FRENCH BRASS AND RED TORTOISESHELL BOULLE MARQUETRY MANTEL CLOCK LATE 19TH CENTURY the embossed gilt circular dial set with white enamel numeral plaquettes and blue Roman numerals, the waisted rococo style case surmounted by a putto finial with acanthus mounts, on four scroll bracket feet, the twin train brass movement striking to a bell, the backplate signed ‘Wachay Cunningham & Co Paris’, stamped Japy Freres and numbered '1877' with a matching numbered sunburst pendulum 41cm high, 22cm wide, 13cm deep
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SET OF FIVE DUTCH COLONIAL INDONESIAN TORTOISESHELL SIRIH OR BETEL BOXES 19TH CENTURY pyramid of five graduated boxes, the top box with a berry finial, the corners mounted in gilt metal and the sides flanked by swing handles, the interior hinges in white metal the largest 14cm long, 10cm wide, 5cm high
VENETIAN MURANO GLASS SIX LIGHT CHANDELIER EARLY 20TH CENTURY in blue and pale brown glass, comprising a centre baluster stem with narcissi and scrolling leaves above six scrolling candle arms with dished flower-form cups, ending in a dropped finial, fitted for electricity 80cm high, 65cm deep
LARGE PEARLWARE RECTANGULAR SOUP TUREEN, COVER AND LADLE EARLY 19TH CENTURY printed with the ‘Chinese Market Stall’ pattern, with twin lion mask handles, the domed cover surmounted with a lion finial, unmarked, 23cm wide; with a ladle in the same pattern with a lion mask terminal, 30cm long; together with TWO SPODE PEARLWARE PIERCED BASKETS ON STANDS, one from the Caramanian series, printed with ‘Sarcophagi at Cacamo’, impressed SPODE; the other printed with ‘Forest Landscape', stand impressed SPODE (6) basket stands 23.5cm wide Provenance: The Maisels Collection of British Ceramics
A CHINESE BRONZE TRIPOD RITUAL FOOD VESSEL AND COVER, DINGPROBABLY HAN DYNASTYThe circular body raised on three tall cabriole legs and flanked by a pair of upright loop side-handles, decorated with kui-dragon friezes and centred with a moulded band, the domed cover with three ring handles and decorated with further kui-dragon friezes centred with a chilong medallion, the surface with large areas of green and russet encrustations; together with a domed metal cover with a large songbird finial above three stylised birds, the former 2.2kg, 23.6cm, the latter 722g, 15.2cm. (3)OFFERED WITHOUT RESERVE 本拍品不設底價。Provenance: from an English private collection, West Yorkshire, formed in the 1970s and 1980s.
A CHINESE BLANC DE CHINE EWER AND COVER AND A JAPANESE IMARI TEAPOT AND COVER BOTH EARLY 18TH CENTURYThe ewer moulded with chrysanthemums, with a gilt-metal rabbit-shaped finial and further gilt-metal mounts; the teapot moulded with flowerheads and butterflies, 15.3cm and 17cm. (3) OFFERED WITHOUT RESERVE. 本拍品不設底價。
A CHINESE GILT-BRONZE TRIPOD INCENSE BURNERQING DYNASTYThe lobed body decorated with panels of birds and flower branches, including lotus, orchid and prunus, flanked by a pair of Buddhist lion masks, with an associated reticulated cover set with a finial of two large blooms, 528g, 12.5cm. (2)Provenance: an English private collection, London, acquired before 1940.
λ λ A COLLECTION OF CHINESE PORCELAIN ITEMSQING DYNASTY AND LATERComprising: a yellow-ground dish and a bowl; a famille rose bowl and four spoons; a millefleurs bowl; a square moulded washer; each with a Guangxu mark; together with a famille rose dish with a Hongxian mark, four wood stands and a cover with a coral finial, 16.2cm max. (15)OFFERED WITHOUT RESERVE. 本拍品不設底價。
A COLLECTION OF CHINESE PALE CELADON JADE CARVINGSQING DYNASTYComprising: a carving of two pea pods mounted on a wood stand; a figure of Shoulao and a boy; a plaque carved in low relief with two peaches; a smaller plaque with a scene of two figures in a landscape; a hairpin with a scroll finial; and an oblong plaque carved with bats and peaches, set into a bronze mount; together with a jadeite buckle; and a bowenite reticulated plaque carved as a butterfly, 16cm max. (8)
Leone Panisson Large Murano glass vase, circa 2010 Zanfirico Lattimo and Battuto glass with internal aventurine decoration Inscribed 'Leone Panisson 1/1' 45.5cm high Condition Report: There is a minor ding to the very tip of finial, otherwise only very light surface wear commensurate with handling.
A small silver teapot alongside a cream jug, both plump, with similar designs depicting hanging leaves on the bodies. The pot with a small pine cone finial, by James & Walter Marshall, Edinburgh, 1857 and 1859 respectively. The pot 10cm tall and in total 14.4 Troy oz. Ivory exemption submission 4E55DGNG
A silver coffee pot, of gourd form with spaced vertical creases throughout body and engraved with a pheasant. A feather lines the top of the handle, and a semi-sphere finial tops the pot, upon round base, by William Eley II, London 1828, 25cm tall, 27.9 Troy oz total. ivory exemption submission V52JMJYJ
A Danish silver teapot with decorative engravings on the body and handles, and with floral shapes below a flower finial, possibly by Anton Michelsen and with assay master's mark of Peter R. Hinnerup, Copenhagen, date mark faded, 12cm tall and 12.08 Troy oz. Ivory exemption submission Q39H7LN7
Indian interest - a white metal lidded casket with recumbent lion finial (XRF testing indicates 800 silver, metal weight 918g) on a stepped and ebonised wooden plinth with post and chain surround. The casket, with repousse decorating of buildings in a landscape, bearing an inscription 'Presented to Mr R.Paton by The Staff & Workmen 'E' Section Gov't H&S Factory Cawnpore'. H 23cm, w 42cm, d 22cm.
A collection of various silver cutlery including apostle spoon and another to match (finial missing), seven various teaspoons, tea fork, coffee spoon, mustard spoon, four various coffee bean spoons (one with bean missing), mother of pearl handled spoon, shovel and butter knife and a white metal and reeded handle, 10.19 oz weighable silver
A collection of china wares comprising an Italian maiolica drug or feeding jar decorated with dog, hare, monkey and floral sprays, 16 cm high, together with a pair of faience candlesticks, 21 cm high, a 19th Century Chinese octagonal famille rose shallow bowl, with character mark to pedestal base, 21 cm wide x 6.5 cm high, a pair of Dresden type lidded pot pourri vases set with figural decorated panels and floral sprays, each 20 cm high including finial and a further 19th Century Continental lidded vase depicting a stag and dogs in a landscape, 26 cm high (7) CONDITION REPORTS The Chinese bowl has losses throughout to the edge of the rim, decoration etc. The inside has clearly had water in for some considerable time, is heavily discoloured, worn etc. Maiolica drug jar has losses throughout, particularly to the spout and handle area. The spout has been broken off and re-glued as well as chips, losses etc throughout. The faience candlesticks - one has been broken in half and re-attached, hairline cracks and heavy crazing throughout as well as losses to the glaze. The pair of vases - one of them, the top lid has a hairline fracture running throughout and the neck has been heavily and badly restored. The other lid has also been heavily and badly restored. The base has a large hairline crack running nearly all the way through. The larger vase with hunting scene - the inside of the lid has had an area of restoration, the vase itself has had some restoration to the neck and has a hairline crack running through it. All items are incredibly dirty and in need of a good clean and have heavy wear and tear conducive with age and use - see images for more detail
Pair of continental porcelain two handled blue ground urn shaped vases and covers depicting panels of women in pensive pose. Together with a blue and gilded glass vase with relief floral decoration. (3) (B.P. 21% + VAT) Glass vase has no obvious damage. Pair of vases - damage to finial, otherwise no obvious damage.
Mixed lot of Oriental, mostly Chinese items to include: two blue and white Prunus ginger jars, brown etched Warrior ginger jar, Chinese celadon glazed plate with Famille Rose decoration and a small brass/bronze teapot with naturalistic spout, handle and finial. (5) (B.P. 21% + VAT) One prunus cover is missing. Otherwise OK.
Bode Willumsen (Danish, 1895-1987) for Royal Copenhagen, Denmark. Ceramic lidded bowl vase vessel with finial in the form of a mythical beast, early 20th century. Stoneware pottery with oxblood glaze. Stamped Royal Copenhagen blue wave maker's mark and signed by Willumsen along the underside; stamped 38 over 20127 below the maker's mark and incised 20127 along the footrim.Height: 7 1/4 in x diameter: 5 1/2 in.Condition: There are no chips, cracks, losses, or restorations. Some light wear where the lid meets the body of the vase. Some pooling of the glaze along the interior and the lid, where a small spot appears as a firing flaw or fleabite chip. Light wear to the footrim.
Gunnar Nylund (Swedish, 1904-1997) and Oskar Dahl (Swedish, 1902-1966) for Rorstrand, Sweden. Art Deco ceramic urn or lidded vase depicting a galleon ship amid tumultuous waters, ca. 1930s. Stoneware pottery of Nylund's signature "flambe" style, with several glazes and details defined by Dahl using a Sgraffito etching technique. With applied double-loop handles on either side of the vessel surmounted by a lid with a star and scrollwork form finial. Stamped along the underside "Flambe Rorstrand" with "Modell" and "Nylund" on either side of an "ALP" mark. Below this, the stamp continues "Lidkoping, Sweden" and "Dekor: Dahl." The underside of the lid is similarly marked.Gunnar Nylund is a prominent figure in illustrious 20th-century Swedish ceramic design. He served as the artistic leader at the Rorstrand factory during the 1940s and 1950s. His work is represented in the Swedish National Museum of Art and Design.Height: 9 in x width: 10 in x depth: 5 1/2 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim. Light wear where the lid joins the body.
Gunnar Nylund (Swedish, 1904-1997) for Rorstrand, Sweden. Art Deco ceramic urn or lidded vessel depicting a reclining nude woman with billowing lengths of fabric draped across her body along one side and the same woman kneeling amid foliage along the other side, ca. 1930s. Stoneware pottery of Nylund's signature "flambe" style with several glazes, including copper-rich blue, and details defined by using a Sgraffito etching technique. With applied double-loop handles on either side of the vessel surmounted by scalloped shell-form finial. Stamped along the underside "Flambe" with "Modell" and "Nylund" on either side of an "ALP" Rorstrand mark. Below this, the stamp continues "Sverige" and "Dekor: Olson"; numbered 46. The underside of the lid is similarly stamped.Gunnar Nylund is a prominent figure in illustrious 20th-century Swedish ceramic design. He served as the artistic leader at the Rorstrand factory during the 1940s and 1950s. His work is represented in the Swedish National Museum of Art and Design.Height: 9 1/4 in x width: 10 in x depth: 5 1/4 in.Condition: There are no chips, cracks, losses, or restorations. Light wear to the footrim. Light wear where the lid joins with the body.
A JAPANESE SATSUMA KORO BY KINKOZANMEIJI ERA, 19TH CENTURYUnusually shaped as a partially-unrolled handscroll; painted with two panels of elegant figures at leisure, reserved on a deep blue ground decorated with a gilt pattern of hagoita bats and balls, the flat cover with a mallet-shaped finial, the base signed Kinkozan, 10.5cm. (2)Provenance: the private collection of a lady and gentleman, Derbyshire.OFFERED WITHOUT RESERVE
AN IMPRESSIVE JAPANESE KOMAI-STYLE KORO (INCENSE BURNER) AND COVERMEIJI ERA, 19TH/20TH CENTURYThe flattened ovoid body raised and three cabriole legs and with straight handles applied to the neck, the cover with a bulbous finial; decorated all-over with a dense design rendered in gold nunome-zogan and silver takazogan on an iron base; the body and lid with petal-shaped panels variously enclosing birds, flowers, and famous views of Japan, including the Tokugawa Shrine in Nikko and Kiyomizu-dera in Kyoto; the panels framed by asa-no-ha, key fret and other complex geometrical patterns, fruiting vines and leafy tendrils; the legs and shoulder with paulownia leaves and flowers; the base with intricate concentric bands and the inside gilded, 28.5cm overall. (2)
A pair of large Chinese blue and white ‘prunus’ baluster vases and covers, 19th century, each cylindrical neck surmounted by a domed cover with lion-dog finial, 37cm high Typical minor glaze and potting imperfections, otherwise in good condition, with no restoration, chips or cracks detected.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese blue and white ‘precious objects’ censer and cover, Kangxi period (1662-1722), of bombé form, painted with antique vessels and furniture, ribbon tied precious objects, the domed cover with a rabbit on an artemisia leaf, and ribbon tied objects, button shaped finial, 11cm diameter, fritting and hairline crack There is some fitting and glaze loss to two areas on the edge of the cover. There is a hairline crack extending from the rim to the widest point of the body. There is a small firing crack to the rim of the censer which only appears approximately 2 to 3 mm on the exterior, typical minor glaze imperfections and minor scratching to the glaze, otherwise in good condition.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese pale celadon and russet veined jade ‘egret and lotus’ hat finial, Jin-Yuan dynasty, intricately carved in high relief and openwork with egrets amid lotus, 4cm high, wood standProvenance - A. V. K. Murray collection, purchased from John Sparks Ltd, 14 June 1955, for £10 (incorrectly identified as Qianlong period at the time).Natural inclusions and veining in the stone, in good condition with no cracks, chips or restoration detected. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Chinese blue and white 'Four Beauties' drum-shaped jar and cover, Kangxi period (1662-1722), finely painted with four ladies and furniture in a garden, some playing instruments or holding gifts, the body applied with a pair of beast head looped handles, the domed cover surmounted by a gilt lion finial, raised stud borders, 22.3cm high, minor restoration to lion finial Some minor restoration and retouching of the gilt to the lion dog finial, otherwise in good condition with typical minor glaze imperfections and occasional minor scratches to the glaze.PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Japanese Satsuma blue ground square koro and cover, Meiji period, painted to each side with rakan, samurai, ladies and other figures in garden pavilions, the pierced domed cover surmounted by a flower finial, gilt character mark to base, 15cm high PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A Japanese Imari style coffee pot, Hizen ware, c.1700-1730, of hexagonal tapering form, the panelled body moulded in low relief with the figures of samurai, bijin and flowers, with brocade pattern borders, applied with an S-shaped scroll handle, European bronze spigot tap, on three figural feet, 40.3cm high, repairsThere is a curved crack to the lower third of the body extending across part of the base, all three of the feet have been broken off and messily re-glued, remnants of tape residue around the top where the cover has probably been taped in position. The cover appears to be original and has cracks to the top and a replacement wood finial. PLEASE NOTE:- Prospective buyers are strongly advised to examine personally any goods in which they are interested BEFORE the auction takes place. Whilst every care is taken in the accuracy of condition reports, Gorringes provide no other guarantee to the buyer other than in relation to forgeries. Many items are of an age or nature which precludes their being in perfect condition and some descriptions in the catalogue or given by way of condition report make reference to damage and/or restoration. We provide this information for guidance only and will not be held responsible for oversights concerning defects or restoration, nor does a reference to a particular defect imply the absence of any others. Prospective purchasers must accept these reports as genuine efforts by Gorringes or must take other steps to verify condition of lots. If you are unable to open the image file attached to this report, please let us know as soon as possible and we will re-send your images on a separate e-mail.
A large Louis XV style Rococo Boulle work bracket clock of waited form with cherub finial and extensive cherub and acanthus mounts, the dial with individual white and blue enamel numerals, with matching wall bracket and French striking movement, signed Perache, Paris, overall height 125cm (some boulle work lifting in places, front left foot separating from body, requires attention)
A FINE AMERICAN SILVER ART NOUVEAU YACHTING TROPHY, CIRCA 1886apparently unmarked, cast in a baluster shape with sea-form repoussé waist with opposing cartouches containing a profile for a steam yacht and inscription reading Commodore's Cup / Presented to the Steam Yacht Maxine / The / Shortest Time Over The / AMERICAN YACHT CLUB COURSE / Irrespective of Time Allowance / Won By the ATLANTA July 15th '86 / Length of Course 80 Knots / Time 4 Hours 34 Min. 57 Sec., seaweed waist bound with anchors and chains, terminating with a scaly lid with capstan finial -- 17in. (43cm.) high; 1.788kg.
A RARE CHINESE SILVER-INLAID BRONZE BIRD-SHAPED FINIAL, DINGSHIEASTERN ZHOU DYNASTY/WARRING STATEHollow cast as a recumbent bird with its head turned backwards, gracefully holding a sphere on its back, the facial features, plumage, long tail and feet detailed in silver and silver wire inlay, the surface with greyish-green encrustation, together with a wood stand, 11.5cm. (2)Provenance: from the collection of Major Henry F Stanley MC (1911-97). Major Stanley, formerly of the Grenadier Guards, was recruited from the Royal Automobile Club in London in 1957 to head and form the Hong Kong Tourist Association, retiring from his role as executive director in 1971. He was widely known as the 'Father of Hong Kong Tourism'.Cf. Christie's New York, 16th March 2017, lot 871, and Bonhams New York, 16th March 2015, lot 2001, for two related bird-form bronze finials of this type.東周或戰國時代 銅錯銀鳥形頂鈕來源:Henry F Stanley少校 (1911-97) 的收藏。
A CHINESE BLUE AND WHITE 'HUNDRED ANTIQUES' TEAPOT AND COVERKANGXI 1662-1722The drum-shaped body decorated with two panels of precious objects between two bands of small drum-nail bosses, the spout and side-handle painted with scrolling clouds, the flat cover decorated with a band of scrolling ruyi-heads and crosses around a finial shaped as a small Buddhist lion, 18.4cm. (2)Provenance: Hinton Daniell Stewart (1835-1926) of Strathgarry, Perthshire, founder of the firm of Stewart Thompson and Sons (Manchester Cotton Merchants), and thence by descent.清康熙 青花博古圖茶壺來源:英國蘇格蘭佩斯郡斯特拉斯加里, Hinton Daniell Stewart(1835-1926)收藏,Hinton是曼徹斯特棉業公司Stewart Thompson的創始人,之後由其後人繼承。
MAPPIN & WEBB; a Victorian hallmarked silver religious flagon, with cross finial to lid and scroll strap handle, the cup shaped body with engraved emblem featuring cross and 'IHS' within sunburst to the front, raised on conical base, height 29.5cm, approx 18ozt.Condition Report: There is a big dent in the upper part of the shoulders and some scratches, minor dents and wear and tear.
Mixed collectable pottery comprising a Forester's pottery planter in the majolica style, with internal pink glaze and sand textured fish scale outer pattern, on a cobalt blue ground, with branch style handles, height 18cm, length 43cm, a Japanese pottery lidded jar, with monkey finial and applied monkey figures to the outside, marks illegible, height 15.5cm, diameter approx 13.5cm, a Wade Pegasus ornament, height 11cm, length 14cm, a pair of modern Japanese Satsuma baluster vases, marked to base, height 9cm, a 19th century Masons Ironstone lidded pot, with Japonesque/Imari pattern and raised branch handles, height 14cm, and a further Masons Ironstone Japonesque jug, height 11cm (7).
A c1920s Dutch three piece part tea set, comprising teapot, milk jug and hot water pot, 39.88 ozt, the water pot with ivory spacers and inset strainer bag and having dent to base, the teapot also with ivory spacers and with one leaf of finial loose, overall OK and just typical wear. Sold with Ivory Declaration: FUS76U6Y (3)
A LARGE FAMILLE ROSE TEAPOT AND COVERChina, Qing dyansty, 18th centuryThe ovoid body set with a C-shaped handle and a curved spout, painted in colourful enamels and gilt with panels bordered with iron-red bats containing figures of women in scenes of daily life and hunters in a landscape, the domed cover with a lotus bud finial mirroring the design.27cm (2) 27cm Qty: 2

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