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Click here to subscribeArt Nouveau Pewter Oil Lamp in the style of an `Aladdins Lamp` on a tall narrow stem with flared base, the oil reservoir and base with raised design of soap plant with fruit pods and stalks, the lighter finial is also pewter, 10 inches high overall, marked to base Kayserzinn 4439, in oval cartouche. Similar Designs By Joseph Maria Olbrich, (Art Nouveau And Art Deco Lamps And Candlesticks Page 115)
White Metal, Wood and Gilded Brass Oriental hand held temple bell, stylised artichoke and crown finial to a tapering octagonal stem and cup shaped bowl. 9¾ inches long. Also a small (2 inches diameter) silver oriental bowl worked in relief with foliate images. The whole to a short spreading foot
Two Silver Arts and Crafts Sifters. 1/ A Bernard Cuzner Sifter With an Oval Bowl and Leaf Shaped and Round Piercing`s. Stylised Shell Bowl Joint and Wheat Shaped Finial. Hallmarked For Birmingham 1915. Partial Makers Mark. 2/ A Bowl With Elongated and Round Piercings to a Partially Ribbed Handle and Pointed Finial, Hallmarked for Birmingham 1902. Maker William Hutton and Sons.
A George III silver oval tea pot, possibly by John Robins, London 1800, with a reeded border, a composition finial and handle and engraved with monograms, 28cm (11in) long, 503g (16 oz) gross. Similar marks registered to James Reasey (October 1769), John Robert (October 1795) and John Rotton (March 1797) Visit www.dnfa.com for condition reports
A Satsuma earthenware koro and cover, Meiji/Taisho period (1868-1926), of globular form, painted with panels of warriors and dignitaries, raised on three supports in the form of boys, the neck set with a pair of dragon handles, the pierced cover with shishi finial, overall height 33cm., chip, a.f.
A late 19th/early 20th century French gilt brass clock garniture, the clock with eight day movement striking on a single gong, the brass dial with Roman numerals, the elaborate brass case of architectural form, the domed top with urn finial and cast floral festoons, height 59 cm, with two pendulums and key, together with a pair of garniture urns en-suite, (3).
An Early 19th Century Flintlock Pocket Pistol, the 8cm octagonal steel barrel with Birmingham proof marks, the tang engraved with leaf tips, the lock plate stamped H Nock, with slide safety, full walnut stock with chequered bag butt, steel trigger guard engraved with a martial trophy and with acanthus bud finial with steel ramrod (some damage to butt)
An Early 19th Century Flintlock Overcoat Pistol by Conway, Manchester, the 13cm octagonal steel barrel signed and with Birmingham proof marks, with a sprung top bayonet with fullered triangular section blade and slide securing lever, walnut full stock with chequered bag butt, steel trigger guard with acanthus bud finial (damaged and lacking ramrod)
A Late 18th Century Spanish Flintlock Holster Pistol, the 33.5cm steel barrel with foliate raised and chased decoration at the breech, foliate engraved cock and lock plate, the full walnut stock with chequered grip and mock ramrod, brass trigger guard with urn finial, spurred butt cap with lion mask pommel, and pierced foliate back plate; a Similar Holster Pistol, the 30cm steel barrel engraved with a mask at the breech, the full walnut stock carved with leaves and tendrils, steel furniture, white metal spurred butt cap with domed leaf chased pommel, the grip inlaid with silver tendrils (2-some damage)
A Victorian Cast Iron Cannonade, the 90cm barrel with triple stepped and ringed muzzle, ogee stepped cascobel with curved bar and ball finial, on an iron carriage, the side plates each cast with a shield and foliage flanked by two rings, with iron wheels, 114cm long overall, 59cm high, possibly by the Falkirk Foundry. **Purchased by the vendor`s father in 1929 at a house sale belonging to the family of Bailey and Leetham, Ship Owners, Hull
A LATE 18TH CENTURY WILSON CREAMWARE URN AND COVER on a square pedestal foot, the urn painted with sparse brown leaf banding, the domed cover with similar decoration and urn finial, the base impressed Wilson, probably Robert Wilson, Church Works, Hanley, Staffordshire, 1795-1801, ref. Godden no. 4197, 10". See illustration
A PAIR OF COALPORT TYPE VASES AND COVER of double gourd form, on pedestal foot, with gilt mask pierced side handles and spool shaped neck surmounted by a pierced entwined dolphin frieze hung with pendant gilt bells, the domed cover with "Dog of Fo" finial, the cream ground painted with exotic birds in a landscape, 14½". See illustration
A SEVRES STYLE VASE AND COVER, the ovoid body on a pedestal foot with gilt leaf moulded swags, painted with oval portraits of "Mme Victoire" and "Mme Elisabeth", on a "bleu celeste" ground, painted with polychrome floral sprays, highlighted with gilding, the domed cover with knop finial, the base inscribed in gilt and painted blue mark, 12". See illustration
A PAIR OF SEVRES STYLE PORCELAIN AND ORMOLU PEDESTAL VASES AND COVERS, the vases painted with an arcadian view of lovers holding a caged bird in a landscape setting, within a jewelled border with a cartouche of flowers to the reverse on a "bleu celeste" ground, mounted with ormolu satyrs mask side handles, pedestal base and domed cover with pineapple finial, 10½". See illustration
A PAIR OF SEVRES STYLE PORCELAIN AND ORMOLU VASES AND COVERS, the "bleu-de-roi" ground with applied floral swag and ribbon-tie ormolu mounts and with gilt musical trophies within a cartouche, on a pedestal base, with acanthus leaf double scroll side handles, gadrooned rim and domed cover with pineapple finial, blue painted "Sevres" mark, 16¾". See illustration
A SEVRES STYLE PORCELAIN AND "ORMOLU" VASE AND COVER of tapering ovoid form with a "bleu-de-roi" ground and gilt shell and vitruvian scroll border enclosing a cartouche painted with lovers, in the manner of Watteau, with "ormolu" female mask mounts, the domed cover with pineapple finial, blue painted mark, 21½". See illustration
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