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Click here to subscribeA George III silver bacon serving dish John Schofield, London 1789, rounded rectangular form with domed hinged cover with concave central section rising to dome with urn form finial, elephant head under crown engraved crest to front, the base compartment with gadrooned border, silver cylindrical deposit seated into which is a turned ebony handle of elongated ovoid form, the dish 10 x 6in. (25.4 x 15.3cm.), the handle 7½in. (19.1cm.) long, weight 22.7 tr.oz.
A George V silver baluster sugar sifter Atkin Brothers, Sheffield 1915, with domed pierced cover with turned finial and raised on three hoof feet, 7¾in. (19.2cm.) high, 8.75 tr.oz. * Condition: Dent to lower section of body. Small area pushed in around one of the pierced `husks` on the cover. Marks clear. No other damage noted.
A Tibetan copper and silver teapot 19th century, south central Tibet, the closely fitting lid lifting to reveal a tinned interior, edged with a fine, silver scrolling border, topped by a finely worked lotus petal plaque surmounted by a finely chased silver lotus bud finial, the neck with silver scrollwork collar, the spout partly encased in finely worked silver mounts including a wide, extravagant collar with scrolling repousse decoration, wide hand hammered handle with attached chain to lid, 12¼in. (31.8cm.) high, 8¼in. (21cm.) diameter. * Condition: 40 x 20mm dent to under side. Constructed in two parts - the solder join can be seen clearly between the upper and lower sections around the circumference.
Bloor Derby lidded tureen and stand circa 1820 painted with titled scenes of `View in Wales` and `View near Derby` within a gilded navy blue border, printed and painted marks to bases, (3) the stand measures 22cm wide Condition report: the lid and finial have staple repairs. Five enamel flakes to one painted scene. Mild stained crazing in and gilt wear in areas.
Two majolica game pie dishes, moulded with game and decorated with colourful glazes, no marks, mid 19th century, (4) 26.5cm wide Condition report: the dish with bird finial has a section of the rim of the cover restored. The dish with the rabbit finial has had the cover split in two and restored, as well as sections of the rim restored, there is some staining. There is some crazing to both pieces.
Masons Ironstone bread bin, with twin handles, printed with exotic birds in underglaze blue, printed marks to base and cover, mid 19th century, 38cm high Condition report: Overall restoration to the cover which has at some stage been broken, the finial has also been reattached. No damage or restoration to the base. Minor scratching to the footrim.
Large doucai jar and cover decorated with lotus and bats, Qianlong seal mark and period, the baluster body painted in enamels and gilt with flying bats amogst lotus flowers and scrolling foliage, within borders of lotus lappets and ruyi heads, the domed cover fitted with a later finial, the base and interiors of the jar and cover glazed in turquoise, height 46.5cm.
A Norwegian silver birth spoon, by Marius Hammer (1847-1927), 830, the fig shaped bowl engraved inside with a crowned heart with the legend WAT-GOD-WIL-GESCHVT-WOL-WAT-SIN-SAL-SCHIGKT -SIGH-WOL and to the back with a male figure with a harp within MOCT-HOEP-MIN-TROEST-SIN-VERLANGEN-WAER-MI-GHIEN-PIN 1577, the flat lower stem below a twisted upper stem with beaded ball finial, 16cm, 1.33oz Feint crease to the top of the bowl
A four piece silver tea and coffee set, by the Adie Brothers, Birmingham 1942, comprising:- a teapot of flattened globular shape, the centre body engraved with a band of scrolling with hatched diaper decoration, raised on a low pedestal, bakelite handle and finial, 15cm high; a matching coffee pot of baluster form with flat flush hinged cover, 24cm high; together with the companion sugar bowl and milk jug, 57.37oz (4)
A small silver casket, sponsor`s mark of Boaz Moses Landeck with import marks for Chester 1910, of rectangular shape, the box panels variously embossed with figural scenes, the main panel depicting a man (possibly Mozart) playing the cello and a woman the piano, an appreciative audience behind, another panel depicting figures in drunken revelry, another with figures dancing and a fourth with figures haymaking, the corners supported by winged masks above claw feet, the hinged cover embossed with foliate scrolls, the finial modelled as the head and torso of a man in a tricorn hat, 13 x 13 x 9.75cm, 14.55oz Literature: Mozart is known to have played many different string instruments as well as the keyboards and is known to have played duets with his sister. He was in London in 1764 with his sister `Nannerl` when he was influenced by Carl Frederick Abel, the last virtuoso on the `Viol da gamba`. The finial on the box may be an iconic image of Mozart. In good condition
The Melbourne Hunt Cup Steeple Chase October 1st 1881 - A gold mounted claret jug, unmarked (tests as 15ct), the collar engraved with hounds and arabesques between two beaded bands, cartouche engraved `The Melbourne Hunt Cup Steeple Chase October 1st 1881 - Won by Young Deceiver the property of John E Spicer, Esq`, the cover with finial modelled as a horse standing four square, the flared trumpet shaped clear glass body with cut and ribbed pattern, 28cm high
William Wright of Cambridge, a Regency stained wood and brass inlaid bracket clock, the typical rectangular case with brass finial above 8inch (20cm) painted signed dial, the shaped top backplate also signed and with engraved border, the twin fusee movement lacking holdfast screw, adjustable pendulum, pull repeat cord, raised on four ball feet, 47cm high. Provenance: Formerly the property of Henry Franklin (1877-1950), Mayor of Cambridge in 1929-30, one foot is loose; one or two empty holes to plates; signs of previous repairs to movement and age wear to case
An 18th century Worcester blue and white sucrier and cover, two saucers and two coffee cups, each decorated with flowers, the sucrier fluted 10cm (4 in) diameter, one of the coffee cups fluted and the other not, the saucers with butterflies flying above their bunches of flowers (6) (D) The over finial of the sugar has minor chips. The fluted cup has a flake off the rim. the plain cup has had the handle glued back. Both saucers have damage
Bloor Derby lidded tureen and stand circa 1820 painted with titled scenes of `View in Wales` and `View near Derby` within a gilded navy blue border, printed and painted marks to bases, (3) the stand measures 22cm wide Condition report: the lid and finial have staple repairs. Five enamel flakes to one painted scene. Mild stained crazing in and gilt wear in areas.
Two majolica game pie dishes, moulded with game and decorated with colourful glazes, no marks, mid 19th century, (4) 26.5cm wide Condition report: the dish with bird finial has a section of the rim of the cover restored. The dish with the rabbit finial has had the cover split in two and restored, as well as sections of the rim restored, there is some staining. There is some crazing to both pieces.
Masons Ironstone bread bin, with twin handles, printed with exotic birds in underglaze blue, printed marks to base and cover, mid 19th century, 38cm high Condition report: Overall restoration to the cover which has at some stage been broken, the finial has also been reattached. No damage or restoration to the base. Minor scratching to the footrim.
Large doucai jar and cover decorated with lotus and bats, Qianlong seal mark and period, the baluster body painted in enamels and gilt with flying bats amogst lotus flowers and scrolling foliage, within borders of lotus lappets and ruyi heads, the domed cover fitted with a later finial, the base and interiors of the jar and cover glazed in turquoise, height 46.5cm.
* A PORCELAIN POTPOURRI VASE RUSSIAN, AFTER A MODEL BY AUGUST SPIESS, IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF ALEXANDER II (1855?1881), 1860s?1870s Height 35.5 cm. Literature: E. Khmelniskaya, Avgust Spiess i Imperatorskiy farforovyizavod. Zhizn`, posvyaschennaya farforu, Moscow, Lyubimaya Kniga,2012, p. 53, illustrated. Of squashed bulbous form with bracket handles, the front and backwith circular reserves, the elaborate ovoid body raised on a twistedbaluster stem supported on a shaped square base, the front andback with circular medallions and applied with ribbon-tied laurelgarlands, the pierced domed lid with cone finial, with green Imperialcipher for Alexander II.
* A SILVER TANKARD RUSSIAN, MAKER?S MARK OF SERGEI AGAFONOV IN CYRILLIC, MOSCOW, 1889, 84 STANDARD Height 16 cm. Of tapering form, the hinged lid with a dentil edge surmounted witha knopped finial, the square handle with plain thumbpiece, the bodychased with an arched-window shaped reserve with a traditionalembroidered towel over the window ledge and surrounded withfloral decoration, on three bracket feet, gilt interior.
* A PORCELAIN POTPOURRI VASE RUSSIAN, AFTER A MODEL BY AUGUST SPIESS, IMPERIAL PORCELAIN MANUFACTORY, PERIOD OF ALEXANDER II (1855–1881), 1860s–1870s Height 35.5 cm. Literature: E. Khmelniskaya, Avgust Spiess i Imperatorskiy farforovyizavod. Zhizn`, posvyaschennaya farforu, Moscow, Lyubimaya Kniga,2012, p. 53, illustrated. Of squashed bulbous form with bracket handles, the front and backwith circular reserves, the elaborate ovoid body raised on a twistedbaluster stem supported on a shaped square base, the front andback with circular medallions and applied with ribbon-tied laurelgarlands, the pierced domed lid with cone finial, with green Imperialcipher for Alexander II.
* A SILVER TANKARD RUSSIAN, MAKERÂ’S MARK OF SERGEI AGAFONOV IN CYRILLIC, MOSCOW, 1889, 84 STANDARD Height 16 cm. Of tapering form, the hinged lid with a dentil edge surmounted witha knopped finial, the square handle with plain thumbpiece, the bodychased with an arched-window shaped reserve with a traditionalembroidered towel over the window ledge and surrounded withfloral decoration, on three bracket feet, gilt interior.
A Victorian silver mounted glass claret jug, by Hunt & Roskell, London 1891, the silver mounts with vacant cartouches, the domed hinged cover with flame finial and with leaf capped scroll handle, 25cm highCONDITION REPORT: Body probably not original and has large chip to foot rim. Seams visible running along bottoms of both vacant cartouches.
AGEORGE III OAK EIGHT DAY LONGCASE CLOCK GEORGE BROWN, BEVERLEY the 31cm breakarched, painted and signed dial with twin subsidiary dials and STRIKE/SILENT to the arch, the case with swept pediment, brass finials and fluted pillars, the trunk with panelled door, plain base, 220cm h, c1800++The movement dusty but apparently complete and original to the dial on an old seat board, the cheeks to the case not packed and thought to be original to the case, the case slightly cleaned at some time. The urn paterae to the centre of the pediment probably original, the finial not, sold with a pendulum and two weights
A SET OF FOUR ITALIAN IVORY INLAID EBONY VENEERED AND EBONISED HALL CHAIRS probably Milan in the manner of Ferdinando Pogliani, inlaid throughout with ivory and penwork baroque revival decoration of courtly figures, putti, masks, birds, fruit and flowers, stamped I, II, IIII and V, 117cm h, c1870 A similar chair and two tables, one of which is labelled by Pogliani, are illustrated Payne (Christopher) Nineteenth Century European Furniture, second edition, 1985, figs 1183, 1184 and 1197++First chair finial broken off and restuck. Second chair, some worming in one seat rail and part of another. All four chairs in good overall original unrestored condition. The seat covering old maroon fabric replacements that are worn and dusty
TWO BOW TOILET POTS AND COVERS enamelled with loose bouquets and scattered flowers, the almost flat cover painted with insects and applied with high domed floral finial, 8cm h, c1755-60 ++Both post with a minor hairline crack, some losses to the encrusted decoration on the covers but neither broken or restored and of considerable charm
A GEORGE II COFFEE POT of baluster form with cone finial and moulded foot, by John Langlands and John Goodrich, 23cm h, Newcastle 1754, 21oz gross++Marked underneath and also on the rim. Slight play in hinge and overall wear consistent with the age, the pearwood handle and old replacement, the marks on the base well spaced and struck
AN 18TH CENTURY INDIAN MUGHAL BRASS EWER having a finial topped cover and spreading tear-drop body, chased throughout with a repeating foliate design, the raised pear-shaped panels with similar decoration, a straight knopped hexagonal spout and contrasting scrolling handle formed as a Makara with lotus bud tail, raised on four simplistic feet. 26.5cm(h)CONDITION: Some wear and general oxidation, small knocks to body, the base with pierced circular aperture to underside, possibly converted to a censer.
A 19TH CENTURY MAHOGANY EIGHT-DAY LONG CASE CLOCK having a broken swan-neck pediment with disk terminals enclosing a petal carved platform (finial missing) over rosewood banding and birds eye maple veneer, the arched glazed hood door between turned twisted columns, the short, shaped and crossbanded trunk door with conforming banding and veneers and between canted corners, the crossbanded base on bracket feet, the arch of the dial painted with a peacock among foliage, the chapter ring with Roman hours enclosing two subsidiary dials, two winding apertures and the remains of a painted maker`s name, all enclosed by spandrels painted with garden folly ruins. 224cm(h) CONDITION: Faded, wear to dial, staining, some veneer/banding damage, front foot missing.
AN EARLY 20TH CENTURY ELECTRO-PLATED BISCUIT BARREL of bullet-form, the circular hinged cover with recumbent bull-form finial, the body with foliate embossed and engraved panels, bull mask and ring handles, raised on three animal paw feet, marked WM & S to base (probably William Mammatt & Son). 19cm(h)CONDITION: Small dent to body, some marks and scratches but generally ok.
TWO BOW TOILET POTS AND COVERS enamelled with loose bouquets and scattered flowers, the almost flat cover painted with insects and applied with high domed floral finial, 8cm h, c1755-60 ++Both post with a minor hairline crack, some losses to the encrusted decoration on the covers but neither broken or restored and of considerable charm
AGEORGE III OAK EIGHT DAY LONGCASE CLOCK GEORGE BROWN, BEVERLEY the 31cm breakarched, painted and signed dial with twin subsidiary dials and STRIKE/SILENT to the arch, the case with swept pediment, brass finials and fluted pillars, the trunk with panelled door, plain base, 220cm h, c1800++The movement dusty but apparently complete and original to the dial on an old seat board, the cheeks to the case not packed and thought to be original to the case, the case slightly cleaned at some time. The urn paterae to the centre of the pediment probably original, the finial not, sold with a pendulum and two weights
A SET OF FOUR ITALIAN IVORY INLAID EBONY VENEERED AND EBONISED HALL CHAIRS probably Milan in the manner of Ferdinando Pogliani, inlaid throughout with ivory and penwork baroque revival decoration of courtly figures, putti, masks, birds, fruit and flowers, stamped I, II, IIII and V, 117cm h, c1870 A similar chair and two tables, one of which is labelled by Pogliani, are illustrated Payne (Christopher) Nineteenth Century European Furniture, second edition, 1985, figs 1183, 1184 and 1197++First chair finial broken off and restuck. Second chair, some worming in one seat rail and part of another. All four chairs in good overall original unrestored condition. The seat covering old maroon fabric replacements that are worn and dusty
A Victorian silver mounted glass claret jug, by Hunt & Roskell, London 1891, the silver mounts with vacant cartouches, the domed hinged cover with flame finial and with leaf capped scroll handle, 25cm highCONDITION REPORT: Body probably not original and has large chip to foot rim. Seams visible running along bottoms of both vacant cartouches.
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