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A Royal Worcester two handled pedestal ovoid vase and cover, painted by Terrance Nutt, signed with blue tits, upturned basket and fruit, the verso with parrot pecking fruit, pineapple finial, the base in relief with stiff acanthus leaves, flying scroll handles, circular base, square plinth, 38cm high, printed crown and circle mark in gilt, dated 1989
An 18th century Meissen style cabinet cup and saucer, typically painted with flowers and insects, the underside and exterior encrusted with cornflowers, with applied floral decoration, the cup and saucer with stump feet, underglaze blue AR mark a Meissen cup, cover and saucer, decorated with courting couple, bud finial, scored crossed swords; etc (3)
A 19th century Chinese inverted baluster ginger jar, painted figures in a stylized landscape garden in tones of underglaze blue, the neck with flowerheads and scrolls, batwing-shaped scrolls to shoulder, the base with lappets, associated domed cover with knop finial, 42cm high, Kangxi concentric circles to base but later, hardwood stand
A French 19th Century gilt metal and porcelain mantle clock by Aubert & Klaftenberger, Geneve, blue porcelain ovoid body having gilt and applied decoration, cherub finial, folliate, scroll and mask handles, single pedestal with cherub and scroll supports either side, stepped base with Sevres style porcelain panels, the dial having Roman numerals and visible Brocot escapement, both the dial and movement signed, dial diameter 11cm & height 53cm. Condition - requires some attention, body cracked and repair, various mounts loose, no pendulum.
A Chinese Yixing teapot after Jiang Rong (1919-2008)20th CenturyOf compressed ovoid form, the spout moulded as a curled leaf with ladybird to one side, the handle as a vine branch issuing leaves and a berry, signed to base, handle and inside cover, 10cm high, together with three further yixing teapots and covers including two of dark brown hue with cursive inscriptions and incised bamboo shoots, 8cm and 10cm, the third reddish brown with prunus branch handle, spout and finial, 14cm high.
A modern pine 'dog kennel' kitchen dresser with open three height delft rack above a rectangular top and short drawer and recess flanked by indented cupboard doors on plinth base, 137cm wide, 50cm deep, 210cm high and a three height pine kitchen wall rack with architectural pediment centred by an urn finial above three open shelves spaced by pilasters, 208cm wide, 22cm deep, 148cm high (2)
A Vienna style regulator wall clock, 19th century, in walnut and ebonised frame with architectural pediment above an arched glazed door, enclosing a two piece 7 inch white dial with Roman numerals and subsidiary seconds dial, between canted angles, urn finial and lower bracket, 118cm overall height
Impressive 19th century French fifteen-light gilt metal and milk glass chandelier, glass corona with gilt ornament and central bulbous projecting glass finial, issuing fifteen leaf moulded scrolling arms, suspended from conforming leaf and hop clad supports and conforming ceiling crown, approximately 89cm diameter
Mid-19th century Chinese export Mandarin palette teaware, each painted with 'CJ' monogram and figure, floral and insect decoration - comprising two teapots and one cover, milk jug, sucrier and cover, slops bowl, two cups, two saucers and plate (10) CONDITION REPORT All items have wear to gilding/decoration, one teapot has various chips to handle and spout cover is missing finial, other teapot has various chips to handle and lid/cover is missing. Covered sugar has chips all around the base and some chips to cover too. Slops bowl has chips, cracks and a piece broken out of the side and re-glued. Two saucers and plate all have chips. One cup chipped the other has a hairline, jug in good order
George III silver coffee pot of baluster form, with ornate spout, ebony scroll handle and hinged domed cover with gadrooned border and flame finial, on a circular foot, underside engraved - 'M. L. 1793' (London 1770), Charles Wright. All at approximately 26ozs, 26.5cm overall height CONDITION REPORT General overall condition quite good, some scratching and surface wear. The bulbous part of the baluster shape has a band of denting all around the body. Both sides may have had engraving removed or dents removed at the same time. No signs of repair or damage, marks are clear. Fully marked on base and lion passant on cover rim
1920s silver three piece tea set - comprising teapot of cauldron form, with flared shaped border, ebonised loop handle and hinged domed cover with ebony finial, on four pad feet, matching sugar and cream jug, underside stamped - Robinson & Co. Singapore (Birmingham 1927), Adie Bros. All at approximately 30ozs, teapot 26cm across
Late Victorian / early Edwardian silver teapot of compressed baluster form, with bright cut decoration and reeded border, angular ebony handle and hinged domed cover with ebony finial, on an oval base (Chester 1901), Nathan & Hayes, together with a similar but not matching coffee pot (Birmingham 1918), maker - E. J. G. All at approximately 38ozs, teapot 26cm across (2)
Late 18th century Irish silver coffee pot of baluster form, with strap handle and hinged domed cover, engraved armorial crest and later chased flower and scroll decoration, on a circular base with engraved presentation inscription (Dublin 1763 or 1787), marks on body distorted, maker possibly Charles Townsend. All at approximately 21ozs, 23cm overall height CONDITION REPORT Base engraved 'Presented to Anthony Frederick Muntzer by the staff at Dover Street, Walton Street and Farncombe December 1910'. General overall condition quite good with some surface wear, scratching and minor denting. Foot has been pushed in and is distorted, finial on cover is bent and pushed in. Hinge may have been repaired. Strap handle is missing rattan. Chasing has virtually obliterated marks on body, cover marked on rim but distorted
Fine quality George IV silver dish and cover of lobed circular form, with chased and engraved leaf decoration, domed cover with gourd and leaf finial (London 1824), Rebecca Emes and Edward Barnard. All at approximately 26ozs, 22cm diameter CONDITION REPORT General overall condition very good. Some surface scratching and denting inside base. No signs of major damage or repair, some minor nibbling to rim of cover. Marks clear
Continental silver fruit bowl of circular form, with pierced grape and vine decoration, on a circular foot (underside stamped 900), together with a Continental silver circular bowl with leaf border and separate domed cover with fruit finial (interior stamped 900). All at approximately 27ozs, fruit dish 23.5cm diameter (2)
1930s silver three piece coffee set in the Art Deco style - comprising coffee pot of stepped cylindrical form, with angular ebony handle and hinged domed cover with turned ebony finial, matching sugar and cream jug (Birmingham 1934 with Jubilee mark), maker's mark distorted, together with a pair Victorian silver sugar tongs (Birmingham 1894). All at approximately 17½ozs, coffee pot 18cm overall height
Edwardian composite three piece silver tea set - comprising teapot of compressed baluster form, with raised fluted decoration, angular ebony handle and hinged domed cover with ebony finial, matching sugar and similar but not matching cream jug (Birmingham 1903 / 1905), maker - W. A. All at approximately 15ozs, teapot 22cm across
Contemporary three piece silver tea set - comprising teapot of compressed baluster form, with two raised ribs and gadrooned border, angular ebony handle and flush-fitting domed cover with ebony finial, on four ball feet, matching sugar and cream jug (Sheffield 1965), James Dixon & Sons. All at approximately 42ozs, teapot 29cm across
George III silver coffee pot of urn form, with bright cut decoration, oval cartouche with engraved monogram, silver loop handle with ivory separators and hinged domed cover with bright cut border and urn finial, on an oval pedestal foot (London 1800), maker - I. R. All at approximately 27ozs, 26.8cm overall height CONDITION REPORT General overall condition good, some surface wear, scratching and minor denting to body. Handle is loose and dented in places and has been repaired. Silver is torn where the bottom pin enters handle, both insulators are cracked, cover hinge is undamaged but finial is bent. Tip of spout is distorted and split, marks are clear
19th century Royal Crown Derby porcelain pedestal two-handled jar and cover, spirally wrythen reserves of roses and fir swags, 16cm, a similar lidded urn on stand (missing finial), depicting exotic brightly coloured birds, 18cm and a Coalport porcelain ewer, green ground with circular reserve depicting rocky outcrop trees and lake in distance, 25cm high (3)
An Edward VII silver circular four piece tea service of bulbous form and with hammered finish and angular loop handles, on three scroll feet comprising - teapot with ebonised finial and handle, 5ins high, three-handled sugar basin, lidded sugar bowl with scroll caster finial, and milk jug by Charles Edwards, London 1907 (gross weight 31oz)
A 19th Century French mahogany cased mantel clock by Samuel Marti No. 460148, the 4ins diameter white enamel dial with Roman numerals, to the eight day two train movement striking on a gong, contained in mahogany arched top case with central pineapple finial and four ball finials to corners, on rectangular base with ball pattern feet, 12ins high, and a 19th Century French rosewood and floral marquetry cased mantel clock by Bally of Paris, No. 1638, the 3.25ins white enamel dial with Roman numerals, to the eight day two train movement striking on a bell, contained in rectangular case inlaid with floral marquetry and on plinth base, 9ins high
A William IV rosewood rectangular teapoy with turned and reeded finial and moulded edge to top, and bead mouldings to base, opening to reveal circular cut-out and three lidded compartments, on square central column with rectangular inswept base with scroll toes, 18ins wide x 13ins deep x 32ins high (some veneer loss)
AN ENGLISH MAHOGANY LONGCASE CLOCK, CIRCA 1750 the 30cm dial with Roman hour and Arabic minute numerals, subsidiary seconds dial and date aperture, the arch and spandrels painted with floral motifs, bell striking movement, the arched hood with a broken swan neck pediment centred by a ball and spiral finial, glazed door flanked by columns, the trunk centred by a shaped door, on a plinth base, on bracket feet, distress213cm high
A PAIR OF MAHOGANY, MARBLE-TOPPED, PORCELAIN AND GILT-METAL MOUNTED ADAM-STYLE COMMODES each moulded marble top above a porcelain-mounted box drawer flanked by rams head gilt-metal mounts, on cabriole legs terminating in sabots joined by an H-stretcher, centred by a foliate finial, with label "FRANK PARTRIDGE WORKS OF ART, 26 King's Street, St. James and New York", one marble top with chip, one tile with crack 91cm high, 83cm wide, 37cm deep (2)
A GEORGE VI SILVER SUGAR CASTOR, E. W. HAYWOOD, BIRMINGHAM, 1945 of square form with canted corners and reeded rims, the pierced detachable cover with urn finial, dent to base, 160g, 18cm high, and Another, Broadway & Co., Birmingham, 1966, similar, but of octagonal baluster form, 150g, 16,5cm high (2)
Celtic Iron Age Helmet, 4th century BC A iron helmet composed of riveted sheets, and panels of bronze. The domed top with central poppy head shaped finial and four triangular panels to the side forming a cross. The sides decorated with four panels with repousse decoration of running wolves, tail arching over the back of the body. The lower rim pierced to attach separate leather lining. Archaeologists have uncovered Celtic helmets throughout their territory. The highest concentration and numbers of finds have been in the lands of the Senones tribe. It is in this area of northern Italy that lie the Montefortino burial grounds. The ancient writer, Tacitus, stated that the British Celts and Germans did not wear helmets. Indeed, very few Celtic helmets have been found in Britain and it appears that helmets were common only among the Gauls, the upper class warriors in particular. These high-quality helmet designs were a great influence on Roman armourers. Aside from the few examples known the only information we have on them is from Classical writers, such as Diodorus Siculus: “On their heads they put bronze helmets which have large embossed figures standing out from them and give an appearance of great size to those who wear them; for in some cases horns are attached to the helmet so as to form a single piece, in other cases images of the fore-parts of birds or four footed animals”. Diodorus Siculus (History V.30.2) Size: Provenance: Ex. Switzerland Collection, acquired over the last decade.
A BIRMINGHAM SILVER BACHELORS TEA POT with ebonised handle and finial, a Chester silver sewing or trinket box with repousse decoration and padded lid and a Birmingham silver Mappin & Webb cedar lined compartmented box, and a small collection of costume jewellery including clip on earrings in faux leather box (4)

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116003 item(s)/page