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Click here to subscribePair of Royal Worcester Cups and Saucers, Primula pattern, a Royal Worcester Mustard Pot with flower head finial, 1936, a Royal Worcester Pie Funnel in the form of a bird, a pair of Aynsley Coffee Cans and Saucers, a Royal Doulton Coffee Can and Saucer of similar design, a Royal Worcester Coffee Can and Saucer with simulated bamboo handle, four Plates and a Saucer
A cut glass and gilt metal mounted twin branch candelabrum in Regency style, 20th century, with obelisk finial and lustre hung drip pan above the scrolling gilt metal branches, with hobnail cut ovoid sockets and dished drip pans hung with further lustres, on a domed and scalloped foot, 45cm high, 29cm wide
A French gilt brass miniature cartel timepiece, circa 1770 and later, now with later electric movement, the circular white enamel Roman numeral dial in a shield shaped case with urn sumount issuing foliate swags above tied drapery around dial, the base with inverted foliate bud finial, 26cm high.
A Regency brass mounted mahogany bracket clock, bearing signature for John Bennett, London, early 19th century, the five pillar twin fusee bell striking movement with anchor escapement and unusual shaped plates, the 8 inch circular cream painted Roman numeral convex dial bearing signature JOHN BENNETT, 65 & 64 CHEAPSIDE, LONDON to centre, with brass bezel and in rectangular chamfer-top case with large brass pineapple finial above ring side handles and fishscale pierced frets to sides, the front with recessed brass-fillet bordered quadrant panel infill and brass strip inlaid canted angles, on stepped base with fluted ebonised border decoration and brass ball feet, 43cm (17ins) high excluding finial, 49.5cm (19ins) high overall.
A carved giltwood and marble topped console table in George III style, second half 20th century, of serpentine form, moulded grey veined top, above a rocaille work and scrolled frieze, downswept scroll legs and united by an x shaped stretcher with scroll finial, braganza feet. 80cm high, 115cm wide and 56cm deep
A Regency mahogany and brass inlaid timepiece bracket clock having a single fusee eight-day duration movement, the six-inch round painted dial having black Roman numerals and indistinctly signed `Abbot`, the mahogany square case having brass inlaid decoration and surmounted by a pineapple finial, raised on ball feet, height 41cm.
Williams, Merthyr, a mahogany longcase clock having an eight-day duration movement striking the hours on a bell, the painted twelve-inch break-arch dial having black Roman numerals, subsidiary seconds dial, date aperture, painted shell decoration to the corners, a painted scene to the arch depicting a large house beside a river, decorative brass hands and signed `Williams, Watch Maker, Merthyr`, the dialplate to the movement stamped with the dialmaker`s name `Walker & Hughes, Birmingham`, the mahogany case having a short door, a swan neck pediment with three brass `eagle` finials, wavy cresting, with wavy moulding to the hood door and having fluted columns with cast brass capitals to the hood and stringing to the trunk door and base, height 226cm (inc. finial). * There were a number of makers named Williams working as clockmakers in Merthyr Tydfill at the beginning of the 19th century including Griffith Williams circa 1810, Evan circa 1822 and William 1822 until 1837. * For details of the dialmaker Walker & Hughes see lot no. 419.
George Weller, Exon (Exeter), a mahogany longcase clock having an eight-day duration movement striking the hours on a bell with an inside countwheel, the twelve-inch square brass dial having a matted centre with ringed winding holes, date aperture, subsidiary seconds dial and engraved with the maker`s name `Geo. Weller, Exon`, the raised, silvered chapter ring engraved with black Roman numerals, `fleur-de-lys` half-hour markings, lozenge half-quarter hour markings and Arabic five-minute outer numerals, with wheatear border engraving and `Indian-head` cast brass corner spandrels, the associated mahogany case having three-quarter turned columns to the hood with the swan-neck pediment having wooden paterae and a turned wooden finial, with reeded quarter columns to the trunk, plain base and bracket feet, height 220cm. * George Weller is recorded as working in Exeter from at least 1718 until 1742, in which period it is known that he `kept` the Exeter Cathedral clock and that he was also charged with looking after the clock and chimes of the St. Thomas church clock for which he received a salary of 10 shillings per annum.
George V three piece tea-set of squat baluster form consisting of a teapot with leaf decorated spout and ivory scroll handle, standing on a circular foot with hinged dome shaped cover with urn shaped finial and ivory spacers. Milk jug of similar form with scroll handle and decorated sparrow beak spout, and a twin handled sugar bowl. All engraved with letter K (Sheffield 1929). Maker Mappin & Webb. All at 56ozs. Teapot 19cm overall height together with a separate white metal strainer (4)
Edward VII silver mounted cut glass claret jug of gourd-shaped form with star cut base. Silver mount embossed with floral decoration against a stipple background, silver loop handle with central beaded knop and leaf terminals. Hinged cover with floral decoration and twisted flame finial, the cut glass body with engraved floral decoration, swags and bows and hobnail panels, (London 1902) maker H & R Ltd, approximately 28cm overall height
Pair late nineteenth / early twentieth century Chinese white metal mustard pots of oval form embossed with bamboo decoration standing on three ball feet, hinged covers with similar decoration surmounted by a ball finial, blue glass liner and one spoon, base marked SC with additional Chinese characters. A pair of white metal salts with pierced and embossed decoration of dragons, standing on three ball feet, bases marked Wang Hing 90. One circular metal salt with pierced decoration in the form of Chinese characters, opaque glass liners, standing on three circular feet, one foot marked TS with additional Chinese script together with another white metal cauldron shaped bowl on stylised bamboo feet (qty)
Middle Eastern white metal water bottle of squat melon form with a tall slender neck, fluted body with rings of chased decoration standing on a pierced and engraved circular foot. The slender neck with twisted fluted decoration surmounted by a detachable cover with fluted domed decoration and a peacock finial secured to the body with a series of double link chains, 35cm overall height
A late 19th century Japanese bronze incense burner decorated in raised relief with flowering prunus on a tripod base with mask head terminals and mythical dog finial, a Japanese bronze oval dish decorated in shallow raised relief with fishmonger and carp within bamboo leaf borders, and an Oriental brass ovoid vase decorated with mythical beasts (3)
A George V Teapot, Asprey & Co Ltd, London 1928, of compressed cushion form with ebonised mushroom finial to the domed cover, and black composition handle, 9.8cm high, 10 1/2oz gross; and A George V Decagonal Teapot, Walker & Hall, Sheffield 1933, with conforming finial to the upswept cover, and composition handle, 12cm, 16 1/2oz gross (2)
A Composite Three Piece Tea Service, the teapot by Joseph Craddock, London 1826, the milk jug and sugar bowl by Arthur Cook, Birmingham 1903, of squat baluster form with scroll, foliate and shell handles and spout repoussé with foliage and scrolls on a matted ground in panels, the slightly domed cover with floriform finial, the teapot 15.5cm high, 62oz 4dwt
A George III Baluster Castor, George Cowles, London 1788, the pierced cover with acorn finial, the body with later repousse decoration, on a circular foot, 15.5cm high; A Victorian Britannia Standard Twin-Handled Bowl, George Gilliam, London 1894, of plain form with everted lip; An Edwardian Epergne Basket, Sheffield 1904, of twin-handled pierced rounded rectangular form, 17cm; and A Modern Sauceboat, in 18th century style, with Celtic scroll border, 14cm long, 18oz 4dwt all in (4)
A Pair of Gilt Bronze Three-Branch Candelabra, in Louis XIV Style, early 20th century, with beaded detachable nozzles, fluted sockets, circular drip pans and husk and fluted branches hung with swags, with flamiform central finial, on fluted columns and hoof feet, circular leaf sheathed domed bases, 33cm high
A Gilt Brass and Champleve Enamel Striking Mantel Clock, circa 1890, the case surmounted by an urn finial and elaborately decorated with champleve enamel throughout, Corinthian columns and the base raised upon turned feet, 3-1/2-inch silvered dial with Roman numerals, twin barrel movement striking on a gong, movement backplate stamped `Vincenti`, 40cm high
A `Boulle` Striking Table Clock, 19th Century, the elaborate case surmounted by a winged figure, gilt metal mounts throughout of figures to the corners and winged griffins around the base, (finial missing to the hood), cast dial with twelve Roman numeral cartouches and inscribed below on a oval plaque `Prevost, Paris`, twin barrel movement with outside countwheel striking on a bell, movement backplate stamped `EB` and numbered `10914`, 88cm high
A Regency Mahogany and Brass Inlaid Timepiece, the stepped top with a single turned finial, ringed lionhead side handles, brass inlaid front, rectangular base raised upon brass ball feet, 6-inch painted dial inscribed `Thos Giffin, London`, single fusee movement with shaped plates, anchor escapement, movement secured by brackets, 40cm high
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