There are 116099 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribeA GOOD QUALITY VERY LARGE 19TH CENTURY JAPANESE MEIJI PERIOD IMARI PORCELAIN VASE & COVER, the sides of the fluted ovoid body painted with variously shaped figural, shi-shi and dragon panels, the panels reserved on a ground of vertical alternating slender patterns, the domed cover well moulded with a large shi-shi finial, approx. 16.25in wide at widest point & 31.5in high overall.
A GOOD QUALITY CHINESE CLOISONNE & GILT BRONZE TRIPOD CENSER & COVER, circa 1900, the sides decorated with a formal design of scroll and leaf-stemmed lotus, the pierced cover with the ‘Three Friends’ beneath a ruyi decorated finial, the sides with double buddhistic lion-head handles, 5.7in high overall.
Worcester sauce tureen with cover and stand circa 1770, with twin moulded shell handles, painted with green scattered leaves and flora, (3) Ex. Zorensky Collection. The stand measures 24cm wide. Condition report: No damage or restoration. There is some wear / flakes to the green enamel. Firing faults to the inner rim of the cover and the finial.
Turner Black Basalt coffee pot circa 1800 with engine turned body and lion finial, impressed mark to base, also a Hackwood teapot circa 1820 with cloaked figural finial and impressed mark, (4) the coffee pot measures 22.5cm high Condition report: both pieces have a chip to the flange of the covers, the teapot has a chip to the rim of the teapot base as well as minor nicks to the edge of the cover.
A Doulton Burslem self pouring teapot, manufactured for J.J. Royle of Manchester, transfer printed in tones of green and red with maple leaves, the shoulder with a band of scrolls, loop handle moulded with a stylized leaf picked out in dark green, silver plated and spirally fluted pump cover, ceramic finial, 21.5cm high, green printed marks, c. 1890; another, similar, 16cm high, c. 1890; etc (4)
A Royal Doulton barrel-shaped tobacco jar and cover, inscribed with a quote from Bismarck underglaze, The Value of Tobacco is best understood when it is the last you posfesf and there is no chance of getting more [sic], flanked by an underglaze trophy of pipes, horizontally ribbed neck and base, knop finial, 15cm high, impressed marks; a Doulton Lambeth barrel-shaped tobacco jar and cover, applied with tavern and hunting scenes, knop finial, 14cm high, impressed marks; etc (3)
A Doulton Lambeth tobacco jar, applied with flowering sprigs on a sgraffito ground, surmounted by graduating, raised banding flanked by applied flowerheads to shoulders, stepped and spreading base, 11cm high, impressed marks, c. 1872; a Doulton Lambeth tobacco jar and cover, decorated underglaze with a trailing band of foliage on an oatmeal ground, picked out in places with gilt leaves, flanked by horizontal banding, the cover painted with Etruscan acanthus, knop finial, 14.5cm high, impressed marks; another (3)
Royal Doulton Persian Chintz, D4031 - a circular footed bowl, green printed marks, 20cm diam; a baluster octagonal vase, black printed marks, 18.5cm high; a shaped circular bread plate, black printed marks, 21cm wide; an octagonal bowl, green printed marks, 18.6cm wide; a compressed milk jug, black printed marks, 13cm high; a two-handled sucrier and cover, black printed marks, knop finial, 10cm high (6)
By George Hart for the Guild of Handicraft, a modern silver mustard pot and spoon, London 1993, after a design by C.R Ashbee, cylindrical form, pierced foliate decoration, green glass liner, the raised hinged cover with a green finial, on a spread circular base, the spoon with a green finial, height 10.5cm, approx. weight 5oz. (2) For a copy of the drawing of the original design, see Modern English Silver work: An Essay by C.R.Ashbee, Alan Crawford and Shirley Bury Edition, 1974, plate 27
A George III Old Sheffield plated tea caddy, unmarked, circa 1770, rectangular bombe form, chased foliate scroll and shell decoration, the pull-off cover with a pagoda finial, on four scroll legs, with a vacant shield cartouche, together with a George IV silver caddy spoon by Joseph Taylor, Birmingham 1820. (2)
A George II miniature silver kettle on stand, by John Le Sage, London circa 1748, circular form, the pull-off cover with a knop finial, twisted central carrying handle, tapering spout, the stand on three scroll legs, with a plain burner, the underside of the kettle scratch initialled 'FL' '1748', height 12cm, approx. weight 3.6oz
A George II miniature silver coffee pot, by John Le Sage, London circa 1740, tapering circular form, domed hinged cover with a knop finial, scroll handle, on a circular foot, height 8.5cm, approx. weight 2.4oz. For another example of a miniature silver coffee pot by John Le Sage, from the Victoria and Albert Museum, see Houart, V., Miniature Silver Toys, Alpine Fine Arts Collection Ltd, 1981, page 239
A William IV silver pencil, marked Willmore, circa 1835, with foliate scroll decoration on a matted background, with a purple finial, foliate borders, length 8.9cm. In 1828 S. Mordan undertook an action against Joseph Willmore of Birmingham for breach of patent of the everpointed pencil. S. Mordan lost the action
By The Guild of Handicraft Ltd, an Edwardian silver butter spade, London 1902, spot-hammered oar shaped body with a pierced scroll wirework finial set with a carnelion length 13.8cm, approx. weight 1.2oz. For an copy of a drawing of a similar shaped item, see Modern English Silver work: An Essay by C.R.Ashbee, Alan Crawford and Shirley Bury Edition, 1974, plate 19
A collection of ten Charles Horner silver hat pins, Chester, various dates, including: one with a grenade finial, one with a purple paste thistle head and scroll-work, one with a clear paste finial, one with an enamelled flower, one with an opalescent coloured glass sphere, and five with Art Nouveau scroll wire-work and ball finials. (10)
A collection of ten Charles Horner silver hat pins, Chester, various dates, including: one with a finial modelled as a golf club, Chester 1906, one with a purple paste thistle head and scroll-work, one with a clear paste finial, one with an opalescent coloured glass sphere, and six with Art Nouveau scroll wire-work and ball finials. (10)
A collection of six silver hat pins, comprising four by Adie and Lovekin Limited, including: a teddy bear, Birmingham 1909, a butterfly, a thistle with a yellow paste head, and a thistle with two crossed golf clubs, Birmingham 1909, plus an Edwardian one with a yellow paste golf club finial, London 1908, and an Edwardian Art Nouveau hat pin, with enamelled decoration, and pierced and spot-hammered, by Payton, Pepper and Sons, Birmingham 1908. (6)
A collection of ten Charles Horner silver hat pins, Chester, various dates, including: one with a sword handle, Chester 1909, one with a double purple paste thistle head and scroll-work, one with a green paste clover leaf finial, one with a coloured ace of spades, and six with Art Nouveau scroll wire-work and ball finials. (10)
A collection of ten Charles Horner silver hat pins, Chester, various dates, including: a yellow paste decorated thistle with scroll-work, a small purple paste decorated thistle with scroll-work, one with an enamelled flower, one with a clear paste finial, one modelled as a butterfly, and five with Art Nouveau scroll wire-work and ball finials. (10)
An Elizabeth I provincial silver Wrythen-top spoon, maker's mark of M in a circle, unidentified, York circa 1565, fig-shaped bowl, faceted tapering stem, the finial with traces of gilding, length 15.2cm, approx. weight 1oz. For maker's mark see Jacksons, Ian Pickford Edition, The Antique Collectors' Club, 2002, page 460
A collection of ten Charles Horner silver hat pins, Chester, various dates, including: a blue/green enamelled scarab pin with a hinged head, Chester 1909, one with a double purple paste thistle head and scroll-work, one with a green heart finial, one with a butterfly finial, one with a opalescent coloured glass sphere, one with a clear paste finial, one with an enamelled flower head, and three with Art Nouveau scroll wire-work and ball finials. (10)
A collection of ten Charles Horner silver hat pins, Chester, various dates, including: one with a hinged yellow paste and enamel butterfly, one with a yellow paste thistle head and scroll-work, one with a clear paste finial, one with a purple coloured glass sphere, one with a green paste finial, and four with scroll wire-work and ball finials. (10)
A George III silver tea caddy, by Hester Bateman, London 1783, oval form, bright-cut decoration, beaded borders, domed hinged cover with an urn finial, oval cartouche with a crest, also with a lock and key, height 14cm, length 13.2cm, approx. weight 11.7oz. The crest is that of Dolphin/Dolphine, Turner and Winterton
λ A George III silver teapot, by Emes and Barnard, London 1809, circular form, chased vine leaf girdle, on a matted background, lead capped scroll handle, flush hinged domed cover with a cauliflower finial, the spout chased with a sphinx, on a raised circular foot on four fluted ball feet, height 20cm, approx. weight 30oz
Loading...
