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Lot 769
A DIAMOND SOLITAIRE RING set with a circular-cut diamond in 18ct yellow gold, size Q, a diamond solitaire ring, set with a circular-cut diamond in 18ct yellow gold, size K, a diamond cross-over three stone ring, set with three small diamonds in yellow gold and platinum, size R 1/2 and a sapphire and diamond three stone ring, set with a circular-cut sapphire and two circular-cut diamonds in platinum, size K
Lot 763
A DIAMOND SOLITAIRE RING the old brilliant-cut diamond is set with three small diamonds to each shoulder, in gold, size N 1/2, a sapphire and diamond ring, set in platinum, size Q 1/2, a ruby and diamond five stone ring, set in 18ct gold, size K and a garnet and diamond ring, set in 18ct gold, size O
Lot 767
A DIAMOND THREE STONE RING set with three circular-cut diamonds, in 18ct gold, size I, a diamond three stone ring, set in 18ct gold, size I 1/2, a sapphire and diamond cluster ring, set in 18ct gold, size I, an emerald and diamond cluster ring, set in 18ct gold, size K, a smoky quartz and 9ct gold ring, size K and a shell cameo and gold ring, size P 1/2
Lot 768
A RUBY AND DIAMOND FIVE STONE RING set with three circular-cut rubies and two circular-cut diamonds in 18ct gold, size M 1/2, together with a diamond cluster ring, set with seven old cushion-shaped diamonds, in yellow gold, size G, an 18ct gold band mounted with a small diamond, size N, a carnelian and yellow gold ring mounted with a small diamond, size K 1/2, a platinum wedding band, 4.1 grams, size J, and another ring
Lot 463
Two similar 19th century miniature portrait of young ladies, verso paper label inscribed 'This picture frame was made and given to me by my cousin V. K. Steddy, 1848, G. H. Kirby, 8.5cm by 6.5cm, together with a framed set of Victorian commemorative Boer war miniatures depicting Queen Victoria, Kitchener, Baden Powell etc, frame 35cm by 32.5cm
Lot 1024
Postcards, Tony Warr Collection, a collection of approx. 46 cards, the majority Tuck published sets and part-sets, including Oilette No 8772 'Call to Arms' illustrated by Winifred Wimbush Series 1 (set) and Series II 8773 (5/6), Art Series 6630 six designs by K E Cowderoy, 'Write Ahead' series 974, six designs (unsigned), Oilette no 9696 'Quaint Humour' illustrated by Cynicus (5), 'Heart & Mind' Series 6815 Black Humour (6 cards). Also Tuck Series 46 French Edition Scenic Views (nos 1-12) chromos (mainly gd)
Lot 71
§ Edward Bawden C.B.E., R.A. (British 1903-1989) Covent Garden Flower Market Linocut, 32/75, signed, inscribed and numbered in pencil to margin, with Willie Rodger Art Trust stamp, unframed (Dimensions: 58.5cm x 78.5cm (23in x 31in))(58.5cm x 78.5cm (23in x 31in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 72
§ Edward Bawden C.B.E., R.A. (British 1903-1989) Smithfield Market Linocut, 18/75, signed, numbered and titled in pencil to margin, with Willie Rodger Art Trust stamp, unframed (Dimensions: 56cm x 76cm (22in x 30in))(56cm x 76cm (22in x 30in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 73
§ Edward Bawden C.B.E. R.A. (British 1903-1989) The Rocket Linocut, 16/25, signed and titled in pencil, with Willie Rodger Art Trust stamp, unframed (Dimensions: 46cm x 38cm (18in x 15in))(46cm x 38cm (18in x 15in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 74
§ Edward Bawden C.B.E., R.A. (British 1903-1989) Covent Garden Fruit Market Linocut, 14/75, signed, numbered and inscribed in pencil to margin, with Willie Rodger Art Trust stamp, unframed (Dimensions: 56cm x 76cm (22in x 30in))(56cm x 76cm (22in x 30in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 75
§ Kerstin Heymann (German Contemporary) Against All Odds Etching and aquatint, 3/10, signed, dated '99 and inscribed in pencil to margin (Dimensions: 77cm x 96cm (30.25in x 37.75in))(77cm x 96cm (30.25in x 37.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 76
§ David Mcleod Martin R.S.W., R.G.I., S.S.A (Scottish 1922-2018) Hillside, Beyond Cupar Signed, oil on board (Dimensions: 14.5cm x 21cm (5.75in x 8.25in))(14.5cm x 21cm (5.75in x 8.25in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 77
§ Alan Davie C.B.E., R.A., H.R.S.A. (British 1920-2014) Three Mari Signed and dated '03 verso, oil on board (Dimensions: 30cm x 25cm (11.75in x 9.75in))(30cm x 25cm (11.75in x 9.75in))Footnote: Provenance: Open Eye Gallery, Edinburgh; Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 78
§ Ian Cheyne (Scottish 1895-1955) Mountain Burn Colour woodcut, signed in ink to margin (Dimensions: 30cm x 33.5cm (11.75in x 13.25in) and another by the same hand 'Arran Landscape' (2))(30cm x 33.5cm (11.75in x 13.25in) and another by the same hand 'Arran Landscape' (2))Footnote: Provenance: The Open Eye Gallery Edinburgh (Mountain Burn), Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 79
Seiko Kawachi (Japanese B.1948) Untitled Etching and aquatint, 1980, 24/30, signed, dated, inscribed and numbered in pencil to margin (Dimensions: 66cm x 96cm (26in x 37.75in), full sheet)(66cm x 96cm (26in x 37.75in), full sheet)Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 80
§ James McNaught R.S.W., R.G.I. (Scottish B.1948) Arrival Venice, Mist Signed and dated 2009, watercolour and gouache (Dimensions: 10cm x 24cm (4in x 9.5in))(10cm x 24cm (4in x 9.5in))Footnote: Provenance: Open Eye Gallery, Edinburgh; Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 81
§ Carlo Rossi R.S.W., R.S.I. (Scottish B.1921) Village by Moonlight Signed and dated '65, oil on board (Dimensions: 25cm x 45.5cm (9.75in x 18in))(25cm x 45.5cm (9.75in x 18in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 82
§ Dominic Willsdon (British Contemporary) I miss the light northern rain, i miss the seasons Etching and aquatint, 4th state, signed and inscribed 14.1.92 in pencil to margin (Dimensions: 81cm x 60.5cm (31.75in x 23.75in))(81cm x 60.5cm (31.75in x 23.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 83
§ S. McKay (Scottish Contemporary) The Necklace Signed and indistinctly inscribed, pastel and charcoal (Dimensions: 44cm x 63cm (17.25in x 24.75in))(44cm x 63cm (17.25in x 24.75in))Footnote: Provenance: The Willie Rodger Art Trust Willie Rodger studied at Glasgow School of Art from 1948-52, and was a school art teacher until 1987 when he resigned to concentrate on his career as an artist. Rodger worked in a variety of media in a career which saw him design 11 stained glass windows (working collaboratively with John K Clark), a Scottish Post Office Aerogramme, a set of postage stamps for Scottish Devolution, the award-winning Scottish Historical Playing Cards (for the late Angus Ogilvy of The Stirling Gallery), book jackets and record sleeves, letterheads, logos and alphabets. A gifted draughtsman, his drawing ability was already recognised whilst a student, and he always had a small sketchbook and a pen to hand. Having been dissuaded from painting whilst at Art School, he took it up several decades later after the late Angus McAuley of the Stenton Gallery prompted him to try his hand, and offered him a solo exhibition by way of encouragement. It was as a relief printmaker, working most usually in lino and wood, that Rodger established himself. His status as one of Scotland’s pre-eminent printmakers was recognised by his peers in 1989 when he became the first person elected an Associate of the Royal Scottish Academy in the category of Printmaker. During his long life he built a small collection of works by fellow artists. These included artists whom he knew personally; others, like Bawden, whom he regarded as personal heroes, and others for whom he was the source of inspiration. His acquisitions reflected places he knew, or addressed gardening and music, pastimes which filled his time away from family and art. Above all he knew what he liked, and acquired to reflect this, either by gift or exchange, or from exhibitions, dealers, or auction sales. Lyon & Turnbull are delighted to offer a small group of works from his private collection within this auction.
Lot 468
A late 19th century mahogany and nickle plated BarographEngraved K Bottomley & Baird Ltd, Glasgow, no.133128With eight tier bellows, contained within a bevelled glass case above a single drawer, raised on bun feet, 36cm wide, 22cm deep, 23cm high, (14in wide, 8 1/2in deep, 9in high)For further information on this lot please visit Bonhams.com
Lot 184
A cultured pearl and diamond ring, the cultured pearl 9.5mm, applied on a bombé trellis surround interspersed with single cut diamonds, reeded shank, stamped 18ct, finger size K, 10g gross; and a single strand baroque cultured pearl necklace, the pearls approximately 8mm to 8.5mm interspersed with mottled baton links, 98cm long, 71g gross
Lot 247
SHEET MUSIC FOR COMPETITION WINNING SONGS to include 'Angel of the Great White Way' winner of the "Songs You Might Never Have Heard" Competition, 1937, 'Two on a Tandem' "The No. 1 Song in the 1950 Hammersmith Palais De Danse Write A Tune £1000 Contest", 'Now That Summer's Gone' "Winning Song from Hughie Green's Opportunity Knocks Song Contest" and several others, SCOTTISH INTEREST SHEET MUSIC to include traditional songs, including Harry Lauder etc. AMERICAN WEST / COWBOY THEMED SHEET MUSIC to include 'The Indian Hunter' by Carl Hemann, 'But Not For Me' by K. G. Lasseter - rare Canadian piece etc. (approx. 100+)
Lot 210
Corgi Toys Gift Set 8 Lions Of Longleat, Land-Rover with protection cage and water tank, white hunter, lions plastic den with pride of lions and meat ,in good original condition, yellow and blue window box, is in fair original condition, plus Matchbox Battle Kings K-115 Articulated petrol tanker, model is excellent, box fair (2 items).
Lot 369
A diamond solitaire ring, set with a princess cut diamond, measuring 5.9mm x 5.92mm, total carat weight 1.2cts, in four corner claw setting, in a raised basket with pierced shoulders, on a polished plain band, marked diamond 14K, ring size M½, 4.9g all in. With accompanying Gemtech certificate of evaluation dated 22/11/2007, Clarity I-1, Colour K-L, Cut very good, Replacement value $7,000.
Lot 107
HEAVY ROCK/METAL - 7" COLLECTION (WITH PROMOS). Hard hitting collection of 16 x 7" loaded with promos! Artists/titles include AC/DC - Whole Lotta Rosie (prmo, K 11207 - Ex+ or 'NM'), Hawkwind - Urban Guerilla (promo, UP 35566 - Ex+ a few light storage marks), Ozzy Osbourne - The Ultimate Sin (ltd edition, no patch), Deep Purple (PUR 137 promo), Thin Lizzy - The Rocker (F 13467 promo), Gillan - Higher And Higher (test pressing, Flexipop with company sleeve), Meat Loaf - Bat Out Of Hell (S EPC 7018 promo) and Two Out Of Three Ain't Bad (promo), Blue Oyster Cult, ZZ Top , Whitesnake and Van Halen. Condition is primarily Ex+ or 'NM' with the records largely looking unplayed.
Lot 233
SIOUXSIE AND THE BANSHEES - OVERSEAS (NON-EU) 7" RARITIES. Ace pack of this time 6 x overseas (Japanese, Australian, US) 7" rarities from Siouxsie. Titles are Hong Kong Garden (Japanese stock picture sleeve, DPQ 6115 - superb Ex+ or 'NM' record showing few marks/Ex+ or 'NM' picture sleeve showing minimal wear, with orig company inner), The Staircase (Mystery) (Japanese stock picture sleeve, DPQ 6137 - Ex+ record/Ex a few light 'folds'), Happy House (Japanese stock picture sleeve, DPQ 6187 'darker' red injection labels - Ex+/Ex+ top copy), Playground Twist c/w The Staircase (Mystery) (Aussie K 7572 - Ex), Hong Kong Garden (Aussie K 5724 - VG+ and also the US copy PD 14561 - Ex). Japanese copies complete with the company inners.
Lot 270
XTC & RELATED - LP/12" EP COLLECTION. Wakey wakey little sleeper(!), how about this excellent collection of 15 x (chiefly UK) pressing LPs with 3 x 12" EPs?! Titles are Go 2 (including UK and Canadian copies, both V 2108, UK copy with 'map' insert, other copy with no inserts), The Dukes Of Stratosphear - 25 O' Clock (WOW 1 - Ex+/Ex+), Drums And Wires (UK V 2129 with insert, no 7" - Ex+/Ex), White Music (V 2095), Black Sea (V 2173), Waxworks: Some Singles 1977-1982 (V 2251), Beeswax: Some B-Sides 1977-1982 (Spanish XD-301 892), Music And Rhythm (K 68045), Hope & Anchor Front Row Festival, Radio Active, Urgh!, Times Square (Soundtrack), Life In The European Theatre, Cash Cows, 5 Senses EP (Canada VEP 308) and 3D EP (VS 18812). Condition is generally Ex to Ex+ or 'NM' (records) and VG+ to Ex+ (sleeves).
Lot 268
XTC - 7" (INCLUDING OVERSEAS AND PROMOS). Cracking collection of 18 x 7" comprising of hard to find overseas pressings with promos. Titles include Generals And Majors (VS 300 DJ promo), Making Plans For Nigel (including US copies - 2 x promo and 1 x stock and also Australia K-7668 and Holland p/s), Limelight (US promo PR 344 that was issued with the Drums And Wires LP), Ten Feet Tall (US), Various - Presented Free By Record Mirror (UD2506), Wait Till Your Boat Goes Down (Holland), Senses Working Overtime (Spain and Germany), Ball And Chain (Germany), Towers Of London (Holland) and Statue Of Liberty (Australia K-7075 - Ex). Condition is primarily very clean Ex to Ex+ or 'NM' (records) and VG+ to Ex+ (sleeves).
Lot 154
US (BANDS) - NEW WAVE/ALT LPs. 18 x cracking albums to add to the collection! Artists/titles are The Cramps - Psychedelic Jungle (original UK pressing, SP 70016 - top Ex+ record/VG+), Dinosaur Jr. - Bug (BFFP 31 RE), Cowboy Junkies - The Trinity Session (COOK 011), The Feelies - Only Life (AMA 5214), 10,000 Maniacs - Blind Man's Zoo (EKT 57), The Wishing Chair (EKT 14), My Mother The War and In My Tribe, Talking Heads (x5) - Fear Of Music (SIR K 56 707 embossed sleeve), :77, Little Creatures (TAH 2), Speaking In Tongues (92-3883-1) and The Name Of This Band..., Guadalcanal Diary, Tom Verlaine, Iggy Pop - New Values = Nuevos Valores (Spanish RE) and Blah Blah Blah and Lemonheads - Lick. The records are often very clean Ex to Ex+ with the sleeves largely VG to Ex.
Lot 226
THE STRANGLERS - OVERSEAS 7" COLLECTION. Going on more than a stroll in the trees(!) with The Stranglers with this mega smart collection of 16 x overseas pressing 45s loaded with rarities. Titles include 5 Minutes (including scarce Aussie K-7049 - top Ex+ condition record showing just a couple of extremely faint and wispy marks, also with Japanese stock p/s copy CM-192 - Ex+/Ex+ brill copy), Sometimes (Japanese stock p/s CM-89 - Ex/Ex), Let Me Down Easy (New Zealand ES 1030, Demo stickered label), Skin Deep (including New Zealand demo stickered label, ES 1006 and with stock Aussie copy, also ES 1006), No Mercy (Aussie promo ES 1034), Sverige (Swedish only, UP 36459), Various - Record News Today (Argentina promo PROM 2) with Portuguese releases including Grip/London Lady (N-S-14-127), Golden Brown , La Folie, Strange Little Girl and Skin Deep. Condition is generally VG+ to Ex+ (records) and VG to Ex (sleeves).
Lot 82
IRON MAIDEN / MEGADETH / MOTLEY CRUE - LPs/10". Mighty bundle of 13 x LPs and 1 x 10". Titles include The Reincarnation of Benjamin Breeg (10EM 703), Iron Maiden (EMC 3330), Piece of Mind (EMA 800), Powerslave (EJ2402001). Live After Death (ES 24 0426 3), Seventh Son of a Seventh Son (EMD 1008), Somewhere in Time (24 0597 1), Rust in Peace (EST 2132), So Far So Good So What (EST 2053), Dr Feelgood (EKT59 960 829-1), Girls Girls Girls (EKT39 960 725-1), Theatre of Pain (9 60418-1-E), Too Fast For Love (ELK K 52425), Shout at The Devil (96-0289-1). Condition is generally VG+ to Ex+.
Lot 124
PROG ROCK / ELECTRONIC ROCK - LPs. Smart selection of 8 x LPs. Artists/titles include Bluebell Wood - Big Sleep (PEG-4, Ex+/Ex), Darry Way's Wolf (x2) inc. Canis Lupus (SDL 14, Ex+/Ex) and Saturation Point (SML 1104, Ex+/Ex+), Curved Air - Phantasmagoria (K 46158, Ex+/Ex), Spreadeagle - The Piece of Paper (pink scroll label, CAS 1055, Ex+/Ex), Faust - The Faust Tapes (VC501, Ex+/Ex), Francis Monkman - Dweller on the Threshold (MAY/A001, Ex+/VG+) and Interlife - Paul Brett (PL 25149, Ex+/Ex).
Lot 112
HEAVY ROCK - LPs. Melting collection of 24 x LPs. Titles are Led Zeppelin - Physical Graffiti (UK original Swan Song SSK 89400, 484 Kings Road address, no Warner logos, A1/B5/C1/D1 - superb Ex+ or 'NM' records showing only a couple of extremely fine and wispy marks/with printed inners and insert/strong Ex sleeve, very neat with a little egdewear), Hawkwind - In Search Of Space (UK original UAG 29202 A-1U/B-2U - fab Ex+ or 'NM' record, a couple of extremely faint paper marks/complete with log book in excellent condition, no loose pages/VG+ original sleeve with a crease on the front, no damage to the tab), Black Sabbath (x9) - Mob Rules (French 6302 119, Ex+ or 'NM' copy), Black Sabbath (Nems RE NEL 6002), Paranoid (Nems RE NEL 6003), Master Of Reality (Nems RE NEL 6004), Vol 4 (Nems RE NEL 6005), Sabbath Bloody Sabbath (Nems RE NEL 6017), Heaven And Hell, Technical Ecstasy and Sabotage (Nems), AC/DC (x5) - Powerage (K 50483 UK), Back In Black (K 50735 A1/B1, embossed sleeve), Let There Be Rock (K 50366), Dirty Deeds... and High Voltage (UK RE) and Thin Lizzy (x6) - Jailbreak (9102 008), Johnny The Fox (9102 012), Bad Reputation (9102 016), China Town (6359 030), Black Rose (9102 032) and Rockers, Axe Attack comp and Ted Nugent (EPC 81196). Condition is often very neat Ex to Ex+. Superb collection.
Lot 136
HEAVY METAL / HARD ROCK - LPs. Amazing selection of 20 x LPs. Artists/titles include (x10) inc. Led Zeppelin (K 40031, A1/B3, VG+/Ex), Houses of The Holy (K 50014, A2/B2, VG+/Ex; Ex/VG+), Presence (SSK 59402, VG+/VG+), II (K 40037, VG/VG), Physical Graffiti (K 89400, Ex/VG+), The Soundtrack From The Film The Song Remains The Same (SSK 89402, VG+/Ex), Coda (A0051, Ex/Ex), Led Zeppelin (x2: HATS 421-81, Ex/Ex; 2401012, G+/VG), Free (x7) inc. Free (ILPS-9104, VG/G+), Heartbreaker (ILPS-9217, VG+/VG+), Highway (White "i" label, German press., 6339 028, Ex+/Ex), Fire & Water (ILPS-9120, VG/VG), Tons of Sobs (ILPS-9089, Ex+/VG+), Free Live! (x2) and The Free Story (ISLD-4, VG/VG), Deep Purple - Machine Head (TPSA 7504, G/VG), and Status Quo - Piledriver (6360 082, VG+/Ex).
Lot 85
CLASSIC/HEAVY ROCK LPs. Essential bundle of 11 x LPs. Titles are Nazareth (x2) - Exercises (1st UK pressing, PEG 14 - super fine and glossy Ex+ condition record with only a couple of very faint hairlines/Ex+ top sleeve too with just a little edgewear) and Expect No Mercy (SP-4666), Deep Purple - In Rock (SHVL 777 unboxed UK original - neat VG+ record/Ex minor shelfwear), Led Zeppelin - 'IV' (EU K 50 008 RE - Ex+ copy), ZZ Top - Eliminator, Thin Lizzy (x5) - Nightlife (6360 116), Johnny The Fox (9102 012), Bad Reputation, Fighting and Black Rose and Rainbow - Down To Earth. Elsewhere condition is typically very neat Ex to Ex+ (records) and VG+ to Ex+ (sleeves).
Lot 543
Three fountain pens of early English manufacture. Two Kendrick & Jefferson, West Bromwich hard rubber eyedroppers Super pen one in original box and a Valentine Pen Co Ltd piston fill. CONDITION REPORT Hard rubber on both K&J pens in good condition one losing a little colour, both pens have rust to the clips
Lot 472
LITERATURE:- Bennett, D: Collecting Irish Silver, 1984 and The Silver Collection Trinity College, Dublin, 1988 together with Ticher, K: Irish Silver in the Rococo Pencil, 1972, The Dr Kurt Ticher Donation of Irish Silver (a National Museum Pamphlet), Irish Silver (another pamphlet ) and Irish Silver 1630-1820 (a Trinity College Pamphlet) (6)
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