AN OAK LONGCASE CLOCK by John Lawson, Bradford, late 18th century, the eight day movement with anchor escapement striking on a bell, the 12 1/2" arched brass dial with Roman and Arabic numerals, the centre chased with foliate scrolls with calendar aperture and seconds dial, painted landscape to arch, the scrolled pediment with brass finial on fluted columns, dentil moulded import over arched door flanked by fluted quarter columns, panel base and ogee bracket feet, 88" high (Est. plus 21% premium inc. VAT)possibly a marriage of case and movement(?), movement needs cleaning, dial good bar scratching to landscape scene, case generally very door bar loss of two dentils below right hood column, with weights and pendulum
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A GEORGIAN MAHOGANY WIG STAND, the circular top on shaped ring turned supports, triangular undershelf with drawer and lidded urn over, on tripod base with cabriole legs and pad feet, 10 3/4" x 32 1/4", together with a small square three tier washstand, 12 1/2" wide (2) (Est. plus 21% premium inc. VAT)wig stand good condition and colour bar chip to turned wood handle, and very minor losses to girth moulding of urn and possibly its finial - shrinkage cracks to top of washstand, otherwise very good
A REGENCY MAHOGANY CHEVAL MIRROR, the oblong plate suspended on moulded square uprights with turned vase finials, raised on reeded downswept supports with brass toes and castors joined by a pole stretcher, 24 1/4" x 60 1/2" (Est. plus 21% premium inc. VAT)original plate, beginning to tarnish but not too offensive, frame of good colour with no damage/repairs and original brasses, very small loss to edge of one vase finial - well polished in, all joints firm
A SATSUMA EARTHENWARE VASE of rounded flared form with two dragon handles on a fixed "stand" and bracket feet, painted in typical palette with a group of grim faced Immortals and their attendants and a group of women and children, all in landscapes within panelled borders, painted seal mark, 10" high over handles, together with the remains of the cover with intact temple dog finial (Est. plus 21% premium inc. VAT)Vase has loss to inner rim, a little still present but detached, and chip to foot, a little wear to gilding especially on rim. The majority of the cover is present but does have a noticeable loss to rim and other flakes (see images)
A Swedish Art Deco period coffee pot of ovoid form with planished decoration and floral finial by H. Karelfelt 14.5oz (447gm); 2 circular pin dishes with monogram. The pot is silver and bears the three crown mark, an 'S'' mark and a date. There is no indication of standard of silver purity. Code U7 for 1922.
An Edwardian 4'6" bed inlaid mahogany; a Victorian figured walnut 4'6" bed (Both reasonably good condition, the walnut bed with some loss around one finial and wear to top of footboard. Mahogany bed 138cm wide x 141cm high + finials with standard slot in bed irons, Walnut bed 150cm wide, headboard 135cm high with wooden sides approx 192cm, no base, with cross laths)
A George III silver cruet stand, possibly Robert, David & Samuel Hennell, London circa 1802, with reeded loop handle and on an oval base with scroll feet, the eight silver mounted jars and bottles all Hennell 1800-1802, lids of two jars matched, 23cm high CONDITION REPORT: The wooden underside to the stand has slipped out on one side a bit and needs popping back in. Marks to stand quite rubbed. Otherwise stand appears fair. The silver mounted bottles have some abrasions and fritting to glass, particularly at corners and points. The glass stoppers also have scattered chipping, particularly to the ends. One jar has slight chip to inner rim. The finial of one replaced cover is a bit pushed in. One ewer has fine split to silver collar. The other ewer has a crease in edge of spout and a small soldered repair to join with handle. One of the four small bottles has fracture to glass just under the silver mount, one has a split to silver collar.
A mid 18th Century Chinese famille rose part tea set, comprising a bullet-shaped teapot and cover, three cups and a saucer, and a Chinese moustache cup, circa 1900/see illustration CONDITION REPORT: There is a small chip to the glaze under the spout of the jug. The finial of the teapot cover has flaked glaze to the tip and a patch to the side as well. There is a firing flaw to the inside of one cup. Otherwise some wear to gilding but overall good.
A Worcester blue scale ground milk jug and cover, circa 1770, painted flower garlands in gilt frame cartouches, 10.5cm high/Provenance: From the collection of Sir Roy Strong and his late wife Dr Julia Trevelyan Oman, Lady Strong CBE/see illustration CONDITION REPORT: A few tiny chips the petals of flower finial on cover, and a small chip to the underside of the rim and to the flange. The body of the jug kin good condition; no chips cracks or restoration. Minor rubbing to gilt line rim and a small scuffed patch on glaze to the side of the cartouche below spout. Enamels and gilding good.
A Worcester blue scale ground sugar bowl and cover, circa 1770, painted flowers in gilt frame cartouches, 13cm high/Provenance: From the collection of Sir Roy Strong and his late wife Dr Julia Trevelyan Oman, Lady Strong CBE/see illustration CONDITION REPORT: A few minor chips to tips of petals on flower finial. The bowl in good condition, no chips, cracks or restoration. Enamels and gilding good.
A Victorian silver teapot, WH, London 1870, of serpentine outline, engraved decoration and crest, pineapple finial, ivory heat absorbers to the handle, gross weight approximately 665gm CONDITION REPORT: Lot contains an element of pre-1947 ivory or other organic material which may be subject to export restrictions
A black slate mounted clock with bird surmount, 60cm wide CONDITION REPORT: The clock has no pendulum, there are no noticeable cracks or damage to the dial, winding springs are sound, There is considerable damage to the case behind the birds finial where the case is badly split, the scrolls are also noticeably chipped
A Chinese export silver teapot, circa 1900, with faux bamboo handle, spout and finial, the sides decorated chrysanthemums, 12cm high, approximately 475gm CONDITION REPORT: Finial is very slightly pushed into cover. Lower lip of spout a bit bent. Generally sound. The handle has heat absorbers which are likely to be ivory.
A Victorian plated tea and coffee service, H&L, circa 1865, of reeded oval form comprising teapot, coffee pot, swing handled sugar basin, cream jug and tea caddy, crested CONDITION REPORT: Small solder mark under coffee pot. Wear to plating particularly rims and raised areas. The finials and heat absorbers are made of ivory. The caddy finial is held on with a replacement fixing. The ring handles to each side of the caddy are a little bent. No key to caddy.
A 19th century George III oak inlaid grandfather clock by W M Chamtler Of Tamworth having brass central finial, swan neck pediment top, reeded columns, glazed hood, over an inlaid body with cereal diamond shaped lozenge, hand painted clock face with single weight chain driven brass movement and pendulum. Measures, 208 cm H x 49 cm W x 25 cm D
A group of five 20th Century spoon to include a rare D L Fullerton patented silver mint sauce ladle (hallmarked London 1929), an Edward VII Saunders and Sheppard coronation anointing spoon (London 1902), a condiment spoon with an unengraved seal top (Sheffield 1907) and two silver collectors spoons to include a 1977 Queens silver jubilee and a Fiji souvenir spoon both with enamelled finial tops (hallmarked Birmingham 1907 & 1977). Total weight 110g.
A LOUIS XVI BRACKET CLOCK by Balthazar of Paris, the ormolu and boule work mounted case surmounted by a finial with a boy and a goat, the cast dial with enamel numerals, the movement signed 'Balthazar' and with count wheel strike for the hours which strike on a bell, the bracket decorated with female masks, the clock 45cm wide x 80cm high, the bracket 45cm wide x 33cm high Condition: the movement in need of a clean, the case and bracket in need of restoration throughout with losses to the boule work inlay and tortoiseshell ornament, mounts loose, cracks and some damages to the enamel numerals particularly 12 and 8, in need of thorough restoration both inside and out
A SCANDINAVIAN PAINTED WOODEN 30 HOUR LONGCASE CLOCK with shaped hood surmounted by an urn finial, the case with single opening door and spreading base, the brass movement behind a painted dial with arabic numerals, the ring turned pillared movement with anchor escapement and striking the hours on a bell, the dial 29cm diameter, the case approximately 76cm wide x 24cm deep x 216cm high Condition: some wear to the paintwork overall, the finial in need of reattachment at the top, one spindle to the back left of the case lacking, the clock with no weights or pendulum, the movement not tested as to whether it works and in need of a clean
A 19TH CENTURY FRENCH RECTANGULAR CENTRE TABLE with marble inset top and gilt and painted frame with gesso moulded frieze, leopard masks and scale carved legs, all united by a shaped stretcher with central urn finial, 104.5cm wide x 55cm deep x 79cm high Condition: the marble top with very minor tiny chips around the edge, the gilding overall somewhat worn, the paintwork somewhat worn, some losses to the gesso moulded frieze, further minor losses, marks and dents to the paintwork overall
A 1930s Arthur Wood teapot with handle, spout and finial painted to resemble horn, Silver Shield pattern, with similar milk jug and plate, a blue and white baluster shaped Chinese vase with lid and a two handled transfer printed pot marked Ironstone to base and W.K.Topia (?) (teapot: h.15cm x 23cm)
A mid 19thc. moon face longcase clock by Samuel Kellett of Bredbury, the arched painted dial with subsidiary seconds and date dials, enclosed by painted spandrels, emblematic of the seasons, the moon phase arch painted with two masted galleon, the twin train movement striking a bell (dial 30inch), enclosed by a swan neck hood with turned finial and crossbanded border above a panelled trunk door, box base and turned feet, lacking back boards, includes weights and pendulum (h.254cm)
Coalport - a pair of campana vases with covers, commemorating the bicentenary of birth of the painters J.M.W Turner, and John Constable, each with bird finial gilt decoration and landscape scene, numbered, H. 32 cmAll condition reports are subject to our Terms & Conditions: In our opinion one cover has been broken in four pieces and has been restored - slightly visibly from the outside. Also one other crack from rim to centre just over 5cm long. There are no boxes or Certificates of Authenticity.
Group of items including a brass paperweight with a personal inscription on reverse Hong Kong dated 1947, Cloisonné vase with wisteria, bronze model of a dog and a bronze finish Art Nouveau bust Carmela with marks for E. Vilanis, on onyx base, Chinese wooden box with carved lion finial 23 cm and a small mermaid (5)
A George III silver teapot, having a finial topped hinged dome cover, bright cut engraved banded decoration to the frieze and apron, 15.4oz, maker Peter, Anne & William Bateman, London 1800, h.17cmCondition report: Solder repairs evident to underside, to bright cut engraved area of frieze near centre, and to apron.Further repairs to seam of spout.Handling wear.Marks good.
A George III silver teapot, of oval bombe form, the whole later repousee decorated with a Chinese figure landscape within a surround of C scrolls, flowers and foliage, walnut handle, gross weight 13.9oz, maker Samuel Godbehere, Edward Wigan, & James Boult, London 1801, h.17cmCondition report: Stands well.Marks good.Handle and finial good but timbers do not match,One tiny hole to rear cartouche on C scroll (only visible from inside pot).Otherwise no apparent faults.
A George III silver teapot on stand, of beaded oval form, both with bright cut engraved decoration, the teapot with finial topped hinged dome cover, gross weight 19.9oz, maker Andrew Fogelberg & Stephen Gilbert, London 1781 and 1784, teapot h.13cmCondition report: Teapot - several very small dents only, marks good, solder repair to hinge of cover, stands well, walnut handle faded.Stand - good, no apparent faults.
Russell of The Barbican, London, - a Regency mahogany and brass inlaid bracket clock, the stepped pediment with gilt metal pineapple finial over a signed convex white enamel dial, twin winding holes for a brass eight day gut driven fusee movement, having anchor escapement and striking on a bell, signed and engraved backplate, with matching pendulum, the case having twin ring carry handles, pierced fishscale sound grilles, and all raised on brass ball feet, h.49cmCondition report: Some crazing and discolouration to dial.Paint appears original and is slightly worn.Split to very top of pediment.Minor chips around winding holes.Case of good original colour, appears unpolished, but with some emulsion paints spots to top (would easily rub off).Gilt brass all tarnished but complete.Movement has been overhauled at some point.Original wire replaced with gut.Clock runs.No winding or door keys present. Handles are original.Clock, case and dial appear original to each other.
A French gilt brass and marble three-piece clock garniture, the clock having an unsigned convex white enamel dial with twin winding holes for a brass eight day cylinder movement striking on a bell, the case surmounted with a cherub over four columns, with bevelled glazed window to a marble plinth, h.35cm, the twin light candelabra with centre flaming torch finial, h.25cm, 20th centuryCondition report: Clock runs and strike works.Dial chipper around both winding holes only.All brass good and complete, colour good.Marble good with some minor nibbles to edges only.Overall very good.
AN ELIZABETH II SILVER-MOUNTED CLARET JUG, by C J Vander Ltd, London 1978, tapering cylindrical, the domed hinged cover with pineapple finial, the spout of mask-form, the handle cast with a swan. 30.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Lid does not sit flush. Marks are clear. Glass in good condition. In generally good condition.
A LATE VICTORIAN SILVER HOT WATER JUG, by Elkington & Co, Birmingham 1900, of squat form with half-gadrooned decoration and gadrooned domed cover, angular wood handle and finial. 20.5cm high, 17.8 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The hot water jug is in good to fair condition there a numerous dents and dings to the bulbous section of the body and light overall surface wear. CR made 11/01/21
A VICTORIAN SILVER THREE-PIECE BACHELOR'S TEA SERVICE, by Walker & Hall, Sheffield 1891, of compressed half-gadrooned form with fancy shell-capped rims, the cream jug and sugar basin with acanthus scroll handles, the teapot with scroll wood handle and finial. Teapot 10cm high, 21.09 troy ounces grossThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The service is in good overall condition, the spout to the teapot misshapen to one side, the cream jug with small bend to spout to one side and associated dent to base of spout, light general wear to service overall.
A GEORGE III SILVER COFFEE POT, by Walter Brind, London 1769, pear-shaped, the hinged domed cover with wrythen finial, the spout with leaf-capped underside, raised on a stepped circular foot, the underside engraved with contemporary initials 'B/R*I'. 25cm high, 23.8 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.The wood handle an old replacement, body engraved with initials A H, probably in the 19th c, light wear, no repair. 'W' of maker's mark rubbed to both cover and body.
A FINE GEORGE V SILVER-GILT AND JADE DESK SET, by Charles Boyton, London 1935, comprising ink stand, with two clear-glass lined ink pots, central rectangular pot with carved jade fruiting tree to hinged cover, the two triangular handles inset with carved jade plaques, the foliate border with applied floral sprigs to the corners, together with a desk blotter with carved jade Shishi finial, paper weight with similar carved final and green onyx base, and a letter opener, with carved jade plaque inserts to the handle, all pieces hallmarked and paperweight also with inscribed Charles Boyton signature. (4) Inkstand 28.5cm wideThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks to all pieces clear and well struck, with conforming date letter throughout. Hinges to ink stand all sound, outer two to ink pots with very slight wobble. Repair to back right corner of top strapwork foliate border. Letter opener blade squint, with nicks to blade edge and bent tip. Rectangular jade surround pieces to inkpot lid, blotter and paperweight handles all with various cracks. Gilding lightly rubbed to pen well. Light surface scratches and tarnishing throughout, commensurate with age and use
A GEORGE II SILVER COFFEE POT, by John Eckford II, London 1729, of plain tapering form with reeded foot and faceted spout, the cover with baluster finial, crested. 24cm high, 29 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Marks clear and well struck, with additional tax mark for Nice c.1814 and a later French tax mark; lid further marked with lion rampant. Lid hinge with slight wobble, upward dent to lid within top circular band. Handle very slightly loose. Circular foot with minor dent. Various small bruises and light surface scratches throughout commensurate with age and use

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116099 item(s)/page