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AN UNUSUAL 19TH CENTURY SILVER-METAL MOUNTED CHINESE YIXING POTTERY TEAPOT & COVER, with overhead swing handle, the Indonesian silver-metal mounts finely pierced with figural and floral decoration, the handle with dragon decoration, the base with an impressed seal mark, 7.1in long including handle and spout & 4.9in high to top of finial on cover.
A George III marquetried partridge wood single compartment tea caddy, the canted rectangular hinged lid and front with satin wood oval paterae, the interior lid of mahogany, 11.5cm (4.5 in) wide The cover has a later mushroom finial. Chips have been infilled, painted or replaced with similar inlay
A Regency figured mahogany longcase clock, in Regulator style, with ball topped pyramid finial above circular convex door to the hood, glazed circular panels to both sides, canted corners, the 12" (30.5cm) circular white dial (unsigned) with 8 day 5 pillar movement, the trunk with break arch glazed door, reeded corners and raised on a panelled plinth base 225 x 52cm (88 x 20in) Glazing to trunk door probably later.. With pendulum, 2 brass cased weights and key
Le Sueur a Paris, a French 18th century tortoiseshell and brass inlaid bracket clock, the finial mounted case with fabric arched dial, silvered chapter ring with applied signed gilt cartouche below, the twin train movement with countwheel strike and silk suspension pendulum, signed to the backplate, with glazed side panels, all on four toupie feet 60cm (23in) Condition:The clock has some loss and damage here and there to the brass inlay and occasionally to the tortoiseshell. The 4 upper finials may be a later addition. The clock did wind a little, but runs only for a few seconds before stopping. It does not appear to want to strike presently, either at the hour, or half-hour when the hands are advanced. Offered as seen.
A William and Mary walnut bureau bookcase, the double dome ogee arch moulded top above a pair of mirrored doors with candle slides, the bureau with a well compartment and an arrangement of four drawers, on later bun feet 227 x 105 x 60cm (89 x 41 x 23in) Provenance: Ennismore Gardens, Knightsbridge, London SW7 Veneer and moulding losses, splits, later handles and one finial missing
A Regency mahogany whatnot, of three open shelves, with a drawer to the base, turned column uprights and on turned feet and brass casters 161 x 54 x 49cm (63 x 21 x 19in) One finial has a small moulding loss, stains to the shelves, the liner is partly missing from the base drawer and one caster is bent
A 19th century Wedgwood black basalt small teapot and cover, enamelled with a stylised blue and white border, the engine turned cover with a seated lion finial, incised 'WEDGWOOD'. 15cm (6in) wide; a Wedgwood black basalt sucrier and cover, the cover with a seated figure of a widow, incised 'Wedgwood', 11cm (4.25in) high; a Turner black basalt circular inkwell, the sides moulded with bamboo, incised 'TURNER', 8.5cm (3.25in) diameter; a Neale & Co black basalt engine turned teapot and cover, of heart shaped form, the cover with a seated widow finial, incised 'NEALE & CO', with a metal spout, 20cm (8in) wide (7)
A 20th century American coffee pot and teapot by Reed & Barton, 'Bradford' design, pattern number 661 - 7056, the coffee pot, height 30cm (12in) with lobed body, the capped double scroll handle with ivory insulators, the domed lid with pumpkin and leaf finial, the spout with foliate decoration, raised on four applied foliate decorated feet, stamped on the base 'Reed & Barton Sterling 705 Bradford', the teapot, height 26cm (10in) to match, 71.2ozt gross (2) Reed & Barton was a prominent American silversmithing company based in Taunton, Massachusetts, between 1824 and 2015. They were chosen to design and produce the official medals for the 1996 Summer Olympics in Atlanta. The company's products are used at the White House in Washington, D.C. minor dent to the coffee pot, and the insulators have degraded, dents and creases to the teapot, also with degraded insulators. Unlikely that either have ever been used, due to the clenliness of the interiors.
A George III silver two handled urn, by John Wakelin and Wm Taylor, London 1779, with quarter fluted body, the upper section plain with a single large ribbon swag and two vacant oval bow topped cartouches, two applied handles with foliate terminations, the domed cover decorated with leaves around a pineapple finial, all raised on a single pedestal foot with ribbon decoration, gilded interior, 47.8ozt. 33 x 15 x 15cm (13 x 6 x 6in) evidence of repair and subsequent regilding to the body
A George V silver three piece tea set by Edward Barnard & Sons, the teapot London 1934, jubilee marked, of compressed circular form, raised on a pedestal foot, the shallow flush fitting cover topped with a black fluted finial and bordered by a stylised twisted rope border, the black handle with applied silver terminals, the lower split into two with foliate ends, the matching milk jug and sugar bowl, both London 1922, with matching decorated borders, 25.6ozt gross (3) dent to sugar bowl and three dents to teapot
A George III silver three piece tea and coffee set, by John Wakelin & William Taylor, London 1786, the oval teapot half fluted with decorated rim and beaded edges, the slightly domed cover similarly decorated, with wooden finial and handle, the urn shaped coffee pot raised on a beaded pedestal foot, the domed cover with acron finial, and the helmet shaped milk jug to match, 57.4 ozt gross (3)
A George III silver 3 piece tea set, by Duncan Urquhart and Napthali Hart, London 1809/10, the teapot of compressed rectangular form, the broad reeded girdle below a gadrooned edge and two bands of bright cut engraving, insulated handle, the flush hinged cover with rectangular fluted finial, the lower body with two bright cut engraved and vacant cartouches, all raised on four ball feet, together with the matching sugar basin and cream jug, 32.8ozt gross (3) Discreet solder repair to the base of the teapot and minor bruises, slight distortion to the rim of the basin
A George III silver coffee pot, by Fuller White, London 1762, the tapered baluster body embossed with flowers, scrolled spout and wooden handle, the cover with foliate edge and berry finial, 25.2ozt 24.50cm (10in) Slight gap in the foot where the ring joins the body otherwise in very good condition. The cover with sterling mark only
A Victorian silver three piece condiment set, by Levesley Brothers, London 1899, comprising a pair of pepperettes of octagonal form with embossed decoration below a stepped cover topped with an urn finial, 7.5cm (3in) high and the matching mustard pot, 4cm (1 1/2in) high complete with mustard spoon and blue glass liner, 5.9ozt gross (3)
An Edward VII silver bachelor café-au-lait set, by Henry Clifford Davis, Birmingham 1924, comprising a baluster shaped coffee pot with beaded edge and girdle below a flat domed cover, wooden scroll handle and finial, together with the companion hot milk jug, 15.8ozt gross (2) 7cm (3in) Both items in good condition - no damage or repairs
A Victorian silver three piece tea set, by Charles Harrold and Co., Birmingham 1899, the teapot of oval rounded form raised on four ball feet, the lower portion heavily embossed around two vacant cartouches, flush fitting cover similarly decorated with a wooden finial, the matching milk jug and two handled sugar bowl raised on traditional bases. 27.9ozt gross (3)
A British 1796 Pattern Infantry Officer's Sword, with 79.5cm single edge fullered steel blade, brass hilt with fixed double shell guard, lacks quillon, copper wire bound grip, stirrup knuckle bow and baluster urn finial, lacks scabbard; a Masai Lion Spear Blade, in relic condition, 84cm, with raised medial ridge to each side, and socket fitting, 95cm overall (2)The Infantry sword has deep rust pitting to the blade. The hilt has a dirty dark bronze patina. Lacks scabbard. The lion spear has no damage, but is deeply pitted.
A 19th Century Scottish Dirk, the 33.5cm single edge fullered broad steel blade stamped ECSG at the ricasso, the silver coloured metal hilt with studded basket weave carved ebonised wood grip, disc pommel with baluster finial, the black patent leather scabbard with silver coloured metal mounts, the locket stamped and pierced with a thistle, marked IR, 50cm
An 18th Century Spanish Holster Pistol, converted to percussion, the 28cm steel barrel octagonal at the breech with indistinct maker's poincon and inspection marks, inlaid in gold En Madrid, Anno 1719, the lock plate bearing traces of foliate engraving, the walnut full stock with brass ramrod pipes, trigger guard with leaf finial, brass side plate elaborately pierced and chased with sinuous beasts, shell and foliage, with later wood ramrodAction does not work properly and is loose. Black patching and rust pitting to barrel. Screw missing from side plate. Splits to right side of stock and behind action.
A Late 18th/Early 19th Century Flintlock Travelling Pistol by Ketland & Co., London, the 20cm brass barrel engraved LONDON within a teardrop to the top flat, with London proof marks, signed steel lock plate, walnut full stock with brass ramrod pipes, trigger guard with acorn finial, pierced shaped side plate and grotesque mask pommel, with brass vacant escutcheon and silver wire tendril inlay, the wood ramrod with steel screw, 33cmAction works, holds at full and half cock. Grey pitting to action. Repaired crack to left side of stock running diagonally from barrel to trigger guard finial, with a sliver of wood missing at the muzzle, and old chips and cracks around the lock plate
A Mid 18th Century French Flintlock Greatcoat Pistol by Duval a Nantes, the 10.5cm brass cannon barrel engraved at the breech with a martial trophy, with signed rounded lock plate and shaped side plate, walnut full stock inlaid with scrolling tendrils in silver wire, with steel ramrod pipes, shaped trigger guard with pineapple finial, the bird's head butt with engraved steel butt plate, lacks ramrod Action works, holds at full and half cock. Verdigris to the muzzle and touch hole. Rust pitting to metalwork. Minor bruising to stock.
A Late 18th Century Flintlock Travelling Pistol, the 22cm steel barrel engraved Grantham to the top flat and with proof marks of rosette and crowned P, with maker's poincon of crowned WN, the lock plate later engraved W NEWTON, walnut full stock with steel ramrod pipes and trigger guard with acorn finial, with flat sided chequered grip and wood ramrodAction works, but is very week, just holds at full and half cock. Barrel and steel furniture deeply pitted. Blued lock plate has original maker's name erased and crudely over-signed - could be a replacement. Bruising to stock and chequering on right side of grip
A Late 18th Century Percussion Travelling Pistol by W B Brander, Minories, London, converted from a flintlock, the 25cm octagonal steel barrel signed to the top flat, with London proof marks and stamped */MB, with signed lock plate, barrel and nipple conversion, walnut full stock with paktong type metal ramrod pipes, trigger guard engraved with a crossed bow and quiver, with acorn finial, shaped side plate, grotesque mask pommel and feather engraved spurs, with a horn tipped wood ramrod, 39cmStrong action works, holds at full and half cock. fine pitting to metalwork.minor bruising to stock.
A 19th Century Double Barrel Percussion Sporting Gun, the 76cm browned twist barrels numbered 6021 and with London proof marks to the underside, the foliate engraved lock plates engraved Joseph Manton, London, dolphin hammers, foliate engraved steel trigger guard with pineapple finial, walnut shouldered stock with chequered grip, later wood ramrod, 116cmAction works, holds at full and half cock. Metalwork pitted. Ding to barrel towards breech. Repairs to stock behind action.
A 19th Century Percussion 12 Bore Big Game Gun, converted form a flintlock, possibly made for use in South Africa, the 106cm smooth bore steel barrel inlaid at the muzzle and rear sight with white metal sun motif, the lock plate indistinctly signed, the walnut full stock with three brass ramrod pipes, set trigger, angular steel trigger guard with pineapple finial, steel butt plate, the right side of the butt with raised cheekpiece, with steel ramrod, 150cm
A collection of silver items, to include: a late Victorian castor by Harrison Brothers & Howson, Sheffield 1898, with a baluster finial to the pierced cover, on a circular moulded spreading foot, 16cm (6 /14in) high; a late Victorian oval baluster cream jug by Josiah Williams & Co., London 1897, with a reeded border and angular handle, engraved with a foliate band, 10cm (4in) long; an Edwardian oblong baluster cream jug by James Dixon & Son, Sheffield 1901, the lobed body with a scroll handle, engraved with a crest and on four ball feet, 11.5cm (4 1/2in) long; and two other cream jugs, 561g (18.04 oz) gross
Ï’ A silver three piece tea service by Walker & Hall, Birmingham 1900, the tea pot with an orb finial and a composition loop handle, a C-scroll and foliate border and on four trefoil feet, 16cm (6 1/4in) long; an Art Deco twin handled bowl by Adie Brothers Ltd., Birmingham 1935, with ivory handles, engraved Sheeba 12 Novemeber, on a stepped circular foot, 15cm (6in) long; an Edwardian shell shaped butter dish, London 1901, on three ball feet, 13.5cm (5 1/4in) long; two smaller shell shaped butter dishes; two spirit labels; and a cream jug, 842g (27 oz) gross Ï’ Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.
A George III silver pap boat by Stephen Adams I, London 1789, with a gadrooned border, 13.5cm (5 1/4in) long; a pair of George III oblong salts, London 1815, with gadrooned borders and chased shell and foliate handles, on oblong bases, 11cm (4 1/4in) long; a George III oblong baluster mustard, maker's mark obscured, London 1808, with an oblong finial to the domed cover, engraved with a crest, a half lobed body and on four foliate feet, 8cm (3 1/4in) long, with a blue glass liner, 410g (13.2 oz) gross
A collection of silver items, to include: a silver twin handled cup and cover by Charles S. Green & Co. Ltd., Birmingham 1928, with a cone finial to the ogee domed cover, twin lion mask handles, engraved with a presentation inscription, on a circular pedestal foot, 16.5cm, (6 1/2in); a Victorian pedestal cup by John Johnson & Alfred Springthorpe, London 1883, engraved with a presentation inscription and on a circular pedestal foot; five other pedestal cups; and a tapering mug by William Hutton & Sons Ltd., Sheffield 1934, with a double scroll handle and reeded bands, 8.5cm (3 1/4in) high, with a glass base, 520g (16.72 oz) gross weighable

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116061 item(s)/page