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GEORGE III MAHOGANY LONGCASE CLOCK SIGNED TROTTER, JEDBURGH, the 12" painted dial with subsidiary seconds and date dials to the centre, enclosed by floral spandrels and set beneath a bird portrait to the arch, powered by an eight day movement striking on a bell, and housed in an arch topped case with brass eagle and ball finial to the scroll pierced swan neck pediment, set above free standing fluted fore columns and over a long, flame cut, trunk door with shaped top and fancy pierced brass escutcheon, raised on a conforming base with bracket feet, 90 ½" (230cm) high
KERN, MODERN REPRODUCTION GILT METAL ANNIVERSARY CLOCK, with twelve part Roman dial and glass case enclosed by three fluted columns and melon shaped central finial, 14 ¾" (37.4cm) high, together with a STYLISH GERMAN BRASS MANTEL CLOCK, with octagonal chapter ring, pat exposed movement to the centre and with Westminster/ Winchester strike on a rack of nine rods, housed in an oblong glazed case, 7 ½" (19cm) high, (2)
A silver and enamelled caddy by David Andersen, Norway, of cylindrical form, the cover finial in the form of a Lion/Puma, on four bun feet, stamped marks '925S', 11.5cm high; together with two owl cruets, one in blue enamel, one in yellow enamel, the blue owl lacking the base, both with chips and losses to enamel, each 5cm (3)
A George II silver-gilt two-handled cup and cover, by Peter Archambo, London 1729, circular form, leaf capped scroll handles, central girdle, with cut-card decoration, the domed cover with a knop finial, on a raised circular foot, height 25cm, approx. weight 49oz. Provenance: Hugh, 5th Earl Annesley 1831-1908, and thence by descent to the present owner.
By Christopher Lawrence, a modern parcel-gilt silver centre-piece, London 1973, the base formed as a circular box with textured decoration and a raised pull-off silver-gilt cover, with detachable ring supporting six scroll arms each with a plain circular capital and candle spike, with a central textured silver-gilt ball finial, height 20cm, approx. weight 55oz.
A Victorian commemorative silver pencil, marked with a registration lozenge for 1852, cylindrical form, engraved decoration, the finial modelled as the bust of the Duke of Wellington, the slider with 'Wellington, Born 1764 Died 1852, Assaye, Waterloo', length closed 11cm. Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 111/
A Victorian novelty gold pencil, unmarked, faceted form, engraved decoration, mounted with a hand, and with a bloodstone seal finial, length closed 7.3cm, plus Victorian novelty silver pencil, of similar design, with a ring attachment and stone matrix terminal, length 5.2cm. (2) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 30.
A small collection of four Victorian silver Everpointed pencils, various designs, including one with a green enamel body with white flowers and gilded highlights, screw-off seal finial with a citrine matrix, length closed 8.5cm, plus an engine-turned one, the matrix engraved with a head, and another with a hardstone finial. (3) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 47.
A Victorian novelty silver detachable "Sheath" pencil and seal, by S. Mordan and Co., circa 1900, the finial modelled as an owl, glass eyes, plain cylindrical sheath, the base with a plain seal matrix, length closed 9.5cm. Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 153.
A George IV silver Everpointed pencil, by Butler and Co, London circa 1827, cylindrical form, engine-turned decoration, length closed 8cm, plus a George IV silver Everpointed pencil, by Joseph Willmore, Birmingham circa 1827, engine turned cylindrical barrel, with a swivel seal finial with a hinged magnifying glass, length closed 11.2cm. (2) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 12.
A Victorian novelty silver detachable "Sheath" pencil, compass, thermometer and seal, by S. Mordan and Co., marked with Rd. no. 260192, circa 1900, the finial modelled as a compass, (not working), the side with a thermometer, the seal matrix engraved with a monogram, length closed 7.3cm. Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 153.
A Victorian 10-carat gold pencil, by S. Mordan and Co, also marked with the arrow mark, engine-turned cylindrical form, with a ring attachment, length closed 4.5cm, plus an unmarked gold Everpointed pencil with a plaited hair barrel, and white matrix finial, and an unmarked gold pencil with a decorated barrel terminal and ring attachment. (3) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 49.
An Edwardian silver pen and pencil set, by S. Mordan and Co., retailed by The Mappin Brothers, circa 1905, plain tapering form with a ball finial, in a fitted green box, dated '1905', length 19.5cm and 20cm. Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 172.
A Victorian gold Everpointed pencil, unmarked, faceted form, engraved decoration and foliate barrel seal-top finial set with an amethyst, length 10.1cm, plus another gold Everpointed pencil with a swivel seal-top finial set with three stones, and another with a hexagonal barrel, engraved decoration and a hardstone seal. (3) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 49.
A Victorian 10-carat gold Everpointed pencil, marked with the arrow mark, engine-turned decoration and with hardstone finial, length closed 8.3cm, plus one of bar form, with a ring attachment, engraved 'Pat. Feb. 6.83', and another unmarked Everpointed pencil with a lapis seal-top finial. (3) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 49.
A Mordan Centenary silver pencil, London 1915, also marked patent, the finial with a pencil reserve, length 11cm, plus a Mordan Centennial silver pencil, London 1921, also marked 'S. Mordan and Co., Pat. App. For "Centennial" Rd. 683188', with a cardboard box. (3) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, pages 195 and 196.
A Victorian silver Commemorative Everpointed pencil, unmarked, engraved hexagonal barrel with a crown finial above 'VR', length closed 10cm, plus a Victorian polished steel pencil with a crown finial, length closed 6cm. (2) Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 55.
A Victorian silver and gold combined pen and pencil, by S. Mordan, London 1853, also marked 'S. Mordan and Co. Makers', modelled as a tipstaff, engraved foliate scroll decoration and with two mythical dolphins, inscribed 'To Henry Potter Easter 1854', the gold crown finial unscrews to reveal a lead reservoir, in a fitted case, length closed 13cm. Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 55.
A mixed lot of continental silver and electroplate flatware, comprising: a set of twelve German silver-gilt teaspoons, with a parcel-gilt lion mask finial, in a fitted case, plus a set of six Fiddle and Thread pattern dessert forks by Posen, plus a set of six silver-handled cake knives, a cased set of twelve electroplated Fiddle and Thread pattern table knives and forks, and six electroplated cake forks, approx. weighable 14oz. (qty)
A mixed lot of silver flatware, comprising: a 19th century Dutch silver-gilt spoon, with pseudo marks for Louis de Haan, Rotterdam 1771, fig-shaped bowl, textured tapering handle with a stylised hoof finial, plus an early 18th century Dog-nose spoon, by William Scarlett, London, plus teaspoon and a continental fork and teaspoon, approx. weight 5.2oz. (5)
A mixed lot of silver flatware, comprising: a 17th century Norwegian spoon, maker's mark partially worn, probably Bergen circa 1620, with a cherub head finial, plus a George II marrow spoon, London 1749, and three tablespoons with scroll and shell backs, approx. weight 8oz. (5) Provenance: Property of a Gentleman.
λA three-piece Victorian silver presentation tea set, by James & Nathaniel Creswick, London 1854, lobed baluster form, leaf capped scroll handle with ivory insulators, the domed cover with a flower finial, on four scroll feet, all pieces with an inscription 'Presented by The Members of The English Society and Congregation of the Wesleyan Methodist Chapel to the Reverend Ebenezer Jenkins, at the close of his pastoral labours, in testimony of their grateful appreciation of the talent and faithfulness with which those labours have been sustained for eight years, and of their sincere esteem and affection, Madras, A.D 1855', length handle to spout 24.5cm, approx. weight 47oz. (3)
Please note: the finial on the teapot is a replacement.λA four-piece Victorian silver tea and coffee set, by Joseph & Edward Bradbury, Sheffield 1866, baluster form, embossed with panels of foliate decoration on a matted background, scroll handles with ivory insulators, domed cover, beaded border, engraved with a crest, on circular bases, height of coffee pot 26.5cm, approx./ weight 71oz. (4)
A George III silver coffee pot on stand with a similar George III teapot on stand, the coffee pot by Peter and Ann Bateman, London 1797, the teapot and stand by Joseph Dodds, London 1795, the coffee pot of tapering shaped rectangular form, engraved foliate decoration, reeded borders, wooden scroll handle and finial, domed hinged cover, on a shaped rectangular foot, engraved with two circular cartouches with initials, the teapot stand on four fluted bracket feet, height of teapot on stand 30.5cm, length of teapot handle to spout 26.3cm, approx. weight 54oz. (4)
A George III silver mustard pot and two pairs of George III salt cellars, the mustard pot by Abraham Peterson, London 1792, the salts by John Eames, London 1803 and Thomas Robins, London 1800, the mustard pot of vase form, scroll handle, the hinged cover with a ball finial, blue glass liner, the salts of oval form, on raised oval bases, plus four silver salt spoons and a mustard spoon, crested and initialled, approx. weight 15.5oz. (10) Provenance: the collection of Roy Merley.
A Victorian silver posy holder, by C. Cheshire, Birmingham 1865, baluster form, engraved decoration, beaded borders, the base with a screw-off finial and tripod stand, with a chain and finger ring, in a fitted case, retailed by Waterhouse and Co., Dublin, length 17.8cm, approx. weight 2.1oz.
A Victorian silver combination pencil, by S. Mordan, London 1848, also stamped 'S. Mordan and Co Makers', comprising: a pen, pencil, ruler, and knife, cylindrical form, screw-off bloodstone seal finial engraved with a crest, length 12.3cm. Provenance: The KB Collection of Pencils. Illustrated in Bull, K., The KB Collection of Pencils, private publication, 2012, page 72.
A George III Scottish silver tea pot, by Lothian and Robertson, Edinburgh 1763, inverted pear form, chased foliate scroll decoration, flush hinged cover with a flame finial, scroll handle with a carved leaf thumb-piece, shell capped spout, engraved with an armorial, on a circular foot, length handle to spout 26.5cm, approx. weight 19oz. The arms are those of Caldwell impaling Charlewood, Smythe, Slater, and Alsworthy.
A Victorian silver inkstand, by The Barnards, London 1843, rounded rectangular form, the centre with a sarcophagus shaped box, the pull-off cover with a reversible cover with a flame finial and taper holder, with two pen wells and two silver-mounted cut-glass inkwells with hinged covers, engraved with a crest, length 26cm, approx. weight 19.7oz.

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116041 item(s)/page