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a late 19th century French white marble and gilt-metal mounted clock garniture in the Empire taste the circular convex enamel dial with arabic numerals with 8 day twin train movement striking the hours and half hours on a bell, indistinctly signed, the backplate stamped S.C. Paris, the twin pillar case with anthemion surmounts and central eagle finial on an engine-turned plinth draped with festoons, the dial with a pendant neo-Classical 'drape' above a stepped bowfront base with foliate mounts and beaded braces, on spreading circular engine-turned feet, with a pair of five light candelabra, on pillar supports and stepped plinth bases, en suite (3) 36 cm wide, 53.5cm high, 14cm deep
a Regency period rosewood bracket clock by James McCabe the 8 day twin train fusee movement striking the hours and half hours on a bell, the enamelled convex dial with Roman chapters and strike/silent lever above maker's name painted in black lettering and serial no. 1337, the backplate similarly engraved James McCabe, Royal Exchange, London, the architectural case with foliate brass finial and chamfer-stepped pediment above sunken field spandrels inlaid with sprays of flowers in cut-brass, flanked by brass carrying handles and 'fishscale' side grilles, the skirted plinth raised on brass ball feet 28cm wide, 46cm high, 16cm deep james McCabe moved to London from Belfast in the latter part of the 18th century and is recorded at Royal Exchange in 1786. Nothwithstanding his successful career as a clock maker, McCabe also was commissioned to make a watch for Horatio Nelson.
a George III period mahogany stick barometer by B Storr, Beverley the domed and glazed rectangular hood with knop finial and silvered register plate with sliding vernier above maker's signature, the figured and line incised rectangular case with cartouche-shaped pendant and domed cistern cover 98cm high
a 19th century Flemish carved and stained pine pier mirror in the Baroque taste the arched rectangular frame with scrolling foliage and leafage around a 'medieval' bearded male mask, flanked by similar outward facing male masks at each corner, each surmounted by a spire finial, the fluted uprights entwined by boldly carved foliage, the base centred by a cabochon between boldly executed spiral scroll corners 93cm wide, 145cm high
an unusual 19th century 'faux bamboo' ash and bentwood two door bookcase cabinet of small proportions, the scrolled pediment with roundel finial and galleried sides above a pair of astragal doors enclosing shelves flanked by sides with geometric reeded decoration, on short turned feet 55cm wide, 100cm high, 24cm deep
a William IV mahogany coatstand the circular top with outscrolling brass hooks and under-hooks around a faceted finial, the column in two reeded baluster sections divided at the centre by a faceted block with a further four outscrolling hooks, on four downswept reeded tapering legs ending in brass box castors 46cm diameter, 192cm high
A Japanese Satsuma pottery koro and cover, the hexagonal body painted with a panel of Samurai warriors in a spring landscape, to the reverse a panel of bijin in an Autumn landscape, both reserved on a cobalt ground gilt decorated with wisteria boughs and irises below a collar of chrysanthemum sprays and cell border, the conforming domed and pierced cover with lotus bud finial, Satsuma mon and four character mark to the base, 23cm high, some restoration. With associated wooden base.
A mixed lot comprising; A George V Pepper Caster of ovoid form, with cast and applied knopped finial and pull-off cover, London 1935, Makers Mark Goldsmiths & Silversmiths Company Limited, together with two silver handled Dressing pieces, comprising Button Hook and Shoe Horn, two Mother of Pearl handled Manicure pieces and three various Sewing Case, and a pair of composite Glove Stretchers, (9), various dates and makers
A 19TH CENTURY STONEWARE MONEY BOX modelled as an ale flagon, with a jug finial, rope twined handles, the body impressed 'Fred J Price Born January 28, 1876', 15cms high; a small stoneware flask, impressed 'Charles Burdett, wine & Spirit Merchant, Lutterworth' 13.5cms high; a small saltglaze flask, with an applied foliate pad impressed 'Old No 12 Sheffield' 14.5cms high (3)
Benjamin Colson, an Arts and Crafts silver rose bowl and cover by Cecil Walker, London 1927, the compressed bowl with vine embossed shoulders and cable bordered pedestal base, the ribbon and reeded bar pierced cover with an amethyst mounted crown finial, 26cm (10.25in) diameter, 1441g (46.25 oz) gross. Exhibited: The Arts and Crafts Exhibition Society, Royal Academy galleries 1928, no. 235(a) priced at #52 10s. Benjamin James Colson was born circa 1876 and worked as a silver chaser. He executed the tomb of the Unknown Warrior in Westminster Abbey; The Battle of Britain Chapel Air Force Memorial in King Edward's chapel also at Westminster; the chased badge for The Second World War Memorial in the King's Own Royal Regiment Chapel, Lancaster Priory Church; and worked on the altar at Balliol College, Oxford. For another example with the same makers' mark dated 1935 see Treasures of the 20th Century: Silver, jewellery and art medals from the 20th Century Collection of the Worshipful Company of Goldsmiths. London 2000, p. 52, no. 111

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116099 item(s)/page