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A fine George III Sheffield Plate epergne, in three rotating tiers with eight octagonal and scalloped oval baskets on reeded scrolling branches surmounted by a larger bowl, rising from a flared circular foot with urn finial and scalloped rim, further branches with galleries containing glass jars, the interior of the bowls gilt, 58cm h, 49cm w, c1780.
A FINE 19TH-CENTURY FRENCH BRASS ADJUSTABLE FENDER comprising a pair of chenets each having a two-handled urn with flowerhead finial, above a snarling lion mask with paw monopod support between open scrolls on a shaped base with open X-frame frieze on flattened melon-lobed bun feet, linked by a pierced central section with axe-head openwork framing a figural mask issuing swags on a serpentine base, beneath twin cornucopiae and between columns, adjustable from 94cm to 129.5cm, (37in to 51in).
AN EARLY 19TH-CENTURY LEAD TOBACCO JAR of canted oblong form, the pointed cover retaining much of the original red and black paint to the alter- nating faces, beneath a ball finial, the long sides of the body decorated in shallow relief with figures seated at a table, enjoying a drink and a 'churchwarden' pipe, whilst shaking hands, 13.5cm x 9cm x 13.5cm high, (5.3in x 3.5in x 5.3in), complete with presser.
A VICTORIAN SILVER TEAPOT of near-spherical form, the cover having an urn finial within reeding and beading, the body having a flowerhead-decorated frieze above twin beaded bands and a reeded lower body, hallmarked London, 1878, maker Charles Stuart Harris, 25cm long x 14cm high, (9.8in x 5.5in), 19ozs, (591gm) (including fruitwood handle).
A 20TH-CENTURY CONTINENTAL PORCELAIN AND EPNS TWO-LIGHT TABLE LAMP having twin shades on shaped branches with bayonet sockets, the tubular stem having a flambeau finial on a dished circular base, supporting a porcelain cherub holding a staff, on a naturalistic tree-stump and circular base, unmarked, the figure 38.5cm, (15.2in) high, the whole 77cm, (30.3in) high including shades (wired and fixed with a sleeved plug, tested for safety).
D*** Rivolta, Edinburgh A LATE GEORGIAN EBONY AND BOXWOOD-STRUNG MAHOGANY WHEEL OR 'BANJO' BAROMETER, having a swan-neck pediment with brass urn finial above a hygrometer, alcohol thermometer, (replacement) plain mirror in reeded ebonised surrounds silvered 20cm, (8in) diameter dial, and a silvered spirit level dial inscribed with the maker's name, 95.5cm, (37.6in) high.
Hamburg American Clock Company AN EARLY 20TH-CENTURY MAHOGANY-CASED COMBINED CLOCK, THERMOMETER AND ANEROID BAROMETER having a 'broken'-arched surmount with ball-and-spire finial above a clock dial, the white-enamelled chapter ring with Roman numerals framing a matted centre with crossed arrows motif, above a mercury thermometer with Fahrenheit and Centigrade scales to the silvered backplate, the barometer with enamelled ring, original paper labels verso including 'No. 337G', 65cm, (25.5in) high.
Japy Freres & Cie, Paris A 19TH-CENTURY ORMOLU-MOUNTED PAINTED ALABASTER MANTEL CLOCK having a pine cone finial to the two-handled urn surmount, the body having spearhead-centred rosette finials to the scrolling side ornament, on a broadening rectangular section base, the sloping front having two painted panels depicting putti resting upon clouds, on four turned brass feet, the movement, striking the half-hours on a bell, stamped 'JAPY FRERES & CIE/EXPOSITION 1855 - GRANDE MED. D'HONNEUR', numbered L1828, the dial having a painted chapter ring (worn ) with separately enamelled Roman numerals framing a painted scene with a female musician playing a wind instrument for a dancing cherub, 39cm, (15.3in) high (sold with two keys plus pendulum).
Hamburg American Clock Company A SMALL EARLY 20TH-CENTURY WALNUT-CASED SPRING-DRIVEN 'VIENNA' WALL CLOCK, having a detachable surmount with turned finial on an inlaid pointed pediment above further finials etc, the arched door with integral inlaid pilasters with turned cpitals on an inlaid apron with twin pendants and basal split finial, the enamelled chapter ring with Roman numerals, the movement stamped to the backplate with the crossed arrows mark, 81cm, (32in) wide.
A SET OF SIX VICTORIAN OAK DINING CHAIRS in the Carolean taste, each having a humped foliate and scroll-carved toprail on a pierced flowerhead- centred splat within foliage, flanked by two foliate splats, between double balustroid and ring-turned uprights, the fixed stuffed-over seats (later upholstered in wine plush fabric) on turned legs with shaped X-stretchers, with original lead weighting strips beneath the front half, centred by a turned finial.
A VICTORIAN ROSEWOOD POLESCREEN having an urn finial to the turned pole, the scroll-edged cartouche-form screen decorated in petit-point needlework with a mounted gentleman and another with five various dogs, on a broadening cylindrical stem and three scroll-decorated downcurved legs with scroll toes, 148.5cm, (58.5in) high.
A Japanese Kutani elephant incense burner, late 19th century, the caparisoned beast finely gilded and coloured in red with flowers and stylised dragons, and surmounted by a square incense howdah with pierced geometric sides and flaming ball finial, the finial is repeated on the elephant's shoulders and back, the beast with ornamental headdress and coloured in naturalistic grey tones with white tusks, tusks repaired, some chipping to howdah, 19" high, 15" long.
An oak and mahogany crossbanded and boxwood strung longcase clock, mid 18th century, the broken scroll pediment terminating in gilt brass roundels and centred by a ball and spire finial above a square glazed door flanked by fluted brass capped pilasters enclosing a 12" square brass dial with Roman numerals, subsidiary seconds dial and date aperture and inscribed George Hewitt, Marlbro, foliate engraved, eight day movement striking on a bell, above an ogive moulding and frieze applied with gilt brass cornucopiae, three-quarter length shaped top crossbanded trunk door, centred by a gilt brass applied foliate motif in a lozenge surround, over a further ogive moulding and baseboard raised on a shaped apron and bracket feet, 85" high.
A 19th century Wedgwood black jasper vase and cover, white handles raised above the black ovoid body sprigged with two ovals of classical ladies playing lyres, oak leaf swags slung around them from ribboned roundels, the cover with vase finial and radiating sprigs of oak leaves alternating with acorns, impressed marks, 30cm high (D) (2).
An Art Nouveau silver three piece teaset by the Barnards, London 1911, comprising: a teapot of compressed circular shape raised on a pedestal foot, the body embossed with stylised flowers, with insulated handle and bud finial to the hinged cover, 18.5 cm, together with the companion cream jug and sugar bowl, 45oz (3).
A Scottish George III mahogany longcase clock, the break arch hood with gilt finial above 32cm circular enamel dial marked indistinctly 'P.XXXX Edinburgh', with seconds and calendar subsidiary dials, the boxwood strung trunk with arched door flanked by quarter reeded columns, on a rectangular base and bracket feet, 220cm high.
A GEORGE III SILVER ARGYLE, of cylindrical double walled form with reeded borders, having a hinged lid with pineapple finial, the water spout with hinged cover and with a long curved narrow gravy spout opposite, the back with a caned handle, the front with engraved crest. London 1790. Makers AF/SS. Weight approximately 11 ounces. Height 5". (See lot 322 for illustration).
A CASED LIMITED EDITION SILVER SPOON, commemorating the investiture of the Prince of Wales at Carnarvon Castle 1969, designed by Norman Manwaring, the handle finial in the form of a dragon holding a shield, its tail entwining the handle, the bowl with high relief Prince of Wales feathers and inscribed "Carnarvon 1969 No: 268". London 1969. Maker T D Beardmore & Co.. Weight approximately 2.5 ounces.
AN EPNS HOT WATER DISH, of circular shape, the domed cover with melon finial, the interior with divider, diameter 9.5", an oval entree dish & cover with gadrooned borders, an oval Gadroon Moulded teapot of kettle form, a hot water jug, a cream jug, and an oval two handled tray with pierced gallery, with hoof feet, length 22". (9)
A Doulton Lambeth stoneware cylindrical biscuit barrel by Hannah Barlow, the exterior incised and decorated in dark blue with cattle in a field with a young girl crying, within jewelled borders and blue and green glazed leaf pattern border, plated mounts, folding bale handle, and domed cover with turned finial, 9ins high (impressed mark to base with incised monogram, and dated 1880 - plate to mounts rubbed). See lot 31 for illustration.
A mid-19th Century mahogany mantel clock by Clement Gowland, Bishop Wearmouth, Sunderland, the 8ins silvered dial to the eight day two train movement striking and repeating on one gong, contained in figured mahogany case, the shaped pediment with carved berry finial and carved leaf and C-scroll ornament, conforming apron with scrolled feet and shell ornament to centre, 19.75ins high.
A late Victorian painted satinwood domed top box on stand of Sheraton design, the whole crossbanded in mahogany, the lid painted with cupid artists amongst clouds, with ribbon and floral swags, fitted one drawer, on stand with square tapered legs, the shaped X-pattern stretcher with turned finial to centre, 18ins x 12ins x 35. 5ins high. See lot 596 for illustration.
A Coalport pot-pourri vase and cover, the compressed globular body with three C-scroll handles, painted in reserve panels with a study of Loch Earn and floral spray, on a blue ground, gilt detail throughout, with inner lid, cover with sml crack and re-glued finial, printed factory marks and painted title, 13cm high.

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116099 item(s)/page