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Click here to subscribe2 Chinese export 18th C teapots , gresaille decorated with birds with a shell border and enriched with gilding , and a famille rose teapot with birds on a branch .Glaze loss to finial and a small chip to the end of the spout on the gresaille teapot .The famille rose teapot has an old metal replacement spout , the handle has been broken off and repaired and the cover is missing .
AN EARLY 19TH CENTURY DERBY TUREEN AND COVER, in an Imari pattern, dish divided into two, foliate blue and gold finial, red painted marks to base, width 23cm x length 31.5cm x height approximately 18cm (Condition report: five old cracks/hairlines to underside rim, crazing, otherwise appears in good condition)
A CARLTON WARE VASE AND GINGER JAR, the vase height 23cm, decorated with Willow Pattern in polychrome enamels on a midnight blue background - back stamp 2728, the large ginger jar and cover are decorated in a similar Willow Pattern around the collar with vases of flowers to the body, the background colour is a slightly darker shade of blue, height 39cm to the top of the golden coloured 'Chinese dog' finial - back stamp 661633 (2) (Condition report: decoration paint has become a little worn, gilding is slightly worn around edges)
AN EDWARDIAN MAHOGANY THREE PIECE BEDROOM SUITE, comprising a compactum wardrobe with two bevelled mirror doors flanking double cupboard doors over five drawers, on later casters, width 216cm x depth 62cm x height 220cm, a dressing table with a single mirror, and an arrangement of eight drawers, on square tapered legs and brass casters, width 133cm x depth 60cm x height 164cm, and a bedside cabinet (condition:-silvering partially pitting to some mirror plates, surface scratches, missing caster to back right side, left finial with repairs, bedside cabinet with crack to top centre) (3)
A GEORGE III OAK, CROSSBANDED MARQUETRY INLAID EIGHT DAY LONGCASE CLOCK, signed William Morris of Walsall, the swan neck pediment flanking a brass finial, turned pillars, flanking a glazed door enclosing a painted 11 inch dial, with Roman numerals, subsidiary date aperture, seconds dial, and signature, above a trunk with a shell inlaid door, height 212cm with two weights, pendulum and winding key (condition:-the hood with veneer loss and cracking, minor inlay veneer loss to trunk)
ONE HUNDRED AND EIGHTY FOUR PIECES OF ROYAL STAFFORD 'ROSES TO REMEMBER' PATTERN DINNER AND TEA WARE, comprising twelve teacups (one has a small chip, one has worn gold gilding), three tennis sets, a two tier cake stand, one single tier cake stand, fifteen dinner plates (one slight chip), salt & pepper pots, two sugar bowls, one milk jug, two meat plates, a boxed set of four egg cups and salt & pepper pots, six egg cups, one egg cup stand, two tea pots(one has a cracked lid), two coffee pots, a hot water pot, two lidded tureens, two spare tureen lids, fourteen tea plates, eight smaller tea plates, six coffee cups, six saucers, lidded butter dish, two small cream jugs, a small sugar bowl, four rectangle sandwich plates (two, length 28cm x width 14cm, two, 19.5cm x width 12cm- one has a chip) gravy boat and stand, two milk jugs height 9cm (worn gild base on one), ten soup saucers, seven soup dishes (one cracked handle), five square cake plates, diameter 21.5cm, one circular cake plate, twelve side plates, one large sugar bowl, three trinket dishes, three serving dishes, diameter 23cm, twenty dessert dishes (one has a chip), four lidded jam pots (one has a cracked lid, with a repair to finial) (184) (Condition report: as described, all pieces show signs of wear and varying degrees of worn gilding, some pieces are fluted edged, others are plain)
A GROUP OF CRANBERRY GLASS INCLUDING A PAIR OF MARY GREGORY STYLE VASES, with wavy rims, depicting a boy and girl in a rural landscape, height 17cm, together with a covered bowl with clear finial and applied wavy rim, internal diameter 11cm, a Bohemian style cut to clear basket and bowl, a similar West German Margaret crystal vase height 21cm, two vases of organic form with 'thorns', etc (10) (Condition report: Mary Gregory vases appear in good condition, other pieces generally in fair to good condition, with some damage and wear, the covered bowl and one other are quite heavily chipped around the rims)
Ca. 1200-550 BCA finely modelled ancient Luristan cast bronze pin, featuring a needle-shaped body terminating in a griffin-shaped finial. The animal is modelled in a stylised manner with emphasised facial features, such as a head of an eagle, tongue protruding from mouth and talons as front feet. Size: L:190mm / W:16mm ; 90gProvenance: Private London collection ( B.A); formerly acquired in the 1970s from John Lees collection.
Ca. 100-300 ADA bronze hand mirror with a circular plate and round-section collared handle that ends in a loop finial. Mirrors such as these were important luxury items in the Roman world. These items were predominately owned by elite women who would have used them in order to aid or check the application of cosmetics.Size: L:244mm / W:136mm ; 234.32gProvenance: Private UK collection; from an old London collection formed in the 1980s.
Ca. 600-700 ADA gold disk-shaped pendant with a suspension loop and a flounce border framing a cell set with a garnet stone engraved with a depiction of a cross with flared arms with pellets to each finial. Undecorated reverse. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements.Size: L:16mm / W:14mm ; 2.04gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca. 100-300 ADA gold discoid pendant with a twisted wire edge, decorated at even intervals with fine granules. The central section is domed and topped with emerald stone surrounded by gold wire scrolls. Below, a cylindrical dangle with a granule cluster finial is suspended. The item has undergone X-ray fluorescence analysis to confirm the metallurgical content suggesting its ancient origin and lack of modern trace elements.Size: L:41.4mm / W:18.1mm ; 4.24gProvenance: Property of a Mayfair London Gallery; formerly from an old British collection formed since 1980s.
Ca. 100-200 ADA terracotta oil lamp with a globular body with a deep, channeled spout with a vent hole and flaring finial. Circular discus with raised edge and central filling hole. Marked base.Size: L:88.8mm / W:57.3mm ; 61.26gProvenance: Property of a North London gentleman; previously acquire on the UK/European art market in the 1980s.
Ca. 900-1100 ADA bronze pendant in a form of a cross patoncé with four equal-length arms meeting in a disc at the centre. Each arm flares towards the pointed finial. The obverse embellished with niello decoration. A suspension loop projects from the top. The cross, the principal symbol of Christianity, recalls the crucifixion of Jesus Christ and the redeeming benefits of his Passion and death. The cross is thus a sign both of Christ himself and of the Christian faith.Size: L:33mm / W:28mm ; 4.85gProvenance: Property of an Oxfordshire art professional; previously in an old British collection, formed in the 1980s on the UK / International art markets.
A late 20th century �Grandmother� clock in a figured mahogany veneered case with a break-arch hood and turned central finial, shaped full length glazed door with visible pendulum and triple brass cased weights, bombe base raised on bracket feet, brass dial with an etched centre, brass spandrels and silvered chapter ring with Roman numerals, working moon dial and pierced steel hands, three train weight driven European movement chiming the quarters on 8 gong rods. With strike /silent feature. Dimensions: Height: 183cm Length/Width: 40cm Depth/Diameter: 28cm
IMPRESSIVE LATE 19TH/EARLY 20TH CENTURY CARVED WALNUT WALL BRACKET,the baize lined oblong top with pierced fleur-de-lis gallery over an egg and dart border and further gallery, the support modelled in the form an eagle with snake in mouth, the shaped back relief decorated with thistles, bud finial, 51cm high, 30cm deep, 46cm wide
ROYAL WORCESTER LIDDED URN,moulded with scrolling foliage and with twin mask-detailed handles, hand painted with fruits by David Fuller and signed, on waisted stem to pedestal base, printed marks, no. 1572, 27.5cm highPainting good - gilding slightly rubbed in places - minor scratches - the moulded band to the base of the neck is matt and dis-coloured - the knop finial has been broken off and stuck back (not professionally).
ROYAL WORCESTER LIDDED URN,of ovoid form with twin mask-detailed handles, hand painted with fruits by David Fuller, on waisted stem to pedestal base, printed marks and no. 2363, 22cm highPainting good - gilding matt in areas - also the gilding is rubbed and scratched in ateas - knop finial has been off and stuck back again (not professionally).
An Elkington plate casket, An Elkington plate casket, ' Department Of Science & Art ' copy of a silver casket by the French silversmith Alexandre Gueyton, displayed during The Great Exhibition in 1851, numbered 519 to base, height 18cm.Overall condition fair to goodKey deficientLining - velvet in fair condition, some wear to cornersDiscolouration and tarnishing in keeping with ageBase corners with localised discolouration - evidence of testingLid with nicks and evidence of forced openingFinial slightly loose but secureTop slightly dipping to one side, misshapen
Mid 19th century continental mahogany linen press on chest Mid 19th century continental mahogany linen press on chest, cornice with swan neck pediment, central finial above two single panel doors with matched figured mahogany veneers, interior with two adjustable shelves, lower section fitted four graduated drawers, all standing on out swept bracket feet.width 133cm (52"), depth 59cm (23"), height 250cm (98")Overall condition good, replacement oval brass handles. Original back, gap between the doors due to shrinkage makes it difficult to close, locks are present in the drawers and latches in the door, draw linings are elm, original shelves.
An impressive late Victorian gilt brass mounted and inlaid rosewood bracket clock with eight day twin fusee movement striking hours and half hours on a gong, the backplate signed 'Lund & Blockley successors to Viner New Bond St London' and numbered '246', the silvered breakarch dial with all-over finely engraved foliate scrolls, slow/fast indicator to arch, Roman hour numerals and outer Arabic minute numerals and inscribed 'Lund & Blockley', the foliate inlaid case with flower urn finial surmount above four urn and flame finials to corners, united by a balustrade, the sides with vine bordered pierced trellis fret panels and flanked by four ebonized barley twist columns, raised on foliate capped twin paw feet, height 60cm, with pendulum and winding key. Note: John Alexander Lund & Herbert Blockley were highly regarded clockmakers working at 42 Pall Mall, London, from 1872 to 1876 (successors to Viner) and also had a branch in Bombay, India. They were retailers and manufacturers of house and turret clocks, including for Queen Victoria between 1875 and 1905.Buyer’s Premium 29.4% (including VAT @ 20%) of the hammer price. Lots purchased online via the-saleroom.com will attract an additional premium of 6% (including VAT @ 20%) of the hammer price.
Mantel Clock. A late 19th century French mantel clock, the elaborate classical ormolu case with urn finial, and wreath border supporting a convex white enamel dial with black roman numerals and arabic minutes, pierced gilt metal hands, single winding hole (damage to the enamel and the glass door heavily pitted), drum shape brass movement, on a white marble base with turned brass supports, 30cm highQTY: (1)
A Sèvres pink-ground broth-bowl, cover and stand (écuelle ronde tournée et plateau ovale), c.1760, blue interlaced L marks to bowl and stand, the bowl with incised da [?], the stand with incised al [?], each piece reserved with two cartouches edged with gilt scrolls and foliage, painted with vignettes of pastoral objects associated with countryside pastimes and farming, including bee-keeping, bird-catching and a peepshow, the centre of the stand decorated with two birds in flight in gilding, the cover with branch handle, the stand 22.7cm wide; the écuelle 17cm wideProvenance: With Brian Haughton Antiques, London (according to the paper label applied to the base).Note: This style of painting of pastoral scenes is traditionally associated with the factory artist André-Vincent Vielliard père, who was active at Vincennes and Sèvres from 1752 to 1790. Similar pastoral scenes can be seen on a 1766 cup and saucer now in the Wallace Collection, London (museum no. 369).Minute chip to a leaf on the finial and some minute wear to the gilding of the berries of the finial. Minute areas of wear to the rim of the écuelle. On the stand there are minute areas of wear to gilt border on the edge of the well. These are all extremely minor.
A French gilt-bronze mounted Continental porcelain box and cover, late 19th century, pseudo Sèvres interlaced L and date code mark, the cover with pine cone finial, the body with ram's heads, decorated overall with puce panels and floral bands, 21cm highPlease refer to department for condition report
A Meissen turquoise-ground leaf-shaped box and cover, c.1745-50, blue crossed swords mark, gilder’s G. to both pieces, each side reserved with a gilt-edged quatrefoil panel painted with flowers, the stem finial with flowering terminals, 12.9cm wide; together with a Meissen two-handled circular basket, 19th century, blue crossed swords mark, Pressnummer 30 and incised |||, the exterior applied with fruit, flowers and nuts, the basket-moulded interior painted with flowers, 18.8cm wide; and a Berlin (KPM) rectangular basket, 19th century, blue sceptre mark, the interior with figures in landscapes, 11.3cm wide (3)Provenance: The leaf-shaped box with Brian Haughton Antiques, London (according to the paper label attached to the base). Box:Overall this box is in good condition. The very minor condition faults are listed in more detail below:There is a small chip to two of the leaf terminals on the cover. A small rim chip the edge of the cover is gilded with what appears to be original 18th century gilding, so it dates from the time of manufacture. There are some minute flakes and wear to the gilt rim of the box, and a few minute scratches to the surface. All of these are extremely minor. Meissen Basket:One handle has probably been broken off and re-stuck, and the surrounding area has been overpainted. With time this overpainted area has yellowed, but as the porcelain in these areas is still translucent, it appears as though this area is not restored, and it is merely over-zealous overpainting extending far beyond the re-stuck handle. There is some chipping to the flowers and foliage and handle terminals. Berlin basket:Overall this basket is in good condition. There are a few minute areas of wear, which are extremely minor.
A Berlin Royal Factory porcelain white glazed part dinner and tea service, late 19th / early 20th century, with wrythen ozier borders, the covers with naturalistic branch and flower handles, blue scepter mark to underside, comprising: a large oval deep platter, 57cm long, a similar smaller platter, 50cm long, a circular dish, 34cm diameter, a smaller deep dish, 31cm diameter, a rectangular tureen and cover, 29cm long, a circular footed dish and cover, 24cm diameter, a circular dish and cover, 22.5cm diameter, a rectangular lobed deep dish, 21.5cm diameter, a sauce boat with affixed saucer, the saucer 21cm wide, a plate with reticulated border, 25cm diameter, twelve dinner plates, 25cm diameter, four soup plates, 23cm diameter, seven pudding bowls, 19cm diameter, a rounded teapot with naturalistically modelled branch handle and spout and flower finial to the lid, 10.5cm high, a milk jug, 10cm high, a miniature jug, 6cm high, eight teacups, 7.3cm diameter, with nine saucers, 13.5cm diameter, and a sugar bowl, 7.2cm diameter (lot) Old staple repairs to one pudding bowl. A chip to the rim of the milk jug. Otherwise in good condition with general surface dirt consistent with age.
A Vienna (Sorgenthal) gold-ground teapot and cover, c.1796, finely painted with pendant swags of ivy below a garland of flowers between purple bands, the rim, shallow-domed cover and borders with raised gilt decoration, the cover interior richly gilt, impressed 96 and 33, 12.7cm highNote: For a slightly earlier teapot (of circa 1780) of related form (but with a curved spout), see E.W. Braun, Geschichte der K. K. Wiener Porzellan-Manufaktur, Vienna, 1907, pl. XVIII.Overall this teapot is in very good condition – the gilding and coloured enamels are bright and vibrant. There is some very slight wear to the tip of the spout – this is very minor indeed, and there are two small areas of slight flaking to the gilding on the cover – one below the finial and the other near the purple band borders around the edge – neither are very noticeable and both are minor. There are a few further minute flakes to the gilt body, and there are areas of very slight wear to the burnished gilding (which do not penetrate through to the white porcelain beneath). This teapot is remarkably fresh in appearance.
A George III silver teapot, London, 1784, Robert Hennell I, of oval form, the sides bright-cut decorated with floral garlands surrounding engraved cartouches to hinged lid with wooden finial, the brown Bakelite handle a later replacement, 10.1cm high, total weight (inc. handle) approx. 14.9ozPlease refer to department for condition report
A large silver ice bucket/wine cooler, by Garrard & Co., Sheffield, 1958, of twin-handled campana form, the plain body with removable Thermos liner raised on a circular foot decorated with a fluted band, the stepped cover designed with spherical foliate finial, 35cm high (inc. handle), approx. weight 89.7ozPlease refer to department for condition reportweighed without liner
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