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An oak chiming table clock, circa 1890, caddied top, gilt metal mounts, side sound frets and carrying handles, brass dial with a silvered Roman chapter ring, triple barrel movement with anchor escapement and chiming on five gongs, 56cm high27.04.16, Metal mounts are discoloured, oak surfaces are slightly faded in parts, top finial has come off and needs securing, movement needs cleaning.
A Doulton Lambeth water filter, dated 1882 The spreading circular base, rising to a knopped base, the bulbous cylindrical body adorned with a domed cover with knop finial, the exterior sides, glazed with figural putti, series of oak leaves of floral bands, adorned with a side tap, 34cm high.
A late 19th Century brass anniversary clock the domed top with central pine cone finial, supported by four slender columns, the circular barrel movement with white enamelled dial with black Roman numerals, suspending weight and level, rising from a spreading circular base, and under glazed dome, 36cm high.
A late 19th Century gilt metal and Sevres style clock garniture The central clock, with upper urn finial, extending to an architectural cased body, flanked by baluster columns and standing on a quatrefoil base, inset with a 3 inch central dial, painted with Sevres style panel reserved against a bleu celeste ground and further detailed with black Roman numerals, applied throughout with acanthus and laurel swag details, together with two matching urn garnitures, all with ebonised and gilt stand, (two glass domes, one garniture lacking) clock 48cm high, garniture 38cm high (3)
A French gilt metal and alabaster mantel clock, Circa 1900 The polished gilt metal case, surmounted by an urn finial, extending to a caddy top inset with floral and lappet panels, the 4 inch white enamelled dial, with acanthus corner spandrels and swept supports, resting on an alabaster geometric base, 33cm, stamped verso J & B, serial number 23643.
A French alabaster mantel clock, late 19th Century, Portefais of Paris The carved upper finial with figural depiction of Diana the Huntress astride a bull, extending to an architectural case, raised on compressed bun feet, the brass enamel dial flanked by maenads, dial signed Portefais of Paris, 45cm high.
An early 19th Century mahogany and oak cased eight-day longcase clock The twin swan neck upper pediment with central fleur scroll finial, the glazed hood flanked by twin turned columns, the floral painted 13 inch dial, with Roman numerals, moon dial and subsidiary seconds and date dials, above sectional trunk with turned columns, with two weights and pendulum, 230cm high.
An 18th Century oak cased eight-day longcase clock, John Allen of Macclesfield The arched upper pediment with fluted scroll central finial, flanked by twin columns, the glazed hood enclosing a 10.5 inch brass dial with silvered chapter ring, adorned with Roman numerals and further embellished with putto and foliage spandrels, above column flanked trunk and raised on block feet, with two weights and pendulum, 205cm high.
A 19th Century oak and mahogany eight-day longcase clock, Sam Collier, Eccles The arched upper pediment with gilt metal sphere and eagle finial, the glazed hood flanked by twin columns, the silvered 10.5 inch dial and chapter ring with Roman numerals and moon dial above fluted trunk, together with two weights and pendulum, 210 cm high
A late 18th Century eight-day oak longcase clock, James Gray of Edinburgh The twin swan arched upper pediment with central sphere and eagle finial, above arched hood flanked by twin columns, the 11 inch brass dial with subsidiary sconds dial and foliate cast spandrels, above slender trunk inset with conch shell vignette, with two weights and pendulum, 210cm high.
A Chinese cameo glass vase, 19th/20th century, of ovoid form, the disc cover with flower finial, the opalescent white glass cased in jade green and etched with a fanciful bird in flight above flowering prunus and peony branches, 16cm high, together with a Chinese blue glass bowl of inverted bell form, 11.5cm dia. (2)
A Chinese mother of pearl and jade inlaid rosewood hexagonal treasure box, Qing Dynasty, the moulded cover with a central nephrite jade bell form finial finely carved with bats, dragons, flowers and foliage, surrounded by four mother-of-pearl bats within a meandering flower border, each of the five sides inlaid with mother-of-pearl birds and insects in branches and lines of script within fret and flower borders, the interior with lift-out tray, 30cm high, 30cm across. Footnote: A comparative treasure box can be found in the collection of the National Palace Museum, Beijing, inset with a jade bi disc and made in the Qianlong reign. See Maxwell K. Hearn, 'Splendors of Imperial China', pp.140-141.
An Edwardian silver three piece tea service Of ovoid form, with fluted and scalloped panels, the tea pot with an ebonised finial and scroll handle, raised on a spread foot, comprising; tea pot, sugar bowl, milk jug, height of tea pot 12.9cm, by Walker & Hall, Sheffield 1909, (3) weight 27.6 troy oz
A Victorian silver plated five piece tea and coffee service Of panelled baluster form, the domed lids with cast finials modelled as a birds of prey, to a scroll rim and handles, each panel engraved with scroll decoration, the lower body embossed with swag rose and leaf design, raised on a circular pedestal foot, with ivory insulators, comprising; spirit kettle, tea pot, coffee pot, cream jug, sugar bowl, circa 1880s, height of coffee pot 30cm (5) CONDITION REPORT: Stamped EPBS, tarnishing to each, finial on teapots with bent wing on bird, each piece with minor bending to rims, so the pieces don't sit perfectly.
Hadley's Royal Worcester potpourri and cover Having hand-painted decoration of roses and foliate by W E Jarman, puce factory marks and date code for 1905 to base, height 20cm CONDITION REPORT: Finial has been broken off in two places and glued, wear to gilt, both handles have been broken off and glued, manufacturing fault to foot rim.
An attractive bronzed copper Koro and Cover,late 19th century, in the form of a bejewelled elephant standing four-square with head turned, with ivory tusks, its saddlecloth engraved with ho-o beneath a simulated chaire, the bowl nashiji, the shoulders a cloth tied by a rope and with karakusa, the domed, pierced cover with rat finial and enclosing a silvered burner,31.5cm, pierced wood stand (5)
SET OF TWELVE EDWARDIAN SILVER GILT SOUVENIR SPOONS maker Edward Barnard & Sons Ltd, London 1906, named 'The Greater Britain Souvenir Spoons', ten spoons with a symbol finial and bowl depicting the symbols of one of Britain's territories, two with crown finials celebrating the King and Queen, with original information booklet and in original fitted case, approximately 272g, each 11.5cm long
A GOLDSMITHS AND SILVERSMITHS COMPANY SILVER MUSTARD POT with a blue glass liner engraved 'National Terrier Club Show 1925'; a Goldsmiths and Silversmiths silver mustard pot with a dogs head finial, blue glass liner and engraved 'National Terrier Club Show 1925'; three further silver cruets and a sterling silver matte spoon, 23cm in length (6)

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116061 item(s)/page