VICTORIAN SILVER TEAPOT ROBERT GREIG, EDINBURGH 1852 the hinged cover with cast finial, chased and embossed with scrolls, foliage and fruits, on spreading circular foot, with ivory insulatorsThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 9XFN3Q82 29cm long, approx 728g Condition good to fair. Age and use related wear throughout including minor dings. Hairlines to insulators and slight looseness of pins. Additional images available.
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VICTORIAN SILVER THREE-PIECE TEA SERVICE HAMILTON & INCHES, EDINBURGH 1873 each of tapered form, cast, chased and embossed with foliate bands enclosing panels of cornucopia and ivy leaves, with single initial engravel panel, all raised on engraved domed feet, the teapot with bud finial and bone insulatorsthe teapot 23cm highQty: approx. 1562g grossNo notable damages, cream jug with slight wobble on a flat surface, bowl very slight, general surface scratches and nicks as usual, teapot foot slightly misshapen but still stable
GEORGE V SILVER TEA SERVICE WALKER & HALL, SHEFFIELD 1929/30 comprising teapot, sugar bowl and cream jug, each with egg and dart and gadrooned borders, with serpent form handles, the teapot with ivory finial and handleThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference RZT8JBNY the teapot 30cm wide Qty: approx. 1853g gross
GEORGE III SILVER HOT WATER POT DAVID WHYTE & WILLIAM HOLMES, LONDON 1766 of baluster form with scroll handle, the hinged cover with wrythen bud finial the body engraved with armorial and embossed with scrolls and foliage, on a pierced gadrooned foot32cm highQty: approx. 942gCover hinge attached but somewhat loose, nicks to rim and spout, a few minor dents to body, usual surface nicks and scratches, knocks to foot and is slightly misshapen, some very slight lifting but still stable on a flat surface, maker's mark right side rubbed, otherwise clear
GEORGE VI SILVER FIVE-PIECE TEA AND COFFEE SERVICE MAPPIN & WEBB, LONDON 1939 comprising teapot, coffee pot, kettle on stand, sugar bowl and cream jug, each of oblong form with gadroon and shell cast rim, angular handles, and basket weave borders, on four ball feet, the kettle on stand with four acanthus to paw cabriole supports, with associated burner, the teapot and coffee pot with ivory insulatorsThis lot contains elephant ivory material. Several countries, including in the EU and USA, prohibit the importation of ivory items unless under specific conditions. Prospective buyers should familiarise themselves with the relevant customs regulations of their country and ensure they are able to import this item prior to bidding.Ivory Act 2018 (2022) compliant with APHA registration reference 9JUWUG5P the kettle on stand 32cm high overall Qty: approx. 3878g gross Cream jug with slight wobble on flat surface, notable dent to front left corner of body; teapot finial very loose, cover smiles, rim compressed in places, notable dent to body front right; sugar bowl rim also compressed at corners, numerous small dents, wobble; water pot cover also smiles, rim dented upwards at one corner, notable dent to body lower front and further smaller, also wobbles; kettle cover smiles, rim with slight knocks, body with several small dents, stretchers slightly misshapen but relatively stable; further surface scratches, pitting and nicks throughout
A substantial George V silver trophy cup, and stand, London 1927, maker Charles Boyton & Son Ltd. the detachable lid with urn form finial, the waisted, gadrooned and acanthus leaf embossed body flanked by two angular foliate cast handles and engraved "SHAW CHALLENGE CUP" to the centre, raised on an acanthus leaf and gadrooned foot, the stand with white metal band engraved with winners details from 1951-2000, 73cm high, the cup 96.3oz
A 20th century Dutch wall hanging clock, surmounted with a finial in the form of Hercules holding up a globe inscribed ' Nu Elck Syn Sin', silvered chapter ring, black Roman numerals, flanked by brass twisted pilasters, cherub embossed spandrels complete with weights and pendulum, German movement
Wilhelm Schiller & Sohn - a pair of majolica style decorative vases. The vases of brown ground with foliate scrolling finial, each featuring armoured knight handle with plumed helmet, mounted on decorative stepped base atop eight feet. Marked to underside, with repairs to feet & finial. Measuring approx. 40cm tall.
SIX-PIECE CHESTER SILVER CONDIMENT SET & TWO OTHER BIRMINGHAM HALLMARKED MUSTARD POTS, the set includes 2 x pepper pots, 2 x lidded mustard pots with blue glass liners and 2 x open salts with blue glass liners, all with matching design rims and segmented bodies on circular bases, one salt date marked 1928, all other items 1929, maker Adie Brothers Ltd, the 4 x salt and mustard spoons included have Sheffield hallmarks, 6.5cms H the pepper pots, 5.cms diam. the mustards, 4.5cms diam. open salts, other two items include a tankard form mustard pot with thumb lift lid and an oval shaped mustard pot with finial topped lid, gadrooned detail to the body on four ball feet, Birmingham 1930, Deakin & Francis Ltd and 1907, Charles Westwood & Sons respectively, 4.5 and 6.5cms H, 9.5ozt gross weighable
EDWARD VII THREE-PIECE SILVER TEA SERVICE, BIRMINGHAM 1909, A & J Zimmerman Ltd, comprising lidded teapot with ebonised handle and finial, 13cms overall H, 22.5cms across, two-handled sugar bowl, 7.5cms max. H, 14cms across, milk jug 7cms H, 11.25cms across, both the latter have gilt interiors, all items with raised stylised detail to the bodies, 18ozt
Ca. 5th-8th century AD.A bronze cross pendant of a symmetrical form, meticulously cast to create an evocative and aesthetically pleasing design. Its central region is skillfully raised, commanding attention and symbolizing the elevated spiritual aspirations of the wearer. Adorning each finial of the cross are raised bosses, strategically positioned to accentuate the overall symmetry and balance of the piece. These distinctive elements not only contribute to the pendant's visual appeal but also hold symbolic meaning, perhaps representing the virtues of fortitude, steadfastness, and divine protection sought by the pilgrims who wore such crosses. Situated at the top of the cross is a thoughtfully crafted suspension loop, allowing the pendant to be easily worn or displayed. Byzantine bronze pilgrim's crosses, were cherished possessions that accompanied individuals on their sacred journeys, providing solace, protection, and a tangible connection to their faith. These crosses acted as personal talismans, reflecting the devout nature of their owners and their commitment to their religious beliefs. Size: L:41.6mm / W:30mm ; 7.12g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 1100-1200 AD.A bronze oil lamp with its form both functional and aesthetically pleasing, featuring a flaring, concave foot that provides stability and balance to the overall composition. The round body of the lamp is adorned with a hinged lid with a bird finial. The rear handle of the lamp, with its perching bird, is an elegant touch that allows for easy transport of the lamp from one place to another. The arched spout with its ivy-leaf-shaped nozzle is yet another testament to the skill and craftsmanship of the maker, as it is both functional and visually pleasing. The lamp's design is a testament to the sophisticated and refined tastes of the Seljuk period. Oil lamps like this one were widely used for both practical and symbolic purposes. They were used to provide light in homes, mosques, and other public spaces, and were often adorned with intricate designs and calligraphy that reflected the religious and cultural values of the time. Cf. The Metropolitan Museum of Art, Accession Number: 53.204.2. Size: L:130mm / W:150mm ; 390g Provenance: Property of a West London gentleman; previously in a collection formed on the UK/International art market since the 1970s.
Ca. 800 AD.A bronze cross pendant embodies an intriguing array of features that reflect the distinctive artistic and symbolic sensibilities of its time. Characterized by a symmetrical form, each arm culminates in a rounded finial, contributing to the overall visual harmony and balance of the piece. Positioned at the top is a suspension loop, enabling the pendant to be worn. The upper face of the cross pendant bears an intriguing decoration of five concentric circles, evoking the symbolism associated with the five wounds of Christ. This symbolic representation holds profound theological significance within the Christian tradition. The five wounds are believed to mirror the injuries inflicted upon Jesus during his crucifixion, namely the piercing of his hands, feet, and side. By incorporating these five concentric circles resembling the wounds of Christ, the pendant serves as a powerful reminder of the redemptive sacrifice and suffering of Jesus. It evokes contemplation and fosters a deep connection with the central tenets of the Christian faith, encompassing themes of sacrifice, and redemption.Size: L:34.4mm / W:29.3mm ; 4.49g Provenance: Private London collector, acquired on the Austrian Art market, formerly in an old USA collection formed since the 1970s.
Ca. 19th century AD.A brass circular seal stamp. Crafted with meticulous attention to detail, this seal stamp showcases a flat-section shank leading to an openwork trefoil-shaped finial. The face of the stamp presents an exquisite depiction of a mosque, complete with a prominent dome and four minarets, evoking the architectural grandeur and religious significance associated with Islamic worship spaces. Within the front wall of the mosque, the elegant calligraphic text is delicately inscribed, adding a profound layer of meaning to the overall composition. Size: L:30mm / W:23mm ; 15g Provenance: Private London collection; formerly acquired in the US in the 1990s.
Tobias Fletcher of Barnsley - late 18th century oak cased 30hr longcase clock with a swans neck pediment, brass paterie and finial, break arch dial flanked by reeded pilasters, trunk with a wavy topped door with inlay and crossbanding, conforming square plinth on decorative base, painted dial with flowers to the break arch and spandrels, Roman numerals, minute track, five minute Arabic's and matching steel hands, chain driven count wheel movement, with weight and pendulum.Dimensions: Height: 220cm Length/Width: 45cm Depth/Diameter: 20cm
An interesting Edwardian Gibraltar hunt related Point to Point trophy, in form of a oil lamp table lighter, hallmarked London 1908, the lamp with eagle head finial, and bulbous embossed reservoir, inscribed “Royal Calpe Hunt, Point to Point Race, 1909, won by Lieut. WSB Blunt on Convent”; also three assorted silver vesta cases, 272g (gross) (4) Historical note: The Royal Calpe Hunt originated in 1812 in the British Crown Colony of Gibraltar. The fox hunt. In 1906, King Edward VII of the United Kingdom and King Alfonso XIII of Spain became joint Patrons of the Hunt, after which it was known as the Royal Calpe Hunt.
A Victorian silver circular dish and cover, by Elkington & Co, London 1874, having beaded rin, raised upon four stylised bird form supports, fitted domed cover and associated glass liner, diameter 18.6cm. (silver weight 603.3g) Condition note: no engravings/erasures, no dents damage or repairs, stands straight, feet and finial have not been pushed into body.
A Georgian style silver sugar caster with pierced cover, turned finial by Baker Ellis silver co, Birmingham 1967, 15.5cm high, a plain silver bottle stand with reeded border turned wood base, London 1942, 12.5cm diam and an oval cut glass toilet jar, the Victorian silver cover repousse with foliate scrolls, 16cm long (marks rubbed) 180g weighable condition: chip to interior rim of toilet jar
A Victorian oak Gothic Revival Chiffonier, carved and pierced three-quarter galleried top with finial terminals to each corner, above a pair of long shelves, with Corinthian column supports. The base having a pair of short drawers to frieze, and pair of cupboard doors, Gothic-arch panels, stepped base, 159cm high x 122.5cm wide x 55.5cm deep.
A Chinese jade finial, Yuan/Ming Dynasty, 13th/14th Century, slight russet coloured areas, deeply carved in openwork with a peacock and cranes clambering amidst twisting flowering vines, raised on an oval base with two pairs of holesUK Private collectionPurchased Sotheby's 17th July 1995, lot 213
Two porcelain urns comprising a Wedgwood Jasper ware twin handled and lidded pedestal urn decorated with classical figures and a porcelain urn of ovoid pedestal form with winged ladies, scenes in oval panels and gilt decoration, Davenport style anchor to base and numbered 85, heights 28cm & 23cm.Condition - Wedgwood lid finial broken on and repaired, firing crack to side of body and crazing to applied white decoration, Davenport urn with slight chip to tip of both ladies noses.
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116099 item(s)/page