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Lot 598
Collection of Radio equipment (A/F and untested) to inc. Multimeter Electronic Type CT 38, G & C Transmission Measuring Set, Sangamo Weston Ltd Model E772 Analyzer, Muirhed & Co. Ltd D-826-G/1 Decade Resistance, J. J. Lloyd Instruments Air Cored Inductor, Calibrators Crystal No.10, Taylor Model 110C, Power Unit Type 3, Marconi Variable Attenuator, Indicator Unit Type 247, Codar Radio Company RQ 10 Q Multiplier & P R 30 R F Preselector, Wavemeter Type W1191A, Pulse Generator Type 1 Ser No. 157, Airmec 5 K. V. Ionisation Tester Type No. 732, Airmec 2okv Ionisation Tester Type 209, AVO Signal Generator Type III, A. C. Cossor Ltd Model 1433 Oscillograph Voltage Calibrator, etc. (22)
Lot 94
Avia gold plated wristwatch, D32.7mm; Olympic chrome wristwatch, D31.4mm; Russian chrome hunter pocket watch, D50mm; other mechanical and quartz wristwatches; Ruhla; Montine; G & B; Next; Neptunus; Avon; Past Times; Newark; Lorus; Kasda; Regi; Bridgeway; Josmar; Originex; Swatch; Lorus and K Collection (2)
Lot 792
Collection of mostly David Coulthard related prints and books to include 'Victory At Monaco' framed limited edition print by K W Davies 269/1000 (76.7x58.8cm), 2 smaller framed prints by Michael Turner (both 29.4x24.2cm), a double sided F1 poster from The Times, a Lewis Hamilton 2009 calendar etc.
Lot 211
A Victorian 18ct diamond and ruby set five stone ring. Of wavy design claw set with three claw set old cut diamonds, the largest of 0.07ct approximately, flanked by two cushion cut rubies, one of 3 x 3.7mm and one of 3.1 x 3mm approximately, on a fluted shank, Birmingham 1896, size k 1/2, 2.0g.
Lot 153
A selection of four gem set rings. One is 14ct set with a small pearl, stamped RYRIE 14ct, size J 1/2; the other three rings in 9ct gold, one set with amethyst, size Q 1/2, another set with a white single stone, size Q, and an eternity ring set with white stones, size K 1/2, weight 6.6g, total weight 8.5g.
Lot 118
Four gem set rings and a pair of gem-set pendant earrings. One ring is an 18ct and platinum set with three small diamonds, size K, 1.7g; two rings are 9ct each set with three green stones and small diamonds, sizes P 1/2; one is silver gilt set with garnet, size Q; the earrings green stone set with small diamonds, 2.5g, total gold weight 7.3g.The earrings are gold and stamped 9k.
Lot 404
A 60 bore six-shot Baker single action 'transitional' percussion revolver, two-stage barrel 5 in. and fixed to the arbor pin by two screws through an under-lug, cylinder with vertical nipples, acanthus engraved German silver lock case inscribed 'T. K. BAKER LONDON' to the right side and with details of Thomas Kerslake Baker's registered design to the top, hammer with long spur marked 'BAKER PATENT', safety bolt, Birmingham proof; fitted case with loading rod and powder flask. Section 58(2) - no licence required if possessed as a curiosity or ornament.28.3cm OAL
Lot 67
A small collection of Coronation Medals, comprising a pair to P.C H. Shipway, Metropolitan Police: Coronation (Police) 1902 in bronze (P.C. H. SHIPWAY. K. DIV.), and Coronation (Police) 1911 in silver (P.C. H. SHIPWAY) the first very fine and the second better; together with four single medals: Edward VII, Coronation 1902, silver, near very fine; Visit to Scotland Medal 1903 (P.C. A. MCMILLAN.), good very fine, suspension brooch lacking pin; George V, Coronation (Police) 1911, Scottish Police, silver (P.C.. M. NICOLSON.), good very fine, reverse better; and Coronation (Police) 1911, St John Ambulance Brigade, silver (NURS. SISTER M. BOULTBEE.), edge bruising, near very fine. [6]Not scale
Lot 203
A collection of four early 20th century 1930s books relating to animals, animal drawings and artworks. The lot to comprise 1935 Himself by K. F. Barker with pen and pencil sketches by the author, 1939 Lucy Dawson's Dog Book with fifteen dog studies in colour in orig. dust wrapper (large tape repair to front board), 1936 Dogs as I See Them by Lucy Dawson with 22 illustrations in colour, and 1936 Morning Flight: A Book of Wildfowl, written and illustrated by Peter Scott. All in publisher's orig. cloth, edgeworn, ownership inscriptions to ffep of most volumes, pages a little spotted. 4to.
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Lot 42
[1595] | FULL ITEM TITLE: Apateka Domacy. W kterez se zawjragj a wypisugj rozlicna Lekarstwj, snadna k pristrogenj, proti wsselikym neduhum Tela Lidskeho, y Auduw geho od hlawy az do Noh, wnitrnjm y zewnitrnjm; y take nekterym nedostatkum Howadskym, a ginym wecem k Hospodarstwj nalezegjcym | PUBLISHER: no author listed | NUMBER OF PAGES: 714 + index | LANGUAGE: Czech | DIMENSIONS: 351 x 110 mm
Lot 16
Walter Frederick Osborne RHA (1859 - 1903)Early Morning in the Markets, Quimperlé (1883)Oil on canvas 40.6 x 31.8cm (16 x 12 ½ “)Signed, inscribed and dated 1883Provenance: By descent from the owner’s great grandmother, who was a friend of the painter.Exhibited: Dublin, Royal Hibernian Academy, 1884, cat no 256; Dublin, National Gallery of Ireland, The Irish Impressionists, Irish Artists in France and Belgium, 1850 – 1914, Oct/Nov 1984, cat no 69; Belfast, The Ulster Museum, The Irish Impressionists, Irish Artists in France and Belgium, 1850 – 1914, Feb/Mar 1985, cat no 69. Limerick, The Hunt Museum, Lavery and Osborne: Observing Life, May 2019Literature: Jeanne Sheehy, Walter Osborne, Ballycotton 1974, no 71; J. Sheehy, ‘Walter Osborne in Quimper (sic) and Pont Aven, 1883’, in Old Limerick Journal, vol.25, summer 1989, p.28, illustrated; K. McConkey, ‘Early Morning in the Markets’ in ‘Lavery & Osborne, Observing Life’, 2019, p.84-85, illustrated; Dr Julian Campbell, The Irish Impressionists, Irish Artists in France and Belgium, 1850 – 1914, NGI, p.212Early Morning in the Markets, Quimperlé is an attractive Continental street scene such as Walter Osborne loved to paint. It shows several Breton figures at a small market, with a colourful display of vegetables, in Quimperlé on a sunny day. After completing his studies in Antwerp in 1883 Osborne headed south west to Brittany to paint ‘en plein air’. He worked in Dinan, Pont Aven and at Quimperlé, often together with fellow former students from Ireland and England. Early Morning in the Markets, Quimperlé, set in the lower part of Quimperlé, is a companion piece to Osborne’s best-known Breton painting Apple Gathering, Quimperlé, 1883, (NGI), set in the upper town, both pictures featuring a church, and both being inscribed ‘Quimperlé’.Quimperlé had developed around the confluence of the rivers Elle and Isole, which combined to form the river Laita. The church of Ste-Croix was founded in the 12th century, based on the plan of the Holy Sepulchre of Jerusalem. It was famous for its magnificent apse, and became one of the most important spiritual centres in Brittany.(1) In the upper part of the town, the church of St Michel, Notre Dame de l’Assomption dated from the 13th and 15th centuries. Quimperlé was a peaceful Finistère town, with a wooded river valley, apple orchards and mild climate, narrow streets cutting down to the lower quarter, bridges, and old houses with gardens by the river. The arrival of the railway line in 1862 made the town much more accessible to visitors. The establishment of schools in the 1870s and 1880s encouraged the education of local girls and boys. (2) Although less well-known as an artist’s colony than Pont-Aven and Concarneau, Quimperlé had a thriving community of British and Irish painters there from the 1880s to the early 20th century, notably Stanhope Forbes, Henry La Thangue, George Clausen, Osborne, J.M.Kavanagh, Blandford Fletcher, Charlotte Benson and Norman Garstin, as well as Norwegian Fritz Thalow.(3) Forbes had moved to tranquil Quimperlé because Pont-Aven and Concarneau had become too crowded, and because studios were cheap. It is possible that Osborne may have done so for the same reasons.Early Morning in the Markets, Quimperlé features several figures: a girl and elderly woman, a boy, a woman shopping and a stall holder. The cheerful whites and blues of the Breton costumes and the green canopy in sunlight attract our attention. In the foreground a young girl and woman are seated behind a colourful array of vegetables, waiting for customers. The cheerful rosy-cheeked child contrasts with the elderly woman, whose headdress casts a shadow on her face. The woman at the stall with white bonnet and collar, faded garments and shopping basket, viewed from behind, is an archetypical Breton figure by Osborne. To her right is a boy in dark Breton hat, face in profile, and smock. Behind them the market woman stands under the green sunlit canopy; although in shadow, her face has a smiling Oriental calmness. The edge of another stall can be seen to the left, perhaps with another stall-holder present.Early Morning in the Markets, Quimperlé is set in front of the east door of the church of Ste-Croix. It is a fine example of Osborne’s early Realism. He applies loving detail to every part of the picture – not just to the figures, but to the freshly picked vegetables arranged along the pavement, the wickerwork baskets, earthenware jar and weighing scales, cobblestones and weathered stone and woodwork of the church, even to a few scattered cabbage leaves. The textured brushwork and variety of delicate colours: blues, beige, white, pinks, greens, russets and ochres, bring the surface of the canvas alive. Yet, together with the meticulous Realism, a narrative element is present: the theme of youth and age, the ‘conversating piece’ between the woman at the stall and the youth looking on and reaching out his arm. The difference in postures suggest that Osborne may have based his figures on preliminary pencil drawings, then assembled them together in the painting. (4)Osborne rarely identified the location of his pictures, so the fact that he inscribed the name of ‘Quimperlé’ on both Early Morning in the Markets, Quimperlé and Apple Gathering indicates the importance which he attached to these paintings. Early Morning in the Markets, Quimperlé was exhibited at the RHA in 1884 and has remained in the same Co Dublin family collection since, or almost since, the artist’s lifetime.Julian Campbell, April 20241. Emmanuelle Yhuel-Bertin, Quimperlé en Images, Quimperlé 2008, p.132. Quimperlé en Images, 2008, p.173. see: Michel Colardelle, Denise Delouche et al, La Route des Peintres en Cornouaille, Briec-de-L'Odet, 1997; C. Puget and J. Campbell, Peintres Irlandais en Bretagne, Musée de Pont-Aven, 1999; C. Puget and J. Campbell, Peintres Britanniques en Bretagne, Musée de Pont-Aven, 2004; and Andre Carion and Beatrice Rion, Les Peintres de Quimperlé, 1850 – 1950, 20044. Similar Breton women and a boy are featured in, for example, Osborne’s Pont-Aven painting, Driving a Bargain, (sold in these rooms, May 2002), and in a small sketch, (Osborne’s sketchbook, NGI, cat.no.19,201, p.21
Lot 393
Group of three lorgnettes and a gold tooth pick.14k yellow gold tooth pick in engraved gold case marked Fairchild 14 KT, the case twists to deploy a tooth pick with diamond shaped point, marked 14k on the point.One pair rimless eye glasses with yellow gold filled nose pads and bridge, on gold filled chain with pin, marked GF Shur-On along the bridge, in black case.One pair of lorgnettes, marked 14k Pat. Jan. 3017 along the bridge and Sterling K Pat Pend at the nose pads, all elements engraved, the handle with black enamel accents, collapsible with spring lever.One pair of lorgnettes, marked 14k Pat. Jan. 3017 along the bridge and Ster K at the nose pads, all elements engraved, the handle done in filigree, collapsible with spring lever, on a dog clip with long link chain, base metal.Gross weight of lot (excluding case): 59.9 grams.Condition:Some tarnishing and wear to all elements.
Lot 439
Oscar Friedman 18k white and yellow gold and diamond ring. Set with a central step cut diamond 1.50 carat, K color, I1 clarity. This diamond has a GIA inscription and report 5211857396. Accompanied by two radiant cut fancy yellow diamonds on either side, 0.74 carats SI1. Each stone set in four prong settings, the yellow diamonds in yellow gold, the central diamond and band in white gold. Marked Oscar Friedman 18k D 2.25 ct along the interior shank. With SGL appraisal.Ring size: 7.25 US. Gross weight: 3.13 grams.Condition:Very light wear.
Lot 1245
Box is labeled "Penn. Merchandise No. 3832." Many parts including, box of wire brads, instructions, 6-inch tempered steel stiff ruler, decals, and misc. pieces. This item has its original box. Issued: c. 1940Dimensions: 22"L x 4.5"W x 3.5"HManufacturer: Wm. K. Walthers Inc.Country of Origin: Wilwaukee, USACondition: Age related wear. Box and parts only.
Lot 1120
Limited edition, glossy porcelain, features a bunny as a fortune teller accompanied by a black cat handle. Produced exclusive for U.K.I Ceramics LTD. Royal Doulton Bunnykins backstamp. Artist: K. CurtisIssued: c. 1999Dimensions: 3''L x 3.25''W x 6''HEdition Number: 35 of 1500 Manufacturer: Royal DoultonCountry of Origin: EnglandCondition: Age related wear.
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137173 item(s)/page