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Lot 8A
A Slice Cut Glass Pedestal Whiskey Dispenser "McConnell`s Special Irish, Belfast", circa 1880, the conical and slice cut cover with pointed finial, the ovoid body acid etched McConnell`s Special Irish Cromac Distillery Belfast, and with crown and harp trade mark, cylindrical spigot nozzle, on a hollow compressed knopped short stem and circular foot, 70cm high See illustration
Lot 10
A Turquoise Opaque Glass Two-Handled Pedestal Baluster Vase, France or Bohemia, circa 1870, the cover with pointed finial, the front of the vase with an oval reserve painted with the bust length portrait of a young woman wearing a headdress, circular foot, 24cm high; A Ruby Flash Glass Pedestal Circular Bowl, Bohemia, circa 1870, engraved with four panels depicting stags, a hound and a fox, against a gothic strapwork gilded ground, 20cm high; and A Blue Cameo Glass Beaker, 20th century, painted with an oval plaque depicting a couple dancing, 15.4cm high (3)
Lot 33
A French Ormolu and Cut Glass Mounted Pedestal Jar and Cover, perhaps Baccarat, circa 1830-40, the spherical vessel with rose bloom finial with anthemion rim collar, the body deeply slice cut with repeat anthemion motifs, on a petalled wirework collar from three scroll legs with ram mask feet, on an anthemion slice cut cylindrical base with engine turned square plinth, 36cm high See illustration
Lot 52
A Wedgwood Porcelain Rose Painted Two-Handled Vase and Cover, circa 1910, with a compressed oval body, the domed and trellis pierced cover with acanthus sheathed vase finial, the body painted with bands of pink roses within cartouches, signed G Bond, amongst gilt scroll cartouches and with solid gilded scrolling shoulder handles, on a scrolled edged swept foot, brown printed Portland Vase mark and Wedgwood England, 22cm high
Lot 67
A Royal Worcester Porcelain Highland Cattle Painted Small Pot Pourri Vase and Cover, Harry Stinton, 1924, of compressed quatrelobed form, the shallow domed and scroll pierced cover with fluted pointed finial, frontally painted with three cattle near a thatched bothy in a Highland river landscape, the reverse with crag and boulder vignette, signed, with olive green and gilt strapwork shoulder moulding, and with serration to the swept circular foot, puce printed crown and wheel mark, year mark, and shape no.278H, 13cm high See illlustration
Lot 71
A Royal Worcester Porcelain Highland Cattle Painted Two-Handled Pot Pourri Vase and Cover, John Stinton, 1921, the bud finial issuing from knurled leaves from a domed and gadrooned cover edged with raised leaf tip band, on a low concave sided neck with two foliate and dolphin pierced panels applied with ribbon-tied swags of laurels, with acanthus enriched arched side handles, frontally painted with three highland cattle grazing amongst boulder-strewn heather against a misty mountainside, the reverse with a misty lochside vignette, a rocaille moulded low pedestal solid gilded foot, puce printed crown and wheel mark, year cypher and shape no 1428, 33.5cm See illustration
Lot 77
A Royal Worcester Porcelain Blush Ivory Pot Pourri Vase and Cover, 1893, of compressed ovoid shape, moulded in relief with faux basketry, the domed and pierced cover with fluted and pointed finial (inner cover lacking), printed and painted with chrysanthemums and other rambling flowers, enriched in gilt throughout, puce printed crown and wheel mark, year mark and shape no 1286, also impressed 16, 29.5cm high
Lot 85
A Measham Type Pottery Tobacco Jar, Inner Liner and Cover, J Marsh 1884, the domed cover with acorn finial over three applied florets and an arched kidney shape reserve impressed J March 1884 picked out in blue, the cylindrical base with everted tong and dart rim applied with further florets and floral vertical bandings, a frontal applied plaque inscribed May Friendship Reign and Discord Cease and All Oddfellows Live in Peace, the inner flat liner applied with three multi-coloured florets, 18.8cm high See illustration
Lot 102
An English Blue and White Transfer Printed Two-Handled Pedestal Tureen and Cover, "Slingsby Castle, Yorkshire", early 19th century, of rounded rectangular form, the upswept cover with fluted and undulating floret finial, 36.5cm wide; and A Two-Handled Tureen Stand, "Valle Crucis Abbey, Wales", 39.8cm wide (2) See illustration
Lot 103
An English Porcelain Boat Shape Teapot, circa 1810, of flattened oval cushion form, upswept frontal flange to the submerged fluted cover, navette form finial, the main body with a continuous frieze of repeat yellow octagons enclosing speedwell florets, alternating with pink roses in enamels and gilt, and semi-gadrooned, C shape handle, 28.5cm long, 11.5cm high (a/f)
Lot 113
A Creamware Teapot, probably Yorkshire, circa 1770, cylindrical, the domed cover with trumpet flower finial, entwined strapwork reeded handles with foliate terminals, decorated in vivid enamel colours with stylised chinoiserie figures amongst furniture on a veranda, moulded bead strings to the rims, 14cm high See illustration
Lot 117
A Worcester Blue and White Transfer Printed Butter Dish and Associated Cover, circa 1775, of piggin form, with everted "paper scroll" tab handles, the cover painted with a fence pattern and with blossoming rose finial, the base with blue crescent mark, 10.5cm diameter (the cover perhaps Lowestoft); and A Caughley Blue and White Transfer Printed Tureen and Cover, circa 1780, oval section, with blossoming branch handle to the lid and basal side handles, printed with flowers and butterflies, C mark in blue, 15cm wide (2)
Lot 131
A Carl Thieme Encrusted Porcelain Pot Pourri Vase and Cover, circa 1870, the pierced and gently domed cover with an elaborate finial as a spray of flowers, on inswept fan pierced shoulders, veiled maiden mask side handles over encrusted fruits and flowers, the front and reverse painted with couples in 18th century costume dallying, on angular tripod legs linked by laurel swags and on a tri-concave flat plinth, blue painted crossed swords mark and T, 37.5cm See illustration
Lot 147
A Garniture of Three Frankenthal Porcelain Pedestal Vases and Covers, circa 1760, the central large ogee vase with domed cover painted with a panel of three figures and with fruit finial, the main body with a scroll edged frontal reserve depicting eight figures in a fte champetre after Antoine Watteau, the reverse with three further figures, against a background of swags of flowers, scattered sprigs to the swept circular foot, 27.5cm high, the baluster flanking vases also with figurative scenes to the covers and bodies, 22cm high, each with underglaze blue painted standing lion mark (severe damage) See illustration
Lot 149
A Japanese Imari Porcelain Large Fluted Vase and Cover, Meiji Period (1868-1912), the domed cover with compressed ovoid finial, decorated all over with panels of vases containing sprays of chrysanthemums, veranda landscapes, and fruiting vines, against a complex blue background enclosing mon roundels, diaper patterns and other natural elements, 71cm high (cover a/f) See illustration
Lot 398
A Silver Teapot, probably Rome, 19th century, of compressed oval section, with bud finial to the gently domed cover, the spout with bird head terminal, C scroll wood handle, crossed keys and mitre mark within a shield, and PS1 within a lozenge, 10cm high; A French Provincial Double Lipped and Two-Handled Sauceboat, circa 1798-1809, with acanthus sheathed S scroll handles and grooved rims to the shallow vessel, mark indistinct, 13.6cm long; and An Augsburg Silver Gilt Fiddle and Thread Pattern Dessert Spoon, 1763/65, 18cm long, 14oz gross (3)
Lot 411
A Cup and Cover in Renaissance Style, CT (Carl Tegelsten?), the domed cover with fluted finial within a circle of eight cabochon minerals, including jade and carnelian, the lobed and deeply waisted body decorated with raised strapwork and a basal string of further mineral cabochons, on a knopped stem and gadroon circular foot, 29.5cm high See illustration, Ex Collection: Brian Ledbrooke
Lot 435
A Pair of Edward VII Adam Style Two-Branch Three-Light Table Candelabra, maker`s mark HE Ltd, Sheffield 1904, with square section candlestick stems with husk draped paterae embossed weighted bases, supporting a campana nozzle with removable swept cap with vase finial, flanked by whiplashed S reeded branches slightly upraised, numbered 10828, 40cm high See illustration
Lot 454
A Victorian Three Piece Teaset, W W Harrison & Co, Sheffield 1866, the baluster body profusely engraved with Greek Revival anthemion and palmette bands around a central figural panel of a chariot and warriors, the domed cover with a cast Greek helmet finial, 23cm high, 59oz 11dwt all in See illustration
Lot 625
A Derbyshire Spar Classical Vase on Stand, early 19th century, the integral bell shape cover with ormolu fluted bud finial, the shoulder with triple reeded band and incised girdle string line, the vase of a general deep russet and white colour, on a short swept circular foot, on a veined spar and white and black marble mounted base, 41.2cm high overall See illustration, Underneath with cloth small label inscribed MAP 116 II.
Lot 626
A Derbyshire "Blue John" Spar Classical Urn on Stand, early 19th century, the integral shallow domed cover with spherical finial, a raised band to the shoulder, the body with deep purple inclusions, on a mainly white/amber body, on a Derbyshire spar, white and black marble mounted square base, 32cm high See illustration
Lot 627
A Pair of Derbyshire "Blue John" Spar Pedestal Urns and Covers, early 19th century, each shallow domed cover with acorn finial, the bodies with attractive deep purple, amber and yellow inclusions and veining, on white marble short pedestal stems and circular feet, on fossilitic black marble square plinths, 25cm high See illustration
Lot 628
A Derbyshire "Blue John" Spar Pedestal Vase, early 19th century, of classical ovoid form, the integral small and ogee domed cover with pear shape finial (possibly later associated?), with deep purple inclusions forming a concentric oval motif to one fascia, on a stepped short stem with circular foot, on a black marble square plinth, 37.5cm high
Lot 1070
A late 19th Century walnut and ebonized Vienna style wall clock with eight day movement striking on a gong, the white enamel dial with Roman numerals, the case with Gothic arch pediment pierced with trefoils surmounted with a turned finial above a glazed door flanked by turned pilasters and glazed sides, terminating in a shaped apron, height approx 86cm.
Lot 1081
A George III mahogany bracket clock with eight day twin fusee movement striking on a bell, the circular white painted dial with Roman numerals and inscribed `John Prentis London`, the arched case with ball finial and boxwood stringing, the sides with pierced brass fret panels above a fluted band and plinth base, height approx 52cm.
Lot 2010
A George I burr walnut bureau bookcase, the swan neck pediment and gilded urn finial above two mirror panel doors revealing an interior fitted with a cupboard, pigeon holes and drawers, the fall flap beneath two candle slides, enclosing an interior fitted with pigeon holes and drawers, above a concealed frieze drawer, two short and three graduated long drawers, on bracket feet, height approx 247.5cm, width approx 108cm (alterations and restoration).
Lot 28
A George III siver compressed circular small tea pot by Rebecca Emes & Edward Barnard, London 1808, with a bud finial, an angular handle and a central reeded band, 19cm (7.5in) long, 388g (12.25 oz) gross. Provenance: The Estate of the late Professor Rupert Hall and Mrs Hall. Visit www.dnfa.com for condition reports.
Lot 35
An early George II silver vase shape caster by Thomas Bamford I, London 1729, with a compressed ball finial, a scroll and flower-head pierced cover and a circular foot, 15cm (6in) high, 152g (4.75 oz). Provenance: The Estate of the late Professor Rupert Hall and Mrs Hall. Visit www.dnfa.com for condition reports.
Lot 51
A George I Irish silver baluster large covered jug by Thomas Bolton, Dublin 1719, with a baluster finial to the domed cover, the spout also with a domed cover, engraved with an armorial and `The Gift of Mrs Susanna Hall to Mrs Eleonor Stannard 1752` within a baroque cartouche, 1114g (39.25 oz) gross (the handle a replacement). Provenance: The Estate of the late Professor Rupert Hall and Mrs Hall. See Jackson p. 630 for the date letter and p. 628ff for variations of the maker`s mark. The arms for HALL of Wilsborough, Kent (to whom it was granted in 1599) impaling HARVEY. A credible identification of the arms for Mrs Hall who was the donor of this gift (see illustration on opposite page). Visit www.dnfa.com for condition reports.
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116099 item(s)/page