A 19th Century Round Trumpet Shaped Spill Vase, on green and yellow ground having hand painted floral and leaf decoration (restored), a 19th century Staffordshire figure of a seated spaniel on scalloped base, 8.5cm wide, a modern oriental blanc-de-chine figure of a lady, a china teapot having multicoloured rose and leaf decoration (finial a/f and chipped), a china dwarf candlestick having rose decoration, a small bulbous trumpet shaped spill vase having rose decoration, and a china tea bowl having gilt decoration (7)
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A hallmarked silver trophy on ebonised base, Birmingham 1927 (engraved), a small plated trophy (handle detached), a boxed hammered silver replica of a late 4th century Roman silver spoon, Deakin & Francis, Birmingham 1978, a spoon with crown finial, two 800 grade spoons and three silver and enamel souvenir spoons (9).
A Chinese export silver coloured ovoid pedestal ewer or claret jug, possibly altered from a vase, third quarter 19th century, maker's mark 'S.M.', the domed cover with a leaf and bud finial, the leaf-capped high scroll handle chased with flowers and scrolls, a broad band pierced and chased with birds, flowers, foliage and fruit, a snake entwining the base, on a circular foot chased with a lappet band, 34cm (13.25in) high, 1030g (33 oz) (the cover hinge now detached). Visit www.dnfa.com for condition reports.
A silver twin handled trophy cup and cover, maker's mark erased, Sheffield 1906, the figural finial emblematic of Victory, the loop handles leaf-capped, with a vacant wreath bordered reserve, fruiting vine band and acanthus and foliate fronds, on a circular moulded foot with an acanthus band, 54.5cm (21.5in) high, 2379g (76.5 oz), with an ebonised socle. Visit www.dnfa.com for condition reports.
A George II silver circular wax jack, maker's mark 'CN', London 1755, with a turned finial, a scroll scissor-action holder with a divided circular pan, a plain column, a gadroon bordered openwork circular base, on three ball-and- claw feet, engraved with a crest, 14.5cm (5.75in) high, 173g (5.5 oz). See Grimwade 3506. The crest of PARKHURST of Guildford, Surrey. Visit www.dnfa.com for condition reports.
A George III silver circular wax jack, maker's mark gothic 'SW', London 1777, with a turned finial, a scroll scissor- action holder with a divided circular pan, a plain column, a spreading circular base and a leaf-capped scroll handle, 15cm (6in) high, 183g (5.75 oz). See Grimwade 3807 where attributed to Samuel Wheat or White. Visit www.dnfa.com for condition reports.
A George III silver hexagonal wax jack, possibly William Cox III, London 1783, with a ball finial, a scroll scissor- action holder with a divided circular pan, a plain column, a pierced gadroon bordered hexagonal base, a leaf- capped scroll handle and three ball-and-claw feet, 13cm (5.25in) high, 150g (4.75 oz). See Grimwade 3054. Visit www.dnfa.com for condition reports.
A George III silver circular wax jack by Burrage Davenport, London 1779, with an acorn finial, a scissor-action holder with a divided circular beaded pan, a plain column and a bead outlined circular base with a scroll handle, engraved with an earl's coronet and crest, 14.5cm (5.75in) high, 182g (5.75 oz). Visit www.dnfa.com for condition reports.
A George III silver circular wax jack, probably by John Hutson, London 1788, with a cone finial, a scissor-action holder with a divided circular pan, a plain column and a circular base with a reeded border and a scroll handle,15cm (6in) high, 156g (4.75 oz). Visit www.dnfa.com for condition reports.
An Art Deco silver pedestal trophy cup and cover by S. Blanckensee & Son Ltd, Chester 1934, the twin flat handles with stepped brackets, a spherical body on hexagonal stem and a conical base, 36cm (14in) high overall, 934g (30 oz) of silver (the associated white alloy detachable finial unmarked). Visit www.dnfa.com for condition reports.
A pair of Coalport vases and covers, late 19th/ early 20th century, shape number Min 130 and decorated with oval vignettes of landscape views against a green ground within pattern V5327, with applied gilt rams head handles, the cover with pineapple finial, green printed mark and gilt numbered, 18cm high (2)
A French ormolu mantel clock by F L Hausburg, Paris, No. 3970, the clock in the Gothic taste with porcelain panels, the 3¢ inch enamel dial with ring of Roman numerals, the case of hexagonal Gothic form with flame finial over fluted side pilasters on a hexagonal spreading foot and beaded scrolling Heraldic side feet, 31cm high
A GEORGIAN SUGAR VASE, maker's mark C.M., London 1773, of urn form, the fluted cover with acorn finial, the body of urn form, the fluted cover with acorn finial, the body embossed with ribbon tied drapes and tassels over stiff leaf banding, engraved crest, fluted socle and square base with leaf tipped moulding on ball feet, 18" high, 9ozs 1dwt
A VIENNA ENAMEL BOX, 19th century, in the form of an egg, the lid with enamelled and silver gilt eagle finial, painted with panels depicting figures at leisure, on a turquoise foliate scroll ground, raised on three monopodia silver gilt figures with lion paw feet, impressed H.R. mark (possibly Hermann BShm) date letter for 1866, 5 1/4" high
A late George III mahogany longcase clock, with an eight day movement striking on a bell and a 12 inch painted dial with subsidiary seconds dial, inscribed 'COX, DEVIZES', the arch with a moon phase painted a rural landscape and a view to sea, the case with a broken swan neck pediment and ball and spire brass finial above a dental arch on corinthian column capped columns, the rectangular trunk door with stringing and crossbanding, the base on backet feet, 93.5in (237.5cm) h.
A Victorian Coffee Pot of waisted baluster form, the hinged and domed cover with detachable floral finial, and further applied "C" scroll handle, raised on scrolling apron base with all over engraved floral foliate and "C" scroll decoration to a vacant cartouche, height 9", weight 27 ozs, London 1844, Markers Mark John James Keith, together with a similarly decorated electroplated Milk Jug, (2)
An Elizabeth II three-piece Coffee Set comprising: Coffee Pot, Sugar Basin and Milk Jug, each of plain polished baluster form, with hinged and domed cover with finial and acanthus leaf spout, all raised on spreading circular bases with gadrooned borders, weight combined 51 ozs all in, London 1963, Makers Mark RC, (3)
A late 19th Century Oak cased "Admiral Fitzroys Barometer", the lancet shaped case with scrolling foliate finial, to a single glazed front and plinth base, set with twin vernier adjusters, and backed with a paper dial, with scale of 27 to 31, with a visible tube and a further atmospheric tube and single scale mercury thermometer, height 46"
A early 20th Century gilt metal mounted and green Onyx Clock Garniture, the plinth shaped case with applied dome and finial, to a stepped base and raised on floral scrolling bracket feet, to a 3" Arabic enamel dial, and circular Brass movement with anchor escapement and strike on a coiled gong, together with a pair of matching urn shaped side pieces, (3)
A second quarter of the 19th Century Mahogany cased 8 day Long Case Clock, John Benham of Cullompton, the hood with swan-neck pediment centred with a globe and spoke finial, over ring turned freestanding columns, over an ogee throat and short trunk door, flanked by canted corners, to a plinth base on bracket feet, to a 12" square painted dial, with painted and gilt highlighted floral spandrels, enclosing a Roman chapter ring, with outside minute track and enclosing subsidiary seconds and date sector, with unusual pierced and stamped crown hour hand and flying bird mounted minute hand, to a false plate and movement with shoulder plates united by four knopped pillars and anchor escapement, strike on a bell, height 81"
A late 19th Century Rosewood Mirror backed Sideboard, the swan neck pediment with central urn finial over three mirror panels, the lower section fitted with frieze drawer over panelled doors enclosing cupboard, flanked on either side by open shelving, profusely inlaid throughout with neo-classical designs, 53" wide

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116099 item(s)/page