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Click here to subscribeA Four-Piece George VI Silver Tea-Service, by James Dixon and Sons, Sheffield, 1938, each piece baluster and on four ball feet, comprising: a teapot; a hot-water jug, each with ebonised handle and finial; a cream-jug and a sugar-bowl, the hot-water jug 23.5cm high, gross weight 61oz 13dwt (4)
An Edward VII Silver Trophy-Cup, by Elkington and Co., Birmingham, 1908, tapering and on spreading foot with gadrooned with reeded scroll handles, the detachable cover with gadrooned rim and fluted finial, later engraved with a presentation inscription, 51.5cm high, 146oz 6dwt The inscription reads 'Beverley Races 1951 The 66th Year of The Watt Memorial Plate Won by Royal Vale, Owner S. Baker, Esq Trainer R. A. Jones'
An Elizabeth II Silver Presentation Key, by Turner and Simpson, Birmingham, 1969, Number 247 of a Limited Edition of 1,000, Retailed by The Mayfair Coin Company, the finial cast on one side, the Prince of Wales' feather on the other with the investiture coronet, commemorating the birthday H.R.H Prince Charles, in fitted blue leather covered case and with certificate and outer cardboard box, the box 23cm wide, 3oz 8dwt
A Three-Piece Danish Silver Coffee-Service, by Georg Jensen, Copenhagen, With English Import Marks for London, 1927 and 1931, Designed by Georg Jensen, Pattern No. 80, each piece tapering, comprising: a coffee-pot and a cream-jug, each with ebony side handle and a sugar-bowl and cover, the sugar-bowl and the coffee-pot each with ebony or ebonised wood finial, engraved underneath with initials ''VB 1931', the coffee-pot 18cm high, gross weight 25oz 6dwt (3)
A Chinese Export Silver Canister and Cover, by Tuck Chang and Co., Shanghai, Late 19th/Early 20th Century, cylindrical and on slightly spreading base, the sides chased with foliage and flowers populated by birds, all on a matted ground, engraved with initials, with an overhead swing handle, the plain cover with ball finial, with an associated glass liner, 16cm high, weight of silver 6oz 4dwt
A LARGE AESTHETIC POTTERY JAR AND COVER, LATE 19TH CENTURY, the cylindrical jar with ogee shoulder and domed cover with pointed finial, enamel painted with cranes, bamboo and foliage, raised on a turquoise banded foot, highlighted with gilding, unmarked. 43cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Knop of cover re-stuck, some wear to gilding and paint work.
A CHINESE BLUE AND WHITE PORCELAIN VASE AND COVER, 19TH CENTURY, of baluster form with domed cover, painted with dragons chasing the flaming pearl, the cover with shishi finial, bears four character mark. 30cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Neck repaired, cover with hairline crack.
A CHINESE EXPORT PORCELAIN TEAPOT, LATE 18TH CENTURYEnamel painted with floral sprays and highlighted with gilding, the domed cover with moulded flower finial. 14.5cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Cover restored.Tint chip to tip of spout.
A CHINESE BLUE AND WHITE VASE AND COVER, 19TH CENTURY, of shouldered ovoid form with domed cover, densely painted with figures, foliage, birds and bats, the cover with shishi finial, bears four character mark. 32cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.No restoration or damage. In good condition.
A NEW HALL SUCRIERcirca 1800-10Oval, the cover with Prince of Wales Feathers finial, painted to pattern number 446 with underglaze blue branches, pale mushroom feathers and bunches of red grapes, with over-gilding, iron red pattern number to base.11.5cm high. 14cm long overall.Provenance:Purchased from Tim Olney, 23 November 2000.The absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Several hairline cracks. Some wear to the gilding.
AN ART NOUVEAU BRASS AND COLOURED GLASS FLOOR LANTERN, CIRCA 1900, the square canopy with pointed finial, raised on whiplash supports issuing from a frame hung to each side with mesh-type coloured and textured clear glass panels, the glass frames stamped HERARD PARIS, raised on splayed feet. 76cm highThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.A few glass squares missing and some cracked, the frame is slightly loose.
AN ELIZABETH I SILVER SEAL-TOP SPOON, by Nicholas Bartholomew, London 1595, fig-shaped bowl, faceted tapering stem, the finial with traces of gilding and prick-dot initials. 14.6cm, 1 troy ounceThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.A small pin head size blemish at the top of the steam. The prick-dot initials and steel-top are rubbed, no obvious sign of damage or repair, silver marks reasonably clear commensurate with age.
A GEORGE III SILVER CLARET JUG, by Hester Bateman, London 1779, urn-shaped, the plain body with beaded borders and engraved with a crest, the hinged cover with closed flower bud finial, ebonised C-scroll handle with acanthus leaf terminals. 31.5cm high overall, 24.9 troy ouncesThe absence of a Condition Report does not imply that a lot is without imperfections. Please note carefully the exclusion of liability for the condition of lots contained in the Conditions of Sale.Generally good condition.
A WEST YORKSHIRE BRASS-INLAID MAHOGANY EIGHT-DAY LONGCASE CLOCK, SIGNED HELLIWELL, LEEDS, the 14 1/2-inch break-arch dial painted in the arch with "The Asscension (sic)", Saints Matthew, Mark, Luke and John painted to each corner, subsidiary seconds dial and date calendar, the hood with break-arch pediment and brass eagle finial above turned columns, the case with ring-turned quarter columns flanking a moulded door with three-pointed top above a moulded panel, the base with conforming quarter columns flanking an octagonal fielded panel with reel moulded edge, raised on bracket feet flanking a shaped apron, complete with two weights, pendulum and winder. 254cm high
An antique 19th century gilt wood and gesso work pier mirror of rectangular tall form. The central mirror with Ionic type columns either side rising up to a flared pediment having ball finial dentil and lion mask embellishments flanking a central ebonised floral spray. Measures 73cm x 46cm x 8cm
Hago - A matched pair of vintage 20th Century space age sputnik hall coat stands in the manner of Hago, England. Each having a central tubular column centre with umbrella stand and round drip tray base to one, cross over stretcher base to the other. Both having coat hooks to the top with red finial tips. Measures 171 cm high.
A collection of silver plate including: a pair of entree-dishes and cover, with Celtic knot borders; a French small tureen and cover, with fruiting finial and leaf-cast handles; two sauceboats; two differing dishes with gadrooned borders, one by Odiot; and other items (two trays) CONDITION REPORT: Odiot dish is plated.
FRENCH SILVER GILT AND GLASS MOUNTED TWIN HANDLED URN, circa 1820, the domed cover with foliate wreath finial, the scrolled handles rising from avine terminals at the beaded rim and descending past the hobnail cut glass body to further beaded borders, enclosing repousse swans and foliage, the waisted stem on a square base with repousee foliate and stylised paw feet, 28cm high, 22cm wide
GEORGE III BLUEJOHN AND LATER GILT METAL MOUNTED URN, circa 1800 and later mounted, the ogee moulded shallow domed cover with everted rim, above a double reeded shoulder to the ovoid body; on a brass shaft above a domed base; the bluejohn 15cm high, 10.5cm diameter, the overall dimensions, 20cm high, 12cm diameter at the base; an ivory and olivewood mounted urn finial, 19th century, 15cm high; and a small quantity of further turned wood and metal urn finials
CONTINENTAL PATINATED BRONZE GROUP OF THE THREE GRACES, last quarter 19th century, portrayed as standing, adorsed and loosely draped overall; supporting an urn above their heads, with foliate cast and waisted finial, with three aegicrania supporting festoons and above dolphon feet; all atop a triform socle, 53cm high
CONTINENTAL GILT BRONZE TABLE LAMP IN RENAISSANCE REVIVAL TASTE, circa 1900, modelled as a ewer, with broad spout above a beaded, waisted and foliate cast neck, on an ovoid body relief cast with cavorting putti; the fluted and vine cast handle with seated amorino finial and descending to an aegicranium, 62cm high including later electrical fitment
CONTINENTAL CARVED AND GILTWOOD PIER LANTERN IN 18TH CENTURY STYLE, with foliate carved finial above a stop fluted, domed and waisted cover, the square section glazed body with scrollwork projecting at the angles and scrolled foliate carved feet, 67cm high including later metal hanging hook, 36cm wide
GILT BRONZE SIX LIGHT CHANDELIER IN REGENCE STYLE, early 20th century, the electrical fitments in urn sockets on broad drip pans, on rectangular section scrolling foliate cast arms issuing horizontally from the knopped, waisted and foliate cast shaft, with hanging ring finial, 58cm high, 86cm wide
FRENCH BRONZE AND MARBLE MOUNTED STRIKING MANTEL CLOCK, circa 1880, with twin handled urn finial above the arched case, flanked by acanthus cast volutes, the bowfront base on four toupie feet and a foliate cast central foot; with enamel Arabic dial, the twin train movement with countwheel strike on bell, 27cm high, 18cm wide
PAINTED AND PARCEL GILTWOOD CHIMNEYPIECE, circa 1930, in the Chinoiserie manner of the Art Deco Oriental style, the associated disc finial carved in high relief with dragons chasing pearls, within a stylised bamboo border, the supporting spandrels and main frieze decorated with figures and pavilions in landscapes above vacant graduated side jambs, the concave inner edge with conforming painted and parcel gilt decoration; with marble panels to the fireplace interior and marble hearth (disassembled and with later adaptations), c.225cm high (including hearth and disc finial) x 182cm wide; the aperture 83cm high x 111cm wide Note: The circular aperture at the top was originally conceived to take a Chinese celadon platter, (sadly not extant) as can be seen in the photograph of the chimneypiece in-situ Provenance: The Mount, Sutton Coldfield, (demolished 1958/1959)
unclear marks to the base, circular and a little bulbous in form, the sides decorated with embossed and engraved daisy petal design, the friction fitting cover, decorated to match, the finial in the form of a child astride a hippocampus, raised on 4 cast and applied shell and scroll feet, 10.9ozt
by Robert Hennell I and David Hennell II, London 1796, of decagonal form, with an engraved band of bright cut oak leaf decoration above two filled wreath cartouches, the part marked slightly domed and hinged cover, decorated with symmetrical bright cut decoration and topped with an urn shaped finial, ebonised handle and raised on a bright cut decorated pedestal foot, 25oztCondition report: Generally in good condition. A very small crease to the shoulder. Hallmarks crisp and easily readable, as are the crest and monogram decoration. Minor scratching dents and dings to the body as to be expected. A minor chip to the handle together with evidence of a repair to the handle in a different area. Stands firm on a flat surface with no wobble. A very slight lean in the direction of the spout. A little bit of play to the cover hinge, but the cover sits well.
the first by Henry Chawner, London 1790, of oval form decorated with bands of bright cut engraving between two vacant escutcheon shaped cartouches, the part marked and domed cover, similarly decorated and topped with a ball finial, presented with the blue glass liner and accompanied by a William IV silver mustard spoon by William Cummins, Dublin 1830; the second, by Solomon Hougham, London 1803, of oval plain form with reeded rim, the part marked hinged and domed cover with simple thumbpiece and presented with blue glass liner (3)
by Francis Crump, London 1769, of baluster form and decorated with repoussé scrolls and foliage over a textured ground around a crested and monogrammed cartouche, the part marked hinged and slightly domed cover with flame finial, simple wooden scroll handle and raised on a pedestal foot, the underside with two initials, 26oztCondition report: Generally in good condition for its age with no obvious signs of damage. Some evidence of a possible repair to the inside of the cover, though nothing visible to the outside. Some minor movement to the hinge. Very slight movement to the handle in the sockets. A very minor pinhole to the cover. Hallmarks crisp and easily readable, as is the crest.
London 1785, of oval form, the sides decorated with bright cut engraved bands and foliate decoration around two vacant shield shaped cartouches, the part marked flush fitting hinged and domed cover, similarly decorated, with simple brown finial and handle, the straight spout also decorated with bright cut engraved design, 12.6ozt
the caster by Charles Fox II, London 1824, of urn shape with reeded top, the fully marked friction fitting cover pierced and domed with bun finial, raised on a simple pedestal foot, 3.1ozt; the caddy, by Mappin & Webb London 1904, of casket shaped form, with rope edges and two applied hinged double scroll handles, the part marked hinged and somewhat domed cover with pineapple finial, raised on 4 bun feet, signed to the base, 7.4ozt (2)
probably by William Eaton, London 1833, the teapot of octagonal somewhat bulbous form decorated all over with bright cut engraved foliate designs and symmetrical patterning around two crested cartouches, the part marked domed and hinged cover to match with brown finial and handle and raised on an octagonal pedestal foot, the two handled sugar bowl and milk jug to match, 44.2ozt gross (3)
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