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Lot 227
A German silver commemorative spoon, by Neresheimer of Hanau, with import marks for Chester 1903, importer's mark of Berthold Muller, heart shaped bowl with foliate decoration, the finial with Admiral Lord Nelson standing on a pillar, with traces of gilding, length 26.4cm, approx. weight 4.5oz.
Lot 275
A matched silver canteen for six, by Mappin and Webb, Sheffield various dates 1959-1962, the terminals with a foliate finial, comprising: six table forks, six dessert forks, six dessert spoons, six soup spoons, six cake forks, six fish knives and forks, (hollow handles), six table knives, six dessert knives, two tablespoons and three teaspoons, approx. weighable 79oz. (qty)
Lot 383
λA pair of Norwegian silver two-light candelabra, by David Andersen, Oslo circa 1920, tapering fluted circular columns, the scroll arms each supporting a plain urn finial, on a raised circular foot, one a.f, height 26.5cm, plus a three-piece bachelor's coffee set, unmarked, probably French, baluster form, part-fluted decoration. (5)
Lot 389
A 19th century Portuguese silver toothpick holder, maker's mark of IPC script, Oporto 1843-53, baluster form, with a pineapple finial, pierced with holes for toothpicks, on a square base on four paw feet, height 17cm, plus a 19th century Dutch silver table bell, shaped form, engraved decoration, electroplated lining, the baluster handle a.f, approx. weighable 7.4oz.
Lot 439
A Scottish silver kettle-on-stand and a tea caddy, by Aird, Thomson & McKeller, Glasgow 1914, panelled oblong form, wooden insulators, on four scroll feet, the stand of similar form, on four scroll legs and with a burner, the caddy with a fluted finial, height of kettle-on-stand 30cm, approx. weight 51oz. (2)
Lot 46
λA mixed lot, comprising silver items: a Victorian mustard pot, by J and J Angell, London 1844, pierced octagonal form, plus two pierced salt cellars, four toast racks, a single salt cellar, a mustard pot, and a pepper mill, plus electroplated items: a watering can, an inkwell, a hot water pot, with an ivory finial, a pair of shell dishes, a biscuit box, a slice, and a set of fish eaters, approx. weighable 18.5oz. (qty)
Lot 466
λA matched three-piece Victorian silver tea set, the teapot by Heath and Middleton, London 1885, the cream and sugar by William Leuchars, London 1886, in the naturalistic manner, the teapot of circular form, spot hammered decoration, the scroll handle with ivory insulators, the hinged cover with a flower finial, on three slender feet, the cream and sugar of similar design, length handle to spout 21.5cm, approx. weight 16.5oz. (3)
Lot 470
λBy Leslie Durbin, a modern three-piece silver coffee set and matching sugar spoon, London 1968, the spoon 1954, the coffee pot of slender baluster form, spot-hammered decoration, the scroll handle with ivory insulators, the hinged cover with a carved elongated ivory finial, on a circular foot, height of coffee pot 25cm, approx. weight 32.5oz. (4) This lot is sold with an Article 10 certificate dated 29 April 2019. Certificate number 579854/01.
Lot 472
λBy Tiffany and Co, a 19th century silver and mixed metals mokume tea caddy, Edward Moore period 1873-1891, circular form, with silver, copper and oxidised silver wood-grain decoration, the pull-off cover with a carved ivory okimono finial of playful Japanese figures, mounted on a silver rug, with a turned up corner, the body with a plain silver band with chased foliate motifs, on four silver bracket feet, gilded interior, the underside of the base with a monogram, for Mary Jane Morgan, diameter 11.2cm, height 13cm, approx. weight 17oz. Provenance: Mary Jane Morgan 1823-1885, and then by family descent to the current owner. Mary Jane Morgan was a fine and decorative arts collector. She was the second wife of Charles Morgan, a shipping, railroad and iron magnate, and was the cousin of J. Pierpoint Morgan. After her death, her collection was auctioned in 1886 by Thomas E. Kirby, via the American Art Galleries at New York's Chickering Hall. The sale was a ten day event and totalled over $1,200,000. The paintings alone took three days, and the Asian Art took place over two days. A similar tea canister to this lot was sold in this auction, lot 710, described as 'Tea Canister, illustrating Japanese difficult workmanship in metals of 'Moku-me' or veins in wood, ivory Qilin surmounting cover, gold lined. Charles Moore introduced the Japanese metal work technique Mokume, of simulating wood grain, to Tiffany in the 1880's and in 1889 Tiffany produced a large vase for the Paris Exhibition, which is now in The Cooper Hewitt Smithsonian Design Museum.
Lot 668
λA three-piece George III silver tea set, by Urquhart and Hart, London 1807 and 1808, oblong form, gadroon border, scroll handle with ivory insulators, fluted decoration, reeded girdle, on four ball feet, the finial with traces of gilding, length handle to spout 27.5cm, approx. weight 36.5oz. (3)
Lot 69
λA mixed lot of silver condiments, comprising: a Victorian silver-mounted glass pepper mill, the handle with an ivory finial, London 1889, plus a George III pepper pot, London 1813, later decoration, plus a mustard pot, two pepper pots, a condiment spoon and a salt cellar, approx. weight 9.9oz. (7)
Lot 722
λA George IV silver coffee pot and teapot, by Paul Storr, London 1826, baluster form, leaf capped scroll handles with ivory insulators, leaf and scroll capped spouts, the hinged covers with an unmarked crest finial, the bodies with an armorial within foliate mantling, on three leaf capped scroll feet, height of coffee pot 25.5cm, approx. weight 57.5oz. (2) The arms are those of Vincent impaling Norreys/Norris. The finial crest is that of Vincent.
Lot 733
AN EARLY 19TH CENTURY WHITE SALTGLAZE TEAPOT, of oval form, the cover with scrolled finial, the teapot decorated with two panels of classical scenes, blue line decoration, height approximately 14cm, together with a 20th Century chestnut basket and stand in late 18th Century style (3) (condition: teapot lid has a crack and chips to the inner rim, the spout has two small chips to the underside and a small amount of paint loss to blue lines)
Lot 1656
AN EARLY 19TH CENTURY OAK AND MAHOGANY BANDED LONGCASE CLOCK, the broken swan neck pediment with brass sphere finial to centre, the hood with fluted columns, painted 13 1/2'' / 34cm dial, dial with floral spandrels, lunar phase mechanism date aperture, Arabic numerals, named 'W. Edwards, Bishops Castle', shaped trunk door with shell paterae, flanked by quarter columns with brass caps and castors, the plinth with shell paterae, on bracket feet, overall height 225cm, replacement winding key, key for trunk door, pendulum and weights (condition: repainting to areas of the dial, dial probably matched to case)
Lot 233
A GEORGE V SILVER CIBORIUM, pull off cover with hinged cross finial, dented foot rim, makers Art & Book Company, London 1915, 5.1ozt, 159 grams, together with a silver plated ciborium with silver gilt pull out holder, a pair of Victorian silver napkin rings, two Victorian silver Fiddle pattern dessert spoons, other ecclesiastical items, etc (parcel)
Lot 637
~ A Late 17th Century Brass Striking Lantern Clock, signed John Knibb, Oxon, circa 1690, four posted lantern frame case, pierced floral pattern frets, latched side doors, turned feet, 6-1/2-inch chapter ring signed John Knibb, Oxon, dial centre with engraved scroll decoration, central alarm disc, blued steel hand, two train movement with a verge escapement and countwheel striking on a top mounted bell, (alarm train is missing) but a vestige of the alarm train visible outside the backplate, hoop and spikes, bob pendulum, 33cm high see illustrations John Knibb (1650-1722) was a member of the famous Knibb family of clockmakers, and was the younger brother of Joseph Knibb (1640-1721). John worked as apprentice to Joseph in Oxford c.1664 and they were clockmakers to Kings Charles II and James II. When Joseph later moved to London, John took charge of the Oxford business and received the Freedom of the City in 1673. In 1700 he was made the Mayor of Oxford. He made many fine and complicated examples on his own, as well as with Joseph. Examples of his work are in collections such as the Wertherfield Collection and the Guildhall Museum. 06.06.19. Top finial is missing, three of the top corner finials have old signs of solder repair marks, front bottom left hand side foot with an old sign of solder repair mark, brass surfaces are all faded and nicely aged, side doors are possibly later, chapter ring numerals with some wax missing in parts and also on the alarm disc numerals, movement is dirty, alarm work is missing but a vestige of the alarm train is visible outside the backplate, movement needs cleaning, weight is missing.
Lot 640
~ A George III Mahogany Striking Table Clock, signed Thompson, Darlington, circa 1800, inverted bell top with carrying handle, side sound frets and pull repeat cord, 8-inch arched painted dial, floral painted corners, arch with swag decoration and signed Thompson Darlington, twin fusee movement with an anchor escapement and striking on a bell, 52cm high over handle see illustration 05.06.19. Case slightly faded in parts, pediment with finials missing and the finial holes are now filled, front door escutcheon and the lock plate are later, side fret with pieces of wood missing, recessed side panels are later, front with one chip next to the lock, later feet, movement backplate with scratches and slightly discoloured, movement in going order.
Lot 152
A George III Silver Three Piece Tea Service, Michael Starkey, London 1809/10, rounded rectangular and part fluted, with gadroon rim and foliate capped handles, engraved with initials, the teapot 25cm long, 37.5ozt (3) The marks on the teapot and the cream-jug are clear. There is some wear to the marks on the sugar-bowl. There is some surface scratching and wear, consistent with age and use. The finial on the teapot is bruised and doesn't sit flat. There is some bruising to the ball feet and some have probably been reattached. There have possibly been some repairs to the fluting on the teapot. The ivory insulators have some discolouration and minor cracks.
Lot 154
A Pair of George III Silver Twin-Handled Sauce Tureens and Covers, Robert Hennell, London 1783, oval with bead borders on pedestal foot, with all over ermine style decoration, bright engraved borders and reserves, engraved with a crest of a lion's gamb, out of a coronet, holding ostrich feathers, 23cm wide, over handles, 32.5ozt (2). Clear marks to underside of foot, covers part marked with makers mark and lion passant. Repair to junctions of handles on one example. No apparent erasures or thinning. Cover to one example not sitting in properly and one finial leaning slightly.
Lot 164
A Victorian Silver Four Piece Tea and Coffee Service, A B Savory & Sons (marks of both Joseph & Albert Savory and William Smily), London 1853/56, of waisted circular form with spreading base, scroll borders and foliate engraving, the teapot with China man finial, the coffee pot with Arab finial, the coffee pot with later inscription Presented to Mr B Harper, as a mark of esteem by the inhabitants of Norton and the Division of Buckrose, East Riding, 1870, this and the remaining pieces initialled BH, the coffee pot 25.5cm high, 72.9ozt (4)
Lot 176
A William IV Silver Teapot, Charles Fox, London 1830, squat circular melon fluted form with foliate embellishments, the hinged cover with melon finial, on shell bracket feet, 31cm long, 25.8ozt . Clear marks to underside, the handle, cover, finial and wing nut all part marked. Pin to upper junction of handle lacking and repair of both handle junctions. Ivory insulators. Some small sideways play in the cover and some light bruising to body. There is an uneven area on one side, perhaps the result of an erasure.
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116061 item(s)/page