (10.4 oz). The crest recorded for AMOS, BELL, CURETON, DENNY, EDWARD, FOWLES, GORDON, HERNS, KYLE, LISTER, MARTIN, NOTT, OGILVY, PEAT, ROGERS, SNAPE, TRIDENECK, WESTALL, YOUNGER and nearly 200 further names.
An amethyst bracelet, set along the length with 9 oval cabochon amethysts in rectangular polished links to a concealed clasp, maker`s mark K. Ru, stamped 585, 18.5cm long; an amethyst brooch, set with a large circular cabochon amethyst in a polished mount below a long barette and ball finial, maker`s mark WL, stamped 585, 9.5 cm long; and an amethyst and cultured pearl three stone ring, stamped 585, finger size R
A Worcester first period teapot late 18th century, ovoid form, flat lid decorated with three floral sprigs and a bud finial, blue and white geometric pattern to upper edge, fruit and flowers decorating the body and spout, plain scroll handle, filled crescent mark to base, 5¾in. (14.4cm) high.
A Regency mahogany quarter chiming eight day bracket clock circa 1820, the circular white painted dial with Roman numerals and plain twin fusée movement striking the quarters on nine bells, within a rectangular case with brass mounts, the stepped top with gilt brass urn finial, the front with gilt brass mounted panelled spandrels within fluted borders, floral rosette ring handles and pierced gilt brass grilles to sides, on gilt brass ball feet, 20in. (51cm.) high.
A Victorian etched and cut glass claret jug with silver plated mounts of flared trumpet form, the upper section etched with a wide band of trailing vines, the wider lower section with cut decoration, the silver plated wide collar with floral decoration and Bacchus mask spout, domed lid with floral design divided into four by petal motif, pineapple finial, square pillar handle with dragon and scroll bracket mounts, 12in. (30.4cm) high.
A Victorian silver tea caddy Thomas Bradbury, London 1894, of bombé form with gadrooned borders on leaf, bead and scroll feet, embossed with shells and trailing leafage, the pull-off cover with rococo leaf and shell style finial, sides with scroll cartouche, 5¾in. (14.5cm.) high, weight 8.7 tr.oz.
An Edwardian three piece silver tea service George Nathan & Ridley Hayes, Chester 1908, comprising teapot, milk jug and sucrier, the rounded rectangular bodies with gadroon and shell borders, on bun feet, teapot with ebonised handle and finial, the teapot 11½in. (29.25cm.) long, weight 37.5 tr.oz. (3)
A George III silver bacon serving dish John Schofield, London 1789, rounded rectangular form with domed hinged cover with concave central section rising to dome with urn form finial, elephant head under crown engraved crest to front, the base compartment with gadrooned border, silver cylindrical deposit seated into which is a turned ebony handle of elongated ovoid form, the dish 10 x 6in. (25.4 x 15.3cm.), the handle 7½in. (19.1cm.) long, weight 22.7 tr.oz.
A George V silver baluster sugar sifter Atkin Brothers, Sheffield 1915, with domed pierced cover with turned finial and raised on three hoof feet, 7¾in. (19.2cm.) high, 8.75 tr.oz. * Condition: Dent to lower section of body. Small area pushed in around one of the pierced `husks` on the cover. Marks clear. No other damage noted.
A Tibetan copper and silver teapot 19th century, south central Tibet, the closely fitting lid lifting to reveal a tinned interior, edged with a fine, silver scrolling border, topped by a finely worked lotus petal plaque surmounted by a finely chased silver lotus bud finial, the neck with silver scrollwork collar, the spout partly encased in finely worked silver mounts including a wide, extravagant collar with scrolling repousse decoration, wide hand hammered handle with attached chain to lid, 12¼in. (31.8cm.) high, 8¼in. (21cm.) diameter. * Condition: 40 x 20mm dent to under side. Constructed in two parts - the solder join can be seen clearly between the upper and lower sections around the circumference.
Bloor Derby lidded tureen and stand circa 1820 painted with titled scenes of `View in Wales` and `View near Derby` within a gilded navy blue border, printed and painted marks to bases, (3) the stand measures 22cm wide Condition report: the lid and finial have staple repairs. Five enamel flakes to one painted scene. Mild stained crazing in and gilt wear in areas.
Two majolica game pie dishes, moulded with game and decorated with colourful glazes, no marks, mid 19th century, (4) 26.5cm wide Condition report: the dish with bird finial has a section of the rim of the cover restored. The dish with the rabbit finial has had the cover split in two and restored, as well as sections of the rim restored, there is some staining. There is some crazing to both pieces.
Masons Ironstone bread bin, with twin handles, printed with exotic birds in underglaze blue, printed marks to base and cover, mid 19th century, 38cm high Condition report: Overall restoration to the cover which has at some stage been broken, the finial has also been reattached. No damage or restoration to the base. Minor scratching to the footrim.
Large doucai jar and cover decorated with lotus and bats, Qianlong seal mark and period, the baluster body painted in enamels and gilt with flying bats amogst lotus flowers and scrolling foliage, within borders of lotus lappets and ruyi heads, the domed cover fitted with a later finial, the base and interiors of the jar and cover glazed in turquoise, height 46.5cm.
A Norwegian silver birth spoon, by Marius Hammer (1847-1927), 830, the fig shaped bowl engraved inside with a crowned heart with the legend WAT-GOD-WIL-GESCHVT-WOL-WAT-SIN-SAL-SCHIGKT -SIGH-WOL and to the back with a male figure with a harp within MOCT-HOEP-MIN-TROEST-SIN-VERLANGEN-WAER-MI-GHIEN-PIN 1577, the flat lower stem below a twisted upper stem with beaded ball finial, 16cm, 1.33oz Feint crease to the top of the bowl
A four piece silver tea and coffee set, by the Adie Brothers, Birmingham 1942, comprising:- a teapot of flattened globular shape, the centre body engraved with a band of scrolling with hatched diaper decoration, raised on a low pedestal, bakelite handle and finial, 15cm high; a matching coffee pot of baluster form with flat flush hinged cover, 24cm high; together with the companion sugar bowl and milk jug, 57.37oz (4)
A small silver casket, sponsor`s mark of Boaz Moses Landeck with import marks for Chester 1910, of rectangular shape, the box panels variously embossed with figural scenes, the main panel depicting a man (possibly Mozart) playing the cello and a woman the piano, an appreciative audience behind, another panel depicting figures in drunken revelry, another with figures dancing and a fourth with figures haymaking, the corners supported by winged masks above claw feet, the hinged cover embossed with foliate scrolls, the finial modelled as the head and torso of a man in a tricorn hat, 13 x 13 x 9.75cm, 14.55oz Literature: Mozart is known to have played many different string instruments as well as the keyboards and is known to have played duets with his sister. He was in London in 1764 with his sister `Nannerl` when he was influenced by Carl Frederick Abel, the last virtuoso on the `Viol da gamba`. The finial on the box may be an iconic image of Mozart. In good condition
The Melbourne Hunt Cup Steeple Chase October 1st 1881 - A gold mounted claret jug, unmarked (tests as 15ct), the collar engraved with hounds and arabesques between two beaded bands, cartouche engraved `The Melbourne Hunt Cup Steeple Chase October 1st 1881 - Won by Young Deceiver the property of John E Spicer, Esq`, the cover with finial modelled as a horse standing four square, the flared trumpet shaped clear glass body with cut and ribbed pattern, 28cm high
William Wright of Cambridge, a Regency stained wood and brass inlaid bracket clock, the typical rectangular case with brass finial above 8inch (20cm) painted signed dial, the shaped top backplate also signed and with engraved border, the twin fusee movement lacking holdfast screw, adjustable pendulum, pull repeat cord, raised on four ball feet, 47cm high. Provenance: Formerly the property of Henry Franklin (1877-1950), Mayor of Cambridge in 1929-30, one foot is loose; one or two empty holes to plates; signs of previous repairs to movement and age wear to case
An 18th century Worcester blue and white sucrier and cover, two saucers and two coffee cups, each decorated with flowers, the sucrier fluted 10cm (4 in) diameter, one of the coffee cups fluted and the other not, the saucers with butterflies flying above their bunches of flowers (6) (D) The over finial of the sugar has minor chips. The fluted cup has a flake off the rim. the plain cup has had the handle glued back. Both saucers have damage
Bloor Derby lidded tureen and stand circa 1820 painted with titled scenes of `View in Wales` and `View near Derby` within a gilded navy blue border, printed and painted marks to bases, (3) the stand measures 22cm wide Condition report: the lid and finial have staple repairs. Five enamel flakes to one painted scene. Mild stained crazing in and gilt wear in areas.
Two majolica game pie dishes, moulded with game and decorated with colourful glazes, no marks, mid 19th century, (4) 26.5cm wide Condition report: the dish with bird finial has a section of the rim of the cover restored. The dish with the rabbit finial has had the cover split in two and restored, as well as sections of the rim restored, there is some staining. There is some crazing to both pieces.
Masons Ironstone bread bin, with twin handles, printed with exotic birds in underglaze blue, printed marks to base and cover, mid 19th century, 38cm high Condition report: Overall restoration to the cover which has at some stage been broken, the finial has also been reattached. No damage or restoration to the base. Minor scratching to the footrim.
Large doucai jar and cover decorated with lotus and bats, Qianlong seal mark and period, the baluster body painted in enamels and gilt with flying bats amogst lotus flowers and scrolling foliage, within borders of lotus lappets and ruyi heads, the domed cover fitted with a later finial, the base and interiors of the jar and cover glazed in turquoise, height 46.5cm.
* A PORCELAIN POTPOURRI VASE RUSSIAN, AFTER A MODEL BY AUGUST SPIESS, IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF ALEXANDER II (1855?1881), 1860s?1870s Height 35.5 cm. Literature: E. Khmelniskaya, Avgust Spiess i Imperatorskiy farforovyizavod. Zhizn`, posvyaschennaya farforu, Moscow, Lyubimaya Kniga,2012, p. 53, illustrated. Of squashed bulbous form with bracket handles, the front and backwith circular reserves, the elaborate ovoid body raised on a twistedbaluster stem supported on a shaped square base, the front andback with circular medallions and applied with ribbon-tied laurelgarlands, the pierced domed lid with cone finial, with green Imperialcipher for Alexander II.
* A SILVER TANKARD RUSSIAN, MAKER?S MARK OF SERGEI AGAFONOV IN CYRILLIC, MOSCOW, 1889, 84 STANDARD Height 16 cm. Of tapering form, the hinged lid with a dentil edge surmounted witha knopped finial, the square handle with plain thumbpiece, the bodychased with an arched-window shaped reserve with a traditionalembroidered towel over the window ledge and surrounded withfloral decoration, on three bracket feet, gilt interior.
* A PORCELAIN POTPOURRI VASE RUSSIAN, AFTER A MODEL BY AUGUST SPIESS, IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF ALEXANDER II (1855–1881), 1860s–1870s Height 35.5 cm. Literature: E. Khmelniskaya, Avgust Spiess i Imperatorskiy farforovyizavod. Zhizn`, posvyaschennaya farforu, Moscow, Lyubimaya Kniga,2012, p. 53, illustrated. Of squashed bulbous form with bracket handles, the front and backwith circular reserves, the elaborate ovoid body raised on a twistedbaluster stem supported on a shaped square base, the front andback with circular medallions and applied with ribbon-tied laurelgarlands, the pierced domed lid with cone finial, with green Imperialcipher for Alexander II.
* A SILVER TANKARD RUSSIAN, MAKERÂ’S MARK OF SERGEI AGAFONOV IN CYRILLIC, MOSCOW, 1889, 84 STANDARD Height 16 cm. Of tapering form, the hinged lid with a dentil edge surmounted witha knopped finial, the square handle with plain thumbpiece, the bodychased with an arched-window shaped reserve with a traditionalembroidered towel over the window ledge and surrounded withfloral decoration, on three bracket feet, gilt interior.

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116061 item(s)/page