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A GEORGE III OAK LONGCASE CLOCK with a brass dial signed "Major Schofield, Manchester", with subsidiary moon phase dial and date dial, with a silvered chapter ring within gilt spandrels with an eight day two train movement striking on a bell, the flat topped hood with a pierced gallery and brass finial, the trunk with tall door with shaped top flanked by quarter recessed columns, 89" high. See illustration
A WILLIAM IV OAK AND MAHOGANY LONGCASE CLOCK by D. Herbert, Aberistwith, the case with quarter fluted columns above a hood with turned columns and swan-neck pediment and urn finial, the arched brass dial painted with rural scenes with Roman numerals, subsidiary seconds dial and date aperture with two train eight day movement striking on a bell, 90". See illustration
A French Regence style gilt metal mounted scarlet boulle mantel clock, late 19th century, the eight-day bell striking movement with white enamel Roman numeral cartouche inset gilt brass dial, the case with fruit filled urn finial to the concave upstand above mask centred shallow arch crest and bead panel beneath dial, on scroll feet, the whole veneered with red shell and brass marquetry, 31cm high. Condition Report:** Movement appears to be in working condition but probably would benefit from a clean and overhaul. Dial has shallow chip to enamel of IIII numeral otherwise is in good original condition. Case has small shell veneer losses to top panel where urn finial is screwed into the case, otherwise is in good original condition with no apparent losses to the marquetry, however the brass is discoloured and there are signs of slight lifting to brass marquetry in places. Clock comes with pendulum and winding key.
A FRENCH GILT BRASS, MARBLE & PASTE SET MANTEL TIMEPIECE the 45mm dia dial with Roman numerals, Arabic five minute intervals and pierced gilt hands within a paste set bezel, the single train movement with platform lever escapement, the case with applied foliage and flowerhead spandrels, the marble base with applied borders and with cockerel finial, 19.5 cms on ebonised base, with glass dome and key
A cased set of silver tea flatware, Chester import marks for 1905 to the six teaspoons (the preserve spoon and butter knife stamped `Silver` and a tea-strainer with Dutch marks), the tea-strainer with a milkmaid finial, the remaining items with various musician finials; with a cased silver spoon and fork set, a set of six cased silver bean end coffee spoons, 270g (8.7 oz) gross; and a set of six plated dessert spoons
A collection of silver, including: a shaped square candlestick by Barker, Ellis Silver Co., Birmingham 1971, with two spare sconces and a detachable finial, loaded; an oblong baluster twin handled sugar basin and a matched cream jug by William Hutton & Sons Ltd, Sheffield 1917 and 1927; two faceted pepperettes and two salts by Walker & Hall, Birmingham 1924 to 1930; two footed ovoid pepperettes by Mappin & Webb, London 1906 (one now loaded); a bottle coaster, Birmingham 1987, with a turned wood base; a Malay Federation silver coloured posy vase; a floral chased rectangular small box, stamped `800`; a Continental table spoon, stamped `800` and a shield; eight pieces of British silver flatware; and a small quantity of electro-plated flatware, 38.2 oz gross weighable
A late 18th Century Creamware Teapot, the lid relief moulded with foliate panel and with bud finial, the body painted predominantly in green, iron red and lemon, with sprigs and sprays of flowers (lid hairline cracked, body also cracked, handle missing, spout chipped, hairline crack to base), 5” high
An early 20th Century electroplate mounted and cut glass Claret Jug, the embossed foliate collar to a hinged and domed cover, with cast and applied finial, and top mounted scrolling handle to an inverted baluster body, with cut ribbed decoration and cornflower detail to a further star cut base, height 10”
A cased pair of parcel gilt Armorial Spoons, each with scalloped shell bowls, to reeded stems with ribbon decoration, to a finial of a pair of rampant cheetahs holding aloft a shield, length 4 ¾”, in a fitted gilt highlighted morocco covered case, London 1930, Maker’s Mark Goldsmiths & Silversmiths Co Ltd
A pair of Elizabeth II Royal Commemorative Three Light Candelabra, each with fixed drip pans and sconces on shaped arms, to a central finial cast as the Prince of Wales Feathers, over three heraldic beasts and shields, to a floral spreading circular base, designed by Hector Miller for Aurum and numbered 322 and 323/400 respectively, to commemorate the Royal Wedding of HRH Prince of Wales to Lady Diana Spencer, London 1981, Maker’s Mark HM (2)
A Barr, Flight and Barr Period Worcester tea service, circa 1810, painted with leaves and flowers, brown and iron red enamel, in gilt, comprising an oval teapot on stand, with an open cup finial to the domed lid, 20cms, (8"), milk jug, slop bowl, two side plates, six cups, six saucers and two coffee cans, impressed marks, (20), (some damage).
A four-piece silver tea and coffee service, by Walker & Hall, Sheffield 1919, comprising a teapot of compressed circular form, with bobbin moulded outlines, ebonised handle and finial, engraved initial `R`, height 14cms, (6½"), a coffee pot, 20cms, (8"), milk jug and two-handled sugar bowl, 45ozs gross.
A George IV style four-piece silver tea set, by Charles Stuart Harris & Sons, London 1915, comprising a shaped oval teapot, with ebonised handle and finial, raised on four ball feet, 15cms, (6"), an oval hot water jug with ebonised handle and finial, 19cms, (7½"), a two-handled sugar bowl and a milk jug, 44ozs gross, (4).
A William IV silver teapot by Paul Storr, for Storr & Mortimer, London 1930, gourd shape with a domed lid, cast floral finial, chased and embossed with flowers and foliate, scrolling tendrils, within a scrolled outline, twin crests with a demi griffin and thistle and strap, fruitwood handle, raised on three scrolled feet, 18cms, (7") and a matching pear-shaped hot water jug, 21cms, (8¼"), 48ozs gross, (2).
A rare Staffordshire tobacco box, inner and outer cover, the exterior moulded and painted with topers in varying states of drunkenness, sitting and resting on barrels, the inner cover modelled with a lamb finial, the outer with a recumbent lion, early 19th century, some restoration, 16cm. (3)
Two pottery moneyboxes, one slip-decorated in a treacle glaze, the sides applied with eleven chicks beneath a chicken finial, the other glazed in a pale green to the shoulders and containing a tantalisingly invisible coin, 19th century and earlier, some damages, 18cm max. (2)Provenance: The Ernest Ohly collection.
A Ludwigsburg soup tureen and cover, boldly painted with blown tulips, roses and other flowers between moulded borders, with scroll handles and finial, raised on four feet, crowned interlaced Cs mark, 2nd half 18th century, damages, 35cm. (2)Provenance: From the estate of Niel Rimington (1928-2009) of Fonthill Old Abbey Estate, Wiltshire.

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116061 item(s)/page