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KARINNA SELLERS (BRITISH, CONTEMPORARY) two glass perfume bottles of ovoid form, with elongated stoppers over silver collars by L. J. Millington, Birmingham 2009, both enamelled with butterflies and with coloured lampwork inclusions of leaf form, the bases with etched signature, title and date and oval K seal mark, cranberry glass height 22.5cm, the clear glass height 21.8cm (2) (Condition report: the bottom of the cranberry glass stopper is chipped, silver collars are tarnished and the hallmarks have collections of the dried polish)
A LATE 18TH CENTURY WEDGWOOD CREAMWARE PORPHYRY VASE OR STAND, mottled green/black glaze, lacking a cover or further section, applied with swags below the rim, the circular base with a band of interlinked circles with quatrefoil centres, impressed 'WEDGWOOD' and incised 'K' to the underside, height 13.5cm (Condition report: some light scratching to the interior of the neck, otherwise it appears to be in good condition)
A SILVER TWIN HANDLED TROPHY CUP, A SET OF FOUR GEORGE V SILVER TRUMPET SHAPED POSY VASES AND THREE OTHER SMALLER POSY VASES, the trophy cup with presentation inscription 'CHAMPION CUP PRESENTED BY WILLIAM WRATHALL, ESQ. SKIPTON FOR THE JUVENILE JUDGING COMPETITION AT THE PETERBOROUGH AGRICULTURAL SOCIETY'S SHOW JULY 16TH 1947 WON BY W.E. SMITH', C scroll handles with cast foliate details, stepped circular foot, stamped 'C & K SILVER', 10.15ozt, 315.8 grams, height 21cm, the set of four posy vases with wavy rims, loaded bases, makers William Hutton & Sons Ltd, Birmingham 1926, height 18cm, a pair of Edwardian posy vases, loaded bases, Sheffield 1906 and another of plain conical form (8) (Condition report: the trophy cup has a number of dents, all of the vases have some small dents)
A SELECTION OF SILVER ITEMS, comprising a set of six tea spoons with scroll engraved detail, makers Cooper Brothers & Sons, Sheffield 1930 and a set of six tea spoons (one missing) with grooved detail, John and William Deakin, Sheffield 1930, a posy vase with loaded base, makers C&G&CO. Birmingham 1922, a pair of candlesticks with loaded bases, makers K&L, Birmingham 1929, a rectangular glass soap box with silver lid, lid maker WN, London 1855, together with two vesta cases, a card case, a pill box and three scent bottles, approximate gross weight of weighable silver 9.12ozt, 283.7grams (Condition report: overall condition good, minor tarnish, would benefit from a clean and polish)
Collection of approx. 80 Rock, Pop and mixed LPs to include Tangerine Dream - Cyclone ( V 2097 , UK first pressing, gatefold sleeve, 1978, VG+), The Dubliners - A Drop Of The Hard Stuff ( MMLP3 , UK mono pressing, 1967, VG+), Boney M. - Nightflight to Venus ( K 50498 , UK pressing, gatefold sleeve, VG+), The Seekers - A World Of Our Own ( 33SX 1722 , UK mono pressing, 1965, VG).
19x Jazz LPs. Urbie Green - The Fox (CTI 7070, US stereo repress, 1977, gatefold sleeve, VG), Francis Albert Sinatra & Antonio Carlos Jobim - Francis Albert Sinatra & Antonio Carlos Jobim (K 44008, UK reissue, 1972, VG+), Francis Albert Sinatra & Edward Kennedy Ellington - Francis A. & Edward K. (K 44010, UK reissue, 1972, VG+), Lee Ritenour - Stolen Moments (GPR-9615-1, Swiss pressing, 1990, VG+), Buck Clayton - Jam Sessions (VJD 520, 2x LPs, gatefold sleeve, UK pressing, 1975, VG+), Concord Jazz All Stars - At The Northsea Jazz Festival (CJ-182, US pressing, 1982, VG+) and Sir Charles Thompson - For The Ears (VJD 559, 2x LPs, gatefold sleeve, UK pressing, 1979, VG+). Other artists to include Shakatak, Benny Goodman, and Syd Lawrence.
APH Savonette Taschenuhr der Jahrhundertwende - um 1910, rundes Gehäuse, D 52mm, 585er Gelbgold (2-Deckel Gold, Werkdeckel doubliert), Handaufzug, weißes Zifferblatt mit arabischen Stunden, goldene Filigranzeiger, Trageöse, im Innendeckel gepunzt und nummeriert 202179/31, Deckel mit Festonen- und Blätterdekor fein ziseliert und monogrammiert ¨K¨, Glasabdeckung des Zifferblatts gelöst, Uhr läuft, Funktion aber ungeprüft und ohne Gewähr, 91g brutto
Bernhard K. J. MANNFELD (1848-1925). Sommergarten. 1889.105 cm x 69 cm. Gemälde. Mischtechnik (u.a. Gouache, Kohle, Wasserfarben) auf festem Papier. Unter anderem beschädigt. Linke unten signiert und datiert (18)89. Transportmaß mindestens 120 cm x 82 cm x 10 cm. Versand kann organisiert werden.Bernhard K. J. MANNFELD (1848-1925). Summer garden. 1889. painting. Mixed techniques (including gouache, charcoal, watercolors) on strong paper. Damaged among other things. Left bottom signed and dated (18)89. Transport size at least 120 cm x 82 cm x 10 cm. Shipping can be organized.
Offered without reserve, a special-edition Rover 100 in British Racing Green with just over 20,000 miles from new.The final evolution of the Metro featured a 55bhp, raspy little K-Series engine with excellent ride quality and a vastly improved interiorPresented in British Racing Green with virtually unmarked silver-grey velour upholsteryAccompanied by a history file with original book pack, old MOTs and a fairly recent cambelt service dated March 2021 at 20,410 milesOffered at No Reserve, this groovy, low-mileage, time-warp classic with basic mechanicals, could be a lot of funSpecificationMake: ROVERModel: 100Year: 1997Chassis Number: SAXXPDNADBD156198Registration Number: R219 VNTTransmission: ManualDrive Side: Right-hand DriveOdometer Reading: 20430 MilesMake: RHDInterior Colour: GreyClick here for more details, condition report and images
A classic, left-hand drive 'California Car' in Chiffon White with lots of recent expenditure.Introduced in 1978, the 911SC was powered by a 180bhp, 3.0-Litre six with Bosch K-Jetronic fuel injection and a 5-speed (915) transmissionThis left-hand drive example dates from 01/09/1978 and was purchased by its first owner in San FranciscoImported to the UK in 2001. Thorough service history since thenBodywork excellent as a result of Californian climate (always garaged) -floors and trays rust freeIn its original colour of Chiffon White. Seats re-trimmed in brown leather in May 2017Gearbox reconditioned and a new clutch in 2005. Engine fully rebuilt at 176,000 milesRetro dash radio with Bluetooth connectivity. Over £7,500 spent since 2019This is an excellent value entry into Classic 911 ownership with a great blend of traditional styling and a more refined driving experienceSpecificationMake: PORSCHEModel: 911Year: 1978Chassis Number: 9119200513Registration Number: ERC 640TTransmission: ManualEngine Number: 6590405Drive Side: Left-hand DriveOdometer Reading: 199000 MilesMake: LHDClick here for more details, condition report and images
1998 MG FTransmission: manualMileage:60,470 The MGF was the first new model designed as an MG since the MGB that was produced from 1962 to 1980. It was initially designed by the Rover Group during the period it was owned by British Aerospace and was brought to market after the business had been sold to the German car manufacturer BMW. It was powered by a 1.8 Litre K-Series 16-valve engine, the basic having 118 bhp while the more powerful VVC (variable valve control) had 143 bhp. Steve Harper of MGA Developments produced the initial design concept in January 1991 having been inspired by the Jaguar XJR-15 and the Ferrari 250LM, before Rover's in house design team refined the concept under the leadership of Gerry McGovern. An interesting feature of the F was its Hydragas suspension, a system employing interconnected fluid and gas displacers which provided a surprisingly compliant ride but which could be tuned to provide excellent handling characteristics.This MGF was originally registered on 21st November 1998 and has clearly been well cared for. It was off the road from 2019 and has been recently recommissioned by the vendor. A good service history accompanies this MGF and it is thought the odometer reading of 60,470 is correct, although not warranted. Looking resplendent in the colour combination of green with black interior, this MGF is supplied with a V5 registration document and a current MoT test certificate valid until 7th August 2023 together with a hardtop. A great fun car for a modest outlay.
1972 AC Aceca Cobra Coupé Transmission: manualMileage:11500Classic cars and, in particular, sports cars evolve continually. Brakes keep up with power; bodywork keeps up with performance and tyres have to keep the whole lot on the road. Some cars just get it right first time and so it was with the AC Ace. The first incarnation being AC engined but latterly Bristol and Ford. It was its slippery shape and already impressive performance that gave Carroll Shelby the idea to import 100 cars and shoehorn V8 units under the bonnet. The first 75 had 260ci power plants with the latter 289ci units culminating in the Mk. III 427SC monsters.In addition to this line up however, there is the Aceca with beautifully sculptured bodywork by John Tojeiro and subsequently refined by Allan Turner. AC cars contracted Tojeiro to design the AC Ace, which was loosely based around his earlier, highly successful, Tojeiro/Bristol sports racing car, this proved popular on both road and track in the UK and abroad. Trevor Legate, author of Cobra: 'The First 40 Years' first knew that AC were casting about for a V8 for their Aceca back in the 1960s. The AC engine was not really cutting it and the Bristol unit was going out of production anyway. Derek Hurlock of AC Cars needed something with a bit more 'bite' but none of the major manufacturers seemed willing to help. The man who finally brought the idea of a V8-powered Aceca to fruition was Werner Oswald, an AC enthusiast living in Switzerland in the early eighties. He owned several ACs with various engines but always harboured a desire to produce the model that the AC factory never got around to.He had a rough 1958 AC Aceca at the time but with no engine or front axle. His brother had an accident damaged AC 428 Frua which did not require any strengthening or modifications to accommodate a big Ford V8. All additional underpinnings were from a Mk. III Cobra with independent double-wishbone and coil over shock absorbers all round, as per the later Mk. III 427SC Cobras.A first-class panel beater was then employed to marry the two units together with Mk. II Cobra-modified wheel arches and Mk. II side vents.Finally, the meat in the sandwich was a 1969 BOSS 302 engine conceived for TransAm and Nascar using a Windsor block and Cleveland big-valve heads and steel crankshaft, conrods and +0.03” pistons. Recently re-built by GT40 specialist Steve Warrior, it was guaranteed to be as quick and useable as any Cobra could be. Intake was through a four-barrel Holley carburettor topped by a 14” K&N air filter with a Mallory distributor assisted by an MSD electronic ignition system. It also included Aeroquip hoses throughout as well as competition cooling pipework and a built-in fire extinguisher system.The Richmond 4+1 was the gearbox of choice offering five forward gears and able to channel the 400+bhp through to the road and able to supply both the searing acceleration and flexible, unstressed cruising performance. Werner Oswald finished it in 1982 using it for about two years in Switzerland and another two in the UK.16 years ago, the vendor and racing driver of some note with Le Mans Cobra and Lola T70 wins to his name, acquired the Aceca and set about a bare aluminium repaint in its original Cunningham racing colours of Wimbledon White paintwork with twin blue racing stripes. And rightly so for this is no retiring angel. The interior has been retrimmed with a contrasting blue Connolly leather, Wilton carpets and bucket seats as well a classic AC Ace/Aceca dashboard yet the central gear-lever, with its Hurst Shifter, is pure Cobra.This author is reliably informed that it drives and performs exactly like a Mk. III Cobra with precise handling and a smooth and even power delivery right across the band. The main difference, of course, is that this has been meticulously put together internally but the lightest of touches with your right foot will quickly remind you this is no transcontinental cruiser. This Aceca Cobra ticks so many boxes, has the history to match and has been put together so well and regardless of cost, it really does represent the car that AC should have built. It represents such an important point in History that it caught the eye of noted podcaster, Petrol Ped and he spent a happy afternoon with cameras in the Sussex countryside reviewing the car, it's build and performance. He seemed to enjoy himself!https://www.youtube.com/watch?v=k1VTApO8MGEInterested parties should note that this lot comes complete with a full set of the original wire wheels plus a set of five Minilite items, four with fitted Avon tyres the 5th bare.
ROSENTHAL "Koreanischer Tanz", 1922, Entwurf von Constantin Holzer-Defanti 1919, Darstellung der Tänzerin Anita Berber bei ihrem ersten Solo-Abend im Apollo Theater in Berlin im Jahre 1918, bewegte Pose auf ovalem Sockel mit Buddha-Figurenstütze, äußerst farbenfroh staffiert, auf Sockel bez. "C. Holzer-Defanti", grüner Rosenthal Stempel von 1922 auf unglasiertem Boden sowie Malersignatur "Selvinenberg", Modell-nr. K 566. Vergoldung tlw. berieben, Altersspuren, H 40, 5 cm.| ROSENTHAL "Korean Dance", 1922, design by Constantin Holzer-Defanti 1919, depiction of the dancer Anita Berber on her first solo evening at the Apollo Theater in Berlin in 1918, moving pose on an oval base with a Buddha figure support, extremely colorfully decorated, on the base marked "C. Holzer -Defanti", green Rosenthal stamp from 1922 on unglazed base and painter's signature "Selvinenberg", model no. K 566. Gilding partially rubbed, signs of age, H 40.5 cm.
MÜCKE, TORSTEN (geb. 1964), "Tennisspieler", Bronze patiniert, vollplastische, auf Dynamik stilisierte Figur, gegossen im Wachsausschmelzverfahren, auf geschwungener Plinthe, auf der Plinthe signiert 'T. Mücke', datiert 2018, bezeichnet '0 / K' (wohl außerhalb der auf 49 Exemplare limitierten Edition) und Gießerstempel 'Strassacker', H: ca. 33 cm. Minim. Altersspuren.| MÜCKE, TORSTEN (born 1964), "Tennis player", patinated bronze, fully plastic, dynamically stylized figure, cast using the lost wax technique, on a curved plinth, on the plinth signed 'T. Mücke', dated 2018, inscribed '0 / K' (probably outside of the edition limited to 49 pieces) and foundry mark 'Strassacker', H: approx. 33 cm. Minimum signs of age.
ROSENTHAL 'Flötenspieler, 1910/20. Weißporzellan mit zarten Farbtönen staffiert, auf getrepptem Sockel sitzender männlicher Akt, Querflöte spielend, zu seinen Füßen ein hockender weiblicher Akt, Modell-Nr. K. 547., Entwurf von Johannes Böse (bezeichnet 'Boehse'), H. ca. 38,5 cm. 1 Zeh am linken Bein der Frauenfigur ist bestoßen, Altersspuren. | ROSENTHAL 'Flute player, 1910/20. White porcelain painted in delicate shades, a male nude seated on a stepped base, playing a flute, a squatting female nude at his feet, model no. K. 547, designed by Johannes Böse (inscribed 'Boehse'), h. approx. 38.5 cm. 1 toe on the left leg of the female figure is bumped, signs of age.
An 18ct gold marquise-shape diamond single-stone ring, with brilliant-cut diamond line shoulders, estimated total diamond weight 1.25ct, principal diamond estimated weight 1ct, K-L colour, VS clarity, hallmarks for London, ring size N, 4.9gCondition- Overall good condition- Principal diamond with no obvious inclusions under 10x magnification- Principal diamond draws a slight yellowish tint- Non-principal diamonds are well matched and bright- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An 18ct gold old-cut diamond two-row half eternity ring, with tapered band, estimated total diamond weight 1.75ct, predominantly J-K colour, SI clarity, hallmarks for London, ring size S, 7.7gCondition- Overall good condition- Diamonds are well matched, lively and bright- Diamonds have light and dark, scattered inclusions- Width of band (at widest) approximately 6.5mm- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A brilliant-cut diamond floral double cluster ring, with similarly-cut diamond line undulating shoulders, estimated total diamond weight 5ct, predominantly J-K colour, SI clarity, ring size P1/2, 13.3gCondition- Overall good condition- Principal two diamonds estimated total weight 1ct, I-J colour, SI2-P1 clarity- Diamonds are fairly well matched, lively and bright- Length of ring head approximately 2.7cm- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An 18ct gold aquamarine and brilliant-cut diamond cluster drop pendant, with similarly-cut diamond double surmount, suspended from a trace-link chain, aquamarine estimated weight 8ct, estimated total diamond weight 2ct, J-K colour, VS2-SI clarity, length of pendant including surmount 4.2cm, length of chain 40cm, 7.2gCondition- Overall good condition- Aquamarine is a medium vivd blue hue, fairly well saturated, with good clarity- Aquamarine is in good condition, with minor abrasions- Diamonds are well matched, lively and bright- Chain clasp is in good condition and closes securely- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An 18ct gold brilliant-cut diamond single-stone band ring, with similarly-cut diamond line sides and tapered band, estimated total diamond weight 0.50ct, principal diamond estimated K-L colour, SI clarity, band stamped 750, ring size K1/2, 4.9gCondition- Overall good condition- Principal diamond is lively and bright- Principal diamond has a small nick to the culet- Non-principal diamonds are well matched, lively and bright- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An Art Deco platinum, calibre-cut ruby and sapphire full eternity swivel ring, with single-cut diamond hinged sides, estimated total diamond weight 0.30ct, ring size K, 5g Provenance: from the estate of the late Lady Kathleen Sheila GradeCondition- Overall fair condition- Rubies are a well matched, deep pinkish red hue- Sapphires are a well matched, deep blue hue- Gems are in fair to poor condition, with general abrasions and some nibbles to the facets- One sapphire fractured- Diamonds are well matched and bright- One diamond deficient- Width (at widest) approximately 0.9cm- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Fendi, a leather 2Jours handbag, designed with a black leather exterior, with polished gold-tone hardware, dual rolled leather handles and optional shoulder strap, detachable bag charm, snap button fastening and black striped textile lining, measuring 13 by 28 by 36cm, with maker's dust bagCondition- Overall very good condition- No obvious marks to the bag exterior- Very light scuffs to the base corners, only noticeable upon close inspection- Heat stamped initials R U K A to leather bag charm- Interior lining is clean and unmarked- For enquiries about this lot please contact Sophie Higgs at sophie@kinghamsauctioneers.com
An early 20th century 18ct gold cushion-shape sapphire and old-cut diamond cluster band ring, with pierced shoulders, estimated total diamond weight 0.40ct, band stamped 18ct, ring size K, 4.7gCondition- Overall good to fair condition- Sapphire is a deep blue hue, with good clarity- Sapphire is in fair condition, with some abrasions to the facet edges- Diamonds are well matched and bright- Two diamonds with small chips to the crown- Band shows evidence of resizing- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An 18ct gold brilliant-cut diamond cross pendant, suspended from a silver fancy-link chain, estimated total diamond weight 1ct, J-K colour, VS2-SI clarity, length of pendant 2.7cm, length of chain 62cm, total weight 9.4gCondition- Overall good condition- Diamonds are well matched, lively and bright- Diamonds with mostly minor inclusions, visible under 10x magnification only- Silver chain shows evidence of tarnishing in keeping with age- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
An 18ct gold millennium-cut diamond single-stone ring, with brilliant-cut diamond tapered shoulders, total diamond weight 0.32ct, principal diamond weight 0.19ct, each stamped to band, estimated I-J colour, VS clarity, hallmarks for London 2017, ring size K, 3.4gCondition- Overall good condition- Principal diamond lively and bright, with no obvious inclusions under 10x magnification- Non-principal diamonds are well matched, lively and bright- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
A pair of 18ct gold brilliant-cut diamond floral cluster stud earrings, estimated total diamond weight 2.20ct, J-K colour, VS2-SI clarity, hallmarks for London 2019, diameter 1.1cm, 3.3gCondition- Overall good condition- Diamonds are well matched, lively and bright- Diamonds draw a slight yellowish tint- Diamonds with mostly small inclusions, visible under 10x magnification only- Fixed post fittings for pierced ears- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com
Two early to mid Victorian gold, gem-set rings, to include a 15ct gold emerald and split pearl dress ring, together with a gold ruby and split pearl cluster ring, one with partial hallmarks for 15ct gold, one unmarked, ring sizes K and O, total weight 3.5g Condition- Overall fair condition- Gems are in good to fair condition, with some abrasions, minor nibbles and discolouration- One band shows evidence of resizing, hallmarks partially obscured- One band with no marks to indicate metal purity- Clients are advised to view and inspect items before bidding and they must satisfy themselves as to the condition of every lot- For enquiries about this lot please contact David Pregun at david@kinghamsauctioneers.com

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137173 item(s)/page