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A JAMES II TANKARD with domed lid and foot, later chased with a family seated around their hearth, a sportsman at the open door, the lid with chinoiserie thumbpiece and armorial finial, 30cm h, by Timothy Ley, London 1686, 57ozs Provenance: The arms are those of Thomas Brocklehurst of Macclesfield, banker and Martha Mary, his wife, only surviving child of Thomas Unett of Market Drayton, Shropshire. They were married on 12 August 1823 and the present tankard was presumably embellished and given its `antiquarian` dress at that time. Thomas was descended from a long line of highly successful merchants and bankers in Macclesfield, Cheshire and the Dent-Brocklehurst family of Sudeley Castle, Gloucestershire are descended from his elder brother. The terminal of the handle is engraved GAP HOUSE and the panels around the foot record the names of its earlier owners from OLIVER AND JOANNA BROCKLEHURST 1549, 2ND EDW IV to THOMAS & MARTHA BROCKLEHURST 1823 3RD GEORGE IV. ++In well preserved condition from the early 19th c date when the tankard was given its `antiquarian` dress in presumably about 1823.
Victorian silver five piece tea service comprising: coffee pot, 28cm high, large teapot, 16.5cm high, small teapot, 14.25cm high, each with a melon finial and standing on splayed supports together with matching two handled sugar basin, 20.5cm wide and cream jug, 16.75cm high, each piece being of lobed form, makers Edward, John & William Barnard, London 1846-1851, 85.5oz approx gross
A GEORGE III MAHOGANY LONGCASE CLOCK, the eight day movement striking on a bell, the silvered, arched brass dial signed John Howlett, Bath, Roman numerals with Arabic numerals to the quarters, secondary seconds dial and calendar aperture, engraved with a ship to the arch, the glazed hood with swan neck pediment decorated with bosses and flanking a ball and spike finial, brass capped corinthian pillars to the sides, the case with line inlay, the shaped door flanked by reeded canted angles, box base, 229cm high overall. See illustration
A LATE 18TH CENTURY CONTINENTAL BRACKET GILT CLOCK, the four pillar repeater movement striking on two bells, with crown wheel escapement, the engraved backplate inscribed "Sebastian Tres(s)ler, Prag", the engraved brass dial with brass chapter ring, Arabic and Roman numerals, centrally with a pendulum lenticle, secondary calendar, strike/silent and repeater dials to the arch, the moulded, glazed ebonised case decorated with cast brass ornament and with floral basket finial and foliate scroll supports, 51.5cm high. See illustration
A REGENCY MAHOGANY BRACKET CLOCK, BY WILLIAM VALE, LICHFIELD, the double fusee movement striking on a bell, the circular cream dial with Roman numerals and signed Wm Vale Lichfield, the domed case with pagoda cresting from a square plinth, centred by a gilt metal pineapple finial, the sides applied with a pair of ring handles with foliate back plates above arched fretted brass panels lined in red silk, the fascia inlaid with brass detail above a reeded frieze, on brass ball feet, 62cm high together with an associated wall bracket. See illustration
A 19TH CENTURY FRENCH ORMOLU-MOUNTED WHITE MARBLE FOUR GLASS MANTEL CLOCK, the floral painted white enamel dial signed H. Journet & Co/Bd des Italiens 24, Paris, pierced brass handles, twin barrel movement striking on a bell, mercury pendulum, the case with an urn surmount with floral finial, on toupie feet, 50cm high. See illustration
A CHINESE REDWARE MELON SHAPE TEAPOT, with a seedhead finial and rope border to cover, seal mark to base, 13cm high; a white porcelain teapot, with rope handles, in a fitted raffia basket with iron loop handles and clasp, 15cm high, and two Chinese underglaze blue saucers, painted with landscapes, 12cm diameter (4)
A FRENCH MID 20th CENTURY SILVER PLATED FOUR PIECE TEA & COFFEE SERVICE by Christofle, with baluster bodies, comprising tea pot, coffee pot, covered sugar basin and cream jug, the domed covers with an ornate flower finial, leaf cast and fan spouts, the bifurcated banded handles with entwined strapwork and rocaille terminals, on raised foot rims
A GEORGE II SILVER COFFEE POT, maker and date unknown, with a tapering circular body, pear wood scroll handle and domed cover with pine cone finial, the whole later decorated with elaborate rococo detail around two vacant cartouches, 26.5cm high, total approximate weight 34oz. See illustration
A French cloisonné enamel and gilt bronze mounted bowl and cover in the Oriental taste, circa 1880, inscribed for the F. Barbedienne foundry, the domed cover with foliate motifs in red, green, blue and yellow overall and with a carved wood finial handle modelled as a Chinaman, the body with further enamelled foliate motifs, on four foliate cast legs with raised panther head finials and monopodia feet, 17.5cm high overall; and an Italian patinated bronze model of the Capitoline Dying Gaul, late 19th century, with rectangular Siena marble base, 10cm high overall
A pair of Cornish serpentine marble table lamps modelled as lighthouses, circa 1925, each with a finial to the domed top, above cylindrical clear glass shades housing the electrical fitments, on tapering and ring turned shafts rising from rough hewn socles, one mounted with a cold painted metal model of a gull, on rough hewn stained wood bases, 48cm high overall, the stone elements 38.5cm high
A carved and stained wood timepiece loosely modelled as Saint Stephen’s Tower at the Palace of Westminster, early 20th century, the multi-crocketed fretworked finial above the square section top, housing a timepiece with Roman dial inscribed for NORTH & SONS LTD, WATFORD & LONDON to one side, a faux Roman dial to another side and fretwork decoration to the other two, the tower with five tiers of Gothic lancet windows above a stepped base, 91cm high
An early 19th Century Rosewood Pole Screen, the central shaft crested with a ball finial and with fretwork carved panel, and applied in the centre with a grospoint woolwork panel depicting a 19th Century interior scene, raised on spreading hexagonal support and shaped circular base with three plain feet, 59 ½” high
A Canton famille rose covered Baluster Vase (extensive restoration and hairline cracks etc), the domed lid with a temple dog finial and decorated below with panels of scenes and exotic foliage etc; together with a decorative balustered Spill Vase, painted in famille rose and verte and iron red, with an all over floral panel, the base with two underglaze blue rings, 10” and 8” high (2)
A 19th Century English two-handled covered Jar of waisted baluster form, the pierced lid applied with a temple dog finial, the body applied on either side with scrolled handles and with salmon pink relief moulded floral detail, and further decorated in colours with an all over Oriental pattern of stylised flowers and geometric designs etc, probably Ashworths, 13 ½” high
A Black Basalt Teapot, of oval baluster form, moulded with panels of scrolling foliage and neo-classical designs, (cover with chipped finial and rim), 12” long 218. A collection of five various Delft Tiles, two decorated in manganese with scenes of well, and cottages by lake respectively, and three others decorated in underglaze blue, one with a shepherd, one with a fishing vessel and the other with a deer (all have rim and corner losses) (5)
A large 19th Century covered Soup Tureen, of two-handled circular form, together with Stand, painted in colours with sprigs and sprays of stylised flowers, on a white ground with gilded detail, and also applied with retailer’s label J W Lloyd Chemist, Swansea, (finial of cover repaired and hairline cracks etc throughout), 13” diameter
A Royal Worcester Rose Jar and Cover, the pierced outer cover with a bud finial, plain inner cover, the neck below moulded with foliate designs and the body painted with large and small sprays of spring flowers on a blush ground, terminating in a gilded foot, printed marks and date cypher for early 20th Century, Shape No 2048, 9 ¾” high
A decorative Porcelain small Covered Inkstand of rectangular form, applied on either side with two handles and the cover ornately encrusted with flowers and with similar central bud finial, the two wells with finials formed as floral sprigs, and the body below painted in colours with panels of stylised flowers, terminating in pierced rococo scroll bases (lid has hairline crack), 5” wide
A George III Teapot and Stand, of lobed oval form, the hinged and domed cover with oval finial, the body decorated with foliate bands and monogram, to a shaped spout and later Victorian handle, together with a matching Teapot Stand with applied rim and engraved field, central monogram, to a Mahogany lined base, width 11 ¾”, London 1792, makers mark MP, the handle London, makers mark HH, (2)

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116041 item(s)/page