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Lot 8
An 18th century Scottish silver ogee pedestal tea pot by Milne & Campbell, Glasgow 1757-80, with a leafy cone finial to the domed cover, a loop handle with wood spacers, chased with birds on blossom boughs, on a moulded circular foot, 25.5cm (10in) long, 690g (22.2 oz) gross. Provenance: The Ferguson-Buchanan Family of Auchentorlie, Nr Bowling, Dunbartonshire (they lived at Auchentorlie from the early 1800s until the house was demolished in the 1970s); by direct descent to the present vendor.
Lot 19
A silver campana shape cup and cover by Sebastian Garrard, London 1911, the thistle finial by Phillip Rundell, no date letter, circa 1825, the domed cover chased with flowers and leaves and an ovolo and foliate border, with twin cast bellflower scroll handles, an applied calyx of stiff leaves and flowers and a floral frieze around the upper body, 39cm (15.3in) high, 3847g (123.7 oz)
Lot 33
A late Victorian silver mounted claret jug by James Dixon & Sons, London 1892, the lion finial holding a shield, embossed with fruiting vine with bacchanalian masks, an S-scroll handle and a mask spout, on a plain glass cylindrical body with a bulbous base, engraved with a crest and a motto ‘Paratus’, 27.5cm (10.75in) high. The crest recorded for BRUCE, BUCHANAN, CAMPBELL, DALZIEL, DOUGLAS, DUNCAN, ELLIOTT, GORDON, HAMILTON, M’HADDO, MACRAE, OGILVIE, RENNIE, WEMYSS and other Scottish families.
Lot 36
A late Victorian silver oval panelled four piece tea service by Walker & Hall, Sheffield 1891, in George III style, the tea pot with an oval ebonised finial and loop handle, engraved with foliate bands and ‘JC’ within a wreath, engraved under ‘Copy Presented by Mr. Wm. Hunter to his Sister in Novr. 1804’, comprising: a tea pot, a tea pot stand, a cream jug and a twin handled sugar basin, the tea pot 28cm (11in) long, 1220g (39.2 oz) gross. The property of the late Lord Cornwallis, sold by order of the executors.
Lot 41
A Victorian silver three piece tea service by Edward & John Barnard, London 1863, of compressed circular shape, embossed with quatrefoil flowers, foliate scrolls and circular vacant cartouches, the teapot with calyx finial and loop handle, the teapot 28.5cm (11 in) long, 1411g (45.4 oz) gross
Lot 43
A matched Victorian silver three piece tea service by Richard Pierce & George Burrows, London 1847-50, lobed baluster, the tea pot with a melon finial, a domed cover, a foliate-capped S-scroll handle, embossed with cartouches and flowering foliage, on scroll and rocaille work bases with four feet, engraved with a monogram, the tea pot 25cm (10in) long, 1223g (39.35 oz) gross
Lot 45
A matched Victorian silver lobed octagonal baluster three piece tea service by Edward, Edward junior, John & William Barnard, the tea pot London 1838, the cream jug and sugar basin London 1861, the tea pot with a flowering finial, a leafy scroll handle, on a scroll work apron with four feet, engraved with an armorial and a motto ‘Love and Dread’, the tea pot 28cm (11in) long, 1509g (48.5 oz) gross. The arms are for TOWER of Weald Hall, Essex and Huntsmire Park, Bucks, impaling RICHARDS of Rew, Devonshire.
Lot 46
A William IV silver circular baluster three piece tea service by Richard William Atkins & William Nathaniel Somersall, London 1836, the tea pot with a flower finial, a leaf-capped C-scroll handle, a scroll and foliate engraved body, the rocaille skirt with shell feet, the tea pot 27cm (10.5in) long, 1503g (48.3 oz) gross
Lot 47
A George IV silver gilt and ivory ink stand by John Bridge, London 1829, with a flambeau taper holder as the finial to the flat cover, enclosing a removable cut glass inkwell, the ivory deeply carved with nude women and dolphins, the circular twin handled base with an engraved convolvulus band, 13cm (5in) high, 23.5cm (9.25in) wide. Provenance: Hardy family of Chilham Castle, Kent and thence by descent. The use of a possibly antique ivory section looks back to German plate of the 17th century and is typical of the early 19th century historicism promoted by the Prince Regent, later King George IV.
Lot 73
An Austrian silver gilt, rose quartz and enamel parasol handle, indistinct maker’s mark ‘?AS’ (possibly George Adam Scheid), .900 standard for 1872-1922, circa 1900, the tapered quartz finial with laurel wreath and garlands above a deep blue collar, on a palm wood handle, in a fitted case for J. C. Vickery, with eight spoke tips, 27.5cm long
Lot 78
A French silver circular box and cover by Maison Cardeilhac (Amelie Cardeilhac), Paris 1904-20, 1st standard export mark for 1879-1973, with a bud finial, swirl bosses and foliate reserves to the flat cover, the sides with ribbon-tied laurel swags in relief, 12cm (4.75in) diameter, 556g (17.85 oz)
Lot 79
A French silver mounted blue glass claret jug, maker’s mark ‘A&L’ (not traced), 1st standard export mark for 1879-1973 , with a cone finial to the mask and anthemion embossed cover, a high loop swan-head handle, the shoulders with anthemion above an embossed openwork classical lion-drawn chariot flanked by winged horses, on a circular foot, 34.5cm (13.5in) high
Lot 90
A silver mounted coconut cup, apparently unmarked, possibly German for the Russian market, 18th century, the coconut finely carved with the Imperial Eagle and profile portraits of Peter the Great (1672-1725) and Peter II (1715-1730), the cover with three panels of symbolic motifs surmounted by a calyx and a cast Imperial eagle finial, 24cm (9.5in) high (the finial associated)
Lot 102
An Indian colonial silver drum mustard pot by Twentyman & Co., Calcutta 1818-1829 (‘T&Co’, lion passant, tally mark), with a turned finial and a shell thumb piece to the domed cover, a leaf-capped scroll handle and threaded rims, engraved ‘M’, 8cm high (3.25in) high, 190g (6.1 oz), with a blue glass liner
Lot 138
A miniature ivory and gilt metal cercles tournants urn clock, 1920s, with a high quality Swiss three-quarter plate lever watch movement, screw set arbor bush, screw set jewels to third and fourth wheels, bimetallic split balance, overcoil balance sping, click tooth escape wheel, engraved plates and engraved balance cock, winding by a key at the side of the base of the plinth, with an annular Roman numeral chapter ring and an independent Arabic numeral five minutes ring, the base case with an aperture screwed by two pins for access to the winding mechanism and to insert and remove the movement, the urn with a beaded girdle to the ball finial, a scroll foliate engraved band, the integral plinth of plain ivory, 12cm (4 5/8in) high, in a leather covered case with a key. The inside of the base plate scratch inscribed ‘J. Kaltenbach Maker Stoke Newington London N-16 April 1921’
Lot 241
A George III silver coffee pot, the hinged cover of stepped domed form with reeded finial and gadrooned edge above a baluster shaped plain body engraved with armorial depicting a winged bell with sunburst finial flanked by scrolling wild rose drapes with acanthus relief work decorated spout and shell decorated handle mounts leading to the scrollwork wooden handle, raised on a circular gadrooned foot (London, 1763, by Benjamin Godfrey), 26.5 cm high, 31 oz including handle (ILLUSTRATED)
Lot 242
A George III silver teapot of oval ogee form, the domed cover with flowerhead finial, the main body with foliate medallion decorated bands enclosing an engraved armorial depicting three crescent moons on a shield on a ribbon tied drape background, surmounted by a helmeted knight bust, the spout of plain tapering form, the wooden handle of tapering form, raised on the matching stand with armorial and reeded edge raised on four fluted scroll feet (London, 1793, by Peter and Ann Bateman), 17.5 cm high on stand, 22 oz total including handle (ILLUSTRATED)
Lot 243
A Victorian silver jug, the domed lid with urn shaped finial above a spoutless neck and baluster shaped body, the cast handle with figural and claw and ball decoration, separated from the body by ivory beads, raised on a stepped circular foot (London, 1893, by John Aldwincle and Thomas Slater), 21.5 cm high, 19 oz total (ILLUSTRATED)
Lot 244
An Edwardian Liberty "Cymric" silver teapot in the Art Nouveau taste designed by Archibald Knox with turned ivory finial to the domed hinged cover, the banded neck with ivory mounted scroll handle above a shallow circular waisted main body with vertically rising tapering spout raised on a circular foot (Birmingham, 1904, by Liberty & Co.), together with a matched pair of cream jug and sugar bowl (Birmingham, 1910, by Liberty & Co.), teapot height 15.5 cm, 28 oz total including ivory handle and finial (See "Archibald Knox" by Steven A Martin pages 139 and 202 for illustrations of model 500/13) (ILLUSTRATED)
Lot 264
A George V silver octagonal slab sided teapot with ebonised finial and handle raised on an octagonal foot, together with the matching cream jug (Sheffield, 1930, by Finnigans Limited) and a similar lidded water jug (Sheffield, 1930, by Frank Cobb & Co. Ltd.-bearing Finnigans Limited retail stamp to base), approx 54 oz total
Lot 1150
THE GEORGE BEST EGG BY SARAH FABERGE number 14 of a limited edition of 19. Accompanied with the St Petersburg certificate which reads: sarah Faberge, great grandaughter of Russian Imperial Jeweller Carl Faberge created the George Best Egg in homage to Manchester United and Northern Ireland`s greatest ever palyer, and in support of the GEORGE BEST FOUNDATION. The finial is formed as a shamrock and created in sterling silver and 24 carat gold. The egg is spun in solid sterling, hand engine-turnes and guilloche enamelled in red. The European Cup medal stands to the front, recordingGeorge Best`s part in Manchester United`s greatest European achievement. To the reverse, the football League Champion`s badge. The sides of the Egg are graced with the official crest used by Manchester United in 1968; and, from the same year, the Northern Ireland official crest. The lower half of the egg is decorated with the famous Faberge swags interspersed with ornamental silver and gold footballs, modelled after footballs of the 60`s. The foot is hand engine-turned in sterling silver and gold. Open the Egg and, in the tradition of the Faberge family, view the surprise. On a field of gold and silver, George Best is presented, poised to press forward. A sterling and black-gold diamond studded football lies at his feet. Sarah Faberge`s sponsor`s mark stands alongside the authentic British hallmark. The GEORGE BEST FOUNDATION provides charitable funds for research into liver disease and alcoholism. Limited Edition of 68 for the world market. This is number 14
Lot 1151
THE JIMMY JOHNSTONE EGG BY SARAH FABERGE number 14 of a limited edition of 19 Accompanied with the St Petersburg certificate which reads: Sarah Faberge, great granddaughter of Russian Imperial Jeweller Carl Faberge, has created the Jimmy Johnstone Egg both in celebration of Celtic Football Club`s greatest ever player aand in his support. The lion is presented as a finial in sterling silver and 24 carat gold-symbol of Celtic`s triumph in winning the European Cup in Lisbon in 1967. The lion presides over the badges of Celtic`s winners medals-the European Cup medal to the front; to the reverse the Scottish League Championship medal; and flanking them, to the left the Scottish Football Association Cup and to the right the Scottish Football League Cup Medals. Struck in the original dies, gilded and hand-enamelled, the sterling medals intersperse a reminder of Jimmy Johnstone`s origins with the coal pithead-four winding-shaft supports, fashioned in silver and black gold. The top of the Egg itself is hand engine-turned on sterling silver and precious rhodium. The lower half of the creation is adorned with Celtic Football Club`s badge proclaiming its 1888 origin and produced here with specific authority from the Club. The badge is counterbalanced by the motif from `The Lord of the Wing` motion picture, which celebrates Jimmy Johnstone`s career and achievement. To the sides, seven magic celtic rings, also in hand-enamelled silver. The bezel is an echo of the `Jungle`, whose corrugated roof it commemorates. Open the Egg and view the surprise. On a field of gold and hallmarked silver, Jimmy Johnstone himself, poised aslant as he presses forward: Celtic`s legendary player, triumphantly mpdelled in silver and fine gold, at his feet a sterling silver and black gold diamond-studded football. Jimmy`s signature authenticates the creation. Sarah Faberge places her Jimmy Johnstone Egg on a foot with seven steps in final witness of Jinky`s number and of the `Jungle` terraces from which he would have happily stood watching his heroes had it not been for his own amazing God-given talents. Sarah adds her signature beneath, engraved and attesting the edition issue. Limited edition 19 for the World Market. This is number 14.
Lot 733
AN ENGLISH TURNED BOXWOOD LEMON SQUEEZER with acorn finial, 15cm h, 19th c, a beech culinary mould of box type, a Welsh sycamore culinary mould carved with a cross and pierced with four holes, possibly 18th c and a primitive treen funnel (4) ++Lemon squeezer and cover cracked and with small losses. Funnel with old repair and several splits
Lot 827
* A VICTORIAN GOTHIC PATINATED BRASS FACE SCREEN the floral painted green silk fan leaf in tubular case to be mounted on the finial, the embossed stem with royal arms on domed base and cast foot, 50cm h overall, the underside with printed paper label of DAYS PATENT CHIMNEY ORNAMENTS To Represent Gothic Architecture... ++The silk in fragile condition separating between some of the pleats but complete and original
Lot 868
A FRENCH GILT BRONZE AND CHAMPLÊVÉ ENAMEL GARNITURE DE CHEMINÉE the breakarched case flanked by three putti and surmounted by a cupola with spire finial, on breakfront base and eight turned feet, the Japy Freres & Cie movement striking on a bell and with medallic backplate stamped R & C Paris & London Best Warranted 1725, flanked by candlesticks supported by a child bearing a thyrsus or sheaf, clock 52cm h, late 19th c (3) ++In excellent original condition with some accretion of dirt on the upper surfaces but not regilded
Lot 117
A DERBY CHOCOLATE CUP, COVER AND STAND enamelled with French sprigs in trailing borders, the rims and handles including the ring finial gilt, stand 16.5cm diam, painted crown, crossed batons, D and 26 in red, triangle and dot in sepia, c1810 ++Tiny flat chip on the underside of the rim of the cup. Slight wear to the gilding on the rim of the cover but a fine example in good condition
Lot 351
A Limoges enamel, metal and iron urn, circa 1790, the lobed Limoges enamel lid said to be circa 1500, decorated with battle scenes between Centaurs and Lipothae and with ormolu finial, the urn set with ormolu mounts set with swags and patera on a cast socle and stepped base, in the manner of Matthew Boulton, 36cm (14") high/see illustration
Lot 379
A French mid 19th Century gilt metal mantel clock, the case with urn finial with pigeons to each side having patera, ribbon ties etc to the sides and front, fitted a gilt metal dial with white enamel segmented chapter ring and having an eight-day movement striking on a bell, 39cm (15.25") high
Lot 119
A PAIR OF LATE 18TH/EARLY 19TH CENTURY WEDGWOOD BLUE JASPERWARE TWO-HANDLED VASES AND COVERS, in a design of The Muses after Flaxman, the domed cover having a knop finial encircled with a border of stiff leaf and anthemion, the neck bordered with a laurel garland above an egg and dart rim, the body decorated with a frieze of classical figures beneath a vine leaf border, the lower body reeded, on a fluted and egg and dart socle, on square stepped plinth decorated with a border of lotus alternating with palmette, impressed mark to underside, 30.5cms. See illustration
Lot 284
AN ELIZABETH II SILVER THREE PIECE CAFE AU LAIT SET comprising coffee pot and hot milk jug of tapered cylindrical outline, domed cover with finial and ebonised scrolled handles, 20cms high and a circular tray with pie crust rim, (presentation inscription to reverse) Sheffield 1972, maker`s mark for J Bros. total approximate weight 53ozs
Lot 504
AN EARLY 19TH CENTURY SCOTTISH LONGCASE CLOCK, having an eight day movement, striking on a bell, the dial (35.5cms) signed to the centre Thos. Thomson Stewarton, with Roman numerals, second hand and date provision, the arched cresting containing a rustic view of Burns at the Plough, the spandrels representing the four symbols of the Union, the hood having a scrolled pediment with centre raised section and a brass ball and spire finial, turned columns with arched door, the trunk having a short pendulum door with split bobbin turning, quarter columns, sloping shoulder, shaped apron and on bracket feet, c. 1830
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116061 item(s)/page