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Lot 1825
THE JIMMY JOHNSTONE FABERGE EGG BY SARAH FABERGE, number 14 of a limited edition of 19. The lion is presented as a finial in sterling silver and 24 carat gold-symbol of Celtic`s triumph in winning the European Cup in Lisbon in 1967. The lion presides over the badges of Celtic`s winners medals-the European Cup medal to the front; to the reverse the Scottish League Championship medal; and flanking them, to the left the Scottish Football Association Cup and to the right the Scottish Football League Cup Medals. Struck in the original dies, gilded and hand-enamelled, the sterling medals intersperse a reminder of Jimmy Johnstone`s origins with the coal pithead-four winding-shaft supports, fashioned in silver and black gold. The top of the Egg itself is hand engine-turned on sterling silver and precious rhodium. The lower half of the creation is adorned with Celtic Football Club`s badge proclaiming its 1888 origin and produced here with specific authority from the Club. The badge is counterbalanced by the motif from `The Lord of the Wing` motion picture, which celebrates Jimmy Johnstone`s career and achievement. To the sides, seven magic Celtic rings, also in hand-enamelled silver. The bezel is an echo of the `Jungle`, whose corrugated roof it commemorates. Open the Egg and view the surprise. On a field of gold and hallmarked silver, Jimmy Johnstone himself, poised aslant as he presses forward: Celtic`s legendary player, triumphantly modelled in silver and fine gold, at his feet a sterling silver and black gold diamond-studded football. Jimmy`s signature authenticates the creation. Sarah Faberge places her Jimmy Johnstone Egg on a foot with seven steps in final witness of Jinky`s number and of the `Jungle` terraces from which he would have happily stood watching his heroes had it not been for his own amazing God-given talents. Sarah adds her signature beneath, engraved and attesting the edition issue. Limited edition 19 for the World Market. This is number 14, 17.5cm high, contained in a leather display case, together with box and certificate of authenticity, signed by Sarah Faberge and dated March 2006
Lot 558
Early 20th century, Indian or Burmese silver and turned ebony or LIGNUM pot. Interesting design with fish, fruit, flowers all hand hammered. The pot has been turned on a lathe but probably foot powered. Finial to the top is badly dented as the metals is so soft. No other damage at all.11cm diameter X 14cm high inc lid.
Lot 64
SWANSEA PORCELAIN TUREEN, COVER & STAND the domed cover with pineapple finial, the base with tapering pedestal body and spindle handles, decorated with gilding and sprays of flowers in lime-green surround, Harry Sherman collecting label to base, 13cms high, stand 19cms diam: not damaged or restored on either stand / tureen or cover, gilding wear particularly to centre of stand where tureen sits and to handles. One peculiarity is that the ‘dowel’ within one of the loop handles has deep gilding loss at the join areas but I cannot see how this has been restored – I just think it is a ‘peculiarity’
Lot 325
Sarah Palmer (20th and 21st Century British)+Two abstract ceramic boxes, the larger 21.5cm high, the lid with sheep finial, the smaller cushion-shaped box with lamb finial, 16cm x 13cm, both signed to baseOriginally purchased from the Easton Rooms in Rye in 2013 and the 2010 Rye Society of Artist's exhibitionwww.sarahpalmer.me.ukThis lot is part of a single owner collection of 20th and 21st century artwork owned by the late Tony Allen. Many of the artists featured are Sussex based and local to Hastings and Rye where Tony himself studied and exhibited. Tony was a keen patron and his extensive collection will be offered for sale over a number of forthcoming auctions+ Possibly subject to Artist Re-Sale rights (Droit de suite) - For further information go to to www.artistscollectingsociety.org CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Lot 237
A collection of Victorian and later costume jewellery including a carved coral pendant in the form of a Reynold's angel, 4.4cm wide, a small carved ivory dog's head finial, 2.5cm high, Victorian gold plated jewellery including chains, earrings and pendants, jet and bog oak items, stick pins, a silver plated sovereign holder and other items CONDITION REPORT: If you require further images of this lot or a condition report please contact us with your request as condition reports have not been included in the description
Lot 103
An Irish Mercury Stick Barometer, c. 1810 by Joseph Ribaldi of Limerick, in mahogany, open pediment with urn finial, glazed door covering vernier scale and thermometer, signed 'I Ribaldi Limerick' height 96cm. Notes: A near identical barometer by Ribaldi is in the Municipal Museum Limerick. Shipping Note: Flints Auctions will drain mercury barometers for shipping if requested. There is a charge for this service.
Lot 373
French style cast gilt metal cartouche shaped mantel clock, putto finial above circular dial with Roman numerals, scrolled foliage and floral decoration, twin train movement, H42cm Condition Report & Further Details A service is advised Click here for further images, condition, auction times & delivery costs
Lot 982
A Victorian brass bedstead, 140 cm wide See illustrationReport GHSome of the finials are a bit bent and the left hand finial at the end of the bed has been over tightened and has pushed the piece below inwards.Otherwise a few small dents and bent sections, but overall nice and solid and the frame is barely tight.Cast is good. Brass not overly polished. Generally ok.
Lot 602
VICTORIAN SCOTTISH SILVER HOT WATER POT, by Mackay Cunningham & Co, Edinburgh, 1870, globular form, domed hinged cover with acanthus-leaf finial, leaf-capped scroll handle, ivory insulators, the body embossed and decorated with stylised flowers, vacant cartouche, raised on a circular foot, 22.5cm high (25.7oz)
Lot 588
VICTORIAN SILVER HOT WATER POT, by Joseph & Albert Savory, London, 1844, baluster form, the hinged cover with acorn and leaf finial, scroll handle with ivory insulator, the body engraved with foliate decoration, vacant cartouche, capped-scroll spout, raised on four scroll feet, 24.5cm high (c.26.7oz)
Lot 616
PAIR OF SILVER TUREENS AND COVERS, by Reid & Sons Ltd, London, 1912, circular form, pull-off covers with entwined serpent finial, gadrooned border, leaf and floral-capped scroll handles, the body decorated in relief with leaves, raised on a circular fluted base, each with matching liners, 27cm dia x 15cm high approx (c.116oz) (2)
Lot 155
A composite hallmarked silver tea set hand-planished and in high Arts and Crafts style comprising teapot, hot-water jug, three-handled sugar and a small cream jug, the teapot, cream jug and sugar with the makers' mark within an oval cartouche of HGIP and assayed London 1908, the very closely matched hot-water jug with maker's mark C E within a horizontal 8-shaped cartouche and assayed London 1911 (full-width diameter of teapot 13.5cm, full height to tip of finial of water jug 17.5cm) (total weight of all four items including hands approx. 1,173g)Three of these items are hallmarked London 1908 and the hot water jug is matched and hallmarked London 1911. The hot water jug’s ebonised wooden finial has split slightly at the top although the rest of it appears in good reasonable order with no major problems noted. The small cream jug has an applied leather “insulator/grip” around the hand appear to be in good condition. The three handled sugar feels heavy in the hand and is also in fairly good condition. The hallmarks are nice and clear on the sugar. The larger teapot also has a bit of a “vertical hairline” to the ebonised finial. The spout appears OK, it is a little stained inside obviously due to tea, this appears in fairly good original order with no major problems noted. Provenance: These have come privately and have been with the vendors for many years.
Lot 164
A hallmarked silver Argyle, domed lobed cover surmounted with an acorn-style finial above circular body with lobed lower section, raised on spreading circular foot with fluted base, makers' mark RE EB, assayed London 1808, minus interior and with reparations where the circular spreading foot meets the lower lobed body (mostly visible from inside), (total weight approx. 407g; height 18.25cm to top of finial)
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