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Lot 2028
WW2 Polish Desert Rats Medal Group comprising of 1939-45 Star, Africa Star with 8th Army Clasp, Italy Star and War Medal. 1939-45 Star missing ribbon. Complete with his identity discs to Feliks Sylwester Kusza?a. Served at Tobruk with 1 PAL (1 Pu?k Artylerii Lekkiej; 1st Light Artillery Regiment) of 3 DSK.
Lot 2139
WW2 British Watch, Wrist, Waterproof by Timor. One of the so called Dirty Dozen Swiss watches order by the British in WW2. Black dial with Arabic numerals, separate seconds dial. Luminous paint to hands and numerals. Dial is marked Timor along with WD Broad Arrow. Reverse is marked "Timor" WD Broad Arrow "WWW" along with K 9039 plus serial number 38939. Complete with brown leather strap. Runs and ticks.
Lot 38
TWO 9CT GOLD SAPPHIRE RINGS, the first a sapphire and diamond cluster, comprising of twelve circular cut sapphires and one round brilliant cut diamond, leading on to a plain polished yellow gold band, hallmarked 9ct Birmingham 1987, ring size M leading edge, the second ring a yellow gold abstract diamond and sapphire band, set with three circular cut sapphires and two round brilliant cut diamonds, hallmarked 9ct London 1979, ring size K 1/2, approximate gross weight 4.4 grams, (condition report: general moderate wear, all stones currently intact, overall condition good)
Lot 473
A TABLE GLOBE AND A SPOTTING SCOPE WITH TRIPOD, comprising a George Philip & Son Ltd Worldmaster table globe, dated 1963, turns on a metal axis, supported on a wooden base (yellowed map with a few small worn areas), a late twentieth century Japanese spotting scope, marked 'N.S.R.A. coated', '30 x 60' and 'Japan', stamped with a logo featuring a 'K' and a scroll, on small tripod (sd, scratches and fungus between elements) (2)
Lot 95
AN 18CT GOLD DIAMOND CLUSTER RING, nine round brilliant cut diamonds in a floral cluster, set into white gold leading onto white gold tapered shoulders and a plain polished band, hallmarked 18ct Birmingham 1992, ring size K, approximate gross weight 2.6 grams (condition report: general moderate wear, all stones currently intact, would benefit from a gentle clean)
Lot 98
THREE 9CT GOLD CLUSTER RINGS, the first an oval opal set with ten circular cut emeralds, set in yellow gold, hallmarked 9ct London 1976, ring size K, a seed pearl set with eight circular cut garnets, set in yellow gold, hallmarked 9ct Birmingham 1994, ring size L, an oval amethyst set within thirteen round brilliant cut diamonds, set in yellow gold, hallmarked 9ct Birmingham 2000, ring size N 1/2, approximate gross weight 7 grams (condition report: general moderate wear, all stones currently intact, would benefit from a gentle clean)
Lot 11
A YELLOW METAL GEM SET RING, a circular cut purple stone assessed as a synthetic colour change sapphire, set in an open work bypass mount, leading on to a polished yellow metal band, stamped with an oriental mark, believed to be a high carat, ring size K 1/2, approximate gross weight 3.1 grams, (condition report: general moderate wear, abrasions to facet edges, would benefit from a gentle clean)
Lot 277
J. Craig Thorpe (American, B. 1948) "Tennessee Locomotive" Signed lower right. Original Oil painting on Paper. Provenance: Collection of James A. Helzer (1946-2008), Founder of Unicover Corporation. This painting originally appeared on the Fleetwood Legendary Locomotives of the 50 States Tennessee Commemorative Cover postmarked June 3, 1995. On June 3, 1896, several small railroads merged to become the Atlanta, Knoxville & Northern Railroad. With this new organization came a directive from owner Henry K. McHarg to devise a more efficient method for crossing Tennessee's Bald Mountain -- located 16 miles north of Copperhill. Although his predecessors had devised a series of switchbacks to solve this dilemma, McHarg was not satisfied with that solution because the system allowed only three or four cars to cross at one time. Thus, in 1898, the Hiwassee Loop was born. Measuring some 8,000 feet long, it was once considered to be the world's third-longest railroad loop. In the six miles between the Tennessee towns of Farrier and Appalachia, the loop accomplished a drop of 426 feet. From the south, the line completely encircled Bald Mountain and crossed under itself through an opening in a 62-foot-high, 195-foot-long wooden trestle to reach the gorge of the Hiwassee River. At the top of the loop, riders were afforded perhaps the most impressive view in the South. From that vantage point they could see three states: Tennessee, Georgia and North Carolina. Today, the line has been relegated to use only by freight trains. Displayed here is engine No. 25 -- a Vauclain Compound 2-8-0 built by the Baldwin Locomotive Works -- steaming through the opening in the wooden trestle on the Hiwassee Loop. Image Size: 14 x 12 in. Overall Size: 18 x 15 in. Unframed. (B15044)
Lot 767
ARTIST: Clarence La Verne Butler (New York, Massachusetts, 1850 - 1924)NAME: Still Life with RosesMEDIUM: oil on canvas. Canvas applied to board.CONDITION: Some paint losses mostly along left edge. Some craquelure. No visible inpaint under UV light. AS IS (see pictures carefully).SIGHT SIZE: 18 x 21 inches / 45 x 53 cmFRAME SIZE: unframed (In-House framing available)SIGNATURE: lower right illegible - probably C L V BolletCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 121511US Shipping $60 + insurance.BIOGRAPHY:Clarence La Verne Butler was born in 1850 to Oscar and Hannah Butler of Harmony, New York. As a young man, Butler enrolled in the Academy of Design in New York City, studying under Samuel Frost Johnson. Upon graduation from the academy, Butler taught at the Ladies' Seminary in Hamilton, New York for several years (approx. 1875 to1885). During this period, he also attended "special courses" at Colgate University. The artist left Hamilton to teach at the Osgood Art School in New York City. He subsequently established his own upstate studio in Utica, New York. However, after two years as a studio painter, Butler returned to his teaching post at Osgood. In 1892, the artist emigrated to Paris to study at the renowned Academie Julian. Among his instructors were the French masters, Bougereau, Ferrier, Bramtot and Doucet. Once he completed his studies, Butler opened a Paris studio at the Ville Du Pont which he later relocated to the Rue Chateau Brient. Butler was best known for his bucolic landscapes which were often executed in soft pastel colors. The artist's work in this time period was widely exhibited and well-received by the critics. Below are selected references to his paintings found in historical archives:Per a New York Times article dated April 8, 1895: The Academy of Design, Second Notice: "…and well-painted, if conventional, is The Shepherdess by La Verne Butler…."Per a New York Times article dated December 24, 1898: Art Topics of the Week: "The American Art Association of Paris has recently held an extremely interesting little exhibition of works in the gallery No. 2, Impasse de Conti. There were eighty-one pictures hung, and among the artists represented were F. A. Bicknell, C. L. V. Butler, F. A. Bridgman, Dagnan-Bouveret, L. R. Garrido, Albert Humphreys, George Inness, A. B. Koopman, A. A. Lewis, F. D. Marsh, L. S. Parker, Louis Potter, W. W. Stewart, E. L. Weeks, an A. C. Whiting.""In 1904, while in Holland, Mr. Butler made many very interesting studies of Dutch interiors and landscapes. His work has been exhibited at the Paris Salon for a number of years, an honor that will be better appreciated when it is understood that of about eight thousand subjects offered, only three hundred are selected for the exhibition. Landscape painting is his specialty." Source: Historic Homes and Places and Genealogical and Personal Memoirs (1908), Volume 1 edited by William Richard CutterButler painted in France and other parts of Europe for several years before permanently relocating to the United States. He initially set up a studio in Boston when he returned to America. In 1905, Butler and his wife moved to nearby Framingham, Massachusetts where they purchased an old Colonial homestead. Their historical home was remodeled by the prominent architect, Frank Chouteau Brown. Federal census records report the Butlers as residing in Framingham through 1910 & 1920. Not much is known about the artist's life and work during and after this time period.The artist typically signed his work as "C. L. V. Butler." As a result, his paintings are sometimes confused with those of the contemporaneous artist, Courtland L. Butler (1871-1952).Referenced exhibitions of the artists work include the Academy of Design (1895), the Paris Salon (1897, 1898), and the Art Institute of Chicago (1898). In 1895, Butler married Hattie E. Wells of Madison County, New York. The couple did not have any children. Butler was a member of the Free Masons in Hamilton, New York; of the D. K. E. fraternity of Colgate University; and of the New York State National Guard.
Lot 479
ARTIST: Harald Kurt Knut Ekwall (Sweden, Germany, 1873 - ?)NAME: Pastoral LandscapeMEDIUM: oil on canvasCONDITION: Two small tears (1 1/2" longest). Some craquelure. No visible inpaint under UV light. Minor damages to frame.SIGHT SIZE: 28 x 46 inches / 71 x 116 cmFRAME SIZE: 35 x 53 inches / 88 x 134 cmSIGNATURE: lower leftCATEGORY: antique vintage paintingAD: ART CONSIGNMENTS WANTED. CONTACT USSKU#: 120869US Shipping $319 + insurance.BIOGRAPHY:Harald Knut-Ekwall was born on December 14, 1873 in Leipzig, Sachsen, Germany. He is the son of successful Swedish artist Knut Ekwall (1843-1912) and nephew of artist Emma Ekwall (1838-1930). Harald's birth came during a brief period of time when his father was studying art in Leipzig. He has several siblings who were also artists, many of whom have artwork in the marketplace that often is confused with Harald's and/or his father's. Harald Ekwall's father had studied at the Academy of Arts in Stockholm, and ultimately gained much acclaim and recognition for his skill as a xylographer (woodcut designer) and draftsman. Many of his father's works were reproduced as engravings, and some of his paintings are today considered national treasures of Sweden.Harald seems to have followed in his father's footsteps, painting in oils throughout his lifetime. In 1900 the 27 year old artist departed the European continent on a ship named Hermonthis, destined for Valparaiso, a cultural city center along the coast of Chile. According to public records, it appears that the artist remained in Chile for over a decade, eventually gaining Chilean citizenship. In 1912, he returned to Sweden, where he represented Chile in the 1912 Olympic Games held in Stockholm. He competed in Men's Shooting events including Free Pistol, Dueling Pistol, and Military Rifle. Harald Knut-Ekwall is recognized primarily as a maritime painter, although he is known to have branched out into other genres as well, including landscape and horses and riders in Western Style. It appears that many of his artworks were produced during his years in Chile, though no information has been gathered as to any specific artistic studies he may have undertaken during this time period.His works are usually signed "Harald Knut-Ekwall", while his father's works are typically signed "Knut Ekwall". Harald had at least four siblings, most of which were practicing artists. They often sign their paintings with their first initial followed by "Knut-Ekwall", possibly as a method to attract buyers who have knowledge of their famous father. One of the siblings signed their work "KE", with a backwards K and an E sharing a central vertical spine.There research into this artist is ongoing, and new facts and examples of his work are emerging over time. His legacy, though primarily that of a maritime painter, extends to an increasing number of other types of scenes as well.Unfortunately, little is known about the artist's fate after 1912. The date and location of his death remain unknown.
Lot 311
Original vintage propaganda poster Ballot for the elections to the National Assembly in Czechoslovakia - Hlasovaci Listek pro volby do narodniho shromazdeni. Design features an illustration of a hand holding up the ballot depicting a water dam, farmers on tractors going through wheat fields, a couple walking through the city, a couple, child and other people standing with parcels at a store, children playing on the playground on the seesaw, riding bicycles, playing in the sand, and people marching along as they hug with sings that read 'peace' and 'friendship'; red lettering below reads - 28 November - Everyone to the election / Vsichni k volbam - Published by Narodny Fronty / National Front. Printed by Rude Pravo, Prague. Horizontal. Good condition, folds, creasing, pinholes. Country of issue: Czechoslovakia, designer: Unknown, size (cm): 43x59, year of printing: 1954.
Lot 106
J. K. Rowling, The Harry Potter Series, Deluxe Editions of the full set, published Bloomsbury 1999-2007, three inscribed 'First Edition', original cloth with paper illustration labels to the front covers, 8vo. (7)Notes: seemingly unread and generally in good condition with minor scuffs and bumps to edges and corners, excepting 'The Order of the Phoenix' which has bent boards, several bent pages, and slightly peeling label.
Lot 177
An Aquamarine, Diamond and Ruby Ring, in the Georgian manner, yellow metal, set with a centre aquamarine stone, approximately 1.25ct, surrounded by old cut diamonds, approximately .50ct total, and rubies, approximately .60ct, size K, gross weight 4.2g Note: Metal unmarked but tests 22ct gold
Lot 265
A Mixed Lot of 9ct Gold, comprising - baroque style memento brooch, and another similar, a gem set pendant on fine chain, 400mm in length, carved cameo ring, size N, another similar, size N, pair of gold hoops, 9ct white gold wedding band, size O, small gem set ring, size K, total gross weight 24.2g
Lot 267
A Mixed Lot of 9ct Gold Rings, Modern, comprising - one puzzle ring, size L, one gentleman's signet ring, size I, one small signet ring, size K, one heart ring, size K, one knot ring, size J, another knot ring, size I, one buckle ring, size I ,and one child's ring size M, total gross weight 25.3g
Lot 576
Mdahoma, Sauda; A is for Addis Ababa : Ethiopia through the alphabet, illustrated by Sari Nordberg, published by KenFin, Kenya, 2002, together with Chobi Mela V ‘Freedom’2009, photography publication to coincide with the International Festival of Photography in Bangladesh and Folio Society; Wonders of the World, Theodore K. Rabb, Jonathan Glancey, Simon Goldhill, Richard Barber, published 2006. (3)
Lot 54
Figur des Prajnaparamita. Bronze. Thailand, vermutlicher Fundort Provinz Nakhom Ratchasima, Amphoe KIm Meditationssitz auf einer zusammengerollten naga, mit zehn Köpfen und elf paar Armen, die sich strahlenförmig um die Figur ausbreiten, jede Hand mit einem Attribut (eine Hand abgebr.). Der Körper ist mit einem Diadem, Ohrgehängen, Collier, Oberarm- und Fußreifen sowie einem Gürtel geschmückt. Dunkelbraune Patina mit grünen Flecken und Ausblühungen, die an einigen Stellen die Bronzeoberfläche beschädigt haben. Montiert auf Holzsockel.Prajnaparamita verkörpert gleichzeitig das höchste Wissen des Buddha, den Pfad, der zu diesem Wissen führt, und die Lehrtexte, die hierfür erforderlich sind.H 22,3 cmProvenienzSammlung des thailändischen Prinzen M. R. Thanphong Kridakon (laut Schreiben von Georg Hartl vom 7.8.1976). Dieser Sammler und ehemaliger Leiter des Fine Arts Departments hat in den 1960er-Jahren Bücher und Aufsätze zur südostasiatischen Kunst publiziert.Georg L. Hartl Asiatika, München, abgebildet in seinem Prospekt anlässlich der 7. Westdeutschen Kunstmesse vom 20. bis 28.3.1976 in DüsseldorfSammlung Dr. Ludwig Jansen (1919-2020), bei Georg L. Hartl 1976 erworbenLiteraturPubliziert in: T. Kridakorn (Hrsg.), Buddha. A collection of sculptures, Bangkok 1965, Nr. 67
Lot 651
Karl Moor (1904-1991) Schäfer mit Schafherde, shepherd with flock of sheep,Öl/Leinwand, u. rechts signiert K. Moor, Schäfer mit Herde auf einem Feldweg, H 50 cmx B 60 cm, Holzrahmen 65 x 75,5 cm, unten links Abrieboil/canvas, signed on lower right K. Moor, shepherd with flock on a dirt road, H 50 cmx W 60 cm, wooden frame 65 x 75.5 cm, abraison on lower left
Lot 861
2 versch. Stern-Anhänger/Broschen,England Ende 19. Jh. a) 9 kt GG, mittig besetzt m. 1 kl. Altschliff- Diamant v. ca. 0,10 ct umgeben v. zahlreichen kl. weißen Halbperlen. 16-strahliger Stern. Verso m. Punzen "9" u. "375" sowie Jahresbuchstabe k im Oval (= wohl 1873) u. schwer lesbar Stadtmarke wohl für Newcastle. D 2,8 cm. 5,3 g. b) 14 kt GG, besetzt m. zahlreichen kl. grauen Halbperlen. 12-strahliger Stern. Verso schwer lesbar bez. "150" oder "15C". D 2,8 cm. 3,8 g. Insg. 9,1 g. GG teilw. angelaufen, Gebrauchsspuren.
Lot 292
Matchbox - Collector's Mini-Case with twenty-three playworn models; five MOY models Y-3, Y-7, Y-11, Y-12 & Y-13; K101 Battle Kings Sherman Tank; K-15 Super Kings Jubilee Bus; all boxed; two blister packed Jubilee Buses; three 1970s Matchbox catalogues; Dinky Ferrari racing car; and other itemsCondition Report:Boxed models in very good condition but boxes showing signs of storage wear.Case in quite poor condition and models playworn.
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137173 item(s)/page