A GOOD GEORGE III TWO-HANDLED SILVER CUP AND COVER of neoclassical urn form, the spreading cover with urn finial above reeding, the basally-reeded body between reeded handles, on a reeded spreading base, unengraved, hallmarked London, 1805, maker's mark HS to cover, 34.5cm, (13.6in) high, 34.7ozs, (1080gm): Later awarded as a trophy, with red plush-covered circular plinth, the plaque inscribed "NORTHUMBERLAND AGRICULTURAL SOCIETY/NEWCASTLE 1874/ Presented by/ MRS.A.H. BROWNE, Awarded to /MESSRS M & F TEASDALE/ FOR THE BEST GALLOWAY BULL" (2)
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THE CORBY CASTLE COFFEE POT. A superb George II cast and chased silver 'Turky' coffee pot, hallmarked London, 1750, maker Thomas Whipham, of inverted balustroid form on a domed circular foot and with ogee-domed hinged cover, having all-over rococo chased decoration of floral scrollwork with a C-scroll bordered cartouche reserved to each side, engraved heraldically, one with the arms of the Dukes of Norfolk and the other with one of the Howard crests, a lion statant guardant under the motto 'SOLA VIRTUS INVICTA'; below the palmette-fluted lip a ram's mask and dolphin and below the upper handle socket a mask of Pan, the handle of carved ivory with acanthus purchase, the cover surmounted with a finial cast as another of the Duke's crests, a pair of wings issuant from a ducal coronet, 31cm, (12.2in) high, 50 ozs, (1555gm) all-in, together with, and made for it - A magnificent William IV cast silver stand by the celebrated maker Paul Storr, London, 1832, cast in the form of the Duke of Norfolk's winged crest as below, complete with spirit-heater by the same maker and of matching date, 12.5cm, (5in) high, 33ozs, (1026gms); overall height 35.5cm, (14in), combined weight 83 ozs (2581gm).
C. Realini, Preston. AN EARLY VICTORIAN MAHOGANY WHEEL OR "BANJO" BAROMETER having a swan-neck pediment with central brass urn finial above an ebony and boxwood-edged trunk with a hygrometer, mercury thermometer, convex mirror in reeded surround, 25cm, (10in) silvered dial with central "sunburst", bone disc adjuster, and spirit level, the latter inscribed with the makers' name, 110.5cm, (43.5in) high
A LATE 19TH/EARLY 20TH-CENTURY WALNUT-CASED WEIGHT-DRIVEN VIENNA WALL CLOCK having a shaped surmount with urn finial above a female mask, the Gustav-Becker style dial with Roman numerals separated by red scroll motifs framing a subsidiary seconds dial, between turned columns and a gadrooned base with turned pendant, 125cm, (49.2in) high
John Walton III, Alston (1810-1865) A MID 19TH-CENTURY OAK AND MAHOGANY-CASED 30-HOUR LONG-CASE CLOCK having a swan-neck pediment with disc terminals, flanking a ball finial, the arched hood door between turned columns, the pointed hood door between canted corners, on a plain base and turned legs, the white-painted arched dial decorated with a huntsman and two gundogs stalking a rabbit, above Roman numerals framing maker's name and a subsidiary seconds dial, the spandrels painted with baskets of fruit, 212cm, (83.5in) high (sold with weight and pendulum)
A LATE GEORGIAN MAHOGANY SWING DRESSING MIRROR having an original rectangular plate, the frame with humped surmount and mushroom finial, between ring turned uprights with matching finials, the bow-fronted base with crossbanded edge above a long central drawer flanked by two short drawers, on associated bun feet, 68cm x 26cm x 65.5cm high, (26.8in x 10.2in x 25.8in)
A pair of ormolu three branch wall lights, each finial with two birds by a tree on a fluted column above a ribbon tie, a floral swag and three scrolling acanthus branches with round sconces and drip pans, the central one with a winged putto support, 72 high x 37cm wide, (one lacking a fruit finial)
A French ormolu mantel clock, the ornate case surmounted by an eagle finial flanked by cavalry helmets, the dial with white enamel chapter ring and roman numerals fitted eight-day striking movement, raised on square tapering marble columns supported by greek sphinx, on rectangular breakfront marble base with ornate brackets and paw feet, 11in. x 17.5in. high.
A matched three piece bachelor's half fluted tea service, each piece of oval form, the teapot with fluted domed cover, canopy finial and angular ebonised handle, height of teapot 4.5in. (11.5cm), the teapot and milk jug marked for Sheffield 1905 and 1906, maker's Fordham & Faullkner, the two handled sugar bowl marked for London 1911, maker's mark of Charles Boynton & Sons, 12.50oz. approx.
A George III mustard pot of oval form decorated with a oak leaf and acorn band above a leaf cartouche, engraved initials, hinged domed cover with ball finial and scallop shell thumb piece, angular handle, fluted border, clear glass liner, 3.25in. (8.5cm), by George Fenwick, Edinburgh 1811, 5.5oz; early 19th Century Newcastle mustard spoon, by John Walton. See lot 1637 for illustration.
A late Victorian embossed three piece bachelor's tea service each piece of squat circular form, profusely decorated with foliated scrolls around vacant cartouche, crimped borders, the teapot with domed cover and ebonised finial, ebonised scroll work handle, on ball feet, height of teapot 4.75in. (12cm), Sheffield 1899, 21.5oz. See lot 1637 for illustration.
A George IV embossed teapot of squat circular form, profusely chased and engraved with acanthus leaf and floral decoration, the domed cover with fruiting flower finial, scroll work handle with ivory inserts on foliate design spreading feet, 5.5in. (14cm) high, by Eames & Barnard, London 1822, 24.5oz. See lot 1662 for illustration.
A 1796 pattern infantry officer's sword, the gilt brass hilt comprising neo-classical urn shaped pommel, knuckle bow and short quillon with acanthus leaf finial, wire-bound grip and folding shell-guard, the blued steel blade engraved with gilding, complete with brass mounted leather scabbard (all in poor condition).

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