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A collection of Chinese ceramics, including a 19th century jug, with twin strap handle terminating in floral bouquets, 12cm, a lidded vase with character marks and cobalt blue underglaze, the lid with lion dog finial, 18cm, and a small vase, 8cm, together with five later small bowls, 6cm diameter. (8)
A late Victorian sewing set, comprising a horn sewing egg stained to resemble a chaffinch egg, with hollow interior for a bobbin, and matching tape measure with ribbed ivory handle, the stained horn body containing a pink cotton tape measure, the finial acting as a winder to return tape to interior of body, together with a carved cheroot holder and an unusual pocket watch holder, card body with green velvet pin cushion to top and a band of stained shell to base, 11 by 9cm. (4)
A 19th century Sevres-style two handled covered vase of urn shaped form having two hand painted panels depicting figures and putti in a wooded landscape and a bouquet of flowers within a turquoise field, h. 44.5 cm CONDITION REPORT: Hairline cracks to finial. Rubbing to gilding and surface scratches to decoration See further images. Some fading to base and lid. Good colour on panels. Wear at joint to base
A mid-19th century German Gothic Revival KPM porcelain and carved oak triptych after Stefan Lochner (circa 1400-1451), surmounted by a cross, flanked to each side by foliate finials, on pierced foliate back plate, centred by two cupboard doors, each decorated with fleur de lys, scrolling foliage and arcades, centred by a cross, revealing three plaques depicting Virgin Mary to the centre, Saint Ursula to the left and Saint Gereon to the right, each plaque impressed KPM, on a stepped spreading base supported by a wall bracket with pierced roundel frieze above scrolling foliage, 143 x 79 x 16cm. CONDITION REPORT: The Plaques - Minor surface wear with very light vertical surface scratches to the extreme left and right of the main central plaque. No damage or repair to the plaques. The Frame - Comes in 3 sections and slots together. One finial has been broken off but is present, one other is loose. Overall in remarkably good condition given the fragile nature of the detail.
A Royal Worcester blush ivory gilt heightened floral decoration pot-pourri with wicker basket effect to lower part and to the pierced outer cover, marked in green, date code for 1900, number 1286, height 18cm including finial. CONDITION REPORT: General rubbing to the gilt heightening mainly visible in the floral decorated section and raised parts of base and around the cover, no obvious traces of damage or restoration when inspected under th UV light.
A 19th century Chinese porcelain square sectioned ovoid vase and cover painted in enamels with various figural scenes to each side within two decorative bands, unmarked, height 34cm including finial (af), and a later circular example painted with cockerels amongst blossoming branches, 32.5cm (2). CONDITION REPORT: A large chip to the edge of the cover of the square sectioned vase, both with surface wear.
A large Chinese porcelain wucai decorated jar with six lug handles, painted in enamels with two opposing floral panels on a geometrical ground within two decorative borders, unmarked, height 30cm, with an associated cover with Dog of Fo finial. CONDITION REPORT: Areas of chips to some of the lug handles, general surface dirt and minor wear commensurate with age, some flaking to the paint, odd areas of firing imperfections and some scratches. Hairline crack to one side of the lower part, visible both to the inside and outside, otherwise appears good with no further obvious faults, damage or restoration when inspected under UV light, the finial is broken and the lid associated. there are surface chips to two of the raised knops with some surface scratches and paint loss.
A group of various predominantly Chinese porcelain items to include a baluster vase painted in underglaze blue with architectural landscape, unmarked, height 27cm including finial of the cover, a pair of late 18th century plates painted in enamels with ducks within figural border, diameter 23.5cm, also a Japanese Seto ware plate and an Imari example and a group of various hardwood stands. CONDITION REPORT: Both Famille Rose plates ring true, rubbing to decoration, minor surface wear and usual manufacturing imperfections but otherwise ok.
Three late 19th/early 20th century Chinese ginger jars painted in underglaze blue with blossoming prunus, each with Kangxi double ring mark to base, the largest with associated cover, restored, height 20.5cm including Dog of Fo finial, on hardwood stand (3). CONDITION REPORT: Larger ginger jar with chips to rim, firing fault to foot rim, top with glazing imperfections, all jars with pitting and fritting and further manufacturing imperfections throughout.
A Japanese Meiji period bronze globular urn and cover with cast finial modelled as an owl perched on branches and twin foliate handles, decorated with two opposing panels depicting birds perched amongst blossoming branches, on four supports above circular base, height 32cm. CONDITION REPORT: Handles loose, one of them has got major loss to the top, areas of tarnish/pitting, some rubbing to raised parts.
A Victorian electroplated mounted clear glass claret jug, possibly Stourbridge, with globular top, mask shaped beak and geometrically decorated handle surmounted with a dragon, etched with two opposing panels of deer and foliate sprays, height 36cm. CONDITION REPORT: The mounts are possibly associated as the shape does not correspond with the shape of the glass neck. Heavy rubbing to the silver plate layer. General areas of wear commensurate with use, particularly to the base, areas of tarnish, slightly bent finial.
WALKER & HALL; an Edward VII hallmarked silver four piece tea and coffee set, comprising an oval teapot with fluted sides, bright cut engraved vacant cartouches, ebonised handle and finial to the hinged lid, length 27cm, a footed coffee pot, a sugar bowl with swing handle and a cream jug, Sheffield 1902, approx 52.7ozt (4).
SAMUEL HAYNE & DUDLEY CATER; a Victorian hallmarked silver baluster coffee pot decorated with contemporary engraved foliate scrolls to the lower part, with two vacant opposing cartouches, with S-scroll handle and ivory insulators, and with faceted finial to the hinged lid, raised on tapering foot, London 1844, height 26cm, approx 27ozt.
WILLIAM PLUMMER; a George III hallmarked silver inkstand of rectangular form with canted corners, on four cast scroll decorated legs, with a pair of clear cut glass silver mounted inkwells centred with a pounce pot with pierced cover and ball finial, London 1790, 23 x 14cm, approx 11.7ozt. CONDITION REPORT: There are surface scratches and tarnishing but the item is overall in good condition.
WILLIAM NEALE; a Victorian hallmarked silver combination sovereign case/vesta case with toothpick and propelling pencil, overall engraved with foliate scrolls, with shaped vacant cartouche to one side, Chester 1895, 6 x 4cm, approx 1.4ozt. CONDITION REPORT: The action is slightly sprung, the finial of the pencil is missing, the toothpick handle with traces of repair, there are also light surface scratches.
CHARLES S GREEN & CO LTD; a George V hallmarked silver Art Deco sugar caster of tapering form with stepped circular foot, Birmingham 1933, height 14.5cm including finial, approx 4.7ozt. CONDITION REPORT: There are some light surface scratches and tarnishing, it is also slightly leaning, revised weight from 5.4ozt to 4.7ozt.
JAMES MCKAY; a Victorian hallmarked silver King's pattern single struck sauce ladle with circular bowl, Edinburgh 1835, length 15cm, and a fiddle pattern mustard spoon initialled 'JTJ' to the finial, William Chawner II, London 1821, approx 1.8ozt (2). CONDITION REPORT: Sauce ladle bowl very slightly uneven and with light pitting, minor wear but otherwise ok, mustard spoon bowl misshapen and compressed, scratches, nicks and minor pitting throughout.
HENRY WILLIAMSON LTD; a Victorian hallmarked silver sifting spoon with twist decorated stem and floral engraved finial, Birmingham 1894, length 11cm, and a further similar example with fluted bowl, William Devenport, Birmingham 1901, also two electroplated examples, silver approx 0.8ozt (4).
JOSEPH WILLMORE; a George III hallmarked silver fiddle pattern caddy spoon initialled M to the finial, Birmingham 1828, a further pin pricked decorated example, London 1833, also a pair of old English pattern shovel salt spoons, Hester Bateman, London 1787, and another, combined approx 1.8ozt (5).
JOHN LAMBE; a pair of George III hallmarked silver Old English pattern tablespoons, each initialled 'TW', London 1787, length 22cm, a pair of George II hallmarked silver lace back table spoons, both initialled 'BWA' to the back of the handle, London 1752, length 20.5cm, a rat tail back dog nose finial dessert spoon, length 18cm, and another Old English pattern double drop example, approx 9.6ozt (6).
CRICHTON BROS; a George V hallmarked silver hot chocolate pot of plain tapering form with hinged lid and cast finial, London 1915, height 21cm, a silver footed embossed sugar bowl, maker's marks rubbed, Birmingham 1904 (af), and a pair of engine turned decorated napkin rings, combined approx 18.8ozt (4).
Early 20th century lighting and design- an Art Nouveau coloured bead panelled lantern (faults); a silver plated chamber stick in the form of two tulips, stylised leaf handle and support; an Art Deco arched pink acid etched glass wall light; an early 20th century hand hammered pewter circular lamp, frosted disc of glass finial (4)

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116099 item(s)/page