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Lot 785
IMPRESSIVE LATE 19TH/EARLY 20TH CENTURY CARVED WALNUT WALL BRACKET,the baize lined oblong top with pierced fleur-de-lis gallery over an egg and dart border and further gallery, the support modelled in the form an eagle with snake in mouth, the shaped back relief decorated with thistles, bud finial, 51cm high, 30cm deep, 46cm wide
Lot 791
ROYAL WORCESTER LIDDED URN,moulded with scrolling foliage and with twin mask-detailed handles, hand painted with fruits by David Fuller and signed, on waisted stem to pedestal base, printed marks, no. 1572, 27.5cm highPainting good - gilding slightly rubbed in places - minor scratches - the moulded band to the base of the neck is matt and dis-coloured - the knop finial has been broken off and stuck back (not professionally).
Lot 793
ROYAL WORCESTER LIDDED URN,of ovoid form with twin mask-detailed handles, hand painted with fruits by David Fuller, on waisted stem to pedestal base, printed marks and no. 2363, 22cm highPainting good - gilding matt in areas - also the gilding is rubbed and scratched in ateas - knop finial has been off and stuck back again (not professionally).
Lot 78
An Elkington plate casket, An Elkington plate casket, ' Department Of Science & Art ' copy of a silver casket by the French silversmith Alexandre Gueyton, displayed during The Great Exhibition in 1851, numbered 519 to base, height 18cm.Overall condition fair to goodKey deficientLining - velvet in fair condition, some wear to cornersDiscolouration and tarnishing in keeping with ageBase corners with localised discolouration - evidence of testingLid with nicks and evidence of forced openingFinial slightly loose but secureTop slightly dipping to one side, misshapen
Lot 317
Mid 19th century continental mahogany linen press on chest Mid 19th century continental mahogany linen press on chest, cornice with swan neck pediment, central finial above two single panel doors with matched figured mahogany veneers, interior with two adjustable shelves, lower section fitted four graduated drawers, all standing on out swept bracket feet.width 133cm (52"), depth 59cm (23"), height 250cm (98")Overall condition good, replacement oval brass handles. Original back, gap between the doors due to shrinkage makes it difficult to close, locks are present in the drawers and latches in the door, draw linings are elm, original shelves.
Lot 1180
An impressive late Victorian gilt brass mounted and inlaid rosewood bracket clock with eight day twin fusee movement striking hours and half hours on a gong, the backplate signed 'Lund & Blockley successors to Viner New Bond St London' and numbered '246', the silvered breakarch dial with all-over finely engraved foliate scrolls, slow/fast indicator to arch, Roman hour numerals and outer Arabic minute numerals and inscribed 'Lund & Blockley', the foliate inlaid case with flower urn finial surmount above four urn and flame finials to corners, united by a balustrade, the sides with vine bordered pierced trellis fret panels and flanked by four ebonized barley twist columns, raised on foliate capped twin paw feet, height 60cm, with pendulum and winding key. Note: John Alexander Lund & Herbert Blockley were highly regarded clockmakers working at 42 Pall Mall, London, from 1872 to 1876 (successors to Viner) and also had a branch in Bombay, India. They were retailers and manufacturers of house and turret clocks, including for Queen Victoria between 1875 and 1905.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 87
Mantel Clock. A late 19th century French mantel clock, the elaborate classical ormolu case with urn finial, and wreath border supporting a convex white enamel dial with black roman numerals and arabic minutes, pierced gilt metal hands, single winding hole (damage to the enamel and the glass door heavily pitted), drum shape brass movement, on a white marble base with turned brass supports, 30cm highQTY: (1)
Lot 262
A Sèvres pink-ground broth-bowl, cover and stand (écuelle ronde tournée et plateau ovale), c.1760, blue interlaced L marks to bowl and stand, the bowl with incised da [?], the stand with incised al [?], each piece reserved with two cartouches edged with gilt scrolls and foliage, painted with vignettes of pastoral objects associated with countryside pastimes and farming, including bee-keeping, bird-catching and a peepshow, the centre of the stand decorated with two birds in flight in gilding, the cover with branch handle, the stand 22.7cm wide; the écuelle 17cm wideProvenance: With Brian Haughton Antiques, London (according to the paper label applied to the base).Note: This style of painting of pastoral scenes is traditionally associated with the factory artist André-Vincent Vielliard père, who was active at Vincennes and Sèvres from 1752 to 1790. Similar pastoral scenes can be seen on a 1766 cup and saucer now in the Wallace Collection, London (museum no. 369).Minute chip to a leaf on the finial and some minute wear to the gilding of the berries of the finial. Minute areas of wear to the rim of the écuelle. On the stand there are minute areas of wear to gilt border on the edge of the well. These are all extremely minor.
Lot 264
A French gilt-bronze mounted Continental porcelain box and cover, late 19th century, pseudo Sèvres interlaced L and date code mark, the cover with pine cone finial, the body with ram's heads, decorated overall with puce panels and floral bands, 21cm highPlease refer to department for condition report
Lot 272
A Meissen turquoise-ground leaf-shaped box and cover, c.1745-50, blue crossed swords mark, gilder’s G. to both pieces, each side reserved with a gilt-edged quatrefoil panel painted with flowers, the stem finial with flowering terminals, 12.9cm wide; together with a Meissen two-handled circular basket, 19th century, blue crossed swords mark, Pressnummer 30 and incised |||, the exterior applied with fruit, flowers and nuts, the basket-moulded interior painted with flowers, 18.8cm wide; and a Berlin (KPM) rectangular basket, 19th century, blue sceptre mark, the interior with figures in landscapes, 11.3cm wide (3)Provenance: The leaf-shaped box with Brian Haughton Antiques, London (according to the paper label attached to the base). Box:Overall this box is in good condition. The very minor condition faults are listed in more detail below:There is a small chip to two of the leaf terminals on the cover. A small rim chip the edge of the cover is gilded with what appears to be original 18th century gilding, so it dates from the time of manufacture. There are some minute flakes and wear to the gilt rim of the box, and a few minute scratches to the surface. All of these are extremely minor. Meissen Basket:One handle has probably been broken off and re-stuck, and the surrounding area has been overpainted. With time this overpainted area has yellowed, but as the porcelain in these areas is still translucent, it appears as though this area is not restored, and it is merely over-zealous overpainting extending far beyond the re-stuck handle. There is some chipping to the flowers and foliage and handle terminals. Berlin basket:Overall this basket is in good condition. There are a few minute areas of wear, which are extremely minor.
Lot 277
A Berlin Royal Factory porcelain white glazed part dinner and tea service, late 19th / early 20th century, with wrythen ozier borders, the covers with naturalistic branch and flower handles, blue scepter mark to underside, comprising: a large oval deep platter, 57cm long, a similar smaller platter, 50cm long, a circular dish, 34cm diameter, a smaller deep dish, 31cm diameter, a rectangular tureen and cover, 29cm long, a circular footed dish and cover, 24cm diameter, a circular dish and cover, 22.5cm diameter, a rectangular lobed deep dish, 21.5cm diameter, a sauce boat with affixed saucer, the saucer 21cm wide, a plate with reticulated border, 25cm diameter, twelve dinner plates, 25cm diameter, four soup plates, 23cm diameter, seven pudding bowls, 19cm diameter, a rounded teapot with naturalistically modelled branch handle and spout and flower finial to the lid, 10.5cm high, a milk jug, 10cm high, a miniature jug, 6cm high, eight teacups, 7.3cm diameter, with nine saucers, 13.5cm diameter, and a sugar bowl, 7.2cm diameter (lot) Old staple repairs to one pudding bowl. A chip to the rim of the milk jug. Otherwise in good condition with general surface dirt consistent with age.
Lot 278
A Vienna (Sorgenthal) gold-ground teapot and cover, c.1796, finely painted with pendant swags of ivy below a garland of flowers between purple bands, the rim, shallow-domed cover and borders with raised gilt decoration, the cover interior richly gilt, impressed 96 and 33, 12.7cm highNote: For a slightly earlier teapot (of circa 1780) of related form (but with a curved spout), see E.W. Braun, Geschichte der K. K. Wiener Porzellan-Manufaktur, Vienna, 1907, pl. XVIII.Overall this teapot is in very good condition – the gilding and coloured enamels are bright and vibrant. There is some very slight wear to the tip of the spout – this is very minor indeed, and there are two small areas of slight flaking to the gilding on the cover – one below the finial and the other near the purple band borders around the edge – neither are very noticeable and both are minor. There are a few further minute flakes to the gilt body, and there are areas of very slight wear to the burnished gilding (which do not penetrate through to the white porcelain beneath). This teapot is remarkably fresh in appearance.
Lot 28
A George III silver teapot, London, 1784, Robert Hennell I, of oval form, the sides bright-cut decorated with floral garlands surrounding engraved cartouches to hinged lid with wooden finial, the brown Bakelite handle a later replacement, 10.1cm high, total weight (inc. handle) approx. 14.9ozPlease refer to department for condition report
Lot 3
A large silver ice bucket/wine cooler, by Garrard & Co., Sheffield, 1958, of twin-handled campana form, the plain body with removable Thermos liner raised on a circular foot decorated with a fluted band, the stepped cover designed with spherical foliate finial, 35cm high (inc. handle), approx. weight 89.7ozPlease refer to department for condition reportweighed without liner
Lot 36
A George III silver chafing dish and cover, complete with stand and burner, all London, 1798, William Allen III, the circular dish with reeded twin handles and urn-shaped finial, the burner, dish and lid with lion crest, approx. weight (exc. burner) 54ozPlease refer to department for condition reportMonogram to each piece, silver splitting around finial to underside of lid.
Lot 4
A small George I Britannia standard caster, London, 1723, Thomas Bamford, of octagonal baluster form, the pierced cap with knop finial, the body engraved with billy goat crest, 11cm high, approx. weight 3oz Please refer to department for condition reportcap with maker's mark and Britannia mark
Lot 401
A French gilt-bronze figural striking mantel clock, mid 19th century, the case with central finial of billing doves flanked by cupid and a putto dressed as a Spartan warrior, on plinth base with acanthus border above drapery on hairy paw feet, the white enamel dial with Roman and Arabic numerals, signed De Bon A PARIS, eight day twin train movement, with key and pendulum, 27cm high, 21cm, 10.5cm Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 403
A French white metal and enamel mignonette, the white metal case with enamelled decoration of flowers and cranes, with dragon finial, on base with scrolling foliate frieze on bracket feet, the white dial with Roman numerals, backplate stamped L'Epee Made in France 11 Eleven Jewels, 18cm highPlease note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 404
A French ormolu and porcelain mounted clock garniture, late 19th century, the central clock with porcelain and ormolu mounted urn finial above scrolling floral mounts, on caryatid scrolling feet, the porcelain dial painted with two lovers in a garden setting, the painted chapter ring with Arabic numerals and birds and flowers, with porcelain side panels, the twin train eight day movement stamped BARILLETS MOBILES - E. GODEAU - BREVETE S.G.D.G., striking on a bell, 39cm high, 18.5cm wide, 12cm deep; flanked by five light ormolu and porcelain candelabra, 39.4cm high (3) Please note that Roseberys do not guarantee working order or time keeping of any automatic, mechanical, quartz or other timepiece.Please refer to department for condition report
Lot 49
A matched Victorian silver three piece tea service, the sugar and milk London, 1895, Charles Stuart Harris, the teapot London, 1897, Thomas Bradbury & Sons, each raised on four ball feet and designed with reeded banding to body and gadrooned rims, the teapot with painted wooden handle and finial, 18cm high, total weight approx. 36.8oz (3)Please refer to department for condition report
Lot 57
A silver hot water kettle with stand and burner, London, 1859, Robert Harper, the round kettle designed with repousse floral scroll body, zoomorphic spout and bird finial to lid, the fixed handle with ivory spacers, 26cm high (exc. stand), 38.5cm (inc. stand), total weight approx. 55.6oz Ivory registration submission reference: M5DWRBKPPlease refer to department for condition report
Lot 77
An Edwardian silver tea kettle, London, 1903, Horace Woodward & Co., of circular form with lion crest to body, the stepped, hinged lid with wooden finial and the fixed handle designed with imitation wood centre, 15cm high, approx. weight 17.8ozPlease refer to department for condition reportno stand
Lot 9
A George II silver hot water pot, London, 1758, Magdalen Feline, of plain baluster form with wicker handle and short spout, the hinged cover with acorn finial, engraved armorial to body, 21.7cm high, approx. weight 12.1ozProvenance: The estate of the late designer, Anthony Powell.Please refer to department for condition report
Lot 11
A late 17th/early 18th century lighthouse caster, both the body and cap with partial maker's mark for Andrew Raven, hallmarks to body rubbed, the body chased with scrolling decoration and raised on a gadrooned foot, the pierced cap (damaged) designed with gadrooned border and knopped finial, 13.5cm highProvenance: The estate of the late designer, Anthony Powell.Please refer to department for condition reportapprox. weight 5.2oz
Lot 120
A 17th century German silver parcel gilt tankard, Augsburg, maker's mark MB conjoined, possibly Melchior Bayr or Mathias Bregel, c.1635, marked on rim of lid and underside of base, the globular body chased with floral motifs and raised on a circular foot, the scroll handle to hinged lid designed with knopped finial and a bifurcated thumbpiece, 9.4cm high (inc. thumbpiece) approx. weight 7.7ozcf: for a similar example see Christie's Important Silver, 14th June 2005, lot 34. Please refer to department for condition reportSee pg. 35 Rosenberg
Lot 16
A silver coffee pot by Paul Storr, London, 1798, of plain, oval form with wooden handle and hinged cover mounted by a spherical finial, 21.8cm high, approx. weight 20.8ozProvenance: The estate of the late designer, Anthony Powell.Please refer to department for condition reportlater wooden handle, repair to hinge
Lot 398
A Hungarian 17th century silver tankard. Tapering cylindrical with reeded skirt foot; the body with repousée and chased decoration to upper and lower sections depicting, winged putti and mythical birds within scrolling foliage. The centre with three circular cartouches depicting a winged putto and male and female warrior figures. Central engraved inscription reading 'Toldalagy. Mihaly Mihalcz Ersebet Ano. 1623'. the scrolling handle with caryatid above scrolling terminal to base. Lacking thumbpiece. The slightly domed, stepped, hinged cover with later cast foliate finial. The base with applied coin; maker's mark AF and scratch number. Traces of other marks - rubbed.29.5cm high. 27.9 oztNote a near identical tankard (with differing finial) is illustrated as one in a series of stamps. This tankard is recorded as a silver tankard by Milhaly ToldalaghyThe collection is known as Hungarian Goldsmiths' Art circa 1970 At some point, the tankard has been dropped on its cover which caused the loss of the finial and the thumb piece. The current finial is a replacement. There is a split to the cover and it is overall misshapen not closing flush. There is a dent to the bottom of the body at the front.
Lot 433
A George IV / William IV silver three-piece tea set, London 1829 by Edward, Edward junior, John & William Barnard, but bearing the crowned Dismore retailers marks. With segmented compressed bodies, the teapot with decorative cast silver thistle finial and all supported by lappet feet with stylized honeysuckle decoration. 42.9 ozt gross weight. 30 cm wide the teapot. (Note: Ivory act submission reference: 16LHTWUT).The teapot has had a patch to the body
Lot 1502
An early 20th century French brass and blue enamel garniture clock. The clock having a finial top, polychrome floral decoration to the clockface, flanked by lions heads. The clock is mounted on a stepped base flanked by polychrome urns with polychrome figural detailing raised on four feet. Measures 52cm high.
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116099 item(s)/page