We found 116003 price guide item(s) matching your search
There are 116003 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
116003 item(s)/page
by Joseph & Edward Bradbury, London 1876, of oval form with corrugated and vertical sides decorated with repeating bright cut engraved decoration between two rows of beads, the part marked flush fitting hinged cover to match, topped with a fluted ivory finial, the simple handle, the outer decorated to match, with ivory insulators and applied thumbpiece, the panelled spout with two rings of matching decoration,10.7ozt (Dimensions: h: 8cm w: 22cm d: 8cm )(h: 8cm w: 22cm d: 8cm )
A George III silver-plate Chafing dish, rectangular body with reeded rim, the domed cover with urn shaped finial, turned wooden handle, 21.5cm long x 15.5 wide together with a Georgian style silver plate egg coddler / warmer, gadrooned detachable cover with eagle handle, egg rack to interior (2)
Paris porcelain urn and cover with Art Nouveau gilt decoration on fairy lustre ground together with another similar one in gilt metal mounts and a further French gilt metal mounted urn and cover. The base and lid with enamel detailing.Condition: The enamel lid damaged, the Paris porcelain urn lid- gilding worn on finial and to base. The gilt metal mounted urn- metal pieces rusted in places.
A George IV silver melon shaped teapot, with reeded mid-rib, with C-scroll reeded handle, the hinged cover with stylized pagoda finial, on rim foot, the body engraved with Arms within shield and outer cartouche, hallmarked by Rebecca Emes and Edward Barnard, London, 1822, 22.42 ozt (697 grams)
Earthenware, vivid yellow glaze with running brown speckles and green splashes, mounted with a 'branch' handle, spout and finial, impressed maker's markH 21.7cm, W 18.5cm, D 11.0cm PROVENANCE: Private Collection, Miami, United States ACQUIRED: Online Ceramics Gallery, 2011; previously exhibited at Derek Topp Gallery, 1999CONDITION: Perfect condition with no damage or restoration.
A SIX SHOT REVOLVER. An unusual French style 8mm caliber pinfire six-shot revolver with oblong slots for the pins, having no visible markings. Octagonal/round 5.1/2" barrel with steel frame and ring trigger, plain two-piece grips. The pistol can only be reloaded by removing the knurled barrel screw, and dropping the cylinder itself forward. Shaped steel buttcap with ornate finial, the hammer needs cocking to fire. Overall length 10.1/2".
A VICTORIAN SILVER COFFEE POT, of lobed baluster form, with melon finial, by Henry Holland, London 1894, 21cm high, 18 oz; together with a late Victorian silver three piece bachelor's tea set, of half lobed form, the teapot with ebonised handle and knop, Birmingham 1894; and another very similar teapot, London 1893, 19 oz all in; and a similar plated hot water pot (6)
A GEORGE IV SILVER TEAPOT, of compressed circular form, engraved with scrolling foliage, and with flower finial, the handle with ivory insulators, by Richard Pearce & George Burrows, London 1828, 12.5cm; together with a matched later milk jug and scrurier, by Deakin & Francis, Birmingham 1936, 26 oz overall (3)
Three Chinese bronze incense burners, 20th century, one of circular form on three mask and claw feet, the sides with peony, the pierced cover with a Buddhist lion finial, dragon handles, 23cm high, one in the form of a luduan , decorated with scrolls, 14cm high, and another of rectangular form on four S-shaped legs, the sides with scrolling lotus, the pierced cover with a Buddhist lion finial and chilong handles, 13.5cm high (6)
A Chinese gilt bronze musical table clock, the white enamel dial with Roman numerals, surrounded by ornate foliage scrolls, the corners decorated with lines of alternating red and yellow calibré-cut paste, the clock surmounted by a double gourd, similarly decorated with a red and yellow paste outline and with Daji (great good fortune) in red paste above a radiating rotating spiral with a bezel set with two rows of graduated red and white eight cut paste, all topped by a paste set pineapple finial, surrounded by four revolving paste set flowers issuing green painted foliage, the clock standing on a rectangular plinth with further revolving paste set flowers at each corner, the front and the sides with cut-out scenes revealing cranes in a lotus pond with watery automaton glass rods, all on foliate scroll and paw feet, mechanism with maker's signature , 96cm high
A collection of three Chinese jade vases, all of archaic bronze form, one carved with a dragon amongst clouds above scrolls, with mask and loop ring handles, the stone of white tone, 23cm high, one vase and cover, carved with two chilong above a taotie mask, the domed cover with a dragon finial, loop ring handles, 28.5cm high, and another, the compressed pear-shaped body on four mythical beast feet, carved with scrolls and with loop ring handles, the cover similarly decorated with four loops, 20cm high (5)
A Chinese bronze box, of shaped square form, decorated with scrolling lotus, each side with a dragon amongst clouds in a shaped panel, supported on a raised pedestal with ruyi shaped feet similarly decorated, the centre with a cylindrical box together with four additional hinged pockets to each corner, moulded with shou characters in different fonts, the domed cover with dragons amongst clouds and a dragon finial, 24cm high
A NEAR PAIR OF CHINESE IMARI TUREENS AND COVERS QIANLONG 1736-95 The bodies painted with flowers blooming in a garden, with handles shaped as animal heads, each cover with peony sprays and a pomegranate-shaped finial, one with a stand decorated with the same design, 38cm max. (5) Provenance: from an English private collection, Hertfordshire. Listed on an insurance document from November 1940.
A CHINESE CLOISONNE INCENSE BURNER AND COVER PROBABLY LATE QING DYNASTY Decorated with lotus scrolls and geometric patterns against a turquoise ground, with openwork panels enclosing lotus amidst stylised foliage to the removable upper section and cover, the finial formed as a lion dog with her paw resting on her young, all raised on three feet shaped as elephant heads, together with a wood stand, 27cm. (4)
A CHINESE FAMILLE ROSE TURQUOISE-GROUND BOWL, LINER AND COVER 19TH CENTURY The exterior decorated with quatrefoil cartouches enclosing landscapes, all reserved on a bright lotus-decorated turquoise ground, with applied animal masks to two sides, the cover surmounted by a gilt mythical beast-shaped finial and with an old paper label to the underside, together with a wood stand, 18.2cm. (4) Provenance: from the collection of Sir Thomas Jackson, 1st Baronet (1841-1915) and thence by descent. Sir Thomas Jackson, 1st Baronet (1841-1915) was the third Chief Manager of the Hongkong and Shanghai Banking Corporation and his influence on the company was so notable that he became known as the bank's 'Great Architect'. He was also one of the founding members of the Hong Kong Jockey Club. Born in County Leitrim, Ireland, Jackson joined the Belfast branch of the Bank of Ireland at age nineteen before accepting a position in East Asia with Agra and Masterman's Bank five years later. In 1866, he joined HSBC, which had only been established the previous year. Jackson was quickly promoted to the position of an accountant in Shanghai, and he later spent several years working in Japan as the manager of the bank's Yokohama office. At the early age of 35, he was appointed as Chief Manager of HSBC and, under his direction, the company became the leading bank in Asia. After a successful career in Hong Kong, Jackson returned to the UK in 1891, taking charge of the company's office in London. He was knighted in 1899 and three years later he retired and received the additional title of Baronet. In 1906, a statue of Sir Thomas Jackson was unveiled in recognition of his services both to HSBC and Hong Kong. His statue still stands in Statue Square in front of the bank's Hong Kong headquarters. Jackson Road in Hong Kong was also named after him. His collection comes from Gilford Castle in County Down, Northern Ireland, which was purchased by James Wright, husband of Sir Thomas Jackson's niece Mary Menary.
A CHINESE JADEITE BALUSTER VASE AND COVER AND A JADEITE 'BIRDS AND PEACHES' CARVING 19TH CENTURY AND REPUBLIC PERIOD The vase decorated with horses and quails amidst various trees and flowers, with a lion dog-shaped finial to the cover, the carving formed as two large peaches surmounted by a pair of perching birds, with smaller fruits growing around them, the stone of each with pale lavender and green areas, each with a wood stand, 28cm and 14.5cm. (5) Provenance: the baluster vase sold as part of The Collection of Maria Angiolillo, Christie's London, 15th July 2010, lot 719 (part lot).
Large G & J Lines Ltd box back painted wooden Dolls Houses in good original condition, English circa 1905, the painted red exterior with paper brick effect façade and turret with finial, four large oval glazed windows with painted white and gold surrounds to each side of protruding central section having a further five glazed windows and surrounds and three steps to painted white and gold hinged front door with brass lion knocker, two pillars with pediment, on wooden base and opening in two wings to four rooms, hallway, staircase and landing, all with moulded fireplaces three with grates and kitchen with stove and built-in dresser, all rooms with interior doors and built-in cupboard to hallway, good original papers throughout, condition: lovely original example with some slight wear to areas, 38” (97cm) high, 38” (97cm) wide, 18” (46cm) deep.
‘Edith Villa 1878’ a charming English painted wooden Dolls House, the sandstone painted façade and painted brick effect sides, façade with steps leading to wooden panelled front door with glass fanlight, metal handle and ‘Edith’ name plaque, with eight glazed windows to three levels, all with moulded surrounds, sills and hand painted green paper blinds, lace curtains and each with charming naive painted paper collages of potted plants on tables and furniture, lower windows with green paper painted shutters, painted metal balcony having pierced decoration, pitched tiled effect roof with two chimneys and pediment with finial and house name, carry handles to sides, front opening in one wing to three rooms on three levels, all rooms with papered walls and floors, first and second floors with embossed card fireplaces and pictures to walls, condition: some loss to metal balcony, lovely original patina with normal wear, 28” (71cm) high, 19” (48cm) wide, 11” (28cm) deep.
An early 20th century walnut folding card table with shaped rim, single drawer, raised on four barley twist supports to 'H' stretcher, 53cm wide, together with a circular gilt framed convex mirror with ball finial, 42cm wide and a Vienna style wall clock by Hamburg American Clock Company (af)
A rare Lowestoft porcelain Coffee Pot and Cover, c.1765-70, painted in blue with oriental flowering shrubs to each side and scattered insects and flower sprigs, the cover with flower sprig knop, footrim with painter's numeral '5' associated with painter, Robert Allen, 8in H, finial and spout chipped (2)

-
116003 item(s)/page