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Click here to subscribeA George III silver warming dish stand and a two-handled chafing dish, the stand by Abraham Peterson and Peter Podio, London 1784, the dish with maker`s mark worn, London 1767, circular wirework frame, with an oval burner, the dish of circular form, plain side handles, ivory finial a.f, engraved with a crest and motto, gadroon border, approx. total weight 48oz. (2) The motto is recorded for Smith.
A George III silver-gilt horse racing trophy cup and cover, by Matthew Boulton, Birmingham 1820, the finial, by William Eley, London, campana form, heavily embossed with foliate decoration, and applied with a trailing grape-vine girdle, Bacchus mask mounted fluted side handles, on a raised circular foot, with a laurel leaf border, the domed fluted cover with a horse finial, height 40.5cm, approx. weight 120oz. provenance: Purchased Sotheby`s Sporting Sale, November 2002.
A George III silver teapot and stand, by Henry Chawner, London 1792, shaped rectangular form, with an upper and lower engraved foliate scroll border, flush hinged domed cover with a stained green ivory pineapple finial, the stand on four bracket feet, monogrammed, length handle to spout 26.5cm, approx. weight 22oz. (2)
A George III silver coffee pot, maker`s mark A.K, struck thrice, possibly Irish circa 1760, baluster form, scroll handle, domed hinged cover with a later rampant lion finial, chased foliate decoration with a Chinoiserie figure, birds, a cherub, and foliate scroll decoration, on a raised circular foot, height 32cm, approx. weight 40oz. Provenance: purchased from Christie`s King Street, Fine Silver, 23 may 1990, lot 140.
A small 17th century silver bodkin, unmarked, tapering form, with a slot and eye finial, scratch initialled `H.R.B`, engraved decoration, length 6.9cm, plus a late 18th century silver bodkin, unmarked, circa 1795, plain tapering form, with an eye and slot, length 10.5cm, approx. total weight 0.2oz. (2) One was purchased from Shredds, 17 January 1985.
A George III ormolu mounted mahogany Bracket Clock signed John Taylor, London, the rectangular case with swept caddy top with applied floriate swag decoration decoration surmounted by a flambe urn finial flanked by scrolling side pieces, the chamfered corners with caryatid and scroll and floral pendant mounts surmounted by floriate acorn finials, the sides with drop oval handles above foliate C scroll rectangular sound frets, on a moulded plinth base with applied winged cartouche cast apron mounts on acanthus scroll feet, the seven and half inch brass arched dial with rococo spandrels, silvered Roman and Arabic chapter ring with single date aperture, strike/silent subsidiary to the arch, matted centre with recessed signed silvered cartouche and pierced steel hands, the twin gut fusee movement with foliate scroll and floral basket engraved backplate, the verge escapement striking on a bell, with repeater cord 64cm high, 34cm wide, 25cm deep approximately In good original condition commensurate with age, the movement untested but appearing to be in good original condition, the repeater cord now broken. View on auctionatrium.com
19th Century Steel Sewing Clamp And Pin Cushion with heart shaped finial to the screw, and feathered decoration to the steel, 16cms; Skirt Lifter with the stopper modelled as a basket of flowers, 14cms; 19th Century Ivory Clamp carved with figures and foliate motifs, 8cms; 19th Century Pin Cushion modelled as a pedestal urn with ring handles with painted floral design and `forget me not` (4).
19th Century Mahogany Sewing Stand with four bobbin holders, Charles Horner silver thimble on stand, acorn shaped finial, two bodkin holders and a central pedestal pin cushion on a stand of rectangular form with a single drawer on four ball feet, 29 cms by 17 cms by 10cms; Wicker Double Hinged Sewing Basket with a blue silk padded lining and brass carrying handle, 22cms by 13 cms by 15cms (2).
Two 19th Century Steel Sewing Clamps With Pin Cushion Tops, one with heart shaped finial screw, 12 cms and the other with a `gripper`, 15 cms; Cylindrical Treen Clamp with a pin cushion top and picture of a 19th century seafront view with figures, 10 cms; and Two Skirt Lifters an brass example bearing a registration mark and a diamond shaped stopper 14 cms, and the other stamped Patent Surprise 8 cms (5).
A Victorian Hallmarked Silver Diamond Jubilee Commemorative Pepperette, J.G., London 1897, modelled as a covered hexagonal font in the Gothic style with fleur de lys style decoration, bearing Queen Victoria’s cypher, flanked by the date 1837-1897 (one finial bead missing); Together with a Salt Spoon, with crested finial “SAL SAPIT OMNIA” (Salt Seasons Everything). (2).
A satinwood veneered miniature bureau de dame in the Georgian taste, the dome topped mirror with fretwork finial above a cross-banded sloping fall enclosing four serpentine drawers above a shaped single drawer of triple concave form, flanked by two lopers and two side candle stands raised on square chamfered and moulded supports (ILLUSTRATED)
ROYAL WORCESTER VASE & COVER - SIGNED painted with fruit in a central panel, against a green ground and rich gilded decoration. With handles in the form of dragons and a domed top lid with gilded finial. Signed, Hawkins and marked Royal Worcester, England. 16 1/2ins (42cms) high *William A Hawkins was for many years the foreman of the men`s painters department. He specialised in still lifes and portrait and figure subjects.
A pair of silver rimmed cut glass salts, with two silver salt spoons, cased, a set of six teaspoons, with ship finials, detailed 800, a larger spoon with a ship finial, a silver spoon commemorating The 1937 Coronation, three silver condiment spoons, a silver sugar sifting spoon, with a figure terminal, a pair of silver salts, Birmingham 1887 and a silver curved rectangular cigarette case, Birmingham 1917.
A copper-bronze and metal inlaid matched garniture, late 19th century, probably Chinese, all pieces with reserves of figures on horseback or on boats inlaid in mixed metals, comprising a censer cover and stand with horned beast head and thunder cloud handles, the domed cover with Buddhist lion-dog and ball finial, on three beast shaped legs, with lobed triform stand, 34.5cm high and a pair of vases, each of ovoid from with looped handles to the dragon cast and chased shoulder, flanked by bas-relief shou characters, on a pedestal foot, 24cm high
A Chinese sancai-glazed biscuit tripod censer and cover, Kangxi seal mark but late 19th century, the compressed globular double-walled body reticulated and incised with taotie masks, lotus flowers and leaf scroll, with ruyi-head and key fret pattern borders, on three mythical beast head feet, the domed cover with Buddhist lion finial, 40cm high
Two Chinese Tea Bowls and Saucers, each of octagonal form and decorated in underglaze blue with compartmentalised designs; a further small famille verte Baluster Vase; one other small Baluster Vase decorated in underglaze blue; a further Tea Bowl and Saucer; and a further Chinese Cover with a temple dog finial; and a small circular Bowl (rim chips etc, conditions vary throughout)
A second half of the 20th Century Italian Clock Garniture, Zanardi, the large shaped case surmounted by an urn-shaped finial over cockerel head mounts and further finials, to a waisted base and flanked by satyrs each holding a detached fruiting vine garland, to a marble plinth and raised on a further cast base on splayed paw feet, to a glazed bezel enclosing a 3 ½” Roman and Arabic enamel dial, with pierced black hands, to a circular brass movement with strike on two bells, height 24”; and flanked by two similarly decorated seven light Candelabrum (3)
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