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JONSON, Ben (1572-1637). Catiline. His Conspiracy. A Tragoedie, London, 1616, stitched. Bound with another work by the same author with Shakespeare listed at the end as one of the "Tragoedians".JONSON, Ben (1572-1637). Catiline. His Conspiracy. A Tragoedie. Acted in the yeere 1611. By the Kings Maiesties Servants. London: Printed by William Stansby, 1616. Title, headpieces and initials, paginated [680]-768 [incorporating title and dedication leaf to "Epigrammes"] (title and first leaf detached, title browned and very worn with sizable hole not affecting letters, some spotting and staining) [bound with:] Seianus his Fall. A Tragoedie. Acted in the yeere 1603. By the K. Maiesties Servants. London: Printed by William Stansby, 1616. Title, headpieces and initials, paginated [355]-438 (some mainly marginal spotting and staining, some minor worming throughout). Stitched. Provenance: unsightly old ink scribbling to recto and verso of first title. The printed verso of the final leaf lists "The Principall Tragoedians" in the 1603 performance of "Seianus his Fall" as "Ric. Burbage. Will. Shake-Speare. Aug. Philips. Joh. Hemings. Will Sly. Henry Condel. Joh. Lowin. Alex Cooke."
SHERIDAN LE FANU, John Thomas (1814-73). The Evil Guest, London, [1895], original cloth. FIRST EDITION. With 19 other books by the same author. (20)SHERIDAN LE FANU, John Thomas (1814-73). The Evil Guest. London: Downey & Co., [n.d. but publisher's advertisements at the end dated March 1895]. 8vo (187 x 122mm). Frontispiece and title printed in sepia, wood-engraved illustrations by Brinsley Le Fanu, 8-pages of publisher's advertisements at the end (occasional light spotting and staining, Q2 soiled at upper corner, and the previous two leaves creased at corner). Original decorated cloth gilt, the upper cover with "Gothic" door-hinge design, one incorporating a griffin (a little faded and lightly rubbed). FIRST EDITION. Sadleir 1374; Wolff 4011. The illustrator was the author's son. With 19 other books by (or, in one case, about) the same author, most early editions, including The Rose and the Key ([London, c. 1875]), The Fortunes of Colonel Torlogh O'Brien (London, [c. 1880], illustrations by H. K. Browne), In a Glass Darkly (London, 1884), Guy Deverell ... A New edition (London, [n.d. but advertisements dated January 1889]), All in the Dark ([London, c. 1892], The Cock and Anchor ([London, c. 1895]) and A Chronicle of Golden Friars and Other Stories (London, 1896), all the named items in original cloth. Provenance: from the Library of the late Sir George Engle. Please note that only a part of this lot is illustrated. (20)
DUFY, Raoul (1877-1953) - Marcelle OURY (1894-1980, editor). Lettre à mon Peintre Raoul Dufy, Paris, 1965, original wrappers. ONE OF 975 COPIES.DUFY, Raoul (1877-1953) - Marcelle OURY (1894-1980, editor). Lettre à mon Peintre Raoul Dufy. Paris: Librairie Académique Perrin, 1965. 4to (300 x 242mm). Coloured lithographed portrait by Raoul Dufy, title printed in blue and black, coloured lithographs by Raoul Dufy, Jacques Villon, George Braque, Marc Chagall and others, with an additional suite of the lithographs in a pocket at the end, all unbound, as issued, in original printed wrappers and folder, slipcase with a coloured design by Dufy. NUMBER 595 OF 975 COPIES "sur vélin B. F. K. de Rives ... accompagnés d' une suite des lithographies."
8 x Rock LPs. John Fogerty - Centerfield (925 203-1). Jerry Garcia - Garcia (RX 59301). The Guess Who - American Woman (LSP 4266), with poster. The Incredible String Band - The 5000 Spirits Or The Layers Of The Onion (K42001), reissue. Jefferson Airplane (2) - Bless It's Pointed Little Head (SF 8019). Bark (FTR 1001). John Sebastian - The Four Of Us (K 44149). Various - Woodstock, Music From The Original Soundtrack And More (ATL60 001), 3-LP set.
Punk, Indie and New Wave Interest LPs and 12" Singles, thirty eight LPs to include Sex Pistols - Never Mind The Bollocks, (Virgin VP2086) picture disc, 999-999 (VAG 30199) 1978, The Clash - Combat Rock, Conflict - The Ungovernable Force, Siouxsie and The Banshees - Join Hands, and others by The Playn Jayn, Love and Rockets, Cud, Skeletal Family, Nick Cave, The Fixx and Pop Will Eat Itself. There are thirty seven 12" singles which notably includes Joy Division - Atmosphere (Facus2/K).
A Meissen early two-handled circular tureen and cover, circa 1725Decorated in underglaze-blue with flowering branches of indianische Blumen issuing from stylised rockwork, the sides with birds and small insects, the handles on the tureen and cover in the shape of fish, 30.5cm across handles, crossed swords mark in underglaze-blue to interior of tureen (restored) (2)Footnotes:This model is first mentioned in manufactory records in March 1722, though the first successful firing may only have been in July. The turner, Peter Geithner, produced thirteen more in late July, and thereafter the models are mentioned in 1725, 1727 and 1728 (J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II, p.76). Tureens of this type were in use at the royal table as soup tureens from at least 1723. The earliest surviving inventory of the Hofsilberkammer of 1733 lists four large and six smaller tureens, although the use of blue and white wares was not restricted to the court (Weber, op. cit, pp. 10-11). A tureen and cover, circa 1722-23, of the same shape and with similar underglaze-blue decoration is in the Malcolm D. Gutter collection, illustrated in Maria L. Santangelo, A Princely Pursuit (2018), no. 27. Three related tureens and covers, one with lizard handles, are in the Dresden porcelain collection (the one with lizard handles is illustrated in K-P. Arnold, Meissener Blaumalerei aus drei Jahrhunderten (1989), no. 27).For further information on this lot please visit Bonhams.com
A rare Meissen covered two-handled beaker and saucer, circa 1730-35Each painted with European landscape scenes within gilt quatrelobe scrollwork cartouches embellished with iron-red and purple scrollwork. the handles gilt between painted sprigs of indianische Blumen, the reverse of the saucer with similar sprigs and insects in iron-red, gilt ball finial to cover, the beaker and saucer with gilt scroll- and strapwork borders, the saucer: 13.6cm diam.; beaker and cover: 11cm high, crossed swords marks in underglaze-blue, gilt numeral 1. to all three pieces, impressed former's marks for Johann Martin Kittel und J.E. Grund Senior (3)Footnotes:Provenance:Anon. sale, Christie's London, 3 June 1974, lot 70 (part);Anon. sale, Sotheby's Zürich, 1 June 1994, lot 70Literature:M. Newman, Die deutschen Porzellanmaufakturen, I (1977), ill. 30;D. Hoffmeister, Meissener Porzellan des 18. Jahrhunderts Sammlung Hoffmeister, I (1999), p. 170;U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 182Exhibited:Düsseldorf, Hetjens-Museum, 'Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen', 19 January-6 April 1997;Dresden, Staatliche Kunstsammlungen Dresden, Porzellansammlung im Zwinger, Albertinum, 'Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen', 7 May-13 July 1997This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
A Meissen deep plate, circa 1765Painted in underglaze-blue, enamels and gilding with a central flower motif with radiating panels of gilt and iron-red flowers reserved against underglaze-blue, alternating with flowering branches, one in gilt and iron-red and the other two further embellished in green and purple, the gilt-edged rim with three underglaze-blue-ground flower panels, alternating with extensive landscapes with pagodas, the reverse with two bands of flowering branches, the lower with two chrysanthemum demi-florets, and an iron-red geometric border above the footrim, an iron-red and gilt flower sprig by the mark on the underside, 21.9cm diam., crossed swords mark, dot and K in underglaze-blue, impressed 10Footnotes:Provenance:The Hoffmeister Collection of Meissen Porcelain Part II, acquired in 1980, sold in these rooms, 26 May 2010, lot 18Literature:D. Hoffmeister, Meissener Porzellan des 18. Jahrhunderts. Katalog der Sammlung Hoffmeister, vol. I (1999), no. 174Exhibited:Hamburg, Museum für Kunst und Gewerbe, 1999-2009Three similar plates are recorded: one in the Dr. Ernst Schneider Collection, Schloss Lustheim; another in a Swiss private collection; and one in Sèvres - Cité de la céramique (J. Weber, Meißener Porzellane mit Dekoren nach ostasiatischen Vorbildern, vol. II (2013), no. 102).For further information on this lot please visit Bonhams.com
A Meissen circular stand, circa 1725The centre painted with a circular medallion with chrysanthemums and other flowers and foliage reserved on an iron-red ground, enclosed by a band of gilt foliate scrollwork, the rim finely painted with four chinoiserie scenes within gilt scrollwork cartouches edged with Böttger lustre and iron-red scrolls, alternating with gilt flower heads within scrollwork, the reverse with three branches of indianische Blumen, 22.2cm diam., crossed swords in underglaze-blueFootnotes:Literature:U. Pietsch/K. Jakobsen, Frühes Meissener Porzellan (1997), no. 167Exhibited:Düsseldorf, Hejens-Museum, 'Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen', 19 January-6 April 1997;Dresden, Staatliche Kunstsammlungen Dresden, Albertinum, 'Frühes Meissener Porzellan Kostbarkeiten aus deutschen Privatsammlungen', 7 May-13 July 1997This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
FREDERICK A POTTLE (ED): 4 titles: BOSWELL'S LONDON JOURNAL 1762-1763, Melbourne, London, Toronto, William Heinemann, 1951 reprint, original cloth, d/w; BOSWELL IN HOLLAND 1763-1764, Melbourne, London, Toronto, William Heinemann, 1952, 1st edition, original cloth, d/w (price clipped and part losses); BOSWELL ON THE GRAND TOUR, GERMANY AND SWITZERLAND 1764, Melbourne, London, Toronto, William Heinemann, 1953, 1st edition, original cloth, d/w; JAMES BOSWELL, THE EARLIER YEARS 1740-1769, London, Heinemann, 1966, 1st edition, original cloth, d/w + CHARLES RYSKAMP & FREDERICK A POTTLE (EDS): BOSWELL, THE OMINOUS YEARS 1774-1776, Melbourne, London, Toronto, William Heinemann, 1963, 1st edition, original cloth d/w (price clipped) + JOSEPH W REED & FREDERICK POTTLE (EDS): BOSWELL, LAIRD OF AUCHINLECK 1778-1782, Edinburgh University Press, 1993 reprint, original cloth, d/w + IRMA S LUSTIG & FREDERICK A POTTLE (EDS): BOSWELL THE APPLAUSE OF THE JURY 1782-1785, London, Heinemann, 1982, 1st edition, original cloth, d/w + FRANK BRADY & FREDERICK A POTTLE (EDS): BOSWELL IN SEARCH OF A WIFE 1766-1769, Melbourne, London, Toronto, William Heinemann, 1957, 1st edition, original cloth, d/w (price clipped) + WILLIAM K WIMSATT & FREDERICK A POTTLE (EDS): BOSWELL FOR THE DEFENCE 1769-1774, Melbourne, London, Toronto, William Heinemann, 1960, 1st edition, original cloth, d/w (losses) + MARJERY BAILEY: BOSWELL'S COLUMN, BEING HIS SEVENTY CONTRIBUTIONS TO THE LONDON MAGAZINE..., London, William Kimber, 1951, 1st edition, original cloth, d/w + CHAUNCEY BREWSTER TINKER: YOUNG BOSWELL, CHAPTERS ON JAMES BOSWELL, THE BIOGRAPHER BASED LARGELY ON NEW MATERIAL, Boston, The Atlantic Monthly Press, 1922, 2nd impression, original cloth gilt worn + ADAM SISMAN: BOSWELL'S PRESUMPTIOUS TASK, London, Hamish Hamilton, 2000, 1st edition, original cloth, d/w + PETER MARTIN: A LIFE OF JAMES BOSWELL, London, Weidenfeld & Nicolson, 1999, 1st edition, original cloth, d/w, (13)
CHARLES DICKENS: LITTLE DORRIT, ill H K Browne, London, Bradbury & Evans, 1857, 1st edition in book form, 1st issue, added vignette title and 39 plates as list, including 8 'dark' plates, three-line errata, no headlines or page numbers pages 97, 120, 321-323, single line quote followed by period before 'Mr' page 114, capital 'W' in 'when' page 197, no end quotes for those preceding 'very' page 200, 'fidgetty' pages 265 and 389, 'chimnies' pages 342 and 514, 'diceing' page 360, signature 2b2 printed B2 page 371, capital 'W' in 'was' page 373, quotes missing before 'because' page 377, 'into' page 456, single line quote rather than double page 470, 'rigaud' for 'Blandoix' appearing 10 times from pages 469-474, later calf gilt, spine gilt in compartments, morocco gilt spine label, teg
CHARLES DICKENS; THE LIFE AND ADVENTURES OF MARTIN CHUZZLEWIT, ill H K Browne, 'Phiz', London, Chapman & Hall, 1844, 1st edition in book form, early issue, added engraved title with £ sign transposed and 7 studs in the trunk, lacks frontis and one other plate, quotes missing after 'yes' page 435, quotes missing before '30-5' page 452, 'd ug' page 537, 'I' no quotes page 560, 'thresh-hold' page 587, old half calf worn
CHARLES DICKENS: THE LIFE AND ADVENTURES OF NICHOLAS NICKLEBY, ill H K Browne, 'Phiz', London, Chapman & Hall, 1839, 1st edition in book form, early issue, engraved portfrontis by Finden after Maclise and 39 plates by Browne as called for, 'wil' page x, comma after 'what' page 13, no hyphen in 'up stairs' page 129, 'latter' page 160, 'yesterday's' page 198, 'inscsribed' page 238, 'flys' page 245, 'mercie' page 270, 'visiters' page 272, 'twenty-years' page 273, no period after 'Ralph' page 288, 'incontestible' page 297, period after 'again' page 317, 'think' with capital 'T' page 319, 'conducter' page 342, 'how' with capital 'H' page 512, 'suprise' page 586, 'grogswig' page 618, later three-quarter crushed crimson morocco, spine gilt in compartments, marbled end papers
CHARLES DICKENS: THE POSTHUMOUS PAPERS OF THE PICKWICK CLUB, ill R Seymour & H K Browne, 'Phiz', London, Chapman & Hall, 1837, 1st edition in book form, later issue with the two Buss plates replaced by Browne's, 42 plates (lacking added vignette title), later three-quarter crushed crimson morocco, spine gilt in compartments, marbled end papers
C F K MEES: THE FUNDAMENTALS OF PHOTOGRAPHY, London, Kodak 1921, 1st edition, original cloth backed boards + THE PHOTOGRAPHY OF COLOURED OBJECTS, London, Kodak, 1934, original cloth backed boards worn + KODAK MAGAZINE, 1936, vol 14, 4to, contemporary cloth + HEINZ BERGER: AGFACOLOR, Wuppertal, W Girardet, 1967, English edition, original wraps (4)
A 19th century miniature alphabet sampler, 5.5cm x 4cm, together with a late 19th/early 20th century small drawstring bag embroidered and appliqued with a wildflower garland, 12cm x 13cm approximately (2).Condition report: There are holes to the cotton of the sampler, noticable on the caps alphabet and above the k on the small alphabet. Please see extra images on our website.

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137169 item(s)/page