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Click here to subscribeA FRENCH BOULLE CASED MANTEL CLOCK, c.1900, the twin barrel movement striking on a gong, 3 3/4"" enamel dial with Arabic numerals and pierced gilt centre, the ebonised and red tortoiseshell balloon case with gilt metal mounts, domed lid with flame finial, on scrolled feet, 14"" high (Illustrated)
A FRENCH BOULLE CASED MANTEL CLOCK, late 19th century, the twin barrel movement striking on a gong and signed F. Marti on the backplate, 10"" gilded dial inset with enamelled Roman numerals, sunburst pendulum, the balloon shaped red tortoiseshell case with gilt metal mounts and glazed flower finial, on scrolled feet, 14 1/2"" high (Illustrated)
A VICTORIAN OAK GOTHIC WARDROBE carved with traceried panels and human masks in high relief, the leaf carved cornice with pierced gallery surmount centred by a pointed arch pediment with crocket finial, deep arcaded frieze, mirrored door below with arched bevelled plate flanked by carved panels spaced and divided by square section pilasters, the base with two linen fold central drawers flanked by four small drawers, brass drop handles, panelled sides, on stiles, 63 1/4"" x 23"" x 101"" (Illustrated)
A Chamberlain`s Worcester canary-yellow ground demi-lune section bough-pot... A Chamberlain`s Worcester canary-yellow ground demi-lune section bough-pot and pierced cover with artichoke finial, circa 1805, bat-printed with classical subjects, 21cm in length See Geoffrey Godden, Chamberlain`s Worcester porcelain , (1982), p. 270 for examples of the shape. Provenance: Argal Manor, Cornwall. Previously owned by a family with a seat near Mansfield.
A Paul Hannong porcelain round two-handled tureen and domed cover A Paul Hannong porcelain (Frankenthal or Strasbourg) round two-handled tureen and domed cover, mid 18th century, decorated with deutsche Blumen , the cover with cabbage finial , the bowl with rocaille handles, 26cm wide, impressed PH to foot rim
A near pair of George III brass and glazed hall lanterns A near pair of George III brass and glazed hall lanterns, late 18th / early 19th century, of hexagonal section, the rectangular panes with scrolling foliate and anthemia cast mounts above and with outscrolling acanthus fronds at the upper angles, above cluster reeded uprights and block feet with floral patera mounts, each with six serpentine reeded supports rising above to a hanging ring, one lantern with one hinged pane as a door and foliate cast rails between the feet, the finial castings differing, both with later electrical fitments, 86 and 76cm high overall respectively, 38.5cm wide
A Lady’s Girard Perregaux Cocktail Watch, A/F, stamped 14K, a white metal Pendant set green hardstone formed as a domino, stamped 925, a small circular silver Locket on fine chain, an oval Locket with engraved decoration, a typewriter Pendant, a Swedish silver Bangle, a Swedish silver Serving Spoon with flower finial and a Seal with polished hardstone handle, a small collection of Costume Jewellery including gilt metal Necklace, lady’s quartz Watch, paste set Buckle, and a jade type model of a Horse
Two Continental silver statues, study of an Aztec warrior, bearing axe and torch, dressed in ceremonial robes and headdress, standing on a plinth with leaf and foliate decoration, set on scroll feet, 18.5 H and a statue of a girl holding a floral garland, standing on an orb over leaf decorated finial, pierced leaf stepped base, paw feet, 18.7cm H.
Eardley Norton: a George III mahogany and brass mounted striking and musical bracket clock, the dial with foliate, scroll and flowerhead spandrels to the silvered roman and arabic chapter ring, the matted centre with date aperture, ornate pierced hands, the arch with silvered subsidiary dials for strike/not strike and chime/not chime and music section for tunes (March, Minuet, Song, Cotillion, March, Dance) centred by a recessed nameplate signed Eardley Norton London 2074, six pillar movement with triple fusee movement and verge escapement, hour strike on bell and music on thirteen bells with fifteen hammers, 5 1/4in. cylinder, two full repeat levers, the backplate engraved with leaves and scrolls around a cartouche signed Eardley Norton London, also numbered 2074 in top right corner, engraved securing brackets, the case with leaf and urn finial on fluted supports (damaged), caddy top flanked by four vase pattern finials, pierced brass foliate fretwork sides with material backing, brass handles, arched glazed front door with fretwork detail, fluted canted corners with brass detail, brass lined plinth base on brass bracket feet, 21in. high (not including detached finial and support). Eardley Norton is listed as working at Clerkenwell between 1762 and 1794. He was a member of the Clockmakers Company and had a reputation for making complex timepieces, sometimes with musical and astronomical movements for the export market. PROVENANCE Purchased by the vendor's grandfather William Strang, 1st Baron Strang (1893-1978) whilst Charge d'affaires at the British Embassy in Moscow 1930-1933. Thence by descent.
A 17th Century style brass lantern clock, the brass dial with matted centre, silvered roman chapter ring with cherub spandrels, with a quarter hour striking eight day twin barrel movement by Winterhalder & Hofmeier, striking on two bells, with ringed pilasters, hinged doors with applied sunburst motifs to the sides, the back with fabric panel,pierced foliate fretwork to frieze, leaf and bud finial, raised on fluted acorn pattern feet, 16in. high. See illustration
A 19th Century French ormolu mantel clock, with porcelain roman dial, two train movement stamped on the backplate 'J.B.D. 32978 15-3' striking on a bell, the case with porcelain urn pattern finial above acanthus, bird and nest detail, porcelain frieze on fluted feet, giltwood platform on ebonised base with glass dome, height of clock 13 1/2in., overall height of dome and base 17in. NB The initials J.B.D. on the movement are probably a monogram of Jean Baptiste Delettrez.
A French ormolu mantel clock, with porcelain roman dial signed 'Wetherell, Paris", French drum movement striking on a bell, urn pattern finial, the case decorated with figures and acanthus style decoration, inset Sevres style panel, with giltwood and button upholstered stand on ebonised plinth.
D. Robb, Montrose: a George III mahogany longcase clock, the painted roman dial with arabic outer numerals, subsidiary seconds and date dials, moon phase to the arch, two train movement striking on a bell, 1/4 striking on three bells, the case with broken pediment, with central brass finial above an arched glazed door flanked by fluted columns, line inlaid rectangular waist door flanked by fluted quadrants, on panel base with bracket feet, with weights and pendulum, 89in. high.
An onyx, brass and Jasper ware three-piece clock garniture, late 19th/early 20th Century, the four glass mantel clock with enamelled arabic dial, French drum pattern movement, signed A.D. Mougin, numbered 1900 5 2, striking on a gong, twin tubed mercury pendulum with artichoke style finial, plinth base with decorative feet, 17in. (43cms) high; together with a pair of garniture urns, with ram's mask and loop handles.
Five pieces of turquoise vitro-porcelain, mainly by Sowerby, to include: a wall pocket (1296), with a bird of prey stalking fish and frog; a vase (1154); a square-shaped vase (1187); a covered jar of drum form, with hat pattern finial; and a helmet form cream jug with grape and vine design, and branch pattern handle, height 13cms.
A quantity of British coloured glassware, to include: a pair of John Derbyshire black glass tapering vases, with swags and fruit; a North Eastern covered jar in the form of a drum with hat finial, in brown clear glass; a Sowerby fluted two-handled bowl in green vaseline glass; a 19th Century Jack-in-the-pulpit vase in yellow vaseline glass; a Sowerby boat-shaped two-handled vase with floral decoration in opal; a yellow vaseline glass boat-shaped vase with oak leaves and acorns; two other items of yellow vaseline glass; a brown glass cup with white trailing decorated to bowl; together with a chocolate cup; and squat vase, probably Sowerby's 'Venetian' range. (12)
Continental giltmetal mounted rose ground porcelain box, of crown shape, the lid painted with young lady seated beside recumbent lamb above sides with gilt rockwork and scroll detailing, length 6.5cms; Continental giltmetal mounted porcelain box, of oval shape, the lid painted inside and out with musicians and dancing figures, the sides with tavern scenes, late 19th Century, length 8cms; Continental silvermetal mounted porcelain finial, of spherical form painted with amorous couple, late 19th Century, diameter 4.5cms. (3) See illustration
A George V sugar caster, by S. Blanckensee & Sons Ltd, Birmingham 1934, of baluster form, with domed pierced cover, vase-shaped finial, on circular spreading base, 7in. (18cms); and a George V seven bar toast rack, by Emile Viner, Sheffield 1934, of rectangular form, 4 1/2in. (11cms), 8.3oz. (2)
A Victorian three-piece tea service, by C.F., Sheffield 1872, of circular tapering form and engraved crest, with applied anthemion scallop-shell bands, paw feet, the teapot with later finial, height of teapot 6 1/2in. (16.5cms), bears retailer's stamp of Elkington & Co., 45 Moorgate Street, London, 38.5oz. gross.
A George II coffee pot, by Isaac Cookson, Newcastle 1748, with double domed cover and artichoke finial, tapering body engraved with heraldic shield, leaf moulded spout, scrollwork handle, spreading circular foot, 9 3/4in. (25cms), 26.9oz. NB The shield is that of Fenwick Impaling Wilkinson. See illustration
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