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A VICTORIAN BISCUIT BARREL of cylindrical shape engraved with fern fronds, AN ENTREE DISH & COVER of oval shape with pierced drainer, a BUTTER DISH & COVER with cow finial, TWO CIRCULAR SALVERS with engraved decoration, a TWO HANDLED MUFFIN DISH & COVER with drainer, a SEVEN DIVISION TOAST RACK, TWO SAUCE BOATS, one AF, a PAIR OF KINGS PATTERN FRUIT SPOONS, an ELKINGTON EPNS FOUR PIECE TEA SERVICE of tapered cylindrical form: Tea Pot, Hot Water Jug, Two Handled Sucrier and Cream Jug, and a SMALL COPPER KETTLE.
Stuart Devlin A parcel gilt silver centrepiece, London 1970, base only marked, shaped hexagonal base with central detachable malachite-mounted finial formed as pivotal hexagons in sizes, bark effect cover formed as conjoined and hollow hexagons in sizes with trumpet shaped vase, with a parcel-gilt table lighter, 42 cm.; 16Din. wide, 6005 gr. weighable silver. (2)
A 19c rosewood and mother-of-pearl mercury banjo barometer with all-over inlaid scroll and flowerhead mother-of-pearl decoration; the top with turned finial and swan-neck pediment with humidity, temperature and spirit level gauges; the main dial un-inscribed with chased silvered panel, 108 cms.
Metalwork comprising: a brass boat shaped table light with two flame shaped candle holders flanking a ball finial turning to reveal a candle holder, on a round foot, 17.5cm high x 23cm wide; a gilt metal five light candelabrum with stylised leaves and a round foot, on a stand with scroll sides and three paw feet, 26cm high x 25cm wide, (in three sections, incomplete); and a Berlin ironwork plate cast and pierced with foliate scrolls 22.5cm diameter
A Regency style wall mirror, 20th century, with gilt pineapple finial supported by a stiff leaf platform and triangular ribbon centred bracket against a black fleur de lys ground and flanked by acorn finialled urns over a gilt ball frieze and rectangular plate flanked by reeded half columns, 43.5'' high, 17'' wide
A Chinese export blue and white tureen and cover, Qianlong (1736-1795) of canted rectangular form with lappeted leaf finial and hog's head handles, the cover and body decorated with chrysanthemum and insects within cell diaper borders, cover broken and repaired, 12'' wide, a Chinese blue and white yen-yen vase, early 19th century, finely painted with figures of scholars in fenced gardens within cloud borders, underglaze blue six character Cheng Hua mark, neck broken and re-stuck, 17.5'' high, (2)
A George Jones Majolica cheese skep and cover, circa 1872, modelled as a thatched beehive bound with ropes in cream and honey coloured glazes raised on a square base, modelled as a rustic table in mottled greens and browns, the interior turquoise glazed, impressed registration lozenge for October 1872, and black painted 3269, chips and finial repaired, 13.25'' high.
A Royal Worcester two handled pot pourri vase and pierced over, shape No.H165, the tapering globular body painted with roses and lilies flanked by angular handles below a pierced rim, raised on a gilt quatrefoil foot, moulded with foliate scrolls, the pierced cover with a spire finial, puce mark and date code for 1915, 7.75'' high
A Victorian brass lantern clock, 19th century, in 17th century style, with turned finial and bell above four pierced brass entwined dolphin crestings over a 6.5'' engraved brass dial with roman numerals, the case enclosing a double fusee movement with anchor escapement, raised on turned brass feet, 15'' high
An oak and mahogany crossbanded longcase clock, first half 19th century, the broken scroll pediment centred by a later brass ball and eagle finial, above an arched glazed door enclosing a 13'' white painted arched enamel dial with roman numerals, subsidiary seconds dial and date aperture and marked 'David Jones, Newtown', painted with a shepherdess and sheep in the arch and sheep to each corner, eight-day movement striking on a bell, between turned pilasters over a crossbanded frieze and ogee arched top, lozenge centred, three-quarter length trunk door flanked by fluted quarter pilasters over a further panel, ogive moulding and lozenge centred base panel and raised on bracket feet, restoration, 83'' high
A rosewood and brass inlaid mantle clock, 19th century, with fruit and leaf carved finial above an inlaid sarcophagus top and brass inlaid square glazed door enclosing 6.5'' square silvered dial with roman numerals, the sides with foliate cast ring handles and fish scale grills, eight-day double fusee repeating movement striking on a bell, and raised on bun feet, moulding losses, glazed back door cracked, 18'' high
Two Coalport large campana shaped pot pourri vases, covers and an inner cover, each with two gilt loop handles, with lion mask terminals, and flame finial, painted in coloured enamels with flowers and leaves, within gilt cartouches, on a blue ground, decorated in gilt with diaper panels, and round base, 37cm high (14 1/2"), circa 1815-20 (one cover glued) (See illustration)
A Spode Image handled chocolate cup, cover and stand, with ball knop, richly decorated in Imari style with flowers, bamboo and fences, with flower and scroll borders, 11.5cm high (4 1/2") script marks in red and pattern number 967, circa 1815 (one handle finial restored) See L. Whiter, Spode, figure 229, another, cup, cover and stand of this form (See illustration)

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116099 item(s)/page