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Lot 249
An elegant calligraphic gold-damascened sword hilt, Central India, 18th century, of typical form, the gold hilt decorated with naskh in reserve with scrollwork cartouches, the pommel with an elegant dome-shaped finial, 19cm. longA similar calligraphic hilt with the script in gold dated to the 18th century is in the Khalili Collection (inv. MTW 1142; David Alexander, The Arts of War, The Nasser D. Khalili Collection of Islamic Art, Oxford, 1992, no.131, p.197).
Lot 217
An engraved brass casket dibya, Gujerat or Rajasthan, India, late 17th century, on four feet, heavily cast and of faceted form with domed hinged lid, cast loop handle extending from a faceted bud finial, engraved to sides and lid with panels containing stylised floral and geometric patterns, and with bud finial to lid, 18.5cm. high x 16cm. diam. x 11.5cm. deepFootnotes: For a comparable in shape and design see a 17th century casket in M. Zebrowski, Gold, Silver & Bronze from Mughal India, Alexandria Press, 1997, p. 284, no. 481. The feet of the present casket are of similar shape to ibid. nos. 479a and b also attributed to the 17th century.
Lot 340
An early Victorian silver entrée dish and cover, the shallow dish with cast foliate scroll, flowerhead and scalloped rim, flanked by a pair of shell handles, the lobed dome cover engraved with a stag's head crest beneath a pomegranate, stem and leaf finial, each piece numbered '2', London 1841 by John Mortimer & John Samuel Hunt, the underside stamped 'Mortimer & Hunt' and numbered '751', weight 1850.2g. Provenance: from the principal contents of Stone House, Bolney, West Sussex.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Lot 110
A FOUR PIECE TEA AND COFFEE SERVICE, maker Mappin & Webb, Sheffield 1974, of baluster form with reeded rims, raised upon stepped circular bases, comprising tea and coffee pot with composition finial and earred scroll handle, two handled sugar basin and milk jug, teapot 10" wide, 56ozs 6dwts total gross (Illustrated) (Est. plus 24% premium inc. VAT)Excellent, clear marks, no engraving, good gauge
Lot 464
A CAST IRON BOOT SCRAPER, c. 1900, on horse shoe support, the wrythen turned square hand rest with pierced cone finial, raised on sandstone plinth, 10 1/2" x 42", together with another Regency scraper, the anthemion supports on saucer base with leaf moulded edge, on turned tapering feet, 14 3/4" x 9" (2) (Est. plus 24% premium inc. VAT)Some rust to surface of Regency one, otherwise good.
Lot 293
A PAIR OF FRENCH GILT METAL THREE LIGHT FIGURAL CANDELABRA inset with onyx panels, early 20th century, each modelled as a putto holding aloft a scrolled support issuing turned nozzles hanging chains, raised on oval base with scrolled feet, 14 1/2" high (Est. plus 24% premium inc. VAT)Generally very good condition, some rubbing to the gilding, flame finial to top nozzle only, others possibly missing same (??)
Lot 484
A VICTORIAN CAST IRON GARDEN GATE of two tier barred form with fleur de lys finials and scroll headed square section frame, 54" (including hinges) x 49" (Est. plus 24% premium inc. VAT)Some rust pitting but basically sound , needs sandblasting and repainting, no latch or housing for same, one top finial missing. Possibly one half of a larger gate (?).
Lot 570
A GEORGE IV ROSEWOOD BRACKET CLOCK by Purvis, North Audley Street, London, the single fusee movement with anchor escapement, signature to backplate, the silvered dial with Roman numerals, signature below, the oblong glazed case with gadrooned caddy top and turned finial, arched glazed dial surround with decorative fan corners, arched side panels, moulded base and flattened bun feet, 7" x 12 1/2" (Illustrated) (Est. plus 24% premium inc. VAT)Movement good and clean and appears to be in working order. Some wear to silvering of the dial. Case very good bar small loss to edge of rear door near key hole
Lot 493
Of Regimental interest: A Victoria silver peg tankard for the Scots Greys, the lid engraved with thistle within a motto-bearing garter and with a Waterloo guidon finial thumbpiece. on outset ball and claw feet attached with foliage cut-card work, London 1883, by Aldwinckle & Slater and retailed by Elkington & Co., height 23.5cm. £1,500-£1,800 --- The Scots Greys (correctly: Royal North British Dragoons) are perhaps best remembered for the part they played at the Battle of Waterloo. Charging alongside the heavy cavalry (considered by some to be the turning point of the battle) they suffered severe losses (including 228 of 416 horses). however, the remnant retreated, re-formed, continued in action and, after victory was declared, pursued the retreating French until Napoleon was finally forced to surrender. Condition Report Weight 37oz, 1150 gm. Good condition.
Lot 163
A collection of porcelain, to include a dressing table set by Herend, Hungry. Comprising a two handled tureens / jewellery dish and cover with butterfly finial, an oval two handled dish, lidded teapot with rose finial, jug, a lidded bulbous jewellery dish with rose finial, leaf shape design ring dish and twin handled vase. Each piece hand painted with butterflies, fauna and leafing flower sprays with gilt edge borders to all pieces.
Lot 99
A good Charles I East Anglian provincial silver seal-top spoon, by Arthur Haselwood, Norwich 1641, pricked work initials 'N B TB 1642',16.6cm long, 1.4oztProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Exhibited: Norwich Castle Museum, 'Norwich Silver 1565-1706', 1966.Condition ReportGeneral wear, small knocks and surface scratches commensurate with age and use. Faint traces of gilt detail to the seal top and finial knop. A seam to the upper part of the stem indicating possible repair. Marks appear fairly crisp including the crown and castle in the bowl.Overall appears in overall good structural and cosmetic condition. Please see additional photos for further reference to the condition.
Lot 265
A pair of large gilt and patinated bronze candelabra,late 19th century, French Empire-style, each with a flaming urn finial above six scrolling branches and a reeded tapering column, raised on three paw supports and a tripartite base,83cm high (2)Provenance: Farm House, Farm Street, London W1.Condition ReportLight wear. Measure 54cm to top of capital. Both are structurally sound and ready for use.
Lot 211
A George III Derbyshire Blue John pedestal urn,late 18th/early 19th century, of ovoid form with a domed fixed cover, on a square Ashford black marble base, 8cm wide8cm deep25.5cm highProvenance: The personal collection of David and Elizabeth Hacker.Condition ReportA chip to the top of the finial. The finial has been broken and repaired. Some small areas of infill to the body. Breaks and repairs to the pedestal, with a small amount of movement. Some stress fractures and impact damage. Please see additional photos.
Lot 648
A pair of Regency-style bronze and parcel-gilt candelabra,each with a flaming urn finial above five scrolled sconces and a gilt collar, supported by a milk-glass cluster column above a gilt-bronze base, and raised on three bronze paw feet,13cm wide59cm high (2)Condition ReportLoss to base of one glass cluster column. The other with small discolouration/impact to base. Minor scuffs and discolouration to both columns. Overwise in good cosmetic order, sit flat and ready for use.
Lot 73
A pair of Wedgwood jasperware urns and covers,19th century, each twin-handled white stoneware body applied with neoclassical decoration in sage-green and lilac, with medallions of classical figures within formal leaf bands and ribbon swags, the cover with a baluster knop and decorated with acorns and oak leaf sprays, all raised on a flared circular foot, impressed upper case Wedgwood marks,17cm wide17cm deep28cm high (4)Provenance: From the collection of Arthur George Tite Esq. (1904-1984), of 48 Westbourne Terrace, Hyde Park, London W2.Condition ReportOne example with chip to the finial and a small chip to the underside of the rim, one handle restored and slight scratches beneath the finial. The classical figures slightly marked. The other example with restoration to the lid (glued and repaired). Both handles and one knop with discolouration and light discolouration to stone bodies. Stand sturdy on their feet when on a flat surface but both screws a little loose causing very slight wobble. Overall they are in moderate aesthetic condition, structurally stable and ready for placement.
Lot 197
A George III Derbyshire Blue John urn,late 18th/early 19th century, of cylindrical tapering form, on an alabaster and Blue John plinth with a black marble base,9.5cm wide9.5cm deep32cm highProvenance: The personal collection of David and Elizabeth Hacker;purchased by the above from Woolley & Wallis. Condition ReportThe piece has seen recent restoration, with some later elements and areas of repair, including the finial and the base. Three chips to the rim of the cover and the urn has been reattached to the socle. Infills to the lower section of the plinth. Please see additional images.
Lot 323
A George III mahogany longcase clock,late 18th century, the brass and silvered dial with a moonphase, subsidiary seconds dial and inscribed 'Thomas Pierce, Bristol',49cm wide24cm deep240cm highCondition ReportSome splits, knocks, losses and wear to case. Door possibly a tiny bit warped. Evidence of alteration to feet. Lacking upper finial. Some brass fluting lost. Cheeks appear slightly built up. Possible re-painting to moonphase. Chimes when wound however does not appear to tick properly and we would recommend seeking professional assistance. General wear throughout commensurate with age and use. Please see photos.
Lot 100
A Charles I East Anglian provincial silver seal-top spoon,by Arthur Haselwood, Norwich 1640,16.1cm long, 1.13oztProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Exhibited: Norwich Castle Museum, 'Norwich Silver 1565-1706', 1966.Condition ReportGeneral wear, small knocks and surface scratches commensurate with age and use. A seam to the upper part of the stem indicating possible repair. The surface of the seal top appears ever so slightly misshapen. Some rubbing to detail of finial. Some slight rubbing to marks. Bowl with general wear and appears a little asymmetrical, but overall the piece appears in fairly good structural and cosmetic condition. Please see additional photos for reference.
Lot 104
A William III East Anglian provincial silver trefid spoon, by Elizabeth Haselwood, Norwich 1697-1701,with pricked work initials,19.5cm long, 1.48oztProvenance: The residual contents of Bixley Manor by instruction of the executors of Sir Timothy Colman KG.Exhibited: Norwich Castle Museum, 'Norwich Silver 1565-1706', 1966.Condition ReportLater chased decoration to the front of the top and back of the bowl. General surface wear, scratches and small knocks commensurate with age and use. Some slight rubbing to the marks. Initials appear slightly faint. General wear to the bowl. The right scroll flanking the top of the finial is slightly misshapen. Please see additional photos for reference.
Lot 23
Two wooden architectural models of staircases,20th century, one example with a single staircase leading to a balustraded gallery, square example 47cm wide 40cm deep35cm high (2)Condition ReportThe spiral staircase with repairs to the upper level support, and one finial lacking. Knocks, scuffs and scratches, the paint worn in areas. The rectangular example with similar knocks, scuffs and scratches, some areas of the wood a different colour to the rest, possibly replaced or varnish lacking. Please see additional images for reference.
Lot 208
George III gold ring, two Edwardian diamond rings in 18ct gold setting, Georgian paste and seed pearl ring, Victorian Bohemian garnet five stone ring, 15ct gold signet ring, Victorian swagger stick finial, Victorian yellow metal heart shaped locket and a Victorian stick pin.George III gold ring is unmarked and weighs 4.9 gramsTwo 18ct gold diamond rings weigh 4 gramsGeorgian paste and seed pearl ring is unmarked and weighs 2.1 gramsGarnet five stone ring has hallmarks rubbed and weighs 2.1 grams15ct gold signet ring weighs 3.2 gramsSwagger stick finial marked 'Swaine & Isaac London. Weight 4.5 gramsYellow metal locket is unmarked and weighs 1.6 gramsVictorian stick pin is unnamed and the pin is not gold. Weight 1.7 grams
Lot 158
An English porcelain miniature jug and bowl, probably Rockingham, painted with flowers on a green ground, gilt borders, 9cm high; another, with shaped cartouches painted with flowers on a burgundy ground, 7cm high; a porcelain scent sprinkler, shaped cartouches painted with landscapes, on cobalt blue ground, bee finial, 10cm high (3)
Lot 900
A George II silver coffee pot, hinged domed cover with knop finial, fruitwood scroll-capped handle, skirted base, 24cm high, Richard Gurney & Co, London 1748, 697g grossCrest of Boodle of Chipping Ongar, Edward Boodle of Chipping Ongar (1722-72) being the founder of the eponymous St James's club
Lot 931
A George III silver oval drum shaped teapot, bright-cut and wrigglework engraved with bands and vacant shield shaped cartouches, hinged domed cover, fruitwood scroll capped handle and finial, 30cm long, Alexander Field, London 1796, 440g gross; a teapot stand, similar, 16cm wide, London 1803 (2)
Lot 1065
A silver coffee percolator, of cylindrical form, quite plain, angular spout, stepped domed cover, ebony scroll handle and finial, the detachable upper section with pierced strainer and plunger, pedestal base, impressed J. Picard & Co., Regent Street to base, 23cm high, London 1900, 654g gross
Lot 151
A Spode miniature pedestal bowl, painted with flowers, gilt moulded lion mask handles, painted mark in red, 3315, 3.5cm high, c.1830; a Davenport scent sprinkler, painted with flowers, gilt butterfly finial, 7cm high; a Chamberlains miniature jug, painted with flowers; other 19th century English porcelain miniatures including jug and bowl, basket, teacup and saucer, etc, qty
Lot 292
A French porcelain gilt-metal mounted ovoid potpourri vase and cover, in the Louis XVI taste, painted by Simon, signed, with an 18th century courtship, a pastoral landscape to verso, dark cobalt blue ground picked out in raised gilding with Rococo trellis and bouquets of country flowers, domed cover with acorn finial, Neoclassical twin-handles, scroll tri-form feet, 24.5cm high, printed and incised marks
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116099 item(s)/page