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19th century mahogany cased longcase clock by J Turner, London, the arched moulded cornice mounted by brass finial, enamelled circular dial, Roman numerals, subsidiary date and seconds dial over brass fretwork, chamfered trunk, stepped panelled base, shaped apron raised on bracket feet, anchor escapement,striking bell and silence. CONDITION REPORT: Door slightly warped. Dial has losses and scuffed areas, see images. Base 51cm wide. The dial is flat. Hood is 44cm wide. Pendulum and brass cased weights present. The base has a double plinth.
A Weimar Republic/Third Reich pewter stein, with Hitler Youth flag flying above a sun with central canted swastika, with Edelweiss at base of flat, with verse engraved to side, (Please See Photo), Raise The Flag, The Rows Are Tightly Closed ..., with foliate moulded scroll handles and hinged lid surmounted by circular finial, 29cm high.
AN EARLY TO MID 19TH CENTURY FLINTLOCK HOLSTER PISTOL BY ALEX THOMSON OF EDINBURGH, marked 'Edinburgh' to the top of the barrel, the lock plate signed with slight engraved detail, the three quarter walnut stock with finely chequered grip, engraved trigger guard with pineapple finial, barrel length 20.5 cm, overall length 34.5 cmCondition Report:Missing ram rod.
AN EARLY 19TH CENTURY PERCUSSION HOLSTER PISTOL BY SOUTHALL OF LONDON, the octagonal barrel signed 'London' in gilt, the lock plate signed with foliate engraved detail, the three quarter walnut stock with finely chequered grip and flat butt, engraved trigger guard with pineapple finial, barrel length 21 cm, overall length 36 cm
A PAIR OF HANOVERIAN EARLY 19TH CENTURY PERCUSSION PISTOLS BY ERNST AUGUST STOERMER, Herzberg, octagonal browned barrels with silver banded breech and inset 'Stoermer Herzberg' plaque, the engraved lock plates signed and having swivel safety catch, engraved trigger guard with pineapple finial, the walnut half stock with finely chequered grip and flat butt with inset steel engraved plate, both pistols numbered 'No 1' and 'No 2', barrel length 22 cm, overall length 37 cm (2)
A PAIR OF 19TH CENTURY PERCUSSION HOLSTER PISTOLS BY ASTON OF MANCHESTER, browned octagonal barrels engraved to the top 'Manchester', the plain lock plates signed, walnut stock with finely engraved chequered grip, engraved trigger guard with pineapple finial, barrel length 25.5 cm, overall length 38.5 cm (2)
A collection of silverto include; an oval white metal gallery tray, apparently unmarked, scrolling cast border and handles, chased and engraved flat; a set of five silver gilt Victorian salts, GF, London 1878 of rounded baluster form, beaded edge, leaf engraved border, demi ribbed base, collet foot; a pair of pepperettes, William Comyns, London circa 1890, of vase shape, pierced pull off lids, ball finial, the body engraved crest; a group off miscellaneous silver to include, three mustard pots; christening mug; cream jug, three pepperettes (qty)Tray width: 36cm
A matched three piece tea serviceWalker & Hall, Sheffield 1933 and 1935, comprising teapot, twin handled sugar bowl and milk jug, all of rounded hexagonal form, baluster bodies, foliate and threaded border, S scroll handles, raised on a scalloped spreading foot, ivory handle and finial to teapotHeight: 13.5cm, weight (all in): 46.52oz
A KRAAK PORCELAIN STORAGE JAR AND COVER, WANLI (1573-1620)the ovoid body painted in underglaze blue with panels of flowers and rockwork, the shoulder and domed cover with further foliate panels, all against a ruyi-studded strap and key-fret ground, with probably 18th century South East Asian metal rim mounts, hinge, clasp and finial40cm high
A SILVER FIGURE OF BUDDHA, TIBET, CIRCA 18TH CENTURYseated in padmasana on a double lotus throne, his hands in dhyana mudra, with tightly curled hair with domed usnisa and bud finial, his robes with gold inlay, his face cold gilded with polychrome detailing, 16.5cm highProvenance: Private collection, London; formerly in a Dutch collection.
A LARGE VIJAYANAGARA BRONZE FIGURE OF VISHNU, SOUTH INDIA, CIRCA 16TH CENTURYstanding in tribhanga on oval base, the four-armed Hindu deity with his primary right hand in abhaya mudra, his left resting on his gada, his upper hands raised, holding cakra and sankha, wearing elaborate belt with kirtimukha buckle, his tall crown with bud finial, his hair cascading in ringlets on his shoulders, a wheel-like halo attached behind44cm highProvenance: Private collection, East Anglia. Acquired by the vendor as a gift from her husband in the 1960s.The criteria for dating early South Indian bronze images are subtle and far from clear cut. In many senses, this superb bronze displays the characteristic features of the Chola period (9th-13th century), and there was no abrupt change of stylistic direction when the Vijayanagar dynasty became dominant in the region. Nevertheless there are several indications of a later date, such as the more expressive face, the stocky, muscular build and the very detailed treatment of the jewellery and ornaments and their incised outlining. The relaxed pose with legs flexed is more commonly associated with depictions of Siva, while Vishnu, the preserver, is generally depicted, when in his primary form, in static full frontal images which emphasise his regal aura.
A PAIR OF BRASS SABBATH CANDELABRA, GERMAN, 19TH CENTURYeach with central Prussian eagle finial flanked by four urn-shaped sconces on openwork supports featuring opposing Lion of Judah figures, the knopped stems and broad circular bases with foliate scroll and shell borders52cm highProvenance: Collection of Dr Richard Teltscher (1888-1974), London (see footnote to lot 480)
TWO KUTCH SILVER SUGAR BOWLS, GUJARAT, WESTERN INDIA, CIRCA 1900the first of spherical form on scrolling feet, decorated with chased hunting scenes, the hinged lid with elephant finial, the other of lobed form with chased floral decoration in Chinese style, on three scrolling legs10.5cm tallest, 406gr
AN ITALIAN SILVER SUGAR VASE AND COVER, EMANUELE CABER, MILAN, CIRCA 1820the triform base with openwork formal leaf border above cast shell and paw feet, the stem cast as three entwined Renaissance dolphins supporting a baluster bowl with everted milled rim, the domed cover with further milled borders and a figural finial cast as a young black man sitting on a bunch of fruiting branches (perhaps coffee branches)23cm high, 766gr (24oz)Emanuele Caber (1762-1850) operated premises under the sign of the ‘Golden Deer’ in the San Michele al Gallo quarter of Milan, using the circular maker’s mark ‘C under a deer’ from 1812. V. Donaver - R. Dabene, Argenti italiani dell’Ottocento, Milan, 1989, Vol.2, p.121.
AN ITALIAN SILVER COFFEE POT, EMMANUELE CABER, MILAN, CIRCA 1820with milled borders, the ovoid body on pedestal foot, with slender waisted neck, the lid with ovate finial, the spout issuing from a cast ram’s head30cm high, 682gr (22oz) including ebonised handleEmanuele Caber (1762-1850) operated premises under the sign of the ‘Golden Deer’ in the San Michele al Gallo quarter of Milan, using the circular maker’s mark ‘C under a deer’ from 1812. V. Donaver - R. Dabene, Argenti italiani dell’Ottocento, Milan, 1989, Vol.2, p.121. A number of coffee pots of similar form by Emanuele Caber are known: see Christie’s, Rome, 7 December 2005, lot 261, Christie’s, New York, 19 October 2004, lot 929 and Christie’s, London, 16 November 2010, lot 369.
ASSORTED ENGLISH SILVER, COMPRISING:an Edwardian tea caddy, in George III bright-cut style, oval, Nathan & Hayes of Birmingham, Chester, 1905, 11cm long, an oval sauceboat with waved rim and three feet, Viners Ltd., Sheffield, 1957, 15cm long, a sugar bowl, plain circular, base set with an 1815 George III Bank Token coin for 3s 6d, John Edward Wilmot, Birmingham, 1899, 9cm diameter, and a cased pair of berry spoons, with typical Victorian decoration to the originally Georgian tablespoons, bottom marked, Thomas Northcote, London, 1781470gr (15oz) including wood finial to caddy(5)
A VICTORIAN SILVER HOT WATER JUG, CARRINGTON & CO., LONDON, 1890cylindrical and part lobed, 16cm high; together with two silver milk jugs, both London, one plain oblong, Horace Woodward & Co. Ltd., 1911, 11cm high, the other plain baluster, J. Parke & Co., 1922, 8cm high587gr (18oz) including wood handle and finial to hot water jug(3)
~A WILLIAM IV SILVER THREE-PIECE TEA SET, PEARCE & BURROWS, LONDON, 1836compressed ogee, chased with matted acanthus flanking lobes and engraved with a crest, on cast rocaille and scroll feet, the teapot with cast convolvulus flower finial, the milk jug and sugar bowl with gilt interiorsteapot 27cm long, 1467gr (47oz) including ivory insulators to teapot The crest is that of Carrington of Bugsworth Hall, Bugsworth (latterly Buxworth), Derbyshire.
A GEORGE III SILVER MUSTARD POT, EMES & BARNARD, LONDON, 1810bellied oblong below a band of horizontal lobes, gadroon rim, the crested domed lid with ball finial and shell thumbpiece, handle to end, on rim foot, glass liner, 11cm long; together with another silver mustard pot, cup shaped, domed lid, fixed blue glass liner, Edward Barnard & Sons Ltd., London, 1919, 6cm wide; and a silver mustard spoon, Fiddle pattern, crested, William Eaton, London, 1819weighable silver 173gr (5oz 11dwt)(3)
A GEORGE III SILVER COFFEE BIGGIN ON STAND WITH BURNER, JOHN EDWARDS, LONDON, 1803oval, gadroon borders, the pot engraved to both sides with scrolling initials within a shield surrounded by drapery mantling, domed lid with acorn finial, fibre handle, stand with cabriole legs on paw feet, plain burner and cover32cm high, 1321gr (42oz)
~A GEORGE III SILVER HOT WATER JUG, MAKER’S MARK ATTRIBUTED TO DAVID WHYTE, LONDON, 1768baluster, gadroon foot, beaded lip, gadroon bordered lid with wrythen cone finial, the Victorian silver scroll handle addition marked for J. & A. Savory, London, 184428.5cm high, 805gr (25oz) including ivory insulators
TWO VICTORIAN RAM’S HORN SNUFF MULLS, MID 19TH CENTURYone with electroplate mounts, the lid with deer finial and gadroon borders, the terminal in the form of an inkwell, with feather foot, 24cm long, the other with metal mounts, the lid set with an agate, the terminal thistle form, 30cm long; together with a Victorian electroplated Britannia metal spoon warmer, second half 19th century, nautilus shell shaped and decorated with Renaissance dolphins and other marine motifs, 18cm long (3)
AN ORMOLU-MOUNTED BLACK MARBLE PORTICO CLOCK, FRENCH, CIRCA 1800drum movement with silk suspension striking on a bell, white enamel dial with Roman numeral hours, with eagle finial and six flanking vases of flowers, each pair of supporting columns centred by a canephore-mounted pilaster, the rectangular plinth mounted with lions and a rosette and palmettes motif, spreading ormolu feet, on a wood stand (originally intended for a glass dome)47.5cm high excluding wood stand
A GEM-SET SILVER TIMEPIECE, AUSTRO-HUNGARIAN, CIRCA 1910the engraved openwork base set with moonstone and amethyst formal foliage below a lapis lazuli set plinth, the central glazed timepiece in circular basse-taille enamelled case, the watch movement signed Breguet No. 4631, supported by two columns surmounted by baskets overflowing with gemstone and split pearl foliage, similar central basket finial19cm high
~AN IVORY TANKARD, GERMAN, CIRCA 1880carved with a bacchic procession above foliate strapwork and lobes, the short pedestal foot with further strapwork, the spout with fruit and grotesque mask, the cover with a Cupid finial, the scroll handle with bearded herm section and metal hinge35cm highFor another similar tankard from the Collection of William and Francis Green, see Bonhams, Los Angeles, 8 December 2014, lot 1191
A SILVER-GILT MOUNTED ROCK CRYSTAL VASE AND COVER, AUSTRO-HUNGARIAN, CIRCA 1900the two-handled urn-shaped body carved with borders of lobes, flutes, entwined ribbon and stiff leaves, the pedestal with an enamelled girdle, the cover with similarly enamelled rim and figural finial of a young woman22.5cm high
~A SMALL SILVER-GILT, GEM-SET AND IVORY TANKARD, AUSTRO-HUNGARIAN, LATE 19TH CENTURYthe gem studded and scroll chased lid with seated satyr finial, the handle cast as a tree branch in which sits a further satyr, the ivory sleeve carved with Diana on her stag-drawn chariot processing with her attendent nymphs through an oak grove, on a spreading silver and gem-set foot10.5cm highFor a tankard with the same mounts but differing ivory sleeve, see Christie’s, London, 3 December 2002, lot 116, where catalogued as mid 19th century.
A Rare Fabergé Presentation AxeMAKER'S MARK OF KARL GUSTAV HJALMAR ARMFELT, MARK OF FABERGÉ IN CYRIILLIC, ST PETERSBURG, 1908-1917, 84 STANDARD, SCRATCHED INVENTORY NUMBER 17607(?) Length 34 cm. Jade handle with silver ornaments and cambay stone cabochon, top ornate part with finial with five semi-precious stones, silver blade with engraved matching ornament.
A Rare and Important Soup Tureen from the St Andrew ServiceMEISSEN MANUFACTORY, 1780-1796 Diameter 22 cm. Of traditional round form, body in white with sprays of flowers, lid with matching décor and lemon-shaped finial with small branch and almond, with the state seal
and the St Andrew order cross, with gilt rim, with blue manufactory mark.The Meissen St. Andrew Service represents one of the most important diplomatic gifts dating to the luxurious 18th century. The full service comprised more than 400 pieces and was perhaps the first full table service commissioned for the Imperial court. The offered lot represents a jewel of European porcelain and is particularly significant because of its complex historical background.
Y A mahogany and marquetry serpentine fronted work table, circa 1800 and later, the serpentine sided top opening to reveal a removable tray section and empty recess beneath, the stretchers united by an ivory urn finial, 70cm high, 51cm wide, 35cm deep Provenance: Property of a Lady, removed from a house in Holland Park. Y Indicates that this lot may be subject to CITES regulations when exported. Please see our Terms & Conditions for more information.

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116099 item(s)/page