A Three-Piece George V Silver Tea-Service, by Walker and Hall, Sheffield, 1918 and 1923, each piece tapering octagonal and engraved with an initial, the teapot further engraved with dates, comprising: a teapot with ebonised handle and finial; a cream-jug and a sugar-bowl, the teapot 28cm wide over handle, gross weight 38oz 7dwt (3). Each fully marked near rim. The teapot further marked marked inside cover. The marks are generally clear. Each further stamped underneath with maker's name, model number and design registration number. There is some overall minor surface scratching and wear, consistent with age and use. The cover of the teapot is slightly bruised and so doesn't close fully. Each piece engraved with an initial 'R'. The teapot further engraved '1913-1923'.
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A Three-Piece Edward VII Silver Coffee-Service, by William Hutton and Sons, London, 1904 and 1908, each piece part-fluted tapering, the coffee-pot on pedestal foot and with ebonised wood handle and finial, the coffee-pot 25.5cm high, gross weight 29oz 1dwt (3) . The coffee-pot fully marked near handle and part marked inside cover with marks for 1904. The cream-jug and sugar-bowl each marked near handle with marks for 1908., The marks are generally clear. There is some surface scratching and wear, consistent with age ane use. The wood handle has lost some of its finish.
A Three-Piece George V Silver Tea-Service, by Barker Brothers Silver Ltd. Birmingham, The Teapot and Cream-Jug 1929, The Sugar-Bowl 1931, each piece tapering and part fluted, with quatrefoil and latticework border, comprising: a teapot, with ebonised handle and finial; a cream-jug and a sugar-bowl, the teapot 25.5cm wide, gross weight 26oz 11dwt (3) . Each piece marked underneath, the teapot further marked inside cover and on fixing bolt. There is some wear to the marks, particularly on the sugar-bowl. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a softening to the high points.
An Edward VII Silver Caster, by A. E. Jones, Birmingham, 1908, Retailed by Terry and Co., Manchester, tapering and with flower chased bulbous top, the pierced pull-off cover with ball finial, with an overall hammered finish, 15.5cm, high 5oz. Fully marked near rim and part marked on cover bezel. Stamped underneath 'Terry & Co Manchester'. The marks are generally clear. There are some overall surface scratches and wear, consistent with age and use. The wear is noticeable as a softening to the high points. There has been a repair to the base where the foot attaches. The repair has caused the lower body to be bruised around the diameter and for the caster to rock slightly when placed on a flat surface.
A Three-Piece Edward VII Silver Tea-Service, by Thomas Bradbury, London, 1901, each piece in the George IV style, oblong and on cast paw feet, the lower bodies part fluted, comprising: a teapot with ebonised handle and finial; a cream-jug and a sugar-bowl, in fitted leather covered case, the teapot 28cm wide, gross weight 38oz 18dwt (3) . Each piece fully marked near handle. The teapot further part marked inside cover. The marks are generally clear. Each piece further stamped 'Manoah Rhodes & Sons Limited Bradford'. In generally good condition with some surface scratching and wear. The case is scuffed and with red rot in places and loss to the leather.
An Italian Teapot, Maker's Mark '1763MI', Late 20th Century, modelled as a seated camel, the head forming the spout, the handle modelled as a male figure tying a pack to the camels' hump, the hinged cover with loop finial, 27cm wide, 35oz The present teapot is a faithful reproduction of a glazed and gilded earthenware teapot, made by Moore Bros., an example of which is in the collection of the Victoria and Albert Museum, having been transferred from the Museum of Practical Geology (2815&A-1901). The charming shape of the teapot, often referred to as 'Karawan', ensured that it was a popular model, having been made not only in ceramic but also in silver, like the present example, and in silver plate, see for example one retailed by Mariage Freres, sold Sotheby's, New York, 30 March 2004, lot 12.. Marked underneath with maker's mark and further stamped '925'. In generally good condition with only some very minor surface scratches. The ring thumbpiece differs slightly from on the original teapot which is formed as a twisted rope.
A Montblanc Starwalker Fountain-Pen, Numbered MBBC5HDL1, the black resin body with gilt mounts, the resin finial enclosing the Montblanc logo, in fitted case and with outer cardboard box and service guide, the case 19.5cm wide. There are some very minor scratches to the resin body and the gilt-mounts. There are also some areas of minor corrosion to the mounts. These are mostly visible under magnification. The pen is not currently fitted with a cartridge so it is not possible to confirm if it functions properly, though the pen has been used in the past. There are some scuffs to the leather case. The information page at the back of the Service Guide is blank.
A Montblanc Starwalker Roller-Pen, Numbered IR1538862, the black resin body with white metal mounts, the resin finial enclosing the Montblanc logo, in fitted case and with outer cardboard box and service guide with model number 8484, the case 19.5cm wide Provenance: Boutique Montblanc, Milan, 18 October 2014.. There are some very minor scratches to the resin body and the gilt-mounts. There are also some areas of minor corrosion to the mounts. The pen is not currently fitted with a cartridge so it is not possible to confirm if it functions properly, though the pen has been used in the past. There are some scuffs to the leather case. The information page at the back of the Service Guide noted the model number, date and retailers stamp though the other information is blank.
A Montblanc Starwalker Roller-Pen, Numbered MBNC40HPO, the black resin body with gilt mounts, the resin finial enclosing the Montblanc logo, in fitted case and with outer cardboard box and service guide with model number 105653, the case 19.5cm wide Provenance: Boutique Montblanc, Milan, 18 October 2014. . There are some very minor scratches to the resin body and the gilt-mounts. There are also some areas of minor corrosion to the mounts. The pen is not currently fitted with a cartridge so it is not possible to confirm if it functions properly, though the pen has been used in the past. There are some scuffs to the leather case. The information page at the back of the Service Guide noted the model number, date and retailers stamp though the other information is blank.
A Montblanc Starwalker Roller-Pen, Numbered KU1680331, the black resin body and the white metal mounts each incised with lines, the resin finial enclosing the Montblanc logo, in fitted case and with outer cardboard box and service guide, the case 19.5cm wide . There are some very minor scratches to the resin body and the gilt-mounts. There are also some areas of minor corrosion to the mounts. These are mostly visible under magnification. The pen is not currently fitted with a cartridge so it is not possible to confirm if it functions properly, though the pen has been used in the past. There are some scuffs to the leather case. The information page at the back of the Service Guide is blank. Some pages in the service guide have been folded.
A Montblanc Starwalker Black Mystery Rollerball Pen, Numbered GU1023064, the black resin body heightened with white metal bands, the detachable cap with clear resin finial enclosing the Montblanc logo, in fitted case and with outer cardboard box and original service guide numbered GU1023064, the case 19.5cm wide Provenance: The Pen Shop, Thorntons Arcade, Leeds, November 2010.. There are some very minor scratches to the resin body and the gilt-mounts. There are also some areas of minor corrosion to the mounts. The pen is not currently fitted with a cartridge so it is not possible to confirm if it functions properly, though the pen has been used in the past. There are some scuffs to the leather case. The information page at the back of the Service Guide notes the product, individual number, date and with retailers stamp.
A Pair of Chinese Silver Boxes, by Chang Yuan, 20th Century, each elongated octagonal, the sides chased with figures in landscapes, the pull-off cover with cast Imperial guardian lion or Foo dog finial, each with articulated tongue and eyes, 6cm high, 4oz 6dwt (2) Tennants would like to thank Adrien von Ferscht for his assistance identifying the marks. . Each marked underneath with two Chinese characters. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use.
A Three-Piece Indian Silver Tea-Service, by Oomersi Mawji, Bujh, Kutch, Late 19th Century, each piece globular and on four scroll feet, the sides ornately repoussé and chased with foliage scrolls and flowers on a matted ground, with angular scroll handle and cast squirrel finial, comprising: a teapot; a hot milk-jug, each with ebonised wood insulated handles, and a sugar-bowl and cover, the teapot 17.5cm wide over handle, gross weight 36oz 18dwt (3) . Each piece is marked underneath with maker's mark 'OM' only. The mark is generally clear on the hot milk-jug and sugar-bowl though is somewhat worn on the teapot. There is some overall surface scratching and wear, consistent with age and use. The wear is noticeable as a minor softening to the high points. There is some loss to the ebonised material on the handles. These may be later replacements. The cover of the sugar-bowl is bruised and somewhat ill-fitting.
A Russian Silver Sugar-Bowl and Cover, by Carl Seipel, St. Petersburg, 1859, baluster and on four fruiting grapevine cast branch feet, with lobed sides and two twisted branch cast handles, the hinged cover with foliage and flower finial, 17.5cm wide over handles, 15oz 13dwt . Marked under base and on cover bezel. The marks are generally clear though the St Petersburg town mark is somewhat badly struck. There is some overall surface scratching and wear, consistent with age and use. The wear is most noticeable to the finial.
A Spanish Silver Inkwell, Maker's Mark 'Vega', Possibly for Diego de La Vega, Cordoba, First Quarter 19th Century, globular and on spreading foot, the hinged cover with finial cast as a duck, on ebonised wood base and with conforming glass ink bottle, 13.5cm high. Marked with lion rampant town mark on cover. The base with lion rampant mark, maker's mark VEGA over further letters or numbers and a further indistinct mark. There is some wear to the marks. The foot is filled with lead, possibly as a repair to the junction between the lower body and the foot. There is overall surface scratching and wear, consistent with age and use. There is some loss to the finish on th base which is possibly later.
A German Silver Teapot, by J. D. Schleissner & Söhne, Hanau, First Quarter 20th Century, in the French Empire style, globular and on three foliage capped hoof feet, the hinged cover with anthemion border and fruiting finial, with ebonised wood handle, 14.5cm high, gross weight 8oz 18dwt . Marked underneath with pseudomarks. The marks are generally clear. There is some overall surface scratching and wear, consistent with age and use as well as some bruising. The ebonised wood handle is slightly ill fitting.
A Portuguese Silver Toothpick-Box, With Indistinct Marks, Probably For Porto, 1938-1984, modelled as a chicken coop, the simulated tile roof with cast chicken finial, the back stamped 'Bom Apetite', 9.5cm wide, 1oz 19dwt . Marked on one side. The marks are generally clear, though somewhat indistinct as they are very small. There is overall surface scratching and wear, consistent with age and use. The base with slide mechanism which functions properly.
An Edwardian silver tea caddy by George Unite & Sons, Chester 1901, of oval quatrefoil form with reeded borders, hinged lid with urn finial, 11cm high, weight 6.11ozt For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
A George V silver hot water jug by George Nathan & Ridley Hayes, Chester 1914, of baluster form on stepped circular foot with reeded borders, hinged cover with twisted finial and scrolling wooden handle, 22cm high, weight 12.0ozt For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
A silver plated soup tureen and cover, 20th century, the tureen of typical form with wrythen body decorated with foliate motifs, the lid with classical urn shaped finial, 25cm high, with three pieces of lime green glassware, 19th century, each hand painted with stylised foliate swags and floral motifs against a gilt ground, the tallest 20.5cm high (4)
A George V novelty silver and enamel inkwell by Joseph Rodgers & Sons, Sheffield 1930, designed as a globe hinged with a camel-shaped finial, set to tapering stem and circular base on four feet designed as firemen's helmets, with blue and red enamel decoration and engraved 'Camel Fire Hose', 9.2cm high, 6.94ozt For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
A large and ornate gilt and gesso frame, early 19th century, the frame with ornate peacock finial, hooded falcon motifs to the left and right sides, stag motif to the lower edge and fleur de lys darts to the corners, further decorated throughout with relief moulded vine and floral motifs, mounted with a print after Edwin Landseer R.A. titled 'Bolton Abbey In The Olden Times' published 1837, the frame 105cm H (max) x 108.5cm W For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
An Edwardian silver mounted cut glass claret jug, Sheffield 1905, of tapering form with star cut base, with mask of Dionysus to spout, domed hinged lid with urn finial, 28.5cm high For condition information please view this lot on our website HERE.Please note, we do not publish any condition reports on the-saleroom.com, all requested condition reports will be available to view on trevanionanddean.com
A 19c Nantgarw sauce tureen and cover and stand of circular form with spindle handles, hand painted in Serves style with flower sprays within gild borders, tureen cover with acorn finial, stand and tureen impressed Nantgarw CW, stand with EE Cashmore Collection label, tureen 15cm h, stand 18.5in diam.
An English Edwardian miniature longcase clock in high quality mahogany case with swan neck pediments to the hood and central urn finial. There is an area of carved decoration above the arched dial and freestanding fluted columns flank the 19cm brass arched dial which has Turks head spandrels and a strike/silent dial in the arch. The long trunk door has a wavy top and is flanked by fluted quarter columns. The base has canted corners and an applied front panel with indented corners and has bracket feet. The substantial weight driven movement has anchor escapement and is rack striking on a gong and the weights are brass bound. The clock stands 155cm tall.
A late 19c Royal Polytechnic Barometer by Davis & Co in oak case with broken arch pediment with central finial. The 24cm diam dial is set in a 30cm square panel with carved corner spandrels and the lower case is flanked by free standing reeded columns. The pointers each side of the tube operated the arms indicating the weather conditions to be expected and the lower case contains both Fahrenheit and Celsius thermometers and Admiral Fitzroys remark regarding rising and falling conditions. The ivory adjusting buttons for the pointers are missing and the main tube appears to be empty. 122cm tall overall.
A FOUR PIECE SILVER TEA SERVICE by James Reid & Co, Glasgow 1890 (the water pot 1889), of tapering cylindrical form with foliate engraving, each piece with an embossed band depicting the twelve signs of the Zodiac and bearing a motto and crest, the water pot 24cm high, 1699gms total Condition Report: Hot water pot cover finial off square. Small dents round base of hot water pot & teapot, otherwise OK.
A LATE VICTORIAN SILVER MOUNTED CLARET JUG by Henry Wilkinson & Co. Limited, London 1898, the hinged cover with rampant lion and shield finial above a face mask spout, fruit and vine decoration, the scrolling handle going down to a narrow band enclosing a plain glass body with star cut base, 29cm high Condition Report: The lid is sprung to one side, when viewed towards the spout the right side fits snugly while the left side is slightly raised. I think the hinge has repaired and replaced slightly off centre.
AN EDWARDIAN SILVER FOUR-PIECE TEA AND COFFEE SERVICE by Walker & Hall, Sheffield 1901, pear shaped with foliate and flowerhead decoration, the hinged cover with rampant lion and shield finial, with stylised bird's head spout and scrolling handle, the coffee pot 27cm high, 2655gms Condition Report: Available upon request
A FOUR PIECE SILVER TEA SERVICE by Martin, Hall & Company, London 1871, of tapering cylindrical form, chased with foliate and archway decoration, scrolling handle with acanthus decoration, the hinged cover with acorn finial, the hot water pot, 32cm high (4), 2445gms total Condition Report: Available upon request
Gilt metal strut clock in the form of scrolling flowers and foliage and with Prince of Wales Feathers finial, retailed by London and Ryder, Bond Street, with blue enamelling and the motto of the British chivalric Order of the Garter 'Honi Soit Qui Mal Y Pense', having Smiths movement, h14.5cm Dial slightly off centre.Some minor bending to frame.One scroll foot with minor bending, the other with repaired damage. Minor scratching to enamel and dial. Wear to metal on reverse. Cannot guarantee the working order of any clock.
Late 19th century French Aesthetic movement Japonisme black slate and gilt metal mounted clock garniture, the central clock with brass plaque with flowers and cranes, dragon handles and beast finial, brass drum movement chiming on a gong on the half hour, movement signed Henry Marc, Paris, together with matching urn garniture on stepped bases, H.46cm clock, H.29cm garniture Some chips and cracks to slate, including large chip to slate on base of one garniture (still present) and repair to base of other garniture. Some minor chips and cracks to slate on central clock. Chips to back of base on clock.Chips to black slate on clock below finial, and the finial is slightly loose.On handle to clock very slightly loose.Having key.
19th century bronze and ormolu clock, chapter ring with gilt Roman numerals, the case with Classical maiden's head and shoulders on a socle base to finial, above urn shaped case with scrolling foliage, floral swag and masks, on scrolling feet, drum movement striking a bell, H.42.5cm Base slightly loose.Minor wear and scratches to case.Chip and knocks to stepped base. With key, no pendulum.Cannot guarantee the working order.
French gilt metal clock garniture, the clock with two birds and floral swags to finial, brass drum movement striking a bell, with painted porcelain panels with cherubs and floral swags, oval panel with lady below finial detached and mount snapped but plaque present, the painted dial with Roman numerals, with a pair of three branch four light candelabra garniture, H47 x W34cm (clock), H44cm (garniture) Top panel to central clock is detached and the frame and hinge around broken. Plaque is present, with chips to top and bottom (pieces not present).One part of floral swag to finial of clock snapped off and missing. Finial loose - needs to be re-nailed. Cracks to back of clock.Overwound, and dial is loose.Having key.Cannot guarantee the working order of any clock.
AMENDED DESCRIPTION 18th century Scottish mahogany eight-day longcase clock, the 30cm circular brass dial with twin train movement, subsidiary seconds dial and date aperture, by William Lunan of Aberdeen, 209cm high, with wood rod and heavy bob pendulum, two weights and winding key, original shaped plinth under replaced wrap around on base, Scratches to glass and dial. Some wear to brass and rubbing to numerals, possibly re-painted numerals. Break to central finial but still present. One other finial with repaired break and other slightly loose.Warping and wear to trunk and trunk door. Cracks to plinth base. Minor wear to rest of case.Cannot guarantee the working order.
19th century overmantel mirror, ornate finial with mask to centre flanked by scrolling foliage, floral swags and bunches of grapes surmounted by arrow, later gilt painted and with touch ups, later glass plate, 174 x 163cm Sizes are correct. It is the overall size not the plate size.Possibly some losses but the heavy gold re-painting has gone over wherever they are.Gesso can be seen on the back of the surmount.
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116099 item(s)/page