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AN IRISH GEORGE III INLAID MAHOGANY LONGCASE CLOCK, by Barnaby Williams of Dublin, the detachable hood with figural brass finial and swan neck cresting, enclosing a brass dial with roman numerals, signed, the waisted trunk inlaid with conch shells within oval reserves, and repeated to the plinth base. 238cm high
A COLLECTION OF SILVER SPOONS, comprising a modern Irish caddy spoon, Dublin 1967, mark of Kilkenny Design; an Art Deco pattern small sauce ladle, Sheffield 1951; a Dutch spoon with galleon finial, stamped 'Sterling'; an American silver sauce ladle, stamped 'Sterling', with cast eagle and serpent handle; a reeded fiddle pattern 'shovel' caddy spoon, Birmingham 1820; and two other small spoons. (7)
A VICTORIAN SILVER TEAPOT, London 1846, mark of Emma Dear, of lobed squashed pear form, with scroll handle and artichoke finial, the body and spout chased and embossed with foliate decoration containing a cartouche to either side, one crested, raised on rocaille skirt above four splayed scroll and anthemion feet, (c.23.5 troy ozs). 21cm high, 27cm wide over handle and spout
A THREE PIECE SILVER TEA SERVICE, Birmingham 1918, 1919 & 1920, all mark of S Blanckensee & Son Ltd, comprising a shaped rectangular tea pot, milk jug and two handled sugar bowl, each with foliated gadrooned collar, the bodies with lobed banding and raised on bun feet, the teapot with ebon handle and finial, (c.38 troy ozs all in). (3)
An Asprey’s of London coromandel and ivory cigarette box, of square form, with caddy top, ivory finial and applied gilt metal initials MB over four revolving corner twin section compartments for cigarettes and gilt metal liner ,on a plinth base, inscribed "Asprey London, Pat Applied For", 16cm high x 15cm deep.
A fine late 19th century silver plated tantalus, by Philip Ashberry & Son, having triple window form curved sides with pierced scroll decoration, hinged lid with beaded borders and applied grape vine and leaf finial and with twin rams head hand grips to sides, terminating in beaded stepped base with stepped feet, with lock and two keys, interior holding all three original rectangular form cut glass decanters with concave lattice pattern sides and faceted spherical stoppers, the base of tantulas stamped with Philip Ashberry "arm holding pennant within shield" logo, height 30cm x width 26.2cm x depth 12.2cm.
A late Victorian silver pill box, by Adie & Lovekin Ltd, Birmingham 1899, of circular form, the hinged lid repousse C scroll decoration, with gilt interior, together with a another silver pill box, hallmarked London 1967, of circular form, the cover with seated rabbit finial, and another similar. (3)
A collection of three Georgian silver toddy ladles, to include; a George II silver toddy ladle, by Philip Goddard, London 1746, having ovoid bowl with scalloped rim and side, with turned mahogany handle, another George II silver toddy ladle, having oval bowl with out swept rim and George II 1758 shilling to base, with wrythen baleen handle, and a George III solid silver toddy ladle, by Charles Rawlings, London 1819, of diminutive form, having circular bowl with out swept rim and semi wrythen silver stem terminating in pineapple finial. (3)
A George III silver tea pot, John Edward Terry, London 1819, of circular and form, having all over elaborately embossed, chased and engraved decoration of flowers, scrolling leaves and berries, the body with two panels, one fashioned as a Chinese man fishing with figure overlooking from bridge behind, the other engraved with crest, the similarly decorated hinged cover with seated figure finial, the swan neck spout with seated eagle and stylised birds head finial, with ebony handle, raised upon undulating circular pedestal foot, (gross weigh 920.9g).
A George III three piece silver tea set, by Joeph Angell I, London 1814-16, comprising teapot, milk jug and sugar bowl, all of circular form, with semi-fluted embossed decoration, undulating scroll and gadrooned shoulders, raised upon quadruple ball feet, the teapot with fruit wood handle carved with scroll acanthus leaf thumb piece and silver acanthus leaf swan neck and silver mounted carved ivory finial, the milk and sugar with matching acanthus leaf scroll handles, (gross weight 1349.8g). (3)
A George III silver teapot, by John Wakelin & William Taylor, London 1783, of oval form and Neo-classical design, having semi-fluted body with arch fluted frieze and beaded borders, hinged cover with oval ebony finial, carved wood handle with scroll thumb piece and straight tapering spout, raised upon quadruple ball feet, (gross weight 658.8g).
A three piece silver tea set, by Atkin Brothers, Sheffield 1921 & 1928, of ovoid form, with curved semi-fluted decoration, to include; a hinged lidded tea pot with ebony handle and finial (1921), a cream with gilt interior (1921) and sugar with gilt interior (1928), in good condition, (gross weight 1010.3g). (3)
An Asprey & Co. silver plated bell shaped cocktail shaker, having incised ring decoration to bell, the waisted handle unscrewing for contents, with engine turned domed finial unscrewing to pour drink, base stamped maker and "Prov.Patent No.12739/37" and "Regd.No.820231", height 27.5cm, together with a Dunhill silver plated brandy warmer, of circular form, with handle set at 90 degrees to pouring spout, on burner base. (2)
A boxed silver cruet set, by D J Silver, London 1974, of ovoid form and in the neo-classical style, comprising a mustard with undulating beaded rim and hinged cover with baluster finial, the side engraved with floral festoons and having pierced urn form panels and pierced friezes to borders, the salt similarly decorated and raised upon quadruple claw form supports, both with blue glass liners, together with a similarly decorated urn form pepper, a salt and a mustard spoon, in fitted case,
A Victorian Silver Coffee Pot, William Wrangham Williams, London 1870, retailed by Lambert Coventry St., London, oval tapering form, engraved with foliate swags and a ribbon tied oval reserve to each side, carved ivory handle and finial, and bead borders, 21cm high, 20oz 18dwtClear marks to underside of base, part marked to cover. Some age cracks showing on ivory. Engraving all fairly crisp. Reserved vacant, possibly engraving taken out but neither is particularly thin. Bruise to bottom of spout and occasional light knock to body.
A Victorian Aesthetic Movement Silver Three Piece Tea Service, Joseph & Horace Savory (Goldsmiths Alliance), London 1890, of oval form, engraved with cranes and other birds, bamboo, butterflies, reeds and other foliage in the Japanese taste, engraved to one side with a crest and inscribed Burton 1880-1895, the teapot 24cm long, 28oz 8dwt (3) Quite a few of the punches are rubbed, but marks still legible, cover is part marks. The bases are also applied with the Savory Goldsmiths Alliance trade mark. Decoration is still clear and reasonably crisp. Teapot with ivory insulators and finial, the finial does not tighten fully. Cover fits well and closes tightly.
A Silver Gilt Cup and Cover, Ollivant & Botsford, London 1931, of lobed form in the Gothic taste, the alternate panels applied with a mermaid holding a comb and a mirror, and with mermaid finial, 21.5cm high, 11ozt Good clear marks to both pieces. Tarnished throughout. Some very light wear to the detail on the mermaids. Bright gilt interior. The foot with a slight wobble on a flat surface. Some surface scratches in one place to the cover.
An Arts and Crafts Silver Preserve Pot, Cover and Spoon, A.E.Jones, Birmingham 1913, cylindrical with planished finish, ropework border and spreading foot, decorated with Tudor roses the cover with melon finial, the spoon with twisted stem and matching melon finial, glass liner, 12cm high, 4oz 8dwt MArks clear to all three pieces, the cover is part marked only. Glass liner with some chips to the rim. Finial to cover is leaning slightly to one side and has been slightly pushed in. One or two minor knocks.
Two Arts and Crafts Silver Spoons, marks of Guild of Handicraft and William Henry 'Harry' Warmington, London 1970 and 1954 respectively, the Guild of Handicraft example with beaded rat tail bowl and apostle type finial, the Warmington example with rat tail bowl, the larger 15cm long, 2oz 14dwt (2) Purchased directly from the workshop by the vendor's parents who were residents of Chipping Campden
A Victorian Silver Four Piece Tea and Coffee Service with Kettle on Stand En-Suite, John Mappin & George Webb, London 1873/75/78, the kettle John Newton Mappin, Sheffield 1883, baluster form, engraved with ribbon tied floral swags and multiple borders, the coffee and tea pot with melon finial, all engraved with the initial R, the coffee pot 25cm high, 90oz 6dwt
A Silver Four Piece Tea Service, Z Barraclough & Sons, London 1931, circular and of heavy gauge, decorated with an engraved and shell border to the shoulder, the tea pot and hot water jug with ivory handle and finial, the cover to the sugar bowl also with ivory finial, presentation inscription to underside of hot water jug, the teapot 27cm long handle to spout, 71oz 18dwt (4)
Early 20th century James Hadley Royal Worcester pot pourri vase and cover, with four hand painted panels, two decorated with pheasants in a woodland landscape, signed A.C. Lewis, 1905, H26cm Condition Report The finial has been repaired at the base. The lid has a small chip to the gilt rim and loss of gilding to the pierced border and finial. Some light surface scratches to the body and minor loss of gilding, generally good condition. Click here for further images, condition, auction times & delivery costs
Late 19th/ early 20th century Berlin porcelain pot pourri vase and cover, painted with putti and floral vignettes, two mask and leaf moulded handles below a floral encrusted finial, underglaze blue scepter mark, H29cm Condition Report Click here for further images, condition, auction times & delivery costs
An attractive diamond set Flower Pendant, with diamond set suspension loop, in the shape of an open flower with six petals, each set with four graduated diamonds, with a knife edge stamen in between set one diamond finial, central diamond c.¼, Circa 1900, the reverse with brooch fitting missing.
A 19th century Ironstone China Tureen with Cover and Stand, of two-handled oval form with flower-head finial, decorated in cobalt blue and coloured enamels with the imari pattern, the base printed in blue Ironstone China Warranted No.5, 16in (40.5cm) wide, together with another stand similar (2)
A pair of early 19thC papier-mâché Handscreens, the black lacquer scallop-shaped panels hand painted with floral sprays and decorated in gilt with scrolling foliage, the centres inset with a fabric panel embroidered with floral sprays, with textured card/leather backing, each with finely turned and carved giltwood haft, one with end-finial missing, 10½ in wide x 16in long (27cm x 41cm), together with another similar early 19thC handscreen with a shaped rectangular panel beautifully painted with roses, chrysanthemums, blossom and an exotic bird, lacquer cracked on reverse (3)
H.G. Murphy; A Falcon Studio silver Sugar Caster, hallmarked London, 1929, of shaped conical form with swirling reeded decoration, pull off pierced cover, with corresponding reeding and stepped circular finial, graduated triangular shaped piercing, on a circular foot with a band of beaded decoration, 5½in (14cm) high, 8.5ozt, See Atterbury, P., and Benjamin, J., The Jewellery and Silver of H.G. Murphy, Antique Collectors' Club, 2005, page 101 for similar example.
A Chinese blue and white 'marriage jar' and coverOf Meiping form rising from a slightly splayed base adorned with a domed upper cover with compressed finial, exterior sides painted with four auspicious characters to either side set before a profusely decorated lotus tendril design ground and upper traditional scroll borders, 45cm high.

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116003 item(s)/page