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Lot 120
James Cauty (British, b. 1956) Reface Digital print on paper with gold pen (Hirst + Face) Signed to the verso and numbered 6/13 to the front 70 x 61 cm (27 x 24 in) each one Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 39
James Cauty (British, b. 1956)4th, 5th & 6th Class Stamp of Mass DestructionGiclee printsSigned and numbered 48/150 in black penWith gallery Certificate of Authenticity 70 x 61 cm (27.5 x 24 in) each oneThe 4th, 5th and 6th Stamps of Mass Destruction were issued in 2004 to mark the continuation of the “War on Terror”, and also withdrawn from sale after threat of legal action by the Royal Mail.Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 44
James Cauty (British, b. 1956) Bad Car Bad Art Set of 2 Pop Edition Giclee prints, with 1st Day Issue Stamps and press release poster Prints signed and numbered 9/100 and 15/100 in black pen 31 x 55.5 cm (12 x 22 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 45
James Cauty (British, b. 1956) Dead Dad 21 Giclee print Signed in plate and numbered 7/20 in pencil 31 x 38 cm (12 x 15 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recoded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 59
James Cauty (British, b. 1956) and Billy Childish (British, b. 1959) James ‘Naughty’ Cauty VS ‘Wild’ Billy Childish, 2006 London Art Fair 2006 promotional poster Open addition, signed by both artist in black pen 43 x 61 cm (17 x 24 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 73
James Cauty (British, b. 1956)5-11 Black smoke Terror AwareSet 3 pop edition giclee printsNumbered 26/100 with artist stamp31 x 33 cm (12 x 13 in)Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 79
James Cauty (British, b. 1956) Dead Dad 1, 2007 Lithograph poster, part of the Operation Magic Kingdom series Unsigned, open edition 70 x 48 cm (27 x 19 in) Over a diverse and productive career Cauty has distinguished himself as a musician, record producer, artist and cultural provocateur through fusions of high art, low art and popularist mediums to spectacular effect. As a teenager Cauty drew the intricate multi-million selling Lord of the Rings poster for British retailer Athena. With Alex Patterson as The Orb and with Bill Drummond as The KLF and the Justified Ancients of Mu Mu, Cauty co-wrote and produced a string of global top ten hits. As The K-Foundation, Cauty and Drummond staged a series of seminal actions including the 1994 K Foundation Art Award for Worst Artist of the Year and the K Foundation Burn A Million Quid. From experimental sonic weapons (the Advanced Acoustic Armaments), to anti-Iraq war postage stamps (Stamps of Mass Destruction), and model making (Riot In A Jam Jar and the Aftermath Dislocation Principle) Cauty’s work combines dissent, cultural subversion and gleeful level of high humour. His roguish and voluble approach has earned him a cult following for work that remains radical, responsive and darkly comical. He produces work that draws on and responds to contemporary culture, sampling it and selling it back as recorded realities. In 2013 Cauty completed The Aftermath Dislocation Principle (ADP), a vast 1:87 scale-model landscape (equivalent to 1 sq mile in miniature) which has been completely looted, destroyed, burnt and is devoid of life apart from 3000 or so model police that attend this apocalyptic aftermath. In 2015 the ADP was installed in Banksy’s Dismaland in Weston Super Mare. This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 94
K-Guy (British, b. 1968)Tr*ash - Politicians Kill, 2007Rare 3 colour screen GIFT print on textured gold paperSigned and dated in pencil and marked GIFTPublished by Souled Out Studios, with their blind stampProfessionally framed70 x 51 cm (27 x 20 in) K-Guy is a visual artist who lives and works in the epicentre of the street art scene, London. The artist is best known for his sharp analyses and off-the-mark responses to what goes on around him, politicians, religious leaders, fast food outlets and entire economic systems have all been examined in K-Guy’s work. His controversial and quirky works in the streets of London have received worldwide media attention several times, for example with his installation ‘In Loving Memory to the Boom Economy', which was created in front of The Bank of England and depicted the burial of the flourishing economy. Another example is his mural ‘Primate Pontificate’ as a reaction of the Pope’s visit to London. Renowned works from the artist include his collaboration with the Prodigy on a limited edition print which sold out instantly and his iconic best sellers ‘Coke Moss’, ‘Naomi Campbell’s, ‘Pepsi Cara and Linda EVANGELISTa’.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 95
K-Guy (British, b. 1968)Tr*ash - Religion Can Seriously Harm You And Others Around You, 2007Rare 3 colour screen GIFT print on textured gold paperSigned and dated in pencil and marked GIFTPublished by Souled Out Studios, with their blind stampProfessionally framed70 x 51 cm (27 x 20 in) K-Guy is a visual artist who lives and works in the epicentre of the street art scene, London. The artist is best known for his sharp analyses and off-the-mark responses to what goes on around him, politicians, religious leaders, fast food outlets and entire economic systems have all been examined in K-Guy’s work. His controversial and quirky works in the streets of London have received worldwide media attention several times, for example with his installation ‘In Loving Memory to the Boom Economy', which was created in front of The Bank of England and depicted the burial of the flourishing economy. Another example is his mural ‘Primate Pontificate’ as a reaction of the Pope’s visit to London. Renowned works from the artist include his collaboration with the Prodigy on a limited edition print which sold out instantly and his iconic best sellers ‘Coke Moss’, ‘Naomi Campbell’s, ‘Pepsi Cara and Linda EVANGELISTa’.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 96
K-Guy (British, b. 1968)Tr*ash - Poverty Can Seriously Damage Your Wealth, 2007Rare 3 colour screen GIFT print on textured gold paperSigned and dated in pencil and marked GIFTPublished by Souled Out Studios, with their blind stampProfessionally framed70 x 51 cm (27 x 20 in) K-Guy is a visual artist who lives and works in the epicentre of the street art scene, London. The artist is best known for his sharp analyses and off-the-mark responses to what goes on around him, politicians, religious leaders, fast food outlets and entire economic systems have all been examined in K-Guy’s work. His controversial and quirky works in the streets of London have received worldwide media attention several times, for example with his installation ‘In Loving Memory to the Boom Economy', which was created in front of The Bank of England and depicted the burial of the flourishing economy. Another example is his mural ‘Primate Pontificate’ as a reaction of the Pope’s visit to London. Renowned works from the artist include his collaboration with the Prodigy on a limited edition print which sold out instantly and his iconic best sellers ‘Coke Moss’, ‘Naomi Campbell’s, ‘Pepsi Cara and Linda EVANGELISTa’.This lot is also sold subject to Artists Resale Rights, details of which can be found in our Terms and Conditions.
Lot 39
Universal-Atlas der neueren Erdbeschreibung von Sohr-Berghaus, vollständiger Hand-Atlas der neueren Erdbeschreibung über alle Theile der Erde. Herausgegeben von Dr. K. Sohr. Fünfte Auflage, Glogau und Leipzig 1859. Alters- und Gebrauchsspuren, stockfleckig| Universal atlas of the more recent description of the earth by Sohr-Berghaus, complete manual atlas of the more recent description of the earth over all parts of the world. Edited by Dr. K. Sohr. Fifth edition, Glogau and Leipzig 1859. Signs of age and wear, foxing
Lot 402
A rare Capri, just one owner from new, only 20,262 miles and on offer from a deceased estate.Towards the end of its life, the Ford Capri enjoyed an upswing in interest as more buyers realised that perhaps a front-wheel hot hatch simply wasn't for them, and a V6-engined, rear-wheel drive sporting hatchback might very well do the job. Ford's Special Vehicle Engineering group was entrusted with developing the Capri 2.8 Injection that made its debut at the 1981 Geneva Motor Show. Based at the Research and Engineering centre in Essex, SVE decided to adopt the 2.8-litre V6 with Bosch K-Jetronic fuel injection - the first regular model since the RS2600 to use fuel injection - plus lowered suspension, thicker anti-roll bars, gas-filled shock absorbers, and wide-rim alloy wheels fitted with Goodyear's 205/60VR NCT tyres. The specification also included a five-speed gearbox, a limited-slip differential (1984 onwards) and ventilated disc brakes for the front wheels. All this translates into a car that goes with 'wonderful eagerness', the Autocar test team enthused after rocketing from 0-60 mph to just 7.9 seconds. The Capri 2.8 Injection breathed new life into the range and kept the car in production two to three years longer than Ford had planned.In 1984, the 2.8 injection model was the subject of a substantial upgrade and was known as the Capri Injection Special. This development used Recaro half-leather seats and included a limited-slip differential. Externally the car could easily be distinguished by the seven-spoke RS wheels and its colour-coded grille and headlamp surround. Packed with performance and character, it paved the way for the superb Capri 280.Offered here is a remarkable example of these rare Capris as it has been owned by one owner from new. It was ordered from new in Rosso Red with a half cloth and Steel Grey leather interior, a very rare combination. Sadly, the owner passed away recently and the car is being offered by his family, having not used it or registered it in the family name since his recent passing.Clearly, the late owner was extremely proud of his special Capri and used it sparingly, more recently just attending the odd car show. At the time of cataloguing, the odometer was reading just 20,262 miles which, having purchased the car in 1986, works out at just 600 miles a year. Naturally, at this mileage and having been looked after by one respectful owner, this rare Ford remains in impressively original condition, remarkable and most likely unrepeatable.It's accompanied by the original bill of sale, books, manuals, service booklet and some original parts. Currently sitting on the original RS wheels there appears to be another set of road wheels included with the car and these will be available to inspect at the auction hall during the sale. Quite simply, we do not know when there will be an opportunity to buy an example of the breed like this again. Silverstone Auctions are storing the Capri for the late owner’s family prior to the sale and we encourage and welcome your earliest inspection.SpecificationMake: FORDModel: CAPRI INJECTION SPECIALYear: 1986Chassis Number: WF0CXXGAECFK45459Registration Number: D736 JKETransmission: ManualEngine Number: 00204TDrive Side: Right-hand DriveOdometer Reading: 20262 MilesMake: RHDInterior Colour: Half Cloth / Steel Grey Leather Click here for more details and images
Lot 454
In production for less than two years, with just over 1,000 in RHD, these are very rare cars.Introduced in September 1975 for the 1976 model year with production only running until 1977, the interesting Carrera 3.0 is rightly regarded as somewhat of a special and rare model amongst the impact-bumper era, 911 model range. Following on after the MFI-engined Carrera 2.7, the 3.0 Carrera heralded the adoption of the newly developed Bosch K-Jetronic CIS fuel injection engine. This torque-rich, smooth and free-revving 3.0-litre engine, with a distinctive "cam' effect from 4,000rpm, produced 200 bhp and was effectively a naturally aspirated version of the 930 Turbo's drivetrain (using the same die-cast aluminium crankcase and gearbox housing for durability).Although having slightly less power than the outgoing Carrera 2.7, it had considerably more torque (188 lb.ft at 4,200 rpm) and with its new fuel injection system was one of the earliest Porsches to return economical fuel consumption figures without a significant performance loss. The Carrera 3.0 was able to accelerate from 0-60 mph and 0-100 mph in almost identical times to the original 2.7 RS and 2.7 Carrera. This respectable performance was aided further by the relatively light weight (1,093 kg) of the 3.0 Carrera compared to its successors. It is almost 6% lighter than the SC (1,160kg), almost 10% lighter than the 3.2 (1,210kg) and surprisingly, also weighs less than the later (1987-1989) stripped-down Carrera 3.2 Club Sport (1,170kg). During its short two-year life span, only 3,687 cars were built - a tiny amount compared to nearly 58,000 911 SCs and 76,500 3.2 Carreras produced. Of these, 2,564 were Coupés and 1,123 were Targas with only around 1,064 Coupés being manufactured in right-hand drive. Very few RHD cars reached the UK, and with just a two year production run, only 121 Carrera 3.0 Coupés (combined "Sport' and "Comfort' versions) are verified by their chassis numbers with the Porsche Club GB.Finished in Grand Prix White, this largely original Porsche 911 3.0 Carrera is in excellent condition throughout and is instantly recognisable by the Carrera side script and Fuchs alloys, a true 1970s poster car if ever there was one. It has an interesting past having been owned at one time by Keith Ripp, accessory brand creator of Rippspeed and renowned Rallycross driver and also featured in the ‘Original’ series of books, ‘Porsche 911 - The Restorers Guide to all Production Models 1963 – 93’ by Peter Morgan. A largely original example, it has formed part of a small private collection in recent years with little use during that time but has been maintained as required and will be presented at the sale with a recent service and a fresh MOT Certificate. With a limited production run of just two years, only 1,064 RHD Coupés rolled off the production line with few known to be still in existence today giving this particular example an air of exclusivity, ticking the rarity box within Porsche circles, meaning that this is most certainly one for the collector or 911 fanatic. Your early inspection is welcomed and encouraged.SpecificationMake: PORSCHEModel: 911 3.0 CARRERAYear: 1977Chassis Number: 9117600371Registration Number: UNM 750RTransmission: ManualEngine Number: 6670507Drive Side: Right-hand DriveOdometer Reading: 116150 MilesMake: RHDInterior Colour: BlackClick here for more details and images
Lot 485
By 1983, the 2994cc SC was producing 204bhp, only 6 shy of the 1973 Carrera RS!In 1978 Porsche introduced their latest iteration of the 911, the Super Carrera, or SC as it is badged, as a worthy successor to the 911 Carrera. The recipe remained very familiar, utilising the evocative 3.0-litre, flat-six aluminium engine with Bosch K-Jetronic fuel injection, mated to a five-speed, 915 manual transmission. The move from magnesium to aluminium engines was purely done for reliability reasons. While the SC engine remained at 3-litres, the power output increased with time, starting at 180 bhp from 1978-79, increasing to 188 bhp for 1980 only, then from 1981-1983 a good 204 bhp was on offer, only 6 less than the legendary 2.7RS from 1973.1979 was the year that Porsche had envisioned that their new 928 would be a worthy replacement for the 911, however, demand and sales of the 911 remained so strong that Porsche thankfully decided to inject new life into their core model. In late 1982, they released the first Porsche cabriolet to the public since the 356 of the 1960s, and the first ever cabriolet 911. The concept they displayed at the Frankfurt Motor Show also included a four-wheel drive system, although this never made it to the production line. Despite its premium price tag, over 4,000 cabriolets were sold in its first year, marking the beginning of the 911 Cabriolet range we’ve seen grow over the years.This pretty, final year of production, 1983 SC Cabriolet was bought by our vendor back in 1986, making him just its second owner from new. It's presented in lovely, useable condition having covered a warranted 73,000 miles from new which equates to less than 2,000 miles a year. This is a well optioned car, finished in its original Ruby Red (Rubinrot) Metallic with a burgundy and cream two-tone leatherette interior enhanced by burgundy and cream 'pin-stripe' details. It's fitted with a five-speed 915 manual gearbox and black-centred/chrome rimmed Fuchs alloys which look particularly good on this Cabriolet. Coming from cherished, long-term ownership, this 911 has been lucky enough to live its life in our vendor's garage which might explain why the original bodywork, paintwork, hood, and interior remain in such good order. The history file is good, and any necessary work has been undertaken as soon as required. In 2021 the car was serviced with new fluids and filters, new callipers and a new fuel tank fitted. Late 911 SCs are becoming more and more sought after, with collectors and enthusiasts agreeing that they possess more of the 911 magic and ‘feel’ than the later Carrera 3.2. It's very rare to find such a great, original 911 in just the right condition, perfect for the arrival of summer. SpecificationMake: PORSCHEModel: 911 SC CABRIOLETYear: 1983Chassis Number: WP0ZZZ91ZDS150997Registration Number: PYM 976YTransmission: ManualEngine Number: 63D4075Drive Side: Right-hand DriveOdometer Reading: 72979 MilesMake: RHDInterior Colour: Burgundy and CreamClick here for more details and images
![Three ladies silver rings, A Ladies 925 Silver rose gilt ring set with Ruby, CZ and glass stones [Ring size K], 925 Gold tone](https://cdn.globalauctionplatform.com/0c0d8495-8cce-4799-a9f5-ae9b00ef9451/dfe83014-2f78-4231-b369-ae9e00f8a803/468x382.jpg)
![A London 9ct yellow gold and two pearl set ring. [Ring size K] [2.89Grams]](https://cdn.globalauctionplatform.com/0c0d8495-8cce-4799-a9f5-ae9b00ef9451/b95042f8-98a7-4165-8e69-ae9e00fb0d52/468x382.jpg)
![A Lot of five ladies 925 silver rings. Four 925 silver and Amethyst stone set rings [Ring size J & K], and 925 silver and](https://cdn.globalauctionplatform.com/0c0d8495-8cce-4799-a9f5-ae9b00ef9451/a718fdf6-3e07-42b5-88ed-ae9e00fc0d5a/468x382.jpg)
![A Lot of three 925 silver ladies rings set with white glass stones. [Ring size I & K]](https://cdn.globalauctionplatform.com/0c0d8495-8cce-4799-a9f5-ae9b00ef9451/3c8a9f7c-91b1-49e7-9fd8-ae9e00ff27ec/468x382.jpg)
![A Sheffield 9ct yellow gold ring set with a single green spinel surrounded by white spinel stones. [Ring size K 1/2] [3.36Gra](https://cdn.globalauctionplatform.com/0c0d8495-8cce-4799-a9f5-ae9b00ef9451/b35dc972-e650-4a60-8da6-ae9e0100c5b4/468x382.jpg)
Lot 166
Montblanc Meisterstück Füllfederhalterum 1950/60, Nr. 149, Feder aus 585 Gold, mit rhodinierter Intarsie, Korpus und Kappe aus schwarzem Edelharz mit Montblanc Emblem als Intarsie, vergoldeter Clip und Ringe, Feder mit 4810 und 14 K bez., Länge 14 cm, Aufkleber OBB Germany, mit Originaletui und -Papieren
Lot 302
Alexander Family, Carlow, 11th Hussars presentation desk set. A 1930s .800 grade Middle Eastern silver four-piece desk set "Presented to Captain K. Alexander - by - the W.O., N.C.O.s, and Men - of - 'C' Squadron - 11th Hussars P.A.O. - On His Leaving the Regiment - September - 1937." in fitted box with partial label of a Haifa jeweller. Auction of contents of Mildford House, Co. Carlow home of Alexander family, Mealy's, 20 November 2018.
Lot 055092
Übergroßer Werbefüller Waterman Ideal, Frankreich, wohl 1950/60er, Kunststoff/Metall, Füllfeder Waterman Ideal 18K - 750, l. best., L. 37 cmOversized advertising fountain pen Waterman Ideal, France, probably 1950/60s, plastic/metal, fountain pen Waterman Ideal 18 K - 750, slightly dam., L. 37 cm
Lot 155
A diamond solitaire ring, the old cut diamond in a yellow claw setting, to a grooved shoulder plain polished shank, estimated diamond weight 0.55 carat approximately, finger size R1/2The ring is in poor condition, the claws require attention, there are surface scuffs throughout the band and there is a chip to the diamond. It is stamped '18' and in our opinion would test as gold. The diamond measures 4.89mm x 4.98mm x 3.30mm approximately. The approximate qualities of the diamond are; colour J/K, clarity SI2/SI1, the diamond is strongly fluorescent and therefore has a cloudy appearance. Gross weight 6.1 grams. CR made 08.02.22.
Lot 163
A diamond brooch, first quarter of 20th century, the openwork scroll motif set throughout with rose cut diamonds, in white claw settings, within a rectangular frame, total estimated diamond weight 0.50 carat approximately, measures 3.6cm by 1.8cmNB: one diamond deficient.The brooch is in fair condition commensurate with age, there is one stone missing. The panel has been adapted possibly from a bracelet. It fastens with a double pin. It bears no hallmark nor stamp but in our opinion would test as gold and silver. The approximate qualities of the diamonds are; colour J/K/L, clarity SI1/SI2/I1. Gross weight 9.5 grams. CR made 07.03.22.
Lot 167
An 18 carat gold synthetic sapphire, synthetic ruby and diamond butterfly brooch, the butterfly set throughout with a marquise cut synthetic sapphire, round cut synthetic rubies and eight-cut diamonds, in white millegrain settings, laid upon a yellow plain polished bar terminating at one end to a round cut synthetic sapphire, total estimated diamond weight 0.25 carat approximately, length 5.2cmThe brooch is in good condition. It fastens with a pin and revolver catch. It is hallmarked but the sponsor's mark is illegible, Birmingham, 1989. The approximate qualities of the diamonds are; colour I/J/K, clarity SI2/I1/I2. Gross weight 7.3 grams. CR made 20.01.22.
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137169 item(s)/page