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Click here to subscribeA Georg Jensen silver tazza, the flared circular bowl supported by a stand modelled as three free-form organic vines emerging from leaves with central vineburst finial above a circular stepped base, marked to the base with marks typical of Jensen pieces 1927-30, the bowl monogram and date engraved 1925-1931, 16 by 8.5cm, 10.24toz.
Japanese Satsuma Kyoto tea for two, Meiji period, decorated with figures in a garden landscape, each with signature panel to base, H17cm of teapot (7) Condition Report Tea pot - The lid has a crack which has been restored and re-painted in areas. Hairline crack running 2cm down from the rim of the teapot. Milk Jug - some loss of gilding and crazing. Sugar bowl - The lid finial has been restored. One handle has been broken in three places and restored. Two cups and saucers - some loss of gilding, light scratches to saucers. All pieces have light crazing and some loss of gilding.
Bob Crooks - First Glass - A limited edition studio glass Colour Ball twin candelabra, the spread foot rising to a central deep amethyst sphere with stepped finial flanked by two clear crystal arms terminating in mottled yellow balls below clear sconces, numbered 34/35, dated 1991, engraved signature, height 28.5cm.
A Charles Frodsham Congreve rolling ball skeleton timepiece with three dials, the third being in the form of a finial, visable escapement and a tilting table under a perspex dome, h. 43 cm*The clock has separate dials for hours, minutes and seconds, the latter moving every fifteen seconds as the table tilts. Individual seconds are indicated by the seconds indicator bar located horizontally across the table. Per day, the tungsten ball moves 6.432 miles. CONDITION REPORT: Prior to delivery, the vendor has had this clock operational. The auctioneers have not set up the clock to run whilst at the auction centre and cannot guarantee the working condition. With a key and three tungsten steel balls. The second bar does move as expected when the table tilts. See images for further notes on condition.
A George III Mahogany Long Case Clock, the engraved brass dial inscribed William Dickie, Dunfermline with Roman and Arabic numerals with two train movement, the case with broken swan neck pediment and brass finial above a shaped door raised upon bracket feet and with reeded quarter pilasters
A quantity of early 20th century Oriental silver:To include a three-piece lady's dressing set with maker's mark 'LYH', two twin-handled trophies, an engraved cigarette case, a rickshaw condiment set, maker's mark indecipherable, twenty five various filigree finial coffee spoons and a butter knife, some pieces initialled and inscribed CONDITION REPORT: Lidded pot - 191 g good condition minor scratches Cigarette case - 138 g minor losses to backSmall trophy - 19 g good conditionLarge trophy - 102 g good conditionBrush - 248 g good conditionMirror - 464 g Wagon - 225 g Spoons and knives - 216 g unmarked
A William III Silver Bowl and Cover:By Pierre Platel, London 1700, of plain circular form, applied with short scroll handles and raised on a spread circular foot CONDITION REPORT: The hallmarks - fully marked underneath bowl and the cover is stamped with maker's mark and lion's head erazed mark. These have wear. The colour - this is bright and the handles have had restoration - this visible as they have been pushed back. into the bowl. The cover - the small knop finial is probably a replacement as there are signs of restoration.
A pair of Continental tole peinte pole lanterns, 19th century, decorated in yellow and cream, each with crucifix finial above a pierced hexagonal section dome, with glazed sides and conforming undersides, mounted on knopped and painted wood shafts, 243cm high overall, An Italian carved and giltwood lantern, 19th century, of hexagonal section with domed top, above arched coloured glass panes, with fluted underside, 74cm high; with a red painted and metal mounted wood shaft, possibly associated, the overall height, 219cm
A George III carved giltwood circular convex wall mirror, circa 1810, the circular plate within an ebonised sight edge and moulded frame with foliate terminals, surmounted by an eagle depicted with its wings spread and perched on a rocky outcrop flanked by a deer on each side, an twin scroll acanthus pendant finial beneath centred by a hippocampus, 108cm high, 68cm wide
A George III oak and mahogany cross banded longcase clock with broken scroll pediment and a ball and eagle finial and two ball and spire finials above a 13 inch square dial with Arabic numerals, subsidiary seconds dial and date aperture and gilded patera, in the corners between fluted brass capped pilasters, eight day movement striking on a bell over a shaped top, trunk door, plain base base and later plinth, 225cm overall height
A large Chinese celadon glazed funerary jar, Song Dynasty, the slender pear-shaped vase applied with a border of twelve standing figures with a striding dragon applied in relief around the neck, with further figures and mythical animals, surmounted by a tall domed cover surmounted by a crane or egret finial, 81.5cm high Jars of this form were placed in pairs in tombs and contained offerings to the dead. The jar is replete with ancient traditional Chinese symbolism; the bird finial represents the Vermilion Bird of the South and the applied dragon at the neck represents the Green Dragon of the East. The mythical figures could be identified as a sun god and star gods, together with cranes, the symbols of longevity. Compare a very similar funerary jar illustrated in S.Pierson, Qingbai ware: Chinese Porcelain of the Song and Yuan Dynasties , 2002, p180, no.97.
A GROUP OF CHINESE YIXING TERRACOTTA TYPE TEAWARE and a Japanese ceramic teapot, forms include a simulated bamboo and blossom sprig example with matching cup, the lid interior with character seal mark, a pumpkin shaped example with dragon decoration and Dog of Fo finial, decorated in enamels along with a non-matching cup decorated in relief with a dragon amongst clouds, the Japanese example in the form of a thatched barn with raised enamel decorated blossom and birds, various measurements
AN EARLY 19th CENTURY INLAID MAHOGANY ROLLING MOON LONGCASE CLOCK by Jameson, Ormskirk, the broken swan neck pediment with brass bird finial and painted decoration over a single arched door with reeded side pillars, housing a 14 ins painted dial set with Roman numerals and painted moon dial before a brass twin weight pendulum bell striking movement, the bell stamped 'G Ainsworth, Warrington', the cast backplate stamped 'William Whittaker', (pendulum and weights included), the shaped top trunk door and reeded side pillar decoration having various string inlay, on a stepped trunk base (plinth moulding missing), 230 cms high overall, 64 cms wide, (some restoration required)
An interesting collection of oriental and oriental style blue and white wares including a two handled box and cover with dog of fo finial, a further model of a seated dog of fo, a two handled pot and cover of pierced form, a pair of vases with floral detail and seal mark to base, also together with a pair of square shaped dishes with painted leaf decoration, etc
An early 19th century rosewood, boxwood and ebony inlaid and strung tea caddy, of octagonal form, the tent top with urn finial and brass hinges enclosing twin lidded compartments, the front panel decorated with a navette reserve of a thistle flanked by compass point stars with bone hoops, 18 x 16 x 13m
A Late 19th/Early 20th Century Chinese Hexagonal White Metal Tea Pot, Each Side Panel Heavily Moulded with Embossed Scenes Depicting Scholars in Gardens, Fluted Spout Embossed as a Mythical Beast Mask, Lid and Finial as a Chrysanthemum with Stylized Leaves. Hinged Carrying Handle of Geometric Design. 17.5cm High
A mid 20th century, hand-painted Meissen jar and cover, the body of the bulbous jar decorated with hand-painted floral sprays in orange, yellow, purple and pink with gilt rims, the lid having hand-painted flowers too and a gilded finial. In excellent condition. Height: 23 cm, Width: 12 cm. marked on the base with blue, hand-painted crossed swords and numbered in orange 115/46a.
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