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Lot 12
AN INDIAN-COLONIAL ENGRAVED IVORY WORK BOX, VIZAGAPATAM, CIRCA 1830 sarcophagus shaped, with lobed button finial above a raised lobed top and foliate borders, the sides with scroll foliate decoration, on silver foliate chased volute feet, the sandalwood interior with hinged panel to the lid and a lift-out tray fitted with compartments and four ivory covers -- 32cm wide
Lot 24
A LOUIS XVI STYLE ORMOLU AND SEVRES STYLE PORCELAIN MANTEL CLOCK, FRENCH, LATE 19TH CENTURY of domed form surmounted by a portrait oval of Marie Antoinette with floral finial and swags, the jewelled panels painted with landscapes, butterflies, cherubs and maidens, on toupie feet, eight day bell striking movement, complete with pendulum and key -- 50cm high
Lot 68
A GEORGE III SILVER MATCHED THREE-PIECE TEA SET, THE TEAPOT JOSEPH FELIX PODIO, THE MILK JUG AND SUGAR BOWL RICHARD COOKE, ALL LONDON, 1807 compressed circular, crested above a band of lobes -- 1326gr (42oz) including ivory finial and later replacement handle to teapot (3) The crest is that of Cook.
Lot 92
AN EDWARDIAN SCOTTISH SILVER FREEDOM CASKET PRESENTED TO THE PRIME MINISTER HERBERT ASQUITH, BROOK & SON, EDINBURGH, 1909 the bombé case with foliage, rocaille and diaperwork panels surrounding one cartouche engraved with the city`s arms within the banner `Sigillum Comune Burgi de Edinburgh`, the cartouche to the reverse inscribed `TO MY FRIEND / ALBERT LEVY / FROM / OXFORD & ASQUITH`, the domed rectangular lid similarly decorated around the presentation inscription and below a bud finial, the interior stamped `MANUFACTURED BY BROOK & SON. GOLDSMITHS TO THE KING. 87 GEORGE STREET EDINBURGH.`; complete with original vellum Freedom document (or `Burgess Ticket`) admitting and receiving `...The Right Honourable / HERBERT HENRY ASQUITH / K.C., M.P., / a Burgess and Guild Brother of the City...` -- casket 25.5cm wide, 1641gr (52oz) including blue velvet lining The presentation inscription to the lid reads: Presented by the Corporation of Edinburgh along with the Burgess Ticket conferring the Freedom of the City on the Right Honourable Herbert Henry Asquith, Prime Minister of Great Britain, 20th December 1910. The Right Honourable William Slater Brown, Lord Provost. Herbert Henry Asquith (1852-1958), following a training in the law, started his political career as a Liberal MP for East Fife. Following a stint as Gladstone`s Home Secretary and a decade during which the Liberals were out of power, he became Chancellor of the Exchequer in 1906. Upon Campbell-Bannerman`s resignation (and swiftly subsequent death) in 1908 he became Prime Minister. Famous for ambitious social welfare legislation, building up the Royal Navy and ending the House of Lords` veto, he resigned in 1916, partly as a result of the failure to make progress in the war and because of Lloyd George`s intrigues against him. Never holding office again, he accepted a peerage as Earl of Oxford in 1925, dying three years later.
Lot 201
A large Victorian electroplate tea kettle on warmer stand, by G R Collis & Co, the kettle of oval tapered form, concave fluted and star engraved below a flush hinged cover with the figure of a seated Chinaman as a finial below an insulated scroll handle, all relating on an oval base with four gryphon and claw feet supporting a central spirit lamp disguised by a pierced frieze, 41cm high.
Lot 205
A George III Old Sheffield plate tea urn, of rounded rectangular shape with two outsize lion mask and ring handles, supported on Egyptian mask headed fluted supports with paw feet, containing a removable frog, the cover with a crescent finial, an applied silver cartouche to the upper body, London 1807, 29cm high.
Lot 247
An Edwardian silver bowl, by Sidney Bellamy Harman, London 1903, circular with everted edge and raised on a moulded foot ring, inscribed `J C G Francis from his Godfather T W A Frankland 16th October 1919`, 12cm diameter together with a circular butter dish cover by Robinson, Edkins and Aston, Birmingham 1843, the finial modelled as a reclining cow, 14cm diameter, 10oz (2).
Lot 249
A large Victorian silver covered ewer, by Robert Hennell III, London 1855, the cylindrical body embossed in deep relief with a mediaeval boar hunt above a compressed spreading foot, with heavy scrolled spout and insulated leaf capped scrolled handle below a hinged cover with hound finial, a cartouche to one side inscribed `Presented to R W Parmeter Esq as a mark of regard For Services Rendered during a Long Period in the Management of The Blickling Estate by William Schomberg Robert Marquis of Lothian 1857`, 33cm high, 59oz, cased.
Lot 303
A silver cafe au lait set, maker TER, London 1924, comprising a coffee pot of plain tapering cylindrical shape with moulded rim and foot, with hinged domed cover with bell finial and wooden scroll handle, 18cm high; together with the matching hot milk jug, 18cm high, the bodies of both pots inscribed "M & MHR from your Friends in the 9th Lancers", 27.5oz (2).
Lot 911
Good Edwardian walnut side cabinet by Jas Shoolbred & Co, the raised upper section fitted with an arcaded mirror recessed centre flanked by double glazed cupboard doors over a central carved panel flanked by bevelled mirrored panels, the lower section with central demi-lune recess over an arched bijouterie glazed central section over carved cupboard doors flanked by arched open recesses over square glazed cupboards, supported upon a stepped plinth and short turned feet, surmounted by a broken arched dentil cornice and urn finial, 57" wide
Lot 165
A large Royal Doulton stoneware dragon finial designed by Gilbert Bayes for the central pole the York Rise Estate, glazed in colours unmarked, minor firing faults, 69cm. high Literature Louise Irvine and Paul Atterbury Gilbert Bayes Sculptor 1872-1953, Richard Dennis Publications, page 171 for a detailed listing and illustrations of the various washing line post finials
Lot 645
A 19th century German faience jug, the pewter hinged cover with acorn finial, polychrome painted with a lake landscape, a woman feeding ducks, 23 cm, an 18th century German faience jar of waisted cylindrical form, polychrome painted with a vase of flowers and dated 1795, 21 cm and a 19th century German faience jug, polychrome painted with a sailor`s farewell to his sweetheart, inscribed `Vergis mein nicht, das ist mein biss`, with pewter foot-rim (3)
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116041 item(s)/page